Three Wishes (1995)
This is a 1950s Coming of Age story with Patrick Swayze as a mysterious stranger dispensing wisdom, before the film arrives at a very peculiar fantastic ending
The Science Fiction Horror and Fantasy Film Review
Eastern Beliefs is an umbrella term used to refer to various religions to emerge from the Asia and the East – Buddhism, Taoism, Shinto and assorted folk religions. No insult is intended to any followers by grouping these together by region.
Cinematic depictions of these widely differ depending on whether works are Western or made by Eastern filmmakers. Western filmmakers deal with cliche elements – exotic martial arts techniques, Himalayan monasteries where those steeped in yogic practices have gained advanced mental powers, occasionally artefacts of power from said countries.
Eastern filmmakers take a very different approach. Hong Kong Cinema and Wu Xia is afire with a wild melange of elements involving demons, deities, fairies, reincarnation, ghosts, the importance of luck, the use of written prayers as spells, and of course martial arts and swordfighting techniques that allow flamboyantly over-the-top fighting techniques. Similar elements of casually accepted ghosts, malevolent spirits and reincarnation play out in Thai fantastic cinema.
There is a body of ghost stories (kaidan eiga) that emerge from the Japanese tradition and often concern vengeful and wronged spirits. Imitators of these spread throughout Asia and there is a whole other topic for the horror cinema of the region with Asian Horror.
This is a 1950s Coming of Age story with Patrick Swayze as a mysterious stranger dispensing wisdom, before the film arrives at a very peculiar fantastic ending
Cult film from Alejandro Jodorowsky, a surrealistic Western that comes with an incoherent mishmash of symbolism, Zen mysticism and 1960s raised consciousness
Rather silly and plotless Hong Kong comedy with Chow Yun Fat as a CIA agent encountering a magical girl at a monastery in China
This was the 25th Pixar film and becomes in effect a Pixar-ised version of The Incredible Hulk about a young girl who transforms into a red panda whenever she gets upset
Winner of this year Cannes Palme d’Or, this is a Thai ghost story .where director Apichatpong Weerasethaku creates an intensely haunted atmosphere at times, although the film itself remains vague and elusive in terms of plot
Tsui Hark scripted/produced Wu Xia effort that shuffles the familiar tropes about without seeming too enervated
Disney Channel film where a modern teenager finds she is the reincarnation of a martial arts warrior
Debut feature from Oxide Pang of the Pang Brothers fame. A variant on the tv series Early Edition in which a man receives newspapers that foretell the future and must race to prevent fates from occurring in order to earn karmic salvation for his girlfriend
Unique venture into meta-fiction by Wai Ka Fai that creates fascinatingly wound layers of fiction and reality that eventually become so complex that one gets lost
Tsui Hark’s follow-up to Zu: Warriors from the Magic Mountain the film that popularised Wu Xia cinema. The point where Tsui discovered CGI and latches onto it to do more than just show flying swordsmen but create an exquisitely dreamy world of pure fantastique imagination
The modern beginnings of Wu Xia and the flying swordsman film. Tsui Hark creates a totally nutso film filled with wild martial arts battles with demonic forces. The results are out of this world