A Knight in Camelot (1998)

A modernised version of Mark Twain’s A Connecticut Yankee in King Arthur’s Court with Whoopi Goldberg as a physicist who time travels back to Camelot
A Knight’s War (2025)

An unusual, visually fascinating fantasy film where a knight enters into the realm of demons to save a girl, while being granted a talisman that allows him to continually be killed and resurrected
K-PAX (2001)

Kevin Spacey is a mysterious patient in a psychiatric institution who makes possibly true claims to be an alien. An uncredited ripoff of the far superior Man Facing Southeast
Kaboom (2010)

Gregg Araki film that centres around sexually conflicted university student Thomas Dekker and his various liaisons amid witches, a doomsday weapon, cults and premonitions
Kadaicha (1988)

Australian horror that sets out to combine US models like A Nightmare on Elm Street and a few dashes of Poltergeist with the idea of an Aborigine curse but emerges as poorly executed
Kafka (1991)

Steven Soderbergh’s second film was this flop pseudo-biopic that places Franz Kafka (Jeremy Irons) alongside mad scientist elements and German Expressionist homages but fails to find much of Kafka’s paranoid mood
Kalifornia (1993)

Coolly intelligent road movie with a then-unknown David Duchovny as a writer on a tour of serial killer murder sites and an unknown Brad Pitt giving a charged performance as a psychopathic redneck
Kamikaze (1986)

An early film written/produced by Luc Besson concerning a scientist driven crazy by tv announcers who invents a device that can kill people as they appear live on tv
Kamikaze 1989 (1982)

A detective thriller set in a near-future Germany. Arthouse director Rainer Werner Fassbinder plays the detective. This came out three weeks before Blade Runner prefigures what was later called Cyberpunk
Kandisha (2020)

Directors Alexandre Bustillo and Julien Maury made the brutally extreme Inside. Here they return with what feels like an unofficial copy of Candyman about a vengeful boogeywoman
Kantemir (2015)

Interesting effort about actors putting on a cursed play that starts taking over the actors to replay events. With Robert Englund in a rare non-villainous, non-over-acted lead role
Kaos (1984)

An anthology adapted from the stories of Sicilian writer Luigi Pirandello directed by the Taviani Brothers. The stories include a werewolf episode and a ghost story
Karate Cop (1993)

A really cheap and unconvincing post-apocalyptic action film starring forgotten martial arts star Ron Marchini as a lawman fighting off mutant crazies to obtain a power crystal
Karla (2006)

Film based on true-life serial killing couple Paul Bernardo and Karla Homolka. This could have been another Monster but it feels like a film that played everything safe in terms of its content
Kate & Leopold (2001)

Lightweight and likeable Meg Ryan romcom in which she is romanced by a chivalrous and perfectly mannered Hugh Jackman travelled through time from the 19th Century
Kate’s Addiction (1999)

A psycho-thriller in the vein of Fatal Attraction with Kari Wuhrer stalking best friend Farrah Forke insisting they are meant to be together as a lesbian couple
Kaw (2007)

A halfway reasonable Syfy Channel film with people under attack by treacheries of ravens. This homages The Birds, including featuring an aging Rod Taylor, to modest effect
Kazaam (1996)

A children’s film starring NBA star Shaquille O’Neil as a genie who emerges from a ghetto blaster. Shaquille is not an actor and this has gained a wide reputation as a bad movie
Keep Watching (2017)

A Found Footage film about a family who finds everything they do is being filmed by hidden cameras before their home is invaded by masked figures
Keeper (2025)

An Osgood Perkins film where Tatiana Maslany joins her boyfriend at his cabin in the woods for the weekend as she starts to experience visions and see creatures
Keeping Mum (2005)

Comedy in which reverend Rowan Atkinson’s home is invaded by murderous nanny Maggie Smith. A promisingly black idea ends up being delivered as a quaintly mumsy British rural comedy
Keyhole (2011)

A disappointment from Guy Maddin where he abandons his trademark surrealism and makes what feels like cross between a haunted house film and a 1940s crime drama by way of the French New Wave
Kichiku (1997)

A disturbing Japanese film about a student revolutionary group and their internal turmoils, which descend into violence and bloodshed as the leader pushed them to torture and bloodshed
Kick-Ass (2010)

One of several films around the same time about wannabes without powers playing at being superheroes. Matthew Vaughn delivers a film that falls between witty deflation of and a celebration of nerdy fantasy
Kick-Ass 2 (2013)

A much better sequel that gives the characters a thorough workover while making clever play out of the contrasts of masked superhero and reality that ran through the first film
Kidnapped (2010)

Spanish home invasion thriller that comes with a moderate degree of brutality and tension but ultimately feels more like a set of choices in a survival horror videogame than an engaging thriller
Kids in the Hall: Brain Candy (1996)

A film spun off from the popular Canadian comedy troupe Kids in the Hall. The loose plot concerns a happiness drug but is mostly there to feature the regulars playing multiple character
Kids of the Round Table (1995)

A Canadian children’s film that does a modest, amusing job of updating the Arthurian legends to the modern day as Merlin appears to a young boy and gives him Excalibur
Kids vs Aliens (2022)

The director of Hobo with a Shotgun returns with a film about a group of kids caught up in the midst as aliens invade a party put on while their parents are away
Kiki’s Delivery Service (1989)

One of the loveliest of Hayao Miyazaki’s anime, the story of a young witch who creates a parcel delivery service using her broomstick. As always, Miyazaki gives the film a simple beauty and an adult emotional complexity
Kiki’s Delivery Service (2014)

NOT the Hayao Miyazaki film but a live-action version based on the same books, made by Takashi Shimizu of the Jun-on/The Grudge films fame. Replicating Miyazaki in live-action is a futile endeavour
Kill … Baby Kill (1966)

Cult Italian directer Mario Bava returns to the Gothic of his highly influential Black Sunday in this atmosphere-laden film about a ghost child haunting a small village
Kill and Kill Again (1981)

From they heyday of the 1970s martial arts film, karate champion James Ryan must reunite the old gang to take on a super-villain who wants to enslave the world with a mind control drug derived from potatoes
Kill Command (2016)

Modest British film about a unit of soldiers on an exercise who become hunted by killer robots. With effects that easily rival those of bigger-budgeted Hollywood films, this produces a very intensive little film
Kill Her Goats (2023)

You could maybe coin the term Folk Slasher for this low-budget film where girls are pursued by chainsaw wielding figures in goat-headed masks. Painfully bad on all counts.
Kill List (2011)

The film that made Ben Wheatley’s reputation, this starts as a kitchen sink drama about the domestic lives of two hitmen before taking a bizarre left field turn into horror territory
Kill Me Again (2025)

One of a growing number of horror takes on Groundhog Day with the unique premise of a serial killer trapped in a timeloop where he kills everybody but must change his ways to escape
Kill Switch (2017)

Dutch film involving action between this and a parallel Earth. Much of this is shot First Person Shooter perspective, while the director provides an accomplished level of mass destruction CGI effects all by himself
Kill Theory (2009)

This has clearly been conceived as Saw by way of Big Brother in which a group of teens are imprisoned in a house and forced to eliminate one another until only one remains
Killdozer (1974)

This tv movie’s premise – “a killer bulldozer” – has had it slotted into bad movie stakes. It was clearly intended as a copy of Duel and its killer truck premise but lacks Steven Spielberg as director
Killer Bees (1974)

TV movie that does nothing to dispel the dictum that there has never been any such thing as a good killer bee film. As always, the effects let the show down and the rest of the piece is slow going and talky
Killer Book Club (2023)

A Spanish slasher film reminiscent of I Know What You Did Last Summer, albeit rewritten for the Cancel Culture era, where a clown-masked killer eliminates their way through members of a book club
Killer Crocodile (1989)

An Italian exploitation ripoff of Jaws with a group of environmentalists in South America dealing with a killer crocodile that has been made giant size by radioactive waste
Killer Crocodile 2 (1990)

A sequel to Killer Crocodile, which was a dreary Italian-made Jaws ripoff. Here another radioactive waste mutated crocodile stalks people. Indifferently made.
Killer Instinct (2000)

A reasonable B-budget slasher film in which teens accept a dare to spend a night in an abandoned asylum only for someone to have rigged the facility with traps and start stalking them
Killer Klowns from Outer Space (1988)

Killer clown film directed by the Chiodo Brothers best known for their makeup effects who come up with an appealing arsenal of sinister clown figures. On the other hand, the film is a one-note joke
Killer Me (2001)

Ambitious ingenue film about a loner who may or may not be a serial killer. Directed with some subtle ambiguity and featuring good performances from the two leads
Killer Motel (2012)

An obscure Japanese film with quite a WTF element about a backwoods motel where things get very strange – the hosts slaughtering the guests, a zombie wandering around
Killer Mountain (2011)

You would not be mistaken for thinking this a regular mountaineering drama – and that’s how half of the film transpires. Then it gets weird and introduces everything from monsters to Ancient Astronauts
Killer Nerd (1991)

This gained a minor cult in which an abused nerd snaps as a result of constant humiliations and goes on a killing rampage. Tony Radloff gives an extraordinary performance
Killer Pad (2008)

Directorial outing from Robert Englund who makes the horror equivalent of a frat comedy where three guys rent a palatial home and throw a party as a portal to Hell opens in the basement
Killer Party (1986)

Canadian entry from the classic era of slasher films that hits some occasionally effective notes that sit between horror and prank. The last 10 minutes take an abrupt dogleg turn to become an Evil Dead copy
Killer Sofa (2019)

A New Zealand-made horror comedy. Oddly this is not, as the title might suggest, about a possessed sofa but a possessed recliner chair
Killer Tomatoes Eat France (1992)

Fourth and final of the Killer Tomatoes films by which time the slight appeal of the original concept has been well and truly worn out
Killer Tomatoes Strike Back! (1991)

This was the third of the Attack of the Killer Tomatoes films. This hits an appealingly silly and wilfully ridiculous note that makes it the best of the sequels.
Killer Tongue (1996)

A giddy madcap, frequently over-the-top and entirely ridiculous Spanish film in which Melinda Clarke’s tongue is possessed by an alien whereupon the tongue starts killing people
Killers (2014)

The second film from Indonesia’s Mo Brothers follows the internet friendship between a serial killer and another he decides to mentor in the ways of killing. The Mo’s take to the material with a dark relish
Killers from Space (1953)

A cheesily bad alien invader film from the 1950s that seems to be trying to throw every element in SF of the era into the mix from mind controlling aliens to atomic monsters
Kinds of Kindness (2024)

Yorgos Lanthimos has become a critically celebrated name in recent years. Here he has made an anthology of three surreal tales that come in his customary black deadpan
King Arthur (2004)

A big-budget version of the Arthurian legends that makes dubious claim about being rooted in historical fact. The fantasy elements are stripped out and what we have is more of an historical spectacle
King Arthur and the Knights of the Round Table (2017)

NOT the Guy Ritchie film but an Asylum mockbuster released at the same time. The most WTF take on the Arthurian legends ever with the Knights as gun-wielding US Marines
King Arthur: Excalibur Rising (2017)

A passable B-budget film that came out in anticipation of Guy Ritchie’s King Arthur: Legend of the Sword. This is actually an Arthurian sequel, featuring Arthur’s son inheriting the sword.
King Arthur: Legend of the Sword (2017)

Guy Ritchie’s take on the Arthurian legends is an awkward beast that comes out as half wannabe Michael Bay film giddy with CGI delirium and half one of Ritchie’s typical Man’s Man caper films
King Charles III (2017)

A near future film that with eviscerates the royals with biting savagery as it depicts Prince Charles becoming the King of England and clashing with the government of the day
King Cobra (1999)

A very routine B-budget film in which Erik Estrada and Pat Morita face a giant animatronic snake. This was billed as Anaconda 2 in some places.
King Cohen (2017)

A documentary about cult director Larry Cohen, best known for It’s Alive and other works. This is filled with hilariously entertaining stories of his guerrilla film-making methods
King Dinosaur (1955)

The first film from Bert I. Gordon, known for his cheap giant animal films through the 1950s. This concerns a space expedition to a planet inhabited by dinosaurs – cue Gordon’s usual cheap effects
King Kong (1933)

Perhaps the greatest of all monster movies, one that has attained iconic status. A masterpiece of stop-motion animation, it imbues Kong with character and attains a delicate fairytale-like atmosphere
King Kong (1976)

The infamous miscalculated Dino de Laurentiis remake of King Kong where the stop-motion is replaced by Rick Baker in an ape suit, while the fairytale romance is replaced by Jessica Lange as a flower child who cracks jokes
King Kong (2005)

Peter Jackson’s dream project, a remake of the 1933 film, and his finest work as a filmmaker. Jackson builds the original out considerably and his command of the effects gives us something quite dazzling
King Kong Escapes (1967)

Toho Films obtained the rights to King Kong to pit him against Godzilla in King Kong Vs Godzilla and then made this entertainingly silly sequel where Kong fights a robot copy of himself
King Kong Lives (1986)

Everybody hated the 1976 remake of King Kong but Dino de Laurentiis has the chutzpah to produce a sequel and the results are absolutely awful, full of scenes guaranteed to have an audience rolling in the aisle
King Kong Vs. Godzilla (1962)

The third of the Godzilla films wherein Toho managed to obtain a coup in leasing copyright to pit Godzilla against a rather tatty-looking King Kong for one of the great title bouts of the century
King of the Hill (2007)

A solid Spanish variant on the Backwoods Brutality cycle in which a man driving through the countryside is shot at and pursued by mysterious hunters with rifles
King of the Rocket Men (1949)

Twelve chapter serial that introduced the character of the Rocket Man who appeared in several subsequent adventures. This has an enthusiastic pulp naivete but ends up mostly routine
King Ralph (1991)

A comedy where the Royal Family is wiped out and vulgar American nightclub singer John Goodman inherits the crown. Much comedic play between American vulgarity and British ceremony ensues.
King Solomon’s Mines (1985)

Cannon Films’ remake of the H. Rider Haggard adventure novel was made to exploit the success of Raiders of the Lost Ark but that does not excuse what an awful film it is where everything is played up for excruciating camp humour
King Solomon’s Mines (2004)

A Hallmark TV mini-series version of the classic H. Rider haggard adventure novel that suffers from a non-acting Patrick Swayze badly miscast as Allan Quatermain
Kingdom of the Planet of the Apes (2024)

A fourth entry in the Planet of the Apes reboot saga. The previous two entries hit incredible heights in terms of motion capture performances but this still a solid entry that holds up well
Kingsglaive: Final Fantasy XV (2016)

Anime film released to accompany the computer game. Dazzling, epic-sized animation, mocapped in photorealistic detail that wows the eye on a scale that Western animators never come near
Kingsman: The Golden Circle (2017)

Kingsman with its parody of gentlemanliness and action movie sensibilities, was the smartest of the modern spy movie parodies. This sequel has gone to the excesses of the Roger Moore Bond films in the space of one film
Kingsman: The Secret Service (2015)

This rescues the spy film from the silliness of Austin Powers. The film’s sly mocking of its Englishness, with Colin Firth going into action as an impeccably mannered gentleman, along with explosive action sequences is irresistible
Kirikou and the Men and Women (2012)

The third of Michel Ocelot’s Kirikou films, delightful tales about the ingenuity and plain-speaking wisdom of a young boy winning out over adult pomposity and foolishness. Animated with a simplicity that is magical
Kirikou and the Sorceress (1998)

The debut film from French animator Michel Ocelot, a beautifully simple series of African folk tales about a young boy whose plain-speaking truths outwit a witch
Kirikou and the Wild Beasts (2005)

Michel Ocelot returns to make a sequel to Kirikou and the Sorceress. This expands the quality of animation and is slightly the lesser than its predecessor but not without its charms
Kiss Meets the Phantom of the Park (1978)

A Hanna-Barbera film based around 70s rock group Kiss where they are cast as superheroes fighting a mad scientist who operates from an amusement park with an army of android duplicates
Kiss of the Damned (2012)

The vampire film feels creatively played out of recent. The story here is familiar but this is propelled into the watchable by the provocative and stylish direction of Xan Cassavetes (daughter of director/actor John Cassavetes)
Kiss of the Vampire (1962)

One of the more overlooked of the Hammer vampire films. This doesn’t feature Christopher Lee or Peter Cushing but does some reasonable things in its own right
Kiss or Kill (1997)

Fine Australian psycho-thriller about a couple on the run from an accidental murder. This comes with sharp twists and ambiguities and a great sense of humour
Kiss the Girls (1997)

The first film adapted from James Patterson’s books about forensic profiler Alex Cross, featuring standout performances from Morgan Freeman (cast as Cross) and Ashley Judd
Kissed (1996)

Controversially charged Canadian film in which Molly Parker plays a mortuary assistant who develops an obsession with having sex with corpses. Played with more taste than synopsis would lead you to think
Kite (2014)

English language adaptation of an anime. The original was controversial for its copious sex and violence; here we get an anodyne action movie that is no more than The Punisher cast with a teenage girl
Knife Edge (2009)

Anthony Hickox made his name with a series of horror films in the 1980s such as Waxwork, Hellraiser III and Warlock: The Armageddon. This is a ghost story that was one of his last films
Knight Moves (1992)

Christopher Lambert and Diane Lane star in a thriller about a serial killer who treats his victims like a chess game and has turned an entire isolated island into a chessboard
Knight of the Dead (2013)

A surprisingly good low-budget film that places zombie into the mediaeval period amid the Black Death. From Mark Atkins, one of the directors who usually work for The Asylum – his best film to date
Knights (1993)

Another of Albert Pyun’s post-apocalyptic kickboxing cyborg films. The film consists of almost nothing but action scenes as pint-size Kathy Long and a cyborg Kris Kristofferson battle warlord Lance Henriksen
Knights of Badassdom (2013)

This has a winning concept – live-action roleplayers are forced to face a demon they accidentally conjure. Only it becomes a one-joke film with characters delivering mock mediaeval dialogue in falsettos
Knock at the Cabin (2023)

An M. Night Shayamalan film concerning strangers who conduct a home invasion to force Dave Bautista and family to make a horrible choice to prevent their vision of the end of the world
Knock Knock (2015)

Eli Roth home invasion thriller where two malicious girls turn family man Keanu Reeves’ life upside down. Roth creates a strong opening but hits the peak of the film not too far in and thereafter loses direction
Knowing (2009)

Alex Proyas seemed a promising genre director during the 1990s. Here Nicolas Cage finds a time capsule that predicts a series of disasters, before the film tangents off into a strange Biblical End of the World scenario