The Science Fiction Horror and Fantasy Film Review
Revenge is a frequent motivating factor in genre cinema. Here an individual sets out to achieve a sense of personal justice for wrongs and injuries that they believe were done to them. It should be noted that this is a motivation that can be used for both heroes and villains.
Horror films are rife with villains who will often concoct elaborate revenge schemes, usually to eliminate those who have harmed them and often in ways that achieve an ironic just desserts. With Super-Villains, revenge will often be the cause of a psychic split that causes them to enact a crusade against all types of people associated. In some cases, this come about as a result of something that has resulted in Deformity and Disfigurement.
In many cases, the coin will be flipped and the person on such a vengeance trail will be regarded as the hero. There are a number of films where characters track down and eliminate those responsible, even superheroes who become revenge-obsessed crusaders such as Batman and The Punisher.
Another less pleasant variant is the Rape Revenge Film, which depicts women who have been raped taking up arms and bloodily eliminating all men responsible for their assault.
For films where revenge is enacted supernaturally or from beyond the grave see Supernatural Retribution.
Thriller about an abused wife standing up to take the law into her own hands against her husband. This has its credibility shot out by being made as a Jennifer Lopez film who does not seem to want taint the glamour of her image by seeming battered
One of the erotic thrillers made after Basic Instinct, essentially an ripoff of The Hand That Rocks the Cradle where a vengeful Kari Wuhrer becomes a nanny seeking vengeance for the death of her husband
Following the revival of the slasher film with the success of Scream, this was a slick but forgettable studio copycat set around a Valentine’s Day motif
Uneven George Romero film from his less satisfying latter period in which Jason Flemyng wakes up with a blank white mask on his face and finds it allows him to unleash vengeance against those who wronged him
The third of the Crow films has a more substantial story than the second but is killed by a director who has no feel for the atmosphere created by the other films
Splendidly nasty French film that feels like Thelma and Louise by way of Natural Born Killers where two women pick up guns and go on a shooting spree against men who are abusive jerks. Directed by two women and cast with porn actresses, this holds little back
A bland Canadian police procedural with detective Alexandra Paul investigating a woman who is killing the men who bullied and harassed her
Misguided attempt to make a sequel to Carrie, this reduces that film’s cry of the downtrodden to petty teen bitcheries, while the psychic eruptions are absurd, the complete antithesis of anything Brian De Palma directed
An early work from Takashi Miike, an ultra-violent comic-book variant on RoboCop about a Yazkuza enforcer who is incarnated in a cyborg body and goes seeking revenge
Psycho-thriller with Lisa Zane as a nurse seeking vengeance for the death of her father
The first sequel to The Crow extends the look of the original into an amazingly lit Goth designer world. However, the plot (an early work from David S. Goyer) is no more than a rehash of the first film
Overshadowed by the tragedy of star Brandon Lee’s death on set, this is a beautifully dark and glistening Gothic tale of a murdered youth revived from the dead to attain vengeance against his killers. Several lesser sequels followed
One of the thrillers influenced by Fatal Attraction with Rebecca De Mornay giving an ice cold performance as a nanny who infiltrates a family seeking revenge for the death of her husband.
Supposedly a modernised version of Frankenstein, although what a story about a woman in a coma who uses psychic powers to resurrect a slow-witted handyman to exact revenge has to do with Mary Shelley’s classic is anybody’s guess
Enjoyably sordid Michael Winner film in which Lia Williams is an woman who starts to eliminate the abusive men in her life. As to be expected with Winner, this gets trashy in quick course
Martin Scorsese remakes the classic thriller with Robert De Niro playing the ex-con seeking revenge against his lawyer. Scorsese makes the morality more ambiguous and bring out tensions within the family
This rehashes Cape Fear, remade by Martin Scorsese the same year, with Denzel Washington as an upstanding lawyer whose life is torn apart by vengeful ex-con John Lithgow. A frequently ludicrous script is made worse by Russell Mulcahy’s overwrought direction
This gained a minor cult in which an abused nerd snaps as a result of constant humiliations and goes on a killing rampage. Tony Radloff gives an extraordinary performance
The directorial debut from Frank Darabont who went on to make The Shawshank Redemption and The Mist. A wife and her lover plot to kill husband off by poisoning him only for him to survive and plot an elaborate revenge scheme
A killer android/cyborg film from the genre’s 1990s heyday with a tasteless concept where a raped woman kills herself and is then resurrected as an avenging cyborg. A bizarre melding of killer cyborg film and I Spit on Your Grave
Film spinoff from the Tales from the Darkside tv series, this is an anthology of three horror tales, the result is a surprisingly slick and well made film
Standout sequel to Maniac Cop, the best of the series, where Larry Cohen turns in a remarkable script and William Lustig delivers incredible action sequences
Dolph Lundgren’s The Punisher is minus his trademark t-shirt and the film takes considerable liberties with the source material but this is a hugely entertaining action comic-book of a film with hilariously tongue-in-cheek dialogue
This amusingly updates the story of The Phantom of the Opera to have the Phantom lurking in a modern mall. Cheesily entertaining 1980s horror coasting by on the coattails of the massive success of the musical adaptation where the most amusement comes in the gorily over-the-top despatches
A James Ellroy-adapted crime thriller with James Woods giving a very disturbed performance as an unhinged detective on the trail of a serial killer
The first in a series of films starring Robert Z’dar as an hulking, deformed ex-cop seeking revenge. Not as effective as the sequels but is lifted above the routine by a quirky Larry Cohen script
Disappointing George Romero film about a paraplegic man’s psychic link with his monkey that then comes to enact his suppressed anger. A fine idea drowns in shrill moral characterisations.
An 80s psycho film where several people go camping in the Mojave Desert on an encounter group but one of their number proves to be a killer
An acclaimed mini-series about a frumpy woman taking gleeful revenge on the husband who abandoned her. Essentially Fatal Attraction rewritten with a feminist manifesto with hilariously barbed results
Steven Spielberg produced film about an adolescent Sherlock Holmes often feels like it is Holmes being pitched as an Indiana Jones adventure but comes with some beautifully made touches
Sean S. Cunningham, director of Friday the 13th, transplants a 70s revenge exploitation film into a high school setting. Featuring a dynamic performance from a young James Spader
The film that launched the name of Troma Films. The world’s first superhero splatter film, this readily dives into bad taste just to see what kind of offence it can get away with
Film from cult Italian director Lucio Fulci. This has almost nothing to do with the Edgar Allan Poe story. With Fulci’s trademark gore sequences tamed, there is not much else for the film to fall back on
The first of several sequels to the hit Charles Bronson vigilante film, the first under Cannon Films. While the first film had some interesting things to say, this mostly repeats the original while taking some turns to the nastily exploitative
In his second film as director, Oliver Stone ventures into the disembodied hand theme. An amazingly OTT Michael Caine plays a cartoonist who believes the hand he lost in an accident is exacting vengeance against his enemies
1980s horror with Clint Howard as a bullied military cadet who uses a computer to help decipher an occult tome whereupon he gains powers that allow him to enact vengeance on his tomentors
Patrick was a modest Australian film about a bedridden coma patient exhibiting physic powers. This is an unofficial Italian-made sequel made way back before anyone coined the term mockbuster. This has no compunctions about aiming for the completely trashy – and all the more entertainingly for it
Vigilante film with a cult reputation that was banned in places because of its ultra-violence. The film is a mix of Taxi Driver and Death Wish, mostly centred around a series of gory despatches
The first of the Mad Max films and a considerable jolt if one comes to it after any of the sequels. This is an altogether different film – a grim and violent road movie more in the vein of Death Wish
A blatant ripoff of Carrie about a tormented girl who takes psychic revenge using snakes. Without Brian De Palma in the director’s chair, this only looks like a cheap tv movie
One of the most raw and savage films ever made, this sits on a dividing line between true horror and exploitation as we experience Camille Keaton being raped with no detail spared before exacting a brutal revenge
One of the first films to come out exploiting the success of Star Wars – a badly made teen underdog fantasy in which bullied Kim Milford takes revenge after finding an alien raygun
A TV movie that has been construed as a blatant copy of Carrie where innocent Kay Lenz moves into a sorority house and finds occult goings-on around her
After his crass remake of King Kong, Dino de Laurentiis went on to make this blatant copy of Jaws, which was widely ridiculed. Contrarily, i rather liked it – a Moby Dick by way of Jaws, it comes with some visually fantastic moments
The very first Stephen King adaptation, a hit that made King’s name. Brian De Palma directs with flamboyant visuals that make you gasp but the film would be nothing without its amazing central performances from Sissy Spacek and Piper Laurie
A reasonable and effective Canadian entry in the 1970s Backwoods Brutality cycle with Brenda Vaccaro on a weekend getaway with a boyfriend as they are brutaised by three petty hoods
Copy of Willard with Les Tremayne as a man obsessed with snakes who starts using them to take revenge on those who have wronged him. This gets fascinatingly torrid.
This could easily have been titled I Was a Teenage Jekyll and Hyde where a bullied teen creates a formula that brings out his dark side to take revenge on his tormentors
The original vigilante film that spawned several sequels. This is crudely aimed at one’s red-blooded nature – to get one enraged at the lowlifes that would attack a man’s family and then cheer on seeing said lowlifes being blown away
A classic attention-grabbing title from the heyday of the exploitation film … After receiving a severed arm in the mail, a group of friends realise that a former friend has come seeking revenge for when they were trapped down a mine and agreed to cut off his arm because they had nothing to eat
Following on from the success of the Dr Phibes films, Vincent Price is cast as a mad Shakespearean actor who employs comically grotesque deaths from Shakespeare’s plays to kill his critics
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
This directorial outing from actor George C. Scott is an interesting if not wholly successful film about one man’s anger over the military cover-up of a biospill
From the 1970s Animals Attack genre, a blatant copy of Willard where a downtrodden man befriends rattlesnakes and uses them to take revenge
A cultish Japanese Women in Prison film made with a wild ferocity as a female prisoner makes an escape and leads a team of women as they take revenge against men who seeks to abuse them
Droll, elegant camp masterpiece with Vincent Price giving the best performance of his life as a deformed madman employing the Biblical Plagues of Egypt as a motif to take revenge against the surgeons who killed his wife
Fine little tale of an introverted man who befriends a horde of rats and uses these to gain comeuppance. A hit that presaged a host of Animals Attack films throughout the 1970s.
The controversial Pier Paolo Pasolini makes a film based on Medea – the wife of Jason (of Jason and the Argonauts fame), from Greek myth, not to be confused with Tyler Perry’s films, Contrary to the way she is usually portrayed on screen as Jason’s love interest, there is another whole story where she is a vengeance-crazed witch who slaughters their children after he leaves her for another woman
A horror film made as homage to the classic Freaks, this is a fascinatingly sordid work set during the vanished era of the carnival sideshow
A small masterpiece of 1960s Italian Gothic cinema. Exquisitely moody black-and-white photography with Barbara Steele as the ideal of a Gothic dominatrix twisting men around her finger and setting a town against itself
An early film from Jess Franco in which an exotic dancer is turned into a mind-controlled assassin who lures and kills victims with her six-inch long fingernails as part of a revenge scheme
Classic psycho-thriller with Robert Mitchum (who was never better) as an ex-con determined to take revenge against lawyer Gregory Peck. Stark and superbly sustained psychological suspense
Toho Films of the 1960s are best known for the Godzilla films and assorted monster bashes. This is one of their non-monster films, part of a spate of mutant supervillain films concerning a villain who has invented a teleportation machine and is using it to exact revenge
One of the classic works from Ingmar Bergman, uncreditedly remade by Wes Craven as The Last House on the Left, with Max Von Sydow as a virtuous farmer who is driven to vengeance after three youths rape and kill his daughter
A poverty row mad scientist film where a magnificently sinister George Zucco turns his gardener into a werewolf. A copycat that was made not long after Universal’s The Wolf Man
Mad scientist film in which George Zucco transplants an executed man’s brain into a gorilla’s body whereupon the ape-man proceeds to exact revenge against those who wrongly convicted him
Boris Karloff-Bela Lugosi pairing from the heyday of mad science cinema. The science is portrayed with a fascinating and fearful Gothic awe, which leads to some captivatingly directed scenes
An entertainingly madcap screen pairing of Boris Karloff and Bela Lugosi with the latter as a Poe-obsessed surgeon who has built a house of Poe-inspired torture devices
This has nothing whatsoever to do with the Edgar Allan Poe story but is a fascinating piece with Boris Karloff and Bela Lugosi skulking about engaged in a twisted plot involving revenge, Satanism and chess games played for human lives
Shock film in which director Tod Browning depicts the lives of the deformities at a circus, casting real-life freaks in the roles. This was banned for many years before being discovered as a cult classic