The Snow Queen (1995)
Lightweight British animated adaptation of the Hans Christian Andersen fairytale made for children
The Science Fiction Horror and Fantasy Film Review
In its simplest usage, a fairytale is a story for children. Most modern fairytales originated from the interpretations by The Brothers Grimm, Hans Christian Andersen and others like Charles Perrault, although all of these draw from earlier folk tales that have origins in oral tradition. It should also be noted that many of these, especially the Grimm Brothers originals, often have darker elements that are usually sanitised by modern child-friendly tellings.
Few fairytales actually feature Fairies. Most fairytales concern adolescents or innocents – children, orphans, princesses, while antagonists are figures like evil stepmothers or wicked witches. The story frequently requires a journey – often through The Woods – and the innocent undergoing peril to find rescue (often from a prince) and arrive at a place where they receive the gift of true love whereupon comes the refrain “… and they lived happily ever after.” The fantastic enters in the form of magic, talking animals and witches.
There have been a great many fairytale adaptations since the early days of cinema. For a time, Disney produced a series of classic animated versions and there have been a great many other works produced both animated and live-action, all drawing from classic and familiar tales. A number of these are musical and/or ballet interpretations.
There is also body of deconstructed fairytales where the elements of familiar stories are put to very different usages. The most common of these is seeing the fairytale updated into modern surroundings often with comical or less-than-innocent results, or of stories where Little Red Riding Hood encounters werewolves or Hansel and Gretel’s witch is a cannibal. Other versions posit the idea that characters from classic fairytales inhabit shared worlds.
Lightweight British animated adaptation of the Hans Christian Andersen fairytale made for children
Animated film from Don Bluth, an insipid adaptation of the fairytale that eventually bogs down as a comic picaresque (*)
A low-budget children’s film produced by Charles Band, this modernises the story of Jack and the Beanstalk. A sense of humour often proves the film’s saving grace among the tattiness.
Nicely animated film from Richard Rich that tells the story of Tchaikovsky’s Swan Lake in which a princess is turned into a swan by an evil sorcerer
Likeable animated fantasy made for young children
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
A modernised retelling of the Cinderella story that is set in the Paris fashion world starring with Jennifer Grey as a lowly seamstress falling for self-important fashion designer Rob Lowe
A much better than usual film from Charles Band, an erotic fairytale in which Sherilyn Fenn becomes involved with a circusmaster and his twin brother who turns into a werewolf
The singer Björk appears in the adaptation of a fairytale by the Brothers Grimm about witchcraft in mediaeval Iceland
The beginning of the big Disney renaissance of the 1990s. An adaptation of the Hans Christian Andersen fairytale that is conducted with an enormous degree of energy, colour and good cheer
One of the cheap fairytale adaptations made by Cannon Films in the 1980s. A dreary impoverished run through by the numbers with Morgan Fairchild as the Wicked Stepmother and Tahnee Welch in the title role
One of the cheap fairytale adaptations produced by Cannon Films. John Savage and Rebecca De Mornay star in the titles. One of the Cannon fairytales that emerges slightly better than the others
One of a series of cheaply produced fairytale adaptations made by Cannon Films. This adapts the Brothers Grimm fairytale with tatty banality
One of the better of Cannon Films cheap fairytale adaptations featuring a grandly over the top Diana Rigg as the Wicked Stepmother
Swashbuckling fairytale that treads a fine line between deconstruction and parody, while reveling in a script where the dialogue positively dances. Perfectly cast – a film that few do not come out enjoying its ebullient fantasy
This is another in the series of the cheap fairytales made by Cannon Films with Aileen Quinn from Annie as an obnoxious princess who befriends a taking frog
One of the cheap fairytale adaptations that Cannon Films made during the 1980s
Another of Cannon Films cheaply made fairytales with Amy Irving starring in an adaptation of Rumpelstiltskin
One of the shabby fairytales produced by Cannon Films. Here the clear and simple moral sting of the Hans Christian Andersen original disappears under buffoonish comedy
Another of the cheaply made fairytale adaptations from Cannon Films with the bizarre casting of Christopher Walken as Puss in Boots
Horror anthology with the novelty where all of the stories are horror versions of fairytales. Particularly amusing is the second episode, a modernised version of Little Red Riding Hood
Hugely underrated Ridley Scott film that was a box-office flop. Scott attempts to reconstruct the fairytale as something dark and primal and creates moments that are superlative cinema
In his first film, Neil Jordan adapts an Angela Carter story that retells Little Red Riding Hood as a werewolf film that becomes a fascinating swim of fairytale and sexual allegory
A classic French animated film that remained unseen for over thirty years. A fairytale about a cruel king and two lovers aided by a mockingbird, it emerges with an impressively epic sweep
One of the earliest films from Charles Band who has since become a prolific producer/director of low-budget films. Here Band offers a very adult take on the Cinderella fairytale
A ghastly fairytale adaptation. Classic Hollywood director George Cukor took several stars to shoot in the Soviet Union and the results look like a badly choreographed amateur pantomime, lacking in any essential whimsy
A musical adaptation of Cinderella from the Sherman Brothers, behind the hit of Mary Poppins
An exquisitely dreamlike erotic fairytale from cult director Walerian Borowczyk, a variant on Beauty and the Beast involving the liaison between a girl and a beast.
The first dark adult fairytale. Before this, fairytales on film had been in the realm of Disney. This roots the familiar tale in an historical reality surrounded by the Black Death, The Inquisition and Anti-Semitism
From the great and overlooked Curtis Harrington, a Grand Old Dames film with Shelley Winters going mad in the Baby Jane vein. This also becomes a modernised retelling of Hansel and Gretel
The fairytale about a multiple wife murderer is given the lavish costume drama treatment. Featuring Richard Burton at the height of his Bad Actor period in a series of increasingly absurd softcore romps
A X-rated, West German-made film that blends together several fairytales in a very adult adaptation. The result should be seen for its sheer bizarreness
Eccentric French fairytale filled with appealingly absurdist and surreal touches and with visuals that remind of the extravagance of a Barbarella. Charming and visually engaging
Anthology of Brothers Grimm stories from George Pal where the brothers are wound in as characters. The film’s effectiveness is killed by Pal pitching everything down at a mawkish and simple-minded level
The Disney musical version of a story that takes place among the denizens of fairytale. Some visual nonsense but the film dies a slow lumbering death amid the sugary sentiment
Largely forgotten version of the fairytale that is too rudimentary and pedestrian to find much flight of fantasy compared to other classic versions
The Three Stooges are transplanted into a retelling of the fairytale, although their slapstick inanity feels drowned out amid the maudlin banality and Cinemascope spectacle
The popular fairytale has the sexes reversed and is reworked as a comedy vehicle for Jerry Lewis, although the upshot of this is that we get a Cinderella who is now a near-imbecilic Beverly Hills stepchild
One of the finest of all Disney animated films, an adaptation of the fairytale made with the full artistic resources that studio could bring to bear
George Pal adapts the Brothers Grimm fairytale with Russ Tamblyn as a miniature youth amid colourful effects and extended slapstick scenes
A live-action version of Cinderella starring Leslie Caron. This is a rather staid version with ballet sequences where the magic and romance never much ignites
Abbott and Costello take on the fairytale as a vehicle for their usual inanities. This is the only film the two made in colour and financed it themselves, but is not one of their more inspired offerings.
A Disney animated film whose classic stature has been overrated. The fairytale is too familiar to hold much interest, while the cutsie talking animals get to take over proceedings
Sumptuous, beautifully made ballet fantasy from Michael Powell based on the Hans Christian Andersen fairytale. A Technicolor spectacle at a time when most films were still made in black-and-white
One of the Disney animated portmanteaus of the 1940s featuring stories about a circus bear and a retelling of Jack and the Beanstalk starring Donald, Mickey and Goofy
Jean Cocteau makes one of the greatest of all fantasy films and the finest of all fairytale adaptations, elaborating the original story out with a visual magic that still manages to dazzle audiences today
With the success of The Wizard of Oz, 20th Century sought to capture the same by casting Shirley Temple in this appallingly schmaltzy fairytale about two children on a quest for the Blue Bird of Happiness
The first full-length animated film ever made and the beginning of the Disney tradition. A superlative effort, full of an adorable anthropomorphism where Disney instinctively grasps all the elements of the formula