Alleluia! The Devil’s Carnival (2016)
Saw series director Darren Lynn Bousman makes a rock musical about a war between a gaudily exotic Heaven and Hell. A full-length expansion of Bousman’s earlier short film
The Science Fiction Horror and Fantasy Film Review
The Devil (or Satan, Lucifer and Beelzebub) is a figure that is regarded as the prime source of evil in Judaeo-Christian mythology. According to Biblical mythology, Satan was an angel who was cast down from Heaven after leading a rebellion against God. He inhabits Hell, commands all demons and has dominion over the souls of the damned in the afterlife. In popular depiction, The Devil has horns, cloven hoofs and often red skin or glowing eyes.
The Devil is constantly of influencing/tempting human beings to do evil and manipulating events to bring individuals to a loss of faith or innocence. One of the most common appearances is in Diabolical Pact stories in which an individual sells their soul to The Devil or one of his agents for some boon only to frequently find themselves trapped by literal or contorted interpretation of the wording of the agreement.
There have been a large number of depictions of The Devil on screen from the silent era onwards. These range from light comic treatments to the 1970s occult cycle where The Devil is attempting to give birth to a child. There have even been treatments that try to rationalise The Devil in terms of science-fiction explanations.
Saw series director Darren Lynn Bousman makes a rock musical about a war between a gaudily exotic Heaven and Hell. A full-length expansion of Bousman’s earlier short film
Arthur C. Clarke’s book is one of the all-time SF classics; this mini-series adaptation counts as one of the biggest book-to-film abortions in the SF genre handled by people who know nothing about SF
South Korean horror film that generates a more than effectively creepy atmosphere. The downside is that you reached the end of the show with no clear idea what is going on and why things are happening
A variant on the Pact with the Devil story as a rock group conduct a Faustian deal with Malcolm McDowell’s Devil, leading to their meteoric rise to fame and debauchery
Tales from the Hood was the novelty of an African-American made horror anthology. 23 years later the principal talents (including producer Spike Lee) reunite for a sequel
A strong and imaginative horror/Western hybrid set aboard a train before the realisation that it is travelling to Hell. Deft characterisations and some tight, electric confrontations make this work well
Film set in a police interrogation room in the afterlife where two attorneys argue over whether a dead man should be saved or damned
TV mini-series based on the Neil Gaiman/Terry Pratchett novel that spoofs The Omen and Biblical End Times prophecies. The series is very close to the book as though it didn’t want to edit any precious gag
Low-budget film that absorbs you in an intensive headspace as family members visit a reclusive brother who claims to have The Devil locked in the cellar
A few years ago, Neil Marshall seemed a major genre director on the rise with The Descent. Here he returns with a film about the historic witch persecutions
A clone of Donald Trump battles The Illuminati and the Egyptian god Anubis on Mars before travelling to Hell to sort out The Devil. The sheer dementia of the premise alone has one sitting down to watch
An entry in the gonzo killer shark film fad from Mark Polonia, this has some undeniable amusement to its title mash-up as a team go in search of Noah’s Ark, which somehow has killer sharks involved
This seems a variant on the plot about a cult pursuing a child for their purposes but expectations soon get twisted on their head in interesting ways
This has an insane plot about Satanists stealing the Shroud of Turin to clone a body to incarnate The Devil and a priest possessed by the archangel Michael wading into action with a glowing sword
Blumhouse production where Finn Jones moves to a small town and finds the portrait of the town’s founder is a ringer for him
Lars von Trier returns to finish off his haunted hospital saga The Kingdom after a 25 years absence, despite the death of several principals, and again milks the same darkly hilarious vein
A standout Swiss-made film, an exceptionally well written work about a pact made with the devil by a mediaeval village that unleashes a plague of spiders and other curses upon them
Fascinating film set during Puritan witchery as men travel into the woods to confront a witch, this has many similarities to Robert Eggers’ The Witch: A New-England Folktale. Made by an historian who makes everything authentic to the era
Did we need a prequel to the events of Rosemary’s Baby? The original one of the defining classics of the horror genre. Under producer Michael Bay Apartment 7A is just more IP churn
After a disastrous reboot of the Hellboy franchise, Millennium Media get it right, employing the comic’s creator on script, taking the series into wild directions with Hellboy up against Appalachian folk horrors
A horror film about the life of Jesus as a child. That’s not quite what we end up getting but it is enough to give this a bizarre freakshow appeal and get this site watching. Behind that though, this is surprisingly traditional
A film based on true-life serial killer Ed Kemper. Director Chad Ferrin made the terrible Pig Killer, a true crime film that got everything wrong about its subject. Here however Ferrin gets it right and makes one of his best films yet
Scottish director Lawrie Brewster, a promising newcomer on the genre horizon, has obtained the rights to revive the Amicus Films name and conducts a strong homage to the studio’s signature anthology film