The Science Fiction Horror and Fantasy Film Review
The action film is a popular subgenre of cinema where the emphasis is on action sequences – gunfights or unarmed combat, vehicular chases, stunts, frequent explosions and mass destruction – which are usually presented as serial set-pieces.
The action film emerged a distinct genre in the 1970s. Action films usually feature lone male (occasionally female) heroes who win out through muscular brawn or martial ability. In genre material, heroes often come with cyborg enhancements or occasional powers.
There have been numerous genre crossovers from action films set in dystopian and cyberpunk futures, featuring killer androids and cyborg heroes, time travel action films, others set in post-apocalyptic venues, or blends of action and horror featuring vampire and zombie-hunting action heroes, plus a good many others.
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
Are there any new creative directions that Michael Bay feels he he has to explore for a fourth Transformers film? All the Transformers beating the crap out of each other and copious mass destruction has become hard to tell one of the films from each other
The third of Michael Bay’s Transformers films. While the human scenes opt for a ghastly miscalculated sense of humour, the effects houses are at the peak of their game, even if Bay allows them to drag the mass destruction out to a numbing excess
The first of Michael Bay’s Transformers sequels has even better effects and more copious mass destruction to the point it washes over you without any effect
The seventh of the live-action Transformers films, the second made after Michael Bay stepped down from the director’s chair
The fifth of Michael Bay’s Transformers films. This comes with more of an outright comedy focus than any of the other films where Bay seems to be second-guessing his critics and spoofing his own peccadilloes in quote marks, only to produce the silliest entry in the series yet
Belgian zombie film about a military unit assigned to travel through zombie-infested territory to rescue a girl who has an immunity
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
An action film variant on the thriller D.O.A. where Ethan Hawke plays an assassin who is resurrected from the dead and has 24 hours to bring down the corrupt corporation who betrayed him
One of the numerous Mad Max imitators made in Italy. Directed by notorious adult director Joe D’Amato who pushes the material further than the other entries do
One of the more cheesily entertaining among the Italian-made ripoffs of Mad Max 2 during the 1980s (as well as more than a few dashes of Escape from New York). The film works up a moderate head of steam
An early example of the post-apocalyptic action film with Yul Brynner as a lone fighter hired to defend a peaceful community
Milla Jovovich is a part of a vampire rebel underground in a dystopian future. A film filled with incredible design schemes and action scenes that are as spectacular as they are ridiculously improbable
Sequel to Under Siege in which Steven Seagal was a lone individual in a Die Hard scenario defending a battleship against a terrorist takeover; this is the same but with Seagal defending a train
This stirs a bunch of elements from the late 90s vampire film and dark poses from the graphic novel to create a slick vampire action film. Several sequels followed.
Yet another entry that nobody asked for in a conceptually threadbare series that nobody seems to like … passably better than the last two sequels due to some ok action moves but still empty-headed in terms of ideas
The second of the Underworld films where Len Wiseman gets a bigger budget and amplifies the CGI and action sequences,. On the other hand, the characters and story are so stripped to a minimum you lose track of why things are happening
Third of the Underworld films, a prequel to the previous entries. In truth, it is just the same as the others – lots of kinetic action moves and Gothic poses with little in the way of plot
The first of two cheap Universal Soldier sequels made in Canada with Matt Battaglia inheriting Jean-Claude Van Damme’s role
he second of two cheap video-released sequels to the Jean-Claude Van Damme film. This has the novelty of featuring Burt Reynolds as the bad guy
The first studio film from Roland Emmerich, a loud, noisy action featuring Jean-Claude Van Damme and Dolph Lundgren as Vietnam Vets resurrected as super-soldiers
Sixth entry in the series, this throws out all the themes the previous sequels operated by and feels like a Universal Soldier film written by Philip K. Dick with utterly fascinating results. John Hyams hits in with a brutal intensity that shows he is one of the most exciting up and coming action directors
The fifth of the Universal Soldier films reuniting both Jean-Claude Van Damme and Dolph Lundgren, while being given a tough, brutal action punch by director John Hyams
Sequel to Roland Emmerich’s Universal Soldier, this brings back Jean-Claude Van Damme but otherwise substitutes a brain dead plot that has him facing an evil A.I.
The directorial debut of Ryuhei Kitamura. A film premised on the idea of mashing the John Woo-styled gangster film up with the gore-drenched George Romero zombie film.
Bruce Willis is the CEO of a corporation that provides customers with androids to use for whatever vices they want. Very similar to tv’s recent Westworld but has a script so boneheaded you can almost imagine it acted as an example for Westworld to do the exact opposite
The final outing as James Bond for a visibly aging Roger Moore, the fourteenth Bond film all told. One of the more anonymous among the giant unserious cartoon shows the Moore Bond films became
Completely ridiculous martial arts SF film with Don ‘The Dragon’ Wilson as a future cop fighting a videogame character incarnated in the real world
Director Brett Leonard started the fascination with Virtual Reality off with The Lawnmower Man but shot himself in the foot with this absurd braindead follow-up in which Denzel Washington pursues a madly OTT Russell Crowe as an android serial killer
The film that Hitman should have been concerning a secret world of super-powered assassins, revved up by out of this world visuals from Timur Bekmambetov
The military action film is a genre that does nothing for me. But this does have a furious, survival-oriented pace as it pits Alan Ritchson and a detachment of soldiery up against an alien killer robot
Routine action film about the attempts to stop a rogue general who has hijacked a nuclear missile silo
Shabbily made copy of Mad Max 2 that plays out with minimal action
B-budget director offers up a copy of Mad Max 2 and peppers it with plentiful tongue-in-cheek exploitation elements stirred with undeniable vigour
One of the most intensive and exciting action films of recent with humanity engaged in a furious battle with plants and killer robots
The most expensive film ever made at the time, a Kevin Costner epic in which he is a lone mariner in a drowned world where survivors cling to shantytowns floating on the surface. Essentially a Mad Max film located on water.
SF action where Rutger Hauer is sentenced with a collar that will explode if he moves 100 yards apart from Mimi Rogers
Low budget vampire action about a vampire woman who is recruited into a secret government organisation
The third and best of Pierce Brosnan’s outings as James Bond. All the aspects of the formula are contained within a strong plot and Sophie Marceau proves a standout in a role that combines both villain and love interest
One of the most brainless action films ever made. This has the laughable notion of trying to make a James Bond film but recasting it with Vin Diesel as an extreme sports junkie. Everything about the film is absurd.
xXx, with Vin Diesel as an extreme sports junkie version of James Bond, was ridiculous. This second sequel surprisingly turns out halfway watchable, keeping the stunts moving fast and introducing an ensemble to build this out as a Fast and the Furious-type franchise
The fifth James Bond film takes the series to Japan. New director Lewis Gilbert is determined to outdo what has come before in terms of the spectacular, especially WITH the construction of the massive volcano set
Post-apocalyptic zombie action played with a tongue-in-cheek comic-book tone. Plus Danny Trejo as a badass zombie-hunting priest