The 6th Day (2000)
Arnold Schwarzenegger revisits something of Total Recall in this modest and clever action film in which he discovers that a clone has stolen his life
The Science Fiction Horror and Fantasy Film Review
The future concerns any setting at a point ahead of us now in time. Ever since its beginnings, science-fiction has made great efforts at depicting how society may change and evolve, how scientific progresses may transform the world, or alternately showing Dystopias where the future may become a nightmare.
The first major depictions of the future came in the industrial dystopia of Metropolis (1927) and the H.G. Wells scripted Things to Come (1936) that saw the future transformed by science into a world of clean white antiseptic lines where people wore Grecian robes.
By the 1950s, visions of the future headed to the stars, which saw the journey conducted by no-nonsense engineers in boiler suits. This led to the utopianism of Star Trek (1966-9), which saw diverse crews belonging to a galactic federation carrying a message of democracy to other worlds.
The 1960s also brought a series of dystopian visions with Fahrenheit 451 (1966) and other works, which usually extrapolated some undesirable social trend of the day to a nightmare extreme and saw it run by an autocratic government. By the time of 2001: A Space Odyssey (1968) and George Lucas’s THX 1138 (1971), the antiseptic white vision of the future was one that saw humanity being strangled and reduced to an imperfection as our machinery and systems turned against us.
The 1950s brought the first depictions of the Post-Holocaust future, where civilisation had been destroyed (usually by nuclear war). By the 1980s, this had become a series of action films set in a world where crazies roamed the wastelands in dune buggies and affected a ragged leather chic. Depictions of the 2000s onwards became more grim and added environmental catastrophe scenarios to the mix.
The 1980s also brought Cyberpunk, a future that was a direct outthrust of today, filled with bustling texture, advertising and extrapolations of technology into A.I. and Virtual Reality. Adjacent to this is the dark future where cyborgs and androids fight in a rundown world teetering on or fully collapsed.
There are other works that take place in Near Future Settings where little of the present-day has changed except perhaps for one technological innovation or trend. Other depictions include futures where humanity has expanded out into the solar system and colonised other worlds or the entire galaxy. Other works are set in Far Future Settings where civilisation is forgotten and humanity has evolved or devolved.
Arnold Schwarzenegger revisits something of Total Recall in this modest and clever action film in which he discovers that a clone has stolen his life
An hilarious Woody Allen film in which he plays a contemporary man cryogenically unthawed in the 22nd century. This satirisises SF cliches and contains some side-slitting comedy sequences
One of the most original science-fiction films of recent years. Set aboard a train where the last survivors of humanity circle a frozen globe, this is less an action film than something like Runaway Train turned into a unique conceptual breakthrough story, all rent through with a fierce parable about social revolution
Ambitious SF film about a space expedition to save the Sun, this bombed at the time but is not uninteresting
Embarrassingly bad Mel Brooks produced film that seems to have been conceived in terms of conducting a juvenile Mad Max film on rollerskates and throwing SF cliches about without any coherent script
The film mangles and fails to understand the fine Harry Harrison novel it is based on but in its own right creates an effective and worthwhile portrait of a badly overpopulated 21st Century New York
A live-action remake of the 1970s anime series Space Cruiser Yamato made with stupendous effects, although now much of the plot has been rendered familiar by assorted Star Wars copies
Anime film spun off from a popular Japanese tv series. Despite crude animation, this has a colourful vigour and taps the same space opera vein as Star Wars, which came only three months earlier
South Korean space opera about a crew of space junk collectors. If the Star Wars series wanted to find a director to create fresh and exhilarating effects scenes, they need look no further than here
Travesty of Robert Heinlein’s classic SF novel from Paul Verhoeven. Heinlein’s philosophical argument for militarism is junked in favour of blackly comic mindless violence
I must admit to being drawn in by the title, but this proves to be a massive cheat. What we get is a painfully cheap future action film
Lowell Dean, director of WolfCop, makes what feels like a revival of the low-budget Mad Max film – an action film set in a socially collapsed future
Interesting conceptual SF film where the populace of the future inhabit a series of perfect avatar bodies. Despite a few logical quibbles with the premise, this does a good job in exploring the idea of such a world
Grungy low tech anime that comes out like a sarcastic version of Hello Kitty
Another videogame adapted film, this has almost entirely been conceived around a series of slick fight sequences and little else
Satiric film set in a future where contestants hunt and kill one another on a tv show. The first film on the theme of human bloodsports later popularised by The Hunger Games and others
Very strange French SF film about a futuristic truck race
Disastrous flop that tries to do a Lethal Weapon buddy cop film by way of Jurassic Park and gives us a film about a cop with a dinosaur partner!
From a script by H.G. Wells, this comes with a visionary sweep that depicts the building of a scientific utopia but equally suffers from dull and heavy-handed polemical dialogue
Another variant on the Young Adult dystopia a la The Hunger Games and Divergent films, concerning a future where that who fail standardised school tests are executed to keep the population down. The blandness of approach utterly feels to grapple with the ideas at play
George Lucas’s first film and always a puzzle to those who come to it after the Star Wars series where its antiseptic, dehumanised aesthetic and dystopian future seems almost the polar opposite of the Star Wars universe
This adaptation of H.G. Wells’ classic novel was one of the best films from 1950s SF producer/director George Pal. The time travel is depicted with considerable wondrousness and standout effects for the era
Remake of the classic H.G. Wells novel that comes with the novelty of being directed by Wells’s great-grandson. More disappointingly it prefers to merely remake the 1960 film rather than return to the book
Actress Alice Lowe directs/stars in a comedy about a woman who pursues the man she is infatuated with as both reincarnate through history
Despite being another film based on a Disney theme park, I had high expectations of this because of Brad Bird. Alas, the initial promise of a retro-sf work that mainlined the wonderment of Jetsons-styled futurism turns into a surprisingly glum and message-heavy work about how the modern world is a depressing place
I was never a particular fan of the Schwarzenegger original and this improves on it somewhat. This is far better conceived as an action film with some amazing Cyberpunk designs. On the other hand, the two decades interim has made the story’s Philip K. Dick-ian reality bendings seem commonplace
Terry Gilliam remakes the classic short film La Jetee as one of the most impressive of modern time travel films with an exceptional plot that is built around a sophisticated time paradox
Time travel, Nazis in UFOs and a Nazi-ruled alternate timeline, giant robot spiders – ok, I’m sold. A surprisingly good little film where the fact that this is also made on a low budget and with a good deal of conceptual constraint makes it all the more creative an effort
An exquisitely dreamy Wong Kar Wai film as a man remembers his liaisons with various women. Only peripherally a science-fiction film concerning a story the protagonist is writing.
Low-budget SF film about a ship at sea carrying a cargo of convicts, toxic waste, a deadly virus and a killer android
Australian film in which Kodi Smit-McPhee heads through a time portal to save a polluted world resulting in a time paradox that ties back to his childhood. This had promise but badly lets down on its premise
Milla Jovovich is a part of a vampire rebel underground in a dystopian future. A film filled with incredible design schemes and action scenes that are as spectacular as they are ridiculously improbable
Adaptation of the Alan Moore graphic novel with a script from The Wachowskis. Moore’s repudiation aside, this is a fine and literate work that retells the story of an anarchist trickster and potently politicises it for the era of the George W. Bush.
Anime film about an android-overrun future Japan that resembles another episode of the Appleseed franchise
A near-dialogueless story of a lonely robot clearing up junk in the aftermath of civilisation. This is surely Pixar’s most endearing film to date where they are operating at the peak of their creativity
An anthology film that has been intended in the same vein as tv’s Black Mirror, offering a series of dark reflections of technological changes
Clearly influenced by the original Westworld, this is an interesting film about people waking up inside a computer-simulated Western town. Without realising it, this was the very first film to depict Virtual Reality
From Tommy Wirkola, director of Dead Snow and Hansel and Gretel: Witch Hunters, a film where Noomi Rapace plays seven identical sisters hiding their existence in an overpopulated dystopian future, A film where neither the scenario nor the central characters end up convincing in any way
Satiric 1960s Youth Revolution film where a rock star becomes US President, reduces the voting age and everyone over thirty is placed in a concentration camp
It is nice to see Bryan Singer regain his form after several years lull. The plot is nothing world-shattering but it is nice to see a character-driven X-Men, while Singer delivers the superheroics with a cheer-out loud elan that most of the sequels missed by a wide margin
A modest and surprisingly well thought out SF film set in a future where swapping bodies is commonplace only for a man to find his original body has been stolen
Film from Quatermass creator Nigel Kneale well ahead of its time in its prediction of a populace controlled by television
Not to be confused with the cult British comedy series, the anonymous title disguises an excellent film about a drought-ridden future. Less another Mad Max-inspired film than an SF version of There Will Be Blood that becomes a study in greed, ambition and the fight for resource control
SF film set in a future that is so overpopulated that childbirth is treated as an executable crime. Although sometimes naive in its speculations, this creates a dystopian scenario that imaginatively turns many familiar aspects of the present on their head
Takashi Miike makes a sequel to his earlier superhero film filled with his typically eccentric touches
This is Terry Gilliam largely going back to revisit Brazil, albeit having been updated to the 2010s and the era of the internet. A renaissance of many Gilliam themes, nevertheless this feels like one of his slighter works