The Devil’s Manor (1896)
The Devil Causes Mischief
An early Georges Melies whimsy only a few minutes long in which The Devil appears and causes mischief
Witches
A witch is a female practitioner of magic and Witchcraft. This is quite different from the male equivalent discussed in Magicians and Sorcerers (not to say there are not female magicians). Where a magician’s power derives from ancient knowledge – scrolls, occult objects and the like – a witch’s power is more earth magic, herbalism and sympathetic magic. (Wizards and sorcerers, for instance, never seem to use cauldrons, which seems an essential item in the witch’s repertoire).
There is a substantial body of films in fantasy and horror where a witch is a force of evil, ranging from assorted Fairytales to The Wizard of Oz (1939) and The Witches (1990). In these, she is frequently portrayed as something wizened and hideous. There are also a number of horror films about witches burned at the stake exerting supernatural influence in the present.
There is also a reasonable body of films beginning with I Married a Witch (1942) through tv’s Bewitched (1965-72) that shows the witch in a romantic or domestic relationship and the problems this can present. Other works from The Craft (1996) through Sabrina the Teenage Witch and Wendy the Good Witch to tv’s Charmed (1998-2006) see the witch in a more positive light and even her powers as something of an alternate religious practice.
For films dealing with the historic witch trials, which are nothing to do with witches as characters, see Witch Persecutions.
The Wizard of Oz (1910)
Silent Adaptation
The earliest surviving film version of The Wizard of Oz , one of a number made during the silent era. It makes interesting contrast to the 1939 version but at best serves as a series of highlights from the story and drawing heavily on the stage version in its often crude methods of presentation
Häxan (1922)
Satanism and Witchcraft Documentary
A bizarre pseudo-documentary from the silent era that claims to recount a history of Satanism and witchcraft. Much of the film’s thesis is spurious but the results are facsinating
Snow White and the Seven Dwarfs (1937)
Disney Animation/Fairy-Tale
The first full-length animated film ever made and the beginning of the Disney tradition. A superlative effort, full of an adorable anthropomorphism where Disney instinctively grasps all the elements of the formula
Flash Gordon’s Trip to Mars (1938)
Serial/Space Opera
The second of the Flash Gordon serials, which relocates action to Mars following the popularity of Orson Welles’ War of the Worlds broadcast. The film has a wonderful imagination that far outshines the tattiness of usual serial production values
The Wizard of Oz (1939)
Adventures in a Magical Land
An indisputable classic fantasy … a gorgeous sparkling fantasy that made full use of Technicolor in an era dominated by black-and-white and is told in such bold and earnestly heartfelt tones that it becomes the nearest we have to a piece of genuine American mythology
I Married a Witch (1942)
Mischievous Witch in Love
Charming and delightful film starring Veronica Lake as a witch burned at the stake who returns to life in the present to make life miserable for her judge’s descendant Frederic March
Day of Wrath (1943)
Witchcraft/Psychological Ambiguity
Excellent film from Carl Dreyer, the director of Vampyr director set during the time of witch persecutions about a woman who believes she has the powers of a witch. Everything is told with a beautifully subtle ambiguity
Weird Woman (1944)
Witchcraft in Academia
The first of several adaptations of Fritz Leiber’s novel Conjure Wife about witchcraft being conducted between rivalry faculty wives in academia. The best version of the story is still the second one Night of the Eagle but this has some eerie moments and great performances
Ulysses (1954)
Greek Myth Adventure
Lavishly made Greek myth adventure, an adaptation of The Odyssey with Kirk Douglas as Ulysses/Odysseus
Cry of the Bewitched (1956)
Voodoo
Fascinatingly torrid Mexican-made film about voodoo, which prefigures much of The Serpent and the Rainbow with striking effect
The Undead (1957)
Hypnotic Regression/Mediaeval Witchery
An early Roger Corman film that stirs a fascinating mix of elements involving hypnotic regression, witchery, time travel and appearances from The Devil
Bell Book and Candle (1958)
Witch in Love
Charming fantasy in which James Stewart is tempted by capricious witch Kim Novak. This almost certainly served as the inspiration for tv’s Bewitched
Sleeping Beauty (1959)
Disney Animation/Fairy-Tale
One of the finest of all Disney animated films, an adaptation of the fairytale made with the full artistic resources that studio could bring to bear
City of the Dead (1959)
Town of Occultists/Reincarnated Witch
An effort from the early days of the Anglo-horror cycle about a town ruled by a reincarnated witch. This comes drenched in a good deal of heavy black-and-white atmosphere
Black Sunday (1960)
Italian Gothic/Revived Witch's Revenge
Classic work that defined the Italian Gothic cycle of the 1960s and turned Barbara Steele into a cult actress. Mario Bava shoots vivid, incredibly atmospheric scenes in black-and-white in ways that no other director does
Night of the Eagle (1961)
Witchcraft
Excellent film about an academic who discovers his wife is a witch. A film that delves into a psychological place between rationalism and belief with stark effect
Snow White and the Three Stooges (1961)
Idiots Enact a Fairytale
The Three Stooges are transplanted into a retelling of the fairytale, although their slapstick inanity feels drowned out amid the maudlin banality and Cinemascope spectacle
The Magic Sword (1962)
Heroic Fantasy Adventure
One of the better films from B-budget dircetor Bert I. Gordon, a fantasy adventure where Gordon produces some decent effects
Jack the Giant Killer (1962)
Heroic Fantasy Adventure
A blatant attempt to copy Ray Harryhausen’s The 7th Voyage of Sinbad, night down to employing the same lead actors and director, but this fails through shoddy stop-motion animated effects
The Sword in the Stone (1963)
King Arthur's Childhood/Disney Animation
Forgettable Disney animated film telling the story of King Arthur’s boyhood where the Arthurian legends are sidelined in favour of talking animals and slapstick
Witchcraft (1964)
Resurrected Witch
Entry in the Anglo-horror cycle with a resurrected witch and an imported Lon Chaney Jr presiding over deviltry in a sleepy English village
Revenge of the Blood Beast (1965)
Resurrected Witch
The first film from Witchfinder General director Michael Reeves. A blatant copy of Mario Bava’s i>Black Sunday that is done in by its cheapness, a lack of anything interesting happening and mismatched comedy elements
Something Weird (1967)
Psychic Powers
One of Herschell Gordon Lewis’s film, this features a totally demented plot involving a man who develops psychic powers and his encounters with witches and LSD trips
Dr Terror’s Gallery of Horrors (1967)
Horror Anthology
UK’s Amicus Films had a reasonable hit with their horror anthology Dr Terror’s House of Horrors. Director/producer David L. Hewitt jumped in with a copy with a soundalike title produced on a poverty row budget
More Than a Miracle (1967)
Magical Realist Fairytale
A whimsical Italian fantasy with Sophia Loren as a peasant girl who connects with price Omar Sharif amid romance and magic
Viy (1967)
Soviet Horror Film/Monk Fights the Forces of Hell
The only horror film ever made in Communist Russia. Adaptation of a classic story about a monk sequestered with the body of a woman for three nights, the film creates an undeniable atmosphere and mounts to a wildly fantastical climax where he must face all the minions of Hell
Rosemary’s Baby (1968)
Satanic Impregnation
Classic film and one of Roman Polanski’s finest works, the comically paranoid story of a housewife who increasingly comes to believe that the child she is pregnant with was fathered by The Devil
Medea (1969)
Greek Mythology
The controversial Pier Paolo Pasolini makes a film based on Medea – the wife of Jason (of Jason and the Argonauts fame), from Greek myth, not to be confused with Tyler Perry’s films, Contrary to the way she is usually portrayed on screen as Jason’s love interest, there is another whole story where she is a vengeance-crazed witch who slaughters their children after he leaves her for another woman
Fangs of the Living Dead (1969)
Vampire
The first film from Spanish director Amando de Ossorio, later known for the Blind Dead series. A Euro vampire film starring Anita Ekberg, this proves dreary on all counts
Curse of the Crimson Altar (1968)
Witch's Revenge
Dreary British occult film that wastes a great cast line-up, including Christopher Lee, Barbara Steele and an 82 year-old Boris Karloff in his last performance
Cry of the Banshee (1970)
Mysterious Stranger/Witch's Retribution
Dreary film in which Vincent Price is a magistrate who is haunted by a manifestation of The Devil for his witch persecutions. The publicity falsely tried to sell this as an Edgar Allan Poe adaptation.
Grimm’s Fairy Tales for Adults (1970)
Erotic Fairytale Adaptations
A X-rated, West German-made film that blends together several fairytales in a very adult adaptation. The result should be seen for its sheer bizarreness
Pufnstuf (1970)
Gonzo Children's Film/Magical Island
Mind-spinning film spinoff of the tv series H.R. Pufnstuf, this plays out like The Wizard of Oz on hallucinogens
Bedknobs and Broomsticks (1971)
Adventures with a Good Witch/Disney Film
Obvious but likeable attempt by Disney to replicate the success of Mary Poppins with Angela Lansbury as a good witch taking a group of children on a series of nonsense adventures
Virgin Witch (1971)
Witchcraft Film
1970s British film about two sisters being drawn into the coven of witches. This comes with much in the way of softcore nudity but there is a surprising degree of innocence about all of it
Black Noon (1971)
Horror Western/Sinister Town Where No-One Can Leave
Classic tv movie that is one of the earliest horror/Westerns hybrids where Roy Thinnes plays a preacher who ends up in town only to find he cannot leave amid mysterious goings-on
Night of Dark Shadows (1971)
Dark Shadows Movie
The second and better of the films spun off from tv’s Dark Shadows. At last the show gets production values and atmosphere that do it justice, although the series cult figure of Barnabas Collins does not appear
Psyched By the 4D Witch (A Tale of Demonology) (1972)
Sex and Witchcraft
Fascinatingly bizarre psychotronic film about an innocent drawn into the secrets of sexual witchcraft. Bad filmmaking on almost every level
Blood Orgy of the She-Devils (1972)
Occultism and Witchcraft
One of the films from director Ted V. Mikels made not long afterRosemary’s Baby and mostly seems an opportunity for Mikels to lecture about historical witchcraft. Certainly, one of the great exploitation titles of all time
Flesh Gordon (1974)
Softcore Flash Gordon Parody
This offers the amusing idea of a softcore parody of the old Flash Gordon serials. A surprisingly well-made film in terms of effects but the jokes often seems belaboured amid the witless mugging
Jack’s Wife (1972)
Suburban Witchcraft
One of the least known of George Romero’s films. Made not long after Rosemary’s Baby, this concerns itself with bored suburban housewives dabbling in witchcraft. Aka Season of the Witch
Don’t Torture a Duckling (1972)
Child Killings
One of the early films from Lucio Fulci – the film that he always insisted was his best – concerning a series of child killings in a small town. Quite different to the sort of film Fulci became known for
The Demons (1972)
Witch Persecutions/Witch's Retribution
Jess Franco rips off Ken Russell’s The Devils, although surely only Franco could take a story about nuns being tortured and witches burned at the stake and turn it into a work of softcore erotica
Belladonna of Sadness (1973)
Anime Erotica/Temptation by the Devil
Osama Tezuka is a cult figure in anime and manga – what is less well known is that he also made adult animation. This, about a woman’s temptation by The Devil in mediaeval France, is a mind-boggling array of psychedelia and eroticism
Shadow of the Hawk (1976)
War Between American Indian Sorcerers
Jan-Michael Vincent plays a young man who is reluctantly drawn in by his Native American grandfather’s war against a black sorcerer
Suspiria (1977)
Witchcraft in a Girl's School
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
Spectre (1977)
Occult Investigators
Another unsold Gene Roddenberry tv pilot, this would have made for a potentially worthwhile series involving Robert Culp and Gig Young as occult investigators
Sinbad and the Eye of the Tiger (1977)
Arabian Nights Adventure
The third of Ray Harryhausen’s Sinbad films, this came out the same year as Star Wars and Harryhauden’s stop-motion animated creatures look much more flat in comparison
Terror (1978)
Supernatural Deaths
A key work of British exploitation director Norman J. Warren centred a series of supernatural novelty deaths
The Wiz (1978)
All-Black Musical Wizard of Oz Remake
Musical modernisation of The Wizard of Oz relocated in New York City with an All-Black cast. Despite a clear budget arrayed, the film lumbers and never much comes to life
Dr. Strange (1978)
Marvel Comics Magician Superhero
Forgotten, unsold tv pilot based on the Marvel Comics sorceror superhero. Unlike other Marvel tv properties of this era, this has an imaginativeness in its reach for esoteric spaces that favourably compares to the comic-book original
Summer of Fear (1978)
Witch Comes to Stay
An early, little known Wes Craven film originally shot for tv in which Linda Blair believes that that cousin who comes to stay might be a witch
The Lion, The Witch & The Wardrobe (1979)
Animation/Epic Fantasy Adventure/Magical Otherworld
Earlier less well known adaptation of the C.S. Lewis book made for tv. This is faithful to the book but is badly hampered by primitive animation and an exceedingly simplistic rendering of the story
Inferno (1980)
Witchcraft Murders
Dario Argento’s sequel to Suspiria, the second film in his Third Mothers trilogy. This is an even better work where Argento delights in sadistic and beautifully artistic imagery almost entirely free of any plot
Hero (1980)
Finn MacCool Legend
Adaptation of the Finn Mac Coll legend, filmed in Gaelic with a cast that learned their lines by rote. An interesting idea that suffers a painful amateurism
Clash of the Titans (1981)
Greek Mythology Adventure
This would be the last of the films made by stop-motion animator Ray Harryhausen where he turns his creations towards conducting another Greek Mythology adventure. With an all-star cast playing the Greek gods.
Mystics in Bali (1981)
Indonesian Witchcraft
A mind-bogglingly deranged example from the largely unexplored arena of Indonesian exploitation cinema as an American woman becomes involved with local witchcraft
Excalibur (1981)
Arthurian Legends
The definitive film version of the Arthurian legends. John Boorman gives us a magnificent and soaring work of beautiful impassioned imagery that delves deep into the rich mythology of the cycle
The Coming (1981)
Possession by a Salem Witch
1950s B movie director Bert I Gordon makes a film in which present-day schoolgirl Susan Swift is possessed by her ancestor who was burned at the stake as a witch
Superstition (1982)
Supernatural Retribution
Fairly negligible film about a family who move into a house to face the vengeance of a witch
Parsifal (1982)
Wagner Opera/Arthurian Legends
Epic filmed version of the Richard Wagner opera set around the Arthurian legends and the quest for the Holy Grail
Conan the Barbarian (1982)
Sword and Sorcery
Adaptation of Robert E. Howard’s pulp adventure stories and the film that made Arnold Schwarzenegger a star. The script from Oliver Stone takes unevenly from Howard but director John Milius gives the film a brutal, primal majesty
The Fourth Man (1983)
Precognitive Dreams/Deadly Seductress
One of the early films from Paul Verhoeven, an amusingly blasphemous tale that draws more than a little from Don’t Look Now with gay writer Jeroen Krabbe becoming wound into the dealings of femme fatale Renee Soutendijk
Conan the Destroyer (1984)
Sword and Sorcery
This sequel to Conan the Barbarian makes the mistake of watering the primal brutalism down to a PG rating and what results ends up being a pedestrian comic-book adventure
Supergirl (1984)
Comic-Book Superheroine
The producers of the Christopher Reeve Superman films turn their attentions to Superman’s cousin Kara whose screen debut is derailed by a horrendously overacting Faye Dunaway
The Warrior and the Sorceress (1984)
Sword and Sorcery
One of the spate of sword and sorcery films that came out during this period, marginally better than most. The plot is a blatant copy of Akira Kurosawa’s Yojimbo where a swordsman (David Carradine) sets two rival gang factions in a town against one another
Sword of the Valiant: The Legend of Sir Gawain and the Green Knight (1984)
Sword and Sorcery
Cannon Films make an adaptation of the Mediaeval legend of Sir Gawain and the Green Knight. Routine 1980s fantasy cinema with Sean Connery looking embarrassed as the Green Knight
The Seven Magnificent Gladiators (1985)
Italian Muscleman Adventure
Cannon Films produced remake of The Seven Samurai as an Italian gladiator film starring Lou Ferrigno
Return to Oz (1985)
Wizard of Oz Sequel
Almost forgotten Disney-made sequel to The Wizard of Oz, this takes a far darker outlook than the version you knew
The Black Cauldron (1985)
Disney Animation/Sword and Sorcery
Forgotten Disney animated film that was not a success at the time it came out. It seeks to tell an epic fantasy tale in the J.R.R. Tolkien vein but ends up falling too much in the shadow of Star Wars
Troll (1986)
Mischievous Creature
Low-budget Charles Band produced film that has entertainment value for its cheesily absurd creature effects and an amazing cast line-up
Deadtime Stories (1986)
Anthology of Horror Versions of Fairytales
Horror anthology with the novelty where all of the stories are horror versions of fairytales. Particularly amusing is the second episode, a modernised version of Little Red Riding Hood
The Sacrifice (1986)
Praying Back the Nuclear Holocaust
Andrei Tarkovsky’s final film, a slow and weighty meditation upon questions of faith as one man prays to turn back a nuclear holocaust
Iron Warrior (1986)
Italian Sword and Sorcery
A low-budget Italian sword-and-sorcery film, one of a host of such films that came out following the success of Conan the Barbarian. This was the third entry in the Ator series starring Miles O’Keeffe
Ewoks and the Marauders of Endor (1986)
Children's Planetary Adventure/Star Wars Spinoff
Follow-up to The Ewok Adventure, a tv movie released to theatres internationally. This is a better film than its predecessor that even captures something of the Star Wars spirit on occasions
Sleeping Beauty (1987)
Fairytale
One of the cheap fairytale adaptations made by Cannon Films in the 1980s. A dreary impoverished run through by the numbers with Morgan Fairchild as the Wicked Stepmother and Tahnee Welch in the title role
Hansel and Gretel (1987)
Fairy-Tale
One of a series of cheaply produced fairytale adaptations made by Cannon Films. This adapts the Brothers Grimm fairytale with tatty banality
The Witches of Eastwick (1987)
Witches vs the Devil/War of the Sexes Comedy
Deliriously frothy and enjoyable George Miller film with Cher, Susan Sarandon and Michelle Pfeiffer as three witches who conjure forth Devil figure – Jack Nicholson in full barnstorming mode
Snow White (1987)
Fairy-Tale
One of the better of Cannon Films cheap fairytale adaptations featuring a grandly over the top Diana Rigg as the Wicked Stepmother
Necropolis (1987)
Revived Witch
Ridiculous cheap 1980s video release about a witch burned at the stake returned as a New Wave punkette to claims souls
The Chronicles of Narnia: The Lion, The Witch, & The Wardrobe (1988)
Epic Fantasy Adventure/Magical Otherworld
Before the films, this was an earlier BBC tv mini-series version of the C.S. Lewis book, one of a series of four adaptations. This is faithful to the story but suffers from impoverished effects
Pumpkinhead (1988)
Demon Unleashed
Makeup effects artist Stan Winston takes the director’s chair and creates one of the truly original monsters of the 1980s. Several sequels followed
Elvira, Mistress of the Dark (1988)
Bimbo Horror Hostess
The film debut of the horror hostess Elvia (Cassandra Peterson), a good natured film containing more bimbo jokes, double entendres and bad puns than one thought possible
Willow (1988)
Epic Fantasy
Outside of the Star Wars and Indiana Jones films, not much else that George Lucas has made has been a success. This Ron Howard-directed epic fantasy proved to be a big flop where Howard’s lightweight touch fails to make a one-dimensional plot fly
Kiki’s Delivery Service (1989)
Anime/Young Witch's Adventures
One of the loveliest of Hayao Miyazaki’s anime, the story of a young witch who creates a parcel delivery service using her broomstick. As always, Miyazaki gives the film a simple beauty and an adult emotional complexity
The Little Mermaid (1989)
Disney Animation/Fairy-Tale
The beginning of the big Disney renaissance of the 1990s. An adaptation of the Hans Christian Andersen fairytale that is conducted with an enormous degree of energy, colour and good cheer
Sinbad of the Seven Seas (1989)
Arabian Nights Adventure
An incredibly bad Italian-made Sinbad adventure starring Lou Ferrigno that is laughable in its dialogue and acting and incredibly tatty in its budget pinching
Wicked Stepmother (1989)
Witch Moves In Comedy
The worst film from the usually great Larry Cohen, an unfunny comedy in which a household is taken over by a witch. Bette Davis quit soon into shooting and is replaced partway through by Barbara Carrera
Teen Witch (1989)
Teenage Witch Comedy
Amiably lightweight 80s comedy in which average teenage underdog Robyn Lively gains magical abilities and the complications these create
The Black Cat (1990)
Witch's Ghost/Italian Horror
This has next-to-nothing to do with Edgar Allan Poe. Instead, Luigi Cozzi makes a giallo thriller that makes claims to be the unofficial third chapter of Dario Argento’s at that point unfinished Three Mothers trilogy.
The Witches (1990)
Evil Witches/Roald Dahl Adaptation
Nicolas Roeg and Jim Henson collaborate on an adaptation of a Roald Dahl book. Roeg leaves the grotesquerie and gleeful malice intact making this one of the best Dahl adaptations
Tales from the Darkside: The Movie (1990)
Horror Anthology
Film spinoff from the Tales from the Darkside tv series, this is an anthology of three horror tales, the result is a surprisingly slick and well made film
The Neverending Story II: The Next Chapter (1990)
Adventures in a Fantasy Land
Sequel to The Neverending Story made with a better budget. This delivers some amazing sets and creature designs but is killed with a script that discards the metaphors and complex level of meta-fiction of the original
The Chronicles of Narnia: The Silver Chair (1990)
Epic Fantasy Adventure/Magical Otherworld
This was the fourth and final, as well as the best of the BBC’s tv adaptations of C.S. Lewis’s Narnia books, which works well enough despite the impoverished production values
The Pit and the Pendulum (1991)
Edgar Allan Poe Adaptation/Inquisition Horrors
Stuart Gordon’s adaptation of the Edgar Allan Poe story gets full marks for being set during the Spanish Inquisition. On the other hand, Gordon’s unserious splatter heavy approach and a campy performance from Lance Henriksen deflates the material
Beastmaster 2: Through the Portal of Time (1991)
The Beastmaster Comes to L.A.
Excruciating sequel to The Beastmaster that transports Marc Singer’s Dar to contemporary L.A. The whole film is wrecked by an attitude that seems unable to take the proceedings seriously.
Immortal Sins (1992)
Reincarnated Witch's Revenge
A Roger Corman produced erotic horror in which Cliff De Young inherits a castle in Spain where he is tempted by a witch who appears in his dreams
Hocus Pocus (1993)
Revived Witches/Disney Film
A Disney live-action film that engenders no believability in its basic premise. Much of the show is regarded as an opportunity for Bette Midler to steal the limelight and play to over-the-top excess
Thumbelina (1994)
Animated Fairy-Tale
Animated film from Don Bluth, an insipid adaptation of the fairytale that eventually bogs down as a comic picaresque (*)