Warlock: The Armageddon (1993)
Julian Sands returns in a sequel to Warlock where the frequently unserious effects of director Anthony Hickox turn it into a silly comic-book of a film
The Science Fiction Horror and Fantasy Film Review
Julian Sands returns in a sequel to Warlock where the frequently unserious effects of director Anthony Hickox turn it into a silly comic-book of a film
A Disney live-action film that engenders no believability in its basic premise. Much of the show is regarded as an opportunity for Bette Midler to steal the limelight and play to over-the-top excess
The first in the popular series of films starring Warwick Davis as a malevolent leprechaun. Fairly cheesy and silly, mostly known today for featuring a pre-Friends Jennifer Aniston
The ninth of the Friday the 13th films and the most variant and fun of the series. This cheerfully turns expectations on their head and readily punctures the series cliches
A sequel to the earlier H.P. Lovecraft adapted film The Unnamable. Despite having a bigger budget, this is no more of an improvement over its predecessor
The third of the original live-action Turtles films is a lazily conceived affair that transplants the Turtles back in time to feudal Japan in a plot that rips off The Seven Samurai
Sequel to the earlier Wu Xia film, which brings back the leads in an enjoyable adventure that places much more emphasis on flying swordplay
Brian Yuzna’s entry is the only worthwhile effort among the sequels to Dan O’Bannon’s Return of the Living Deadwhere Yuzna adds an original plot about a zombie girlfriend and the film is spiked with perverse imagery
Enormously entertaining and hilariously tongue-in-cheek Hong Kong action film featuring three popular actresses as superheroines who go into action in a series of wildly over-the-top moves
A disappointing sequel to the madcap Hong Kong superheroines film. This reunites the principal cast members but seems to miss all the fun of its predecessor
Prolific low-budget hack David DeCoteau directs what feels like a very softcore version of a Gidget film crossbred with Earth Girls Are Easy (albeit with the sexes reversed). A film that quickly sinks into awfulness
Sequel that abandons that mindless chop suey of Albert Pyun’s Cyborg and reconstructs it into a halfway reasonable Cyberpunk film. A then unknown Angelina Jolie plays the cyborg
The second in a series of low-budget vampire films from Charles Band and Full Moon Productions. Nothing much to write home about.
Absolutely delightful and charming BBC series about a family of miniature people who live in secrecy inside the walls of human houses. The best of several versions of the popular books
An entertaining B-budget film about malevolent toys from low-budget producer Charles Band, known for the Ghoulies and Puppetmaster films. One of the first works from screenwriter David S. Goyer
The fourth and last in the series of 1980s horror comedies that began with House produced by Friday the 13th director Sean S. Cunningham. This brings the first film’s William Katt back to round the series out
The first sequel to Honey, I Shrunk the Kids, which far less effectively reverses the scenario and has Rick Moranis accidentally enlarging his child to giant size
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
A shabby sequel where the classic original where Terry O’Quinn is replaced by another actor and everything reduced to no more than a routine slasher film
Completely ridiculous mix of The Terminator and Die Hard where, for no clear reason, an android terrorist decides to take hostages in an office building and the FBI’s only hope is a cryogenically unfrozen football player
The sixth film based around The Amityville Horror, although by now connections to the original are minimal and this only concerns a mysterious clock taken from the house
The second of the films spun off from the Stephen King short story. This is better that its predecessor, premised around a series of novelty deaths and offering some explanations for what is happening
The Hellraiser sequels begin their descent to mediocrity. Clive Barker’s original vision of dark, forbidden pleasures has been watered down and the Cenobites become little more than campy variations on Freddy Krueger
Shinya Tsukamoto makes a better budgeted sequel to his breakthrough hit. The first film was a masterpiece of guerilla filmmaking but the same frenzied fetishism is missing here
Sequel to the 1989 Pet Sematary that reverses the sympathies of the original – now it is a child that resurrects a parent – but this never quite finds the same effectiveness
This slick eroticised thriller was a huge success and made the career of Sharon Stone. The absurd plot bears no resemblance to human motivation but Paul Verhoeven makes an undeniably provocative and entertaining package
Fourth and final of the Killer Tomatoes films by which time the slight appeal of the original concept has been well and truly worn out
A Clive Barker adaptation capped by a magisterial performance from Tony Todd. This was greeted as a horror masterpiece when it came out and went on to spawn two sequels. Not too bad if it falls short of the classic status
Sequel to their earlier Wu Xia film, although having nothing in common with it. All the moves are pushed to a level of cartoonish absurdity that proves amazingly silly
The second of Tim Burton’s Batman films is even more beautifully dark and glistering than the first, introducing Michelle Pfeiffer as a sizzling Cat Woman and Danny De Vito as a venomous Penguin who respectively own the show
Action film starring Lorenzo Lamas as a detective drawn into underground fight clubs while discovering a mystic sword owned by Alexander the Great
A popular hit among the 1990s renaissance of Disney animation, this is a glib work that allows the original story to be overrun with hip-jokes and Robin Williams being Robin Williams
The last of the popular Hong Kong comedy series about hopping vampires. While the other sequels became very silly, this goes out on an inspired final note
Third of the Alien films, a directorial debut for David Fincher. A better film than was perceived at the time, this explores new character depths, while Fincher imprints his own visual style on the film
Sam Raimi and Bruce Campbell make their third Evil Dead film. The series hit a peak with the delirious balance of horror and comedy in the second film but here the comedy over-balances and becomes too broad
The first studio film from Roland Emmerich, a loud, noisy action featuring Jean-Claude Van Damme and Dolph Lundgren as Vietnam Vets resurrected as super-soldiers
The 19th Godzilla film, part of the 1990s revival where the series started to employ modern animatronics. This revives Mothra in quite beautiful ways and mounts to a rousing monster battle
The third of the Maniac Cop films had production problems and now feels more like a regular slasher film, although is still boosted by a characteristically witty Larry Cohen script
Animated film where fairies face the threat to their forest posed by a logging operation. Preachy message-making that is all but a recruitment film for Greenpeace and the Sierra Club
An unfunny comedy about a cheerleader vampire slayer. This should have been quickly forgotten but instead it surprisingly became the basis for a much superior hit tv series several years later
The third and least interesting of the Hong Kong series that blends erotica and the supernatural. Unlike the other films, this takes itself mostly seriously
Second of the sequels to David Cronenberg’s Scanners, this features Liliana Komorowska who becomes crazed after taking a scan suppressant drug
This has nothing to do with the Stephen King story about a Pan-worshipping lawnmowing service and is a film about Virtual Reality. Harnessing some top-drawer CGI effects of the day, this was influential on subsequent VR films
Sensational example of the Hong Kong Wu Xia/Flying Swordsman film. Ching Siu-Tung delivers an amazing series of martial arts battles with fantastical moves that are quite out of this world
This was the third of the Attack of the Killer Tomatoes films. This hits an appealingly silly and wilfully ridiculous note that makes it the best of the sequels.
The second live-action Turtles film is a disappointment. The Turtles are infectiously enjoyable characters but the script has an indifferent laziness, while parental concerns over violence have mandated that the fight scenes be watered down to an absurd level
The first sequel to The Terminator where James Cameron returns with the biggest budget for a film at the time. Cameron harnesses then top-drawer CGI technology to create one of the most original nemeses in any SF film
The sequel to Bill and Ted’s Excellent Adventure where the first film’s humour gets lost amid repetition and blown up by a big-budget. William Sadler’s Death however proves a scene-stealer
This gained a minor cult in which an abused nerd snaps as a result of constant humiliations and goes on a killing rampage. Tony Radloff gives an extraordinary performance
The third of the Critters films and in my minority opinion the best of the series generating some reasonable suspense. Featuring the film debut of a teenage Leonardo DiCaprio
The first of a series of poorly made sequels to David Cronenberg’s Scanners. Cronenberg’s ideas have been stripped down to no more than a series of head-exploding effects
Another wackily improbable entry in Hong Kong’s Wu Xia cycle featuring all the wildly fantastical and way over-the-top moves that the genre is renowned for
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
Amblin make a sequel to An American Tail minus the involvement of Don Bluth this time. The story now becomes an amiable animated parody of a Western
Steven Spielberg’s long-planned live-action version of Peter Pan emerges as a sequel that asks the question “What would happen if Peter Pan grew up?” Unfortunately, the results are not one of Spielberg’s better films
To Die For was a forgettable effort, most notably as one of the first films to feature the darkly romantic vampire. This sequel recasts the part with the impossibly handsome Michael Praed and is a far more successful assemblage of the elements
This caught on in a big way with the public, created a fascination with serial killers and forensic psychology and was nominated for a host of awards. Personally, one finds it one of the more overrated films of modern vintage
The third of Frank Henenlotter’s Basket Case films but by this point the perverse wit of the original has become replaced by a cartoonish absurdity
Xtro was cheesily ridiculous Alien copy. This is a sequel that bears nothing in common with the original beyond the title. In between the two films, we had Aliens so there is now a plot about soldiers hunting the creature with biiig guns. Nothing bad, just an uninspired rehash of the standard Alien copy
Excruciating sequel to The Beastmaster that transports Marc Singer’s Dar to contemporary L.A. The whole film is wrecked by an attitude that seems unable to take the proceedings seriously.
The first of several sequels to Charles Band’s Trancers with Tim Thomerson as a hard-boiled time-travelling detective. This does a passably okay job of following up on its predecessor
This sequel to Flesh Gordon, the R-rated parody of the Flash Gordon serials, feels like a joke that is belaboured in the retelling. The film does have a crass level of nonsensical absurdity that proves amusing
Passable but slight tv movie adaptation of a Stephen King short story about a teacher facing undead pupils
The last of the classic Star Trek films. Nicholas Meyer, who made the last good Trek film The Wrath of Khan, returns to give the characters a moving send off, while the plot that reenacts the fall of the Berlin Wall with the Klingons gives the films a political immediacy that was missing since the tv series
The third and probably the least regarded of the Chucky films. This for some reason takes place in a military academy. The outrageous black humour of the later entries is absent and in its place a mean-spirited sadism
Roger Corman produced film where Brooke Adams realises that something sinister might be happening with her pregnancy
Probably THE worst sequel ever made. The script’s treatment of continuity to the first film is utterly incoherent, while director Russell Mulcahy and most of the cast go at it with unrestrained OTT excess
The eighteenth Godzilla film and one of the best of the modern era. This has the most conceptually audacious plot of any Godzilla film and overflows with wild ideas involving time travel and changing the timeline
The second and best in the series of Hong Kong films filled with wonderfully tongue-in-cheek erotica and a series of entertainingly over-the-top fantastical set-pieces
The first in a series of vampire films from Charles Band and Full Moon Productions. Several sequels followed.
The sixth of the A Nightmare on Elm Street films, sold with the gimmick of a 3D release. New director Rachel Talaly refuses to take the material seriously and turns the show into an absurd cartoon
A sequel to the Mannequin, the inane comedy about a romance with a storefront dummy come to life. Here Kristy Swanson plays a princess who is turned into a statue before being awoken in the present
Jörg Buttgereit’s sequel to his shocking necrophilia film is more professionally polished but still holds much of the same raw impact
Charming and delightful Hong Kong erotic comedy about a scholar who sets out on a journey of sexual freedom
The 1980 Alligator was amusing but this hardly one of the sequels the world was burning to see. An utterly formulaic copy that is killed by impoverished giant alligator effects
A sequel to 976-Evil, Robert Englund’s directorial debut about a demonic phone line. This is an almost entirely unrelated work that is now about a killer with astral projection powers
The big screen version of the 1960s tv series and Charles Addams’ cartoons is a highly enjoyable Hollywood Halloween Party, a chance for name actors to put on costume and ape life with a ghoulish, mildly perverse, moderately subversive spin
The third of Full Moon’s Puppet Master films, this is a prequel that explores Andre Toulon’s origins in Nazi Germany
The first sequel to the Troma hit and with all of the usual bad taste and moron humour you associate with a Troma film, but also better produced then most their films
The second sequel to A Chinese Ghost Story, a slighter effort too reliant on the plot beats of the original. Where it does work is in the enormous degree of slapstick energy with which proceedings are conducted
A wildly deranged and gore-drenched ride. Imagine Rosemary’s Baby with an Alien chesburster where a woman is impregnated by a parasite that maintains a monologue as it urges her to kill and drink blood to feed it.
The third of the Texas Chainsaw films where the rights have now been inherited by New Line Cinema and the brutality of the original promptly watered down to MPAA standards
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
The first and best Tom Clancy adaptation about a hi-tech Soviet submarine whose captain goes rogue. Director John McTiernan conducts the undersea maneuverings with gripping psychological tension
One will go out on a limb and argue that William Peter Blatty’s sequel is actually a far superior work to the original The Exorcist, one that substitutes a literate theological detective story for barf bag theatrics and contains at least one real out there jump
A sequel to the teen psychic powers comedy Zapped! that takes things even more crass and vulgar
Third of the Back to the Future films, which takes everything back in time to the Old West. Probably the slightest of the trilogy, this nevertheless goes out with a rousing farewell
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
Hong Kong film that blends gauzy erotica and supernatural (although no ghosts despite the title). Not as a good as the first sequel (one of several that followed) due to crude direction
Sequel to The Neverending Story made with a better budget. This delivers some amazing sets and creature designs but is killed with a script that discards the metaphors and complex level of meta-fiction of the original
Sequel to the madcap Hong Kong fantasy Peacock King with Gloria Yip as a hell demon trying to adjust to living on Earth, which then turns into a comedy variant on Gremlins
A 1990s video release, a variant on Carrie where a bullied teen girl enacts vengeance against tormentors with the aid of a cursed mirror
Sam Raimi created one of the few original screen superheroes with Darkman, essentially a superhero film where The Joker (by way of The Phantom of the Opera) is the hero of the piece
A highly entertaining effort from Charles Band and Full Moon Productions directed by Albert Pyun featuring Tim Thomerson as a hard-boiled miniature alien cop come to Earth
Sequel to the sensational A Chinese Ghost Story, this reunites the principal talents and actors but is not quite as snappy as the original, placing more of an emphasis on comedy
The first live-action spinoff of the comic-book and animated series still holds up well two decades later. Little of the manic barrage of pop culture has dated, there are some excellent animatronics that allow the Turtles to engage in a series of high-energy fights and more importantly emerge as distinctive characters
A far less successful sequel to the mega-hit of Gremlins where director Joe Dante brings the gremlins to Manhattan and allows the silliness to go completely over-the-top and into orbit, even breaking the fourth wall
The first of three sequels to the Dean R. Koontz adaptation about an intelligent dog, although for each sequel producer Roger Corman has just remade the book
A superior sequel to the modest The Gate. This borrows from H.P. Lovecraft and delves into the area of cursed wishes that turn on the wisher, all with imaginative results
The first of the long-running series of sequels to Full Moon’s Puppetmaster, this is essentially a rerun of the first film