Road to Morocco (1942)
Road to Morocco was the third of the Bob Hope-Bing Crosby Road films and takes them on a parody of the Arabian Nights adventure
The Science Fiction Horror and Fantasy Film Review
Meta-Fiction refers to a body of works where the story breaks out beyond the limits of the medium in which it is takes place. Meta-Fiction is a term that comes from literature and originally refers to characters on the printed page. This author has coined the term Meta-Film to refer to stories that break outside the confines of a film. There are lesser known examples that do the same with television and comic-books.
Meta-Fiction and Meta-Film can refer to stories where variously:-
– Characters emerge from or enter into books, films or tv screens
– Where the author of the work becomes a character inside the narrative or we are able to step outside of the story we are watching and be privy to the process as it is being written or filmed
– Where characters become aware that they are fictional or are operating along the lines of genre cliches
– Where the fourth wall is broken in some way and characters address the screen directly
Road to Morocco was the third of the Bob Hope-Bing Crosby Road films and takes them on a parody of the Arabian Nights adventure
Jean Cocteau’s follow-up to his earlier Orpheus becomes an opportunity where Cocteau makes an autobiographical films, revisiting his own life and works
After a decade, Bob Hope and Bing Crosby returned for their sixth and final Road movie. Both they and the knockabout comedy are on great form with the show taking on the influence of the 60s spy movie fad and even sending them to The Moon
One of Herschell Gordon Lewis’s splatter films about a stage magician who cuts up women on stage and real life. The film makes mind boggling plays between reality and illusion
A Secret Life of Walter Mitty for movie lovers wherein a milquetoast projectionist daydreams himself into a variety of movie scenarios as an inept superhero. Quirkily charming if never more than a single idea. Something you feel should have been a cult film
Alain Resnais meta-fiction with John Gielgud as an aging writer sits in bed writing a story that is based on the people around him
This was made guerrilla-style during the Cannes festival with many scenes shot at press conferences and premieres as obsessed fan Joe Spinell stalks Caroline Munro’s actress
Slasher film that is more like an Agatha Christie whodunnit, this comes with an appealing level of meta-fictionality. Mostly, it is an actor’s film and has been set-up to allow its name cast to do amazing things
A popular fantasy film of the 80s that sits just between the imaginative, particularly when it comes to some its creature effects and design work, and the mawkish. It also comes with an intriguing level of meta-fiction that delivers some odd messages
Woody Allen comedy in which mousy housewife Mia Farrow is the fan of a film whereupon lead character Jeff Daniels steps out into the real world to romance her
Italian horror directed by Lamberto Bava and produced by Dario Argento, an Evil Dead-inspired work about the possessed dead taking over a cinema, all conducted with a ferocious enthusiasm
One of the most extraordinary works ever made for tv. From the pen of Dennis Potter, a mini-series that blends film noir, meta-fiction and autobiography
Strange Spanish-made film about a mother-dominated psycho, which is also a film being watched in a theatre by an audience that is being stalked by another psycho
Sequel to Graveyard Shift with a vampire appearing on a vampire film set and taking over the role in the film
Disastrous Brooke Shields starring film adaptation of the famous comic-strip about a girl reporter. Nobody involved is taking the show seriously and everything is blown into camp farce.
An absolutely delightful comedy from Maurizio Nichetti, a parody of Bicycle Thieves, which becomes a meta-fiction where the characters emerge from the screen and enter the modern world
A rather interesting horror film in which both the heroine and the heroine of the story she is reading are stalked by a disfigured madman, as the boundary between fiction and reality begins to dissolve
TV mini-series from the great Dennis Potter in which the lead character in a smutty novel by an aging writer rebels against her fate. As always with Potter, this blurs fiction, meta-fiction and autobiographical elements
Sequel to The Neverending Story made with a better budget. This delivers some amazing sets and creature designs but is killed with a script that discards the metaphors and complex level of meta-fiction of the original
It is some surprise that Akira Kurosawa’s only full venture into fantastic cinema was with his penultimate film here. A beautifully filmed anthology of eight tales, including several ghost stories and two anti-nuclear parables
Comedy in which John Candy wakes up inside the world of the tv soap opera he writes. This feels like it misses most of the possibilities inherent in its idea
Feeble and shabbily made kid’s film in which children are transported inside the world of their favourite dinosaur tv show. Featuring some terrible dinosaur effects
A New Zealand-made film where a sound effects artist is haunted by the ghost of a woman who steps out of a biopic about Henri Toulouse-Lautec that he is editing
A big flop but highly underrated Arnold Schwarzenegger film, a sophisticated meta-fiction that views the cinema screen as another dimension and wittily deflates action cliches
Peter Greenaway film about a woman claiming her baby is divinely conceived. As fascinating for Greenaway’s constant visual games as for the film’s brutal taboo-defying impact
George Romero’s adaptation of a Stephen King novel with writer Timothy Hutton haunted by an evil alter ego. Underrated and quite possibly the King adaptation that is the most faithful to its source material
Seventh of the A Nightmare on Elm Street films where Wes Craven returns to direct the most remarkable of all the sequels, an extraordinary meta-fiction that takes place in the real world
Amiable if lightweight film where a live-action Macaulay Culkin gets animated and has a series of adventures in a Land of Fiction where he must pass through various classic stories
Abysmal third entry in the series. The creatures lack any conviction and everything is wrecked by taking the story out of Fantasia back to Earth amid hip contemporary jokes
Beautifully made arthouse film about the real-life Japanese horror writer who becomes wound up in in enigmatic meta-fiction with his own creation
In one of his last really good films, John Carpenter pays homage to H.P. Lovecraft in this horror film that becomes an amazing blurring of the line between reality and fiction
Wes Craven and scriptwriter Kevin Williamson make a witty homage to the 1980s slasher film, turning the genre on its head by having the characters perfectly aware they are in a horror film and of the genre’s cliches
Hilarious Stephen Chow directed/starring film where he plays an agent of the emperor in a series of gonzo exploits that go crazily over-the-top, including breaking the fourth wall
Brutal Michael Haneke film where a family’s weekend getaway becomes a nightmare when two boys enter the house and proceed to torture and kill them. Haneke adds a level of meta-fiction that taunts the viewer’s participation
Wes Craven’s Scream was a clever and witty homage to/deconstruction of the slasher film of the 1980s; for the sequel, he and Kevin Williamson naturally turn to deconstructing the slasher sequel
Tobey Maguire and Reese Witherspoon are modern teens who become trapped in a 1950s tv show and end up puncturing its innocence. The messages made end up being broad and heavy-handed but the premise and the visual palette of the film is extremely clever
From Kirikou director Michel Ocelot, an anthology of animated fairytales that prove quite delightful
By the time of this third film and the departure of screenwriter Kevin Williamson, creativity in the Scream series seems to be flagging even though this has critic-proofed itself by calling itself a parody of a sequel
Cinematic revival of the old Rocky and Bullwinkle series having the two animated characters emerge into the real (live-action) world. A film that you feel should have been funnier and more energetic than is
The much lambasted but not entirely uninteresting sequel to The Blair Witch Project. Documentary director Joe Berlinger adds a fascinating layer of meta-fiction that winds in the real-world reaction to the first film
Sequel fairly much in name only to Urban Legend and barely at all about urban legends, this has the amusing idea of taking place at a film school and features a number of sly asides. This alas befalls routine direction
A tv mini-series adaptation of the famous Chinese legend Journey to the West made for US audiences by Hallmark Entertainment. The story remains stolidly earthbound and the meta-fictional contortions the story has to add to engage in to have the monk hero replaced by a contemporary Thomas Gibson are bizarre
An anime from Satoshi Kon that tells the story of an actress and become a surreal journey through Japanese cinematic history
Joe Dante makes a toon film winding in dozens of cameos from Warner Brothers cartoon characters. The results prove enormously playful and creative. Infinitely more creative and fun that the Space Jam films
The fifth and most enjoyable of the Chucky films, this amplifies the black humour to an outrageously funny level, while conducting an hilarious meta-fiction with Jennifer Tilly playing herself
One of a spate of films of the 90s/00s that adapted animated tv series in live-action – in this case Fat Albert and the Cosby Kids. Here all we get is the animated characters emerging into the real world for slapstick inanity
Film spinoff from the popular British comedy series sees the familiar characters entering the real world to meet their creators and deal with the cancellation of the show
BBC production that seems to be a straightforward biopic of Sherlock Holmes creator Arthur Conan Doyle only for it to take a very strange dogleg into meta-fiction
Another in the spate of animated fairytale parodies that came out in the wake of Shrek, this subjects Cinderella to an excruciating barrage of pop-culture jokes and one-liners
Quite reasonable meta-fiction where a surprisingly subdued Will Ferrell discovers he is a character in a novel and tries to rebel against his fate
A film from the Pang Brothers in which a heroine enters into an extraordinarily conceived fantasy world that would appear to be taking place in her own imagination
What starts out as a seeming mockumentary about a serial killer turns into an hilarious deconstruction of the tropes and cliches of the slasher film. Imagine a film like Man Bites Dog crossbred with Scream
TV mini-series that adapts eight Stephen King short stories. As with any anthology, the stories vary in quality but are generally quite reasonable
Rather witty low-budget slasher film that takes place on the set of a slasher film and pokes considerable at the process of filmmaking
Fascinating directorial debut from screenwriter John August that tells three stories about Ryan Reynolds who gradually makes mind-boggling discoveries about the nature of reality
Demented Joel Schumacher film in which Jim Carrey sees occurrences of the number 23 everywhere and finds his life is being predicted by a book. Featuring one of the most absurd scripts ever written
Michael Haneke’s English-language remake of his earlier home invasion film has a sense of pointlessness to it. But in following the original so closely, it also cannot help but work where it did
Animated film spun off from the Garfield comic-strips in which Garfield emerges out into the real world. A cute premise that the film fails to develop
Another failed attempt to start a fantasy franchise. However, the interesting premise of someone who can bring fictional characters to life ends up going goes precisely nowhere
Mind-bending Charlie Kaufman meta-fiction in which Philip Seymour Hoffman creates a vast theatre project that drags on for years and starts to merge into his own life
A horror film about the screening of a lost horror film whose director is reputed to have killed people for real. Now the killer emerges from the screen to slaughter the attendees in the theatre
The painfully unfunny films of Jason Friedberg and Aaron Seltzer are movie parodies, mostly a random assortment of films and celebrities of the last six months run over with crude and vulgar jokes. In this case, they take on parodying principally 300
Sequel to Full Moon’s The Gingerdead Man, this one has been made as an hilariously meta-fictional self-parody, spoofing Full Moon Studios and their films
A great tv mini-series where modern girl Jemima Rooper is transported back into Jane Austen’s Pride and Prejudice but disrupts the story with her modern ways
A side-splittingly funny spoof of Found Footage films as a crime scene video crew uncover evidence of a serial killer and decide to make a documentary about it
Not to be confused with the Stephen King story collection, this is about a film crew shooting a film in an abandoned asylum about murders conducted there who discover a trove of snuff movies whereupon the director becomes obsessed with recreating them
Sequel to the Ben Stiller hit offers more of the same with a bigger museum and more exhibits come to life but little else
Unique venture into meta-fiction by Wai Ka Fai that creates fascinatingly wound layers of fiction and reality that eventually become so complex that one gets lost
In his last ever produced screenplay, cult director Larry Cohen turns in a wonderfully playful script with Matthew Lillard as a screenwriting lecturer harassed by a killer only to find real-life doesn’t obey the same rules that screenplays do
The best killer car tire film ever – a monster movie spoof wound in so many layers of meta-fiction that it is positively side-splitting. The smartest and funniest monster movie in ages
South Korean film that takes delight in a series of interwoven tales, of stories being told by characters within stories. Has a wilful complexity to it, although the narrative game-playing essentially becomes the film more so than necessarily produces any absorbing individual stories
Wes Craven and Kevin Williamson return to the Scream franchise to turn out the fourth and best sequel yet. The opening scene alone is the funniest one has seen in a film in some time
On the slight side as a Disney theatrical film, nevertheless this keeps to the essence of the original tales and comes with some appealingly playful fourth-wall breaking visuals
The Little Miss Sunshine directors follow their hit up with a film about a writer who brings his ideal woman to life. Scriptwriter Zoe Kazan sparkles in the title role but the film never pushes its central concept too much beyond being a quirkily sweet indie romance
Unique anthology that offers 26 episodes from different directors, each ending with a death. The episodes vary wildly in quality but a sufficient number ignore all good taste and/or travel waaaay across taboo lines
South Korean film that replays the same story three times with slight differences, all featuring Isabelle Huppert as a different woman. Told with a rather charming sense of humour and a playful meta-fiction
A Peruvian children’s animated film about a device that allows people to enter an author’s imagination. This mostly has children having adventures in a facsimile of Jules Verne
Joss Whedon scripted work that is less a horror film than a meta-horror film that is constantly deconstructing the genre and subverting its cliches. A rare genre entry less about visceral impact than it has brains to spare
A Canadian film where a corrupt politician makes the slow realisation that he is a character inside a film. The comedy heads for obvious places at times but the film is carried by the originality and amusement of its premise
Grave Encounters was an unremarkable Found Footage film. This much smarter sequel takes its lead from Book of Shadows: Blair Witch 2 in being a meta-fiction that investigates the phenomenon of the first film
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters
The most sustained film Takashi Miike has made in some time. In this case, he adapts Yotsuya Kaidan, the most famous of all Japanese ghost stories, which has been filmed multiple times, but rather than offer a straight telling also adds a layer where the story comes to replay itself among the actors in the play
A witty parody of the giallo film from members of Canada’s Astron-6 collective who are proving themselves the masters of a certain type of movie spoof
A documentary about Gerry Anderson and the making of his various puppet tv shows, the most famous of which was Thunderbirds. Each show is covered in depth and surviving personnel interviewed
Not a remake but a sequel to the cult true-crime film The Town That Dreaded Sundown with a series of copycat killings influenced by the film occurring in the present-day. Directed with a bravura stylishness that makes you jump out of your seat in joy
A film from Quentin Dupieux that comes in a series of quirky intersecting stories where the dreams and films different characters are watching/making keeping blurring together in mind-boggling ways
This nominally tells three slice-of-life tales but in each the principal character is creating a book or film about one of the other characters. This becomes a meta-fiction of considerable cleverness as we see how the problems of one character end up reflected in the other character’s story
A wittily clever deconstruction of the slasher film where a bunch of contemporary characters are transported inside a 1980s slasher movie where their modern ways proceed to hilariously upset the cliches
This comes with an original idea where a troubled girl starts drawing a graphic novel that mirrors her own life only for the characters to emerge into the real world. Less horror than a dark allegorical fantasy
A film based on the hugely popular children’s horror series. The film creates a story where the creatures from all the books are unleashed. This is fun to watch, yet what we ultimately have is easy, undemanding horror for family audiences
M. Night Shyamalan makes one of his best films in ages. He kicks back his heels and goes nuts – at the same time as he is spooking us he also has us laughing; he ventures into making a Found Footage film but at the same time is also deconstructing the process with hilarious results
Interesting effort about actors putting on a cursed play that starts taking over the actors to replay events. With Robert Englund in a rare non-villainous, non-over-acted lead role
An absolutely hilarious parody of the Found Footage film about a film crew trying to conduct a shoot in a haunted house. This comes with mind-spinning levels of meta-fiction
Group of backpackers at a chateau find an old VCR that mashes up genres and sucks them inside. There’s a good idea for a horror film somewhere here but it ends up with terrible execution
A mind-bogglingly meta film that starts out as a regular crime thriller before it gets invaded and taken over by psycho fan Penn Jillette who abducts the star and is determined to write himself in as the hero
There is a good idea for a film in here somewhere where a fan joins Scream Queen Tiffany Shepis playing a Scream Queen tracking down the print of her werewolf movie before finding she is a real werewolf. But the presentation is an utterly confused mishmash
Maybe the smartest and wittiest of the modern Marvel Comics adaptations, this takes every opportunity to deflate its own seriousness, not to mention frequently breaks the fourth wall with side-splitting results
Third of the animated films based on the Lego toy line. This has the same fast-paced humour and witty fourth-wall breaking gags as its predecessors, even if you suspect the Lego Movie brand is starting to fade
The idea of a zombie film all shot in a single take. This proves a novelty amusement but then the film spins this on its head and becomes positively ingenious.
Deadpool was an hilarious breath of fresh air amid the Marvel Comics adaptations. This sequel is even better, with the self-deflating, fourth-wall breaking humour even funnier and more slickly polished action