Ghostwatcher (2002)
A B-budget horror film about an agoraphobic woman who is unable to go over of her apartment who then finds that it is haunted by a ghost
The Science Fiction Horror and Fantasy Film Review
A B-budget horror film about an agoraphobic woman who is unable to go over of her apartment who then finds that it is haunted by a ghost
Follow-up to Ghostbusters: Afterlife, reuniting that film’s mix of new and classic cast. However, this becomes a plotting juggle that is often straining to find somewhere to include everyone
Sequel to Ghostbusters that was far better received than the 2016 reboot, giving us a new generation of ghostbusters. This succeeds largely by playing the nostalgia card for all it can
A weak follow-up to the hit original that essentially killed off any further Ghostbusters sequels. Most of the the cast are back but the plot and proceedings feel like a walk-through for all involved.
An overrated classic that is nevertheless an undeniable fixture of 1980s pop culture. Overlong, it is largely carried through Bill Murray’s lazy sarcasm and the sterling work from the visual effects team
Ridiculous sequel to the Marvel Comics adaptation with an indifferently written script assembled from cliches, forgettable action scenes and Nicolas Cage giving one of his silliest performances in ages
Film adaptation of Marvel Comics’ demon superhero emerges as better than it had the right to be. The risibility of the image of a motorcycle-riding demon hero is made to work through some vivid and way-out effects
The fourth of Universal’s Frankenstein films where Lon Chaney Jr inherits the role of the monster and makes it into a stumbling brute that lacks the pathos of Boris Karloff. The plot recycles what has now become the cliches of the series
Another anime film in the Ghost in the Shell franchise. This was the fifth episode of the Ghost in the Shell: Arise reboot series that received a theatrical release
Reboot of the Ghost in the Shell series in a quartet of prequel stories. This funnels the essence of Cyberpunk superbly, creating a dazzling world with cyborgised security services fighting terrorists hacking people’s brains
Classic anime from Mamoru Oshii, a Cyberpunk work with a heroine who is a cyborg special forces officer, a work that delves deeply into the philosophical questions of what is human and what is machine
Mamoru Oshii’s follow-up to Ghost in the Shell where he makes a work that pushes both an artistic envelope at the same time as taking his philosophical fascination with the Cyberpunk world to a stunning level
The third of the Blind Dead films about the zombies of blind Knights Templar. This is set aboard a ghost ship at sea and is said to have later influenced John Carpenter’s The Fog
The fifth Godzilla film, the point where Godzilla becomes a good guy joining Mothra and Rodan to battle Ghidrah. The best Godzilla film from this period with the effects team operating at the peak of their game
An unsold Gene Roddenberry tv pilot that is a fascinating almost-ran. Roddenberry rehashes Star Trek by way of Buck Rogers in a post-holocaust setting. This could have made for a worthwhile series
An entry in a popular series of French slapstick comedies with Louis de Funes as a comic gendarme. In this, the series sole genre entry, he goes up against alien visitors
A superior sequel to the modest The Gate. This borrows from H.P. Lovecraft and delves into the area of cursed wishes that turn on the wisher, all with imaginative results
Modest horror film of the 1980s where kids inadvertently open a demonic gateway. Like a juvenile version of Poltergeist, this comes with the bonus of some fairly good effects
Animated film spun off from the Garfield comic-strips in which Garfield emerges out into the real world. A cute premise that the film fails to develop
Big screen version of the massively popular Garfield comic-strips in live-action with a CGI talking Garfield. Here Garfield has been tacked onto a plot that feels assembled from every other talking animals film
Where the first live-action Garfield film approximated the original comic-strip and its focus on a cat delivering sarcastic lines, this sequel pitches everything down to the level of an inane children’s film
This was made as a copy of the Godzilla films by rival studio Daiei. This proved sufficiently successful that it too spawned a long-running series of sequels and monster bashes
This was the seventh of the 1960s Gamera films and one of the worst of the series. By now, the film is pitched entirely to juvenile audiences, while the effects are pitiful
The fifth of the 1960s Gamera films. This comes with inane plotting, sub-par effects and silly monster fight scenes, even a plot stolen from Fantastic Voyage about a submarine journey into the monster’s body
The third of Daiei’s 1960s Gamera films, this takes the series back into children’s movie territory. Some moments of goofy silliness and variable effects ensue in a likeable enough combination
The 1960s Gamera films were always a copy of the Godzilla films, aimed at a more juvenile level and with crappier effects. This was the second of them, somewhat better produced than the others and taking proceedings seriously
Here Shusuke Kaneko revived the Gamera series of the 1960s/70s with a series of stunning effects. The result promptly set a new standard for the Japanese monster movie
Possibly the worst Kaiju film ever made – produced by a bankrupt studio in order to recoup losses and cheaply slung together by rehashing footage from the other Gamera films
An extraordinary reworking of the Japanese kaiju series with stunning CGI effects sequences. This set a new standard and is among the best of the modern Japanese monster movies
Shusuke Kaneko did extraordinary things in revitalising the Japanese monster movie in the 1990s with his trilogy of Gamera films. This was the second of them, usually seen as the weakest of the trilogy
The Gallows was a Found Footage film about a haunted high school play. Blumhouse have yet to have a success to which they are not willing to spin out a sequel
Though this received a reasonably high-profile release from Blumhouse, it transpires as no more than a Found Footage film about the haunting of a high-school play
A sequel to the original Westworld. Here the cleverness of Michael Crichton’s film is rehashed as a B movie plot about the amusement park now hosting android takeover conspiracies
1990s VHS SF/action with David Carradine as a future cyborg bounty hunter on the run with a wrongly convicted girl while hunted by his own side
This was the fourth (or maybe the fifth) of the Spanish films in the popular series about the wolfman Waldemar Daninsky starring Paul Naschy. Also one of the shabbiest of the series.
45 years on, George Miller returns with a fifth entry in his Mad Max saga, a prequel to Fury Road. As to be expected from Miller, this an exhilarating action piece and makes a welcome return to his post-apocalyptic junkyard world
The first of two sequels to the live-action Fullmetal Alchemist. The first felt uninspired but this and the third film expand the saga and its storyline out with considerable depth
The concluding chapter of the trilogy of live-action Fullmetal Alchemist films, this follows the manga’s storyline closely and brings the series to an epic conclusion
Live-action adaptation of the popular manga and anime series. Despite having a reasonable budget thrown at it and treating the source material with fathfulness, this looks awkward on the screen
Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
The second and best of the From Dusk Till Dawn sequels. This takes the story back and retells it in a Western setting where it offers some clever twists on the original
The first of two video-released sequels to From Dusk Till Dawn, this spins the premise to have a group of robbers at siege from police inside a bank vault as they are attacked by vampires
Robert Rodriguez and Quentin Tarantino combine forces on a film that begins as a getaway thriller and then abruptly morphs into a vampire film. This has a smart edginess to it but the vampire scenes have not dated well
The first X-rated animated film. Ralph Bakshi’s first film, taken from Robert Crumb’s cartoons, this is hilariously raunchy as the titular talking cat takes a strung-out but often sharply politicised journey through 1960s counter-culture
Sequel to Fright Night, this basically rehashes what went before but introduces Jerry Dandridge’s sister. This does come with the benefit of some way-out stylistic effects from director Tommy Lee Wallace
Supposedly a sequel to the 2011 Fright Night remake but more a loose reworking of the original. This conducts some novel variations such as making Jerry Dandridge into a woman, but is also one of the worst directed horror films in some time
Another 1980s horror remake that resurrects and changes the original to little purpose. This fails to understand that what was original in 1985 lacks much alongside other contemporary vampire films
Slick well made film that successfully transplants the vampire to modern suburbia. Made with a top-drawer arsenal of effects, including taking a leaf from An American Werewolf in London and showing a detailed man into bat transformation
The fourth Friday the 13th film, called the final chapter in an effort to kill the series off, only to be such a success this was rescinded in the next film. Joseph Zito directs with more style than usual
The eighth of the Friday the 13th films that offers the novelty of taking a revived Jason to New York City. Actually, one of the better entries in the series, which plays his encounters with New York locals for some amusement
The seventh of the Friday the 13th films, this tries to add some novelty with a heroine who has psychic powers but is mostly the same thing as before
The fifth and arguably the worst of the Friday the 13th films. Jason is resurrected and engaged in much butchering, before an end reveals it was someone else altogether
Third of the Friday the 13th films, shot in the brief fad for 3D films in the early 80s. This is also the one where Jason adopts his trademark hockey mask
The second of the Friday the 13th films. This was the point where the formula of the series slipped into place and Jason emerges to become an invincible killing machine
A copy of John Carpenter’s Halloween that proved a big success and spawned a long-running series of sequels. Both films created the slasher film, which came to overrun horror in the 1980s, although this is a cruder film than Halloween
Matthew Bright’s even better sequel to Freeway where he conducts an outrageous and quite brilliant modernisation of Hansel and Gretel now recast with two juvenile delinquents on the run
Matthew Bright’s extraordinary modernisation/trashing of Little Red Riding Hood who becomes Reese Witherspoon’s juvenile delinquent who goes hitchhiking and is targeted by serial killer Kiefer Sutherland
The sixth of the A Nightmare on Elm Street films, sold with the gimmick of a 3D release. New director Rachel Talaly refuses to take the material seriously and turns the show into an absurd cartoon
The long promised crossover between the Friday the 13th and A Nightmare on Elm Street films, this seems caught in a juggling act that fails to satisfy the requirements of either franchise
Enjoyable remake of the 1970s Disney comedy about a mother and daughter who swap bodies. Jamie Lee Curtis and Lindsay Lohan nail the swapped roles to perfection
The 2003 Freaky Friday was one of the better Disney remakes with Jamie Lee Curtis and Lindsay Lohan giving inspired performances as mother and daughter who swap bodies. The two reunite for a sequel here
Not a Frankenstein film but a werewolf film. Spanish actor Paul Naschy debuts his signature role of the wolfman Waldemar Daninsky. Naschy would return to the role nine times, as well as play most of the classic horror characters
The fifth of Hammer’s Frankenstein films and the absolute pinnacle of the series. Terence Fisher is on the peak of his form and turns in a series of directorial set pieces that are quite masterful
The first film in which Universal teamed-up their in-house monsters, leading to several other monster bashes throughout the decade. For all that, this fails to make any interesting use of the title set-up
The fourth of Hammer’s Frankenstein films and the most conceptually wild with Frankenstein conducting soul transplants, including transferring his assistant’s soul into a woman’s body
One of the strangest of Japanese monster movies in which the heart of the Frankenstein monster is caught in the Hiroshima atomic blast and grows into a giant boy
Hammer’s seventh and final Frankenstein film and the last great film that the studio would make. Everyone is back on top form – Peter Cushing at his icily arrogant best and director Terence Fisher delivering a stirring show
The classic version of Mary Shelley’s tale that left the indelible image of Boris Karloff as the dull monster with bolts in its neck. Director James Whale draws on German Expressionist designs to create one of the landmark classics of the genre
The second in a surprisingly popular series of comedies about Francis the talking mule, this involves Donald O’Connor and Francis in a series of hijinks set around horse racing track
This was the first in a series of excruciating comedies that pairs hapless Donald O’Connor with Francis, a talking mule. Six sequels followed
Disney animated film from the fallow period of the 1970s/early 80s. This concerns the friendship between a talking fox and a hound tempered by the knowledge they will grow into enemies. An okay effort if not up the heights of the studio’s classics
47 Meters Down, with two sisters trapped underwater in a shark cage with a failing supply of air, didn’t require a sequel. Here we get two different sisters trapped underwater with a limited air supply and surrounded by sharks
Sequel to the Christopher Lambert starring future prison film, this relocates the action to an orbiting space station. Less brainless than its predecessor if in the end no more than average
Stuart Gordon, a cult director on the basis of Re-Animator, ventures into making an SF action film set in a futuristic prison. The film has a bone-headed script that feels like it is only rehashing cliches from every SF film
In this, the fifth film in The Purge series, the scenario becomes even more interestingly political, becoming a satiric take on MAGA America and the Capitol Riots
Kiyoshi Kurosawa is a director who specialises in cryptic spooky horror films. This is a sequel to his earlier alien invasion film Before We Vanish about aliens come to steal concepts from people’s minds
Sequel to the David Cronenberg remake of The Fly directed by that film’s effects creator Chris Walas. This reduces Cronenberg’s obsessive bodily transformation film into just another monster on the loose tale
David Cronenberg remakes the 1958 film, transforming its improbable scenario into a fascinating study of biological transformation with Jeff Goldblum genetically mutating into a fly hybrid. Kafka’s Metamorphosis with a lot more slime.
A teleporter accident causes a scientist to swap head and arm with a fly. This requires you to suspend believability but is otherwise one of the classic monster movies of the era. Several sequels and a remake followed.
TV movie remake of Virginia Andrews’ best-selling Gothic melodrama about children imprisoned in an attic. Even if more faithful to the book, this is no better than the 1987 film
Sequel to the live-action The Flintstones film. Whether we asked for it or not, this offers up a Flintstones origin story where we see familiar elements of the series fall into place
The first in what later became a fad for replicating cartoon tv series as big-budget live-action films, this does an exacting live-action version of the Hanna-Barbera series
This sequel to Flesh Gordon, the R-rated parody of the Flash Gordon serials, feels like a joke that is belaboured in the retelling. The film does have a crass level of nonsensical absurdity that proves amusing
This offers the amusing idea of a softcore parody of the old Flash Gordon serials. A surprisingly well-made film in terms of effects but the jokes often seems belaboured amid the witless mugging
The second of the Flash Gordon serials, which relocates action to Mars following the popularity of Orson Welles’ War of the Worlds broadcast. The film has a wonderful imagination that far outshines the tattiness of usual serial production values
The third of the Flash Gordon serials, not quite at the heights of the previous two but with a colour and exoticism that was head and shoulders above the other serials of the era
Dino de Laurentiis climbed aboard the Star Wars fad with this remake of the classic serial. Against expectation, the film’s campy tone and eye-popping sets and costumes work and it has become an audience favourite
The original and greatest of all SF serial adventures and a huge influence on George Lucas. Despite the primitive effects, this still has a marvellously rousing imagination that stands up today. Two serial sequels followed
Five Nights at Freddy’s, adapted from the popular videogame and featuring Josh Hutcherson fighting off killer animatronics, was a runaway success for Blumhouse. This is a sequel
A Blumhouse film adaptation of the videogame that was a considerable hit at the box-office. Josh Hutcherson plays a security guard at a pizza parlour who faces killer animatronics come to life
The Asylum, the company behind the Sharknado phenomenon, made 2 Headed Shark Attack. Figuring the only way to top that was to keep adding more heads we had 3 and now 5 Headed Shark Attack
Blumhouse have handed the reigns of The Purge series to African-American filmmaker Gerard McMurray who takes the opportunity to get political and drag the series into the era of Black Lives Matter
Did the world ask for a prequel to the events of The Omen, explaining how Damien was born etc? It’s not an issue that has given me sleepless night, but it is a question the film sets out to answer anyway
TV mini-series sequel to Stephen King’s Firestarter that now sees Charlie McGee in her twenties played by Marguerite Moreau. The story feels under-plotted and over-padded
The adaptation of the Stephen King novel with Drew Barrymore giving a fantastic performance as a young girl with pyrokinetic powers on the run as she is hunted by a sinister government agency
An unabashed delight among the Pixar films about a fish parent on a quest to find his missing son. This comes with an extraordinarily vibrant palette of colours and a line-up of winningly eccentric characters
Pixar have never been the same since giving in to sequelitis but this sequel to Finding Nemo does recapturing some of their heyday. Not perfect but this has a winning array of new characters and some delightfully madcap comic set-pieces
A return to the Final Destination franchise after fourteen years, this comes with an undeniable sense of humour, producing a series of highly entertaining despatches to make the best entry in the series so far
The series drags another entry out set around the premonition of a bridge collapse. This one is played with such an enthusiasm for the bizarrely improbable deaths that it is one of the best of the sequels
The original creative team behind the Final Destination series, James Wong and Glen Morgan, return for this sequel but only provide a routine series of bizarre novelty deaths following the premonition of a rollercoaster disaster