Phantasm II (1988)
The first and best of Don Coscarelli’s Phantasm sequels, one that creates an eerie twilight zone ambience that sits between dream and reality
The Science Fiction Horror and Fantasy Film Review
The first and best of Don Coscarelli’s Phantasm sequels, one that creates an eerie twilight zone ambience that sits between dream and reality
Cult film from Don Coscarelli that takes place in a funereal twilight world and is filled with images of wild surrealism. Not a lot makes sense but the film is meant to operate on the logic of a dream. Several sequels followed.
Beatrix Potter wrote genteel stories of talking animals in the English countryside. This is a film so astonishingly awful in its treatment of the source material – it feels like someone drunkenly urinating on Beatrix Potter’s gravestone for lulz. The No 1 contender for Worst Film of 2018
The first Peter Rabbit film was an abomination that trashed Beatrix Potter’s genteel stories. It made this site’s Worst of 2018 list. This is a sequel
One of the animated Disney classics, if probably an overrated film. It throws slapstick and derring-do together in a likeable package
Sequel to the Lifetime channel adaptation of Virginia C. Andrews’ Flowers in the Attic. Andrews’ prolific output of Gothic melodramas are really the horror equivalent of daytime soap operas. Though marginally better, this drowns in the same stultifying blandness as its predecessor
Sequel to the 1989 Pet Sematary that reverses the sympathies of the original – now it is a child that resurrects a parent – but this never quite finds the same effectiveness
An okay Stephen King adaptation that does nothing particularly wrong but lacks the impact that has caused people to regard the novel as one of the best of King’s works
A sequel, or more correctly, prequel to the recent remake of the Stephen King novel. This has some legitimacy in that it is adapted from a story recounted in the book
Remake of the Stephen King novel that opened to very divided reaction. The surprise about the film is bar one central aspect it is surprisingly faithful to the book. On the other hand, the changes make the crucial difference
When the Bough Breaks was one of the better 1990s serial killer thrillers; though it didn’t need it, this is a sequel, albeit with a completely different cast. While the original was clever, this falls into drawing too much from The Silence of the Lambs, the inspiration behind both films
Spinoff of characters featured in David Lynch’s Wild at Heart and a greatly underrated film for Alex de la Iglesia. this pushes into even darker and more anarchic places than Lynch did, featuring outlaw lovers who are black sorcerers on a trail of murder and kidmap
Sequel to the British sex comedy Percy about the world’s first penis transplant in which the central character is now the last fertile man on Earth
This sequel is marginally better than the first film (largely due to Chris Columbus no longer being in the director’s chair), being more dramatically engaged and with effects that feel less like random eye candy. That still doesn’t disguise the fact that the Percy Jackson series is no more than a lightweight and forgettable Harry Potter knockoff
Chris Columbus seeks to emulate the success of the Harry Potter films with this adaptation of a Young Adult series about the children of Greek gods. The film falls apart due to Columbus’s typical banal cues and effects overkill
Popular entry among the early 1970s spate of British sex comedies featuring Hywell Bennett as the recipient of the world’s first penis transplant. Mostly this serves as an excuse to string a series of sexual encounters together.
The third in the trilogy of Edgar Rice Burroughs adaptations with Doug McClure. This has much imagination despite the special effects often not being up to the task
Yeon Sang-ho makes a sequel to his international breakout zombie film hit of Train to Busan, appropriating the basics of Escape to New York to good ends
This spinoff from the Madagascar films is a lot more fun that I was anticipating – how could you dislike a film with John Malkovich as an octopus super-villain? Essentially cast as a spy parody, the film has a gonzo insanity that hits in with a manic delirium
Pee-Wee Herman is someone who polarises crowds to love or extreme hate. The was the first film from Tim Burton who seems charmingly attuned to the kitsch banality of Pee-Wee’s universe
Ti West made the extraordinary X earlier in the year. Here he and the greatly underrated Mia Goth return to make a prequel
Low-budget director Fred Olen Ray makes a softcore variation on Fatal Attraction with a vengeful Shauna O’Brien obtaining a job as the babysitter with the married man who jilted her
Parasyte Part 1 was a manga adaptation filled with wild effects sequences. This sequel is an even better film that expands the characters and ideas in quite fascinating directions
Live-action adaptation of a manga about the war between body-snatching parasites that are capable of rearranging their host’s bodies. This plays out as a madcap version of The Thing relocated to a Japanese high school
The Asylum’s answer to Paranormal Activity Oren Peli made his film for $15,000, which is about as cheap as it is possible to make a film; this manages to look even cheaper – simply someone wandering around with a camcorder that is at best aimed in the general direction of things happening
Less another sequel than a spinoff of the Paranormal Activity series, this takes place with Latino characters and in a whole different culture and socio-economic strata. While this gives the series a face change, everything else it feels like the shuffling of a well-worn deck of plot cards
For supposedly the Paranormal Activity series final entry, this offer the novelty of the first Found Footage film in 3D – a gimmick that signals the series is out of fresh ideas. Moreover, the series’ look via watching security cameras has been de-emphasised in favour of another CGI driven ghost story
Blumhouse resurrects the Paranormal Activity series for another outing about an investigation into the secrets of an Amish cult
The Paranormal Activity series has had a better run than most horror franchises up until now but the cracks are starting to show through here. This feels like it is straining to find some new way to do the familiar moves but fails to provide anything unexpected or original
The Paranormal Activity series still manages to produce a reasonable amount of eerie scares and jumps a third time around, although by now the claim to still being found footage is starting to strain credulity
This necessarily lacks the surprise effect of the first film but still captures some of the same eerie dread anticipation as spooky things begin happening
No-budget film that became a word of mouth hit, spawned a series of sequels and sparked off the Found Footage fascination that took over the 2010s. Unlike most of the films that followed, Oren Peli creates a creepingly chill atmosphere and some undeniable jumps
One of the popular Beach Party comedies of the 1960s. Tommy Kirk turns up as a bumbling Martian to romance Annette Funicello
Third of the Paddington series, this has more of an adventure film feel as it takes Paddington and the Browns to Peru in search of a lost city
Sequel to the 2014 film based on the much loved children’s books … This comes with exactly the same mix of silliness, overblown slapstick and sweetness that made the first film work – albeit on a more elaborate budget – and succeeds with the same winning charms
From the awful slapstick-heavy trailer, the prospects for this seem dismal – less Paddington Bear than a reprise of the live-action Yogi Bear. The finished result confounds expectation and the story of a small unassuming bear at large in the world comes full of considerable charm
The Pact was a modest and rather effective ghost story about a serial killer hiding inside the walls of a house. This seems to be straining to find some way to justify any relevance a sequel – for one, where do you go with the premise? Another killer hiding inside a different family home?
Modestly effective film about a haunted suburban house. Debuting director Nicholas McCarthy produces a number of accomplished and eerie scares that stand him as a promising new name. The film weakens in the last act when trying to tie everything together with an improbable rationale
Pacific Rim wasn’t Guillermo Del Toro’s best film but it was a fun attempt to imagine giant Japanese mecha robots battling giant monsters. This is a sequel but without Del Toro it is reduced to no more than one of Michael Bay’s Transformers films
Giant mecha robots beating the crap out of giant monsters – what’s not to like? In comparison to the Transformers films, Guillermo Del Toro looks to find the soul of the robot jock – in essence, Transformers for grown-ups
Sam Raimi’s prequel to The Wizard of Oz is now; the story of how a conman fools an entire land rather than of an innocent girl just trying to find her way home. The reconceptualisation of Oz comes with a colourful sweep
Outpost was a modestly effective Nazi zombie film. This was the second of two sequels, a prequel that goes back to depict the original Nazi experiments
Outpost was a solid and reasonably effective rehashing of the Nazi zombie theme; this was the first of two sequels. The first had a formula that seems difficult to mess up but this does – it’s over half the film before we get zombies after which we get Just the Same As Before and little more
Above average revival of the Nazi zombie concept in a film that has spawned two sequels. The plot of soldiers venturing into an old bunker is conducted with tight, lean suspense and some undeniably gory dispatches
One of the more amusing of the numerous James Bond copies of the 1960s featuring James Coburn as agent Derek Flint, this plants tongue in cheek and cheerfully spoofs the whole spy fad
A sequel to the Gonzo Killer Shark film Ouija Shark, this goes even crazier
Blumhouse’s Ouija didn’t get many good reviews but they proceeded with a prequel here. This is automatically the better film from the outset by employing Mike Flanagan, behind amazing works like Absentia, Hush and The Haunting of Hill House, as director, even if it comes out as one of Flanagan’s lesser works
Blumhouse horror film based around the Parker Brothers boardgame. Modern multiplex horror films don’t come more generic than this. On the other hand, you cannot deny that debuting director Stiles White creates some occasionally quite spooky moments, it’s just that the rest of the show comes entirely by the numbers
I was fairly ho-hum about the first Orphan but this is a sequel that entirely surprises you
A low-budget spy/action film with entertainingly bizarre elements including a cryogenically frozen Hitler and the hero going into action accompanied by a baboon
A true story about a couple on a diving expedition who are accidentally stranded in a sea of sharks. A minimalist film, shot almost completely at sea, that works up incredibly raw tension
Passable animated film from Sony Pictures Animation, although the story arcs too closely resemble every other animated film for it to have much in the way of notability
Takashi Miike’s One Missed Call was one of the more popular of the Ringu-influenced Japanese ghost stories, concerning a viral curse passed by cellphone calls. This was the second Japanese sequel
Sequel to the Japanese original, not the English-language remake. This quickly forgets about haunted phonecalls and becomes even more of a copy of Ring, the inspiration of the original, and fails at generating spooky atmosphere
Cult director Takashi Miike jumps aboard the J-horror fad of the 2000s and makes a Ringu copy that substitutes haunted videos for haunted cellphone calls. Two sequels and an English-language remake followed
Sequel to the live-action 101 Dalmatians remake. This brings back Glenn Close as Cruella DeVil and proves a far more enjoyable film that its predecessor
This live-action remake of the classic Disney animated film benefits from Glenn Close chewing scenery in grand style as Cruella De Ville but the latter half essentially degenerates into no more than a series of Home Alone-styled slapstick violence scenes
The last really good animated film made during Walt Disney’s lifetime and for the next couple of decades. Filled with cuddly anthropomorphism and charmed delights
One Cut of the Dead was one of the freshest and most hilariously original takes on the zombie film of recent. This is a sequel
The idea of a zombie film all shot in a single take. This proves a novelty amusement but then the film spins this on its head and becomes positively ingenious.
This is where all the cliches of Devil Children began. A big hit among the 1970s occult boom, this is essentially Sunday tabloid Christianity – a lurid, doom-filled take on Book of Revelation End Times prophecies that moves with a slick polish and a series of schlocky deaths every few minutes
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
The Omen and imitators had been exploiting Biblical End Times prophecies for years but this is one that approaches it from a Christian perspective. The film also started a wave of serious faith-based films that employed name actors in order to carry them to crossover audiences
Huge Netflix hit adapted from a comic-book about a team of immortal mercenaries
The Old Guard about a team of immortal mercenaries was a hit when it was released a few years ago. Now most of the principals reunite for a sequel
Sequel to Oh, God, this brings back George Burns as God but pairs him with a cute kid
Amiable and quite likeable light fantasy in which supermarket manager John Denver receives a visit from God in the person of George Burns. This throws barbs in the direction of organised religion but in a way intended not to offend anybody
A strong and at times quite brutal film about a town that is terrorised by attacks from a feral cannibal family. The controversial The Woman was a better-known sequel
Sequel to the ridiculous Octopus, this is slightly less cheap but no less absurd in its premise of a giant octopus attacking New York
B-budget mix of giant animal film and submarine drama with impoverished effects and a script only notable for its ludicrous improbabilities
One of the best films from Full Moon Productions that locates a Western on another planet and manages a perfectly pitched homage to either genre
The second of Lindsay Anderson and Malcolm’s McDowell’s social satires with coffee salesman McDowell passing through increasingly more surreal adventures
Sequel to the Eddie Murphy remake of The Nutty Professor. That film’s tour-de-force was a scene with Murphy playing all the members of his family. Here the family have been brought to the fore. Murphy’s performance and the effects are expectedly great but the plot is all over the place
Remake of the Jerry Lewis film is a comedic tour-de-force for Eddie Murphy as he swings between a shy 400 lb professor and a manic, testostoronally charged health junkie
More from James Wan’s The Conjuring Universe, this places more focus on mood and atmosphere than The Nun’s ludicrous jump effects
Another spinoff from The Conjuring films. James Wan is one of the finest horror directors of the 2010s but has had difficulty imparting his skills to the directors of the films he has produced. This feels like a fairground haunted house show of tedious and repetitive pop-up shocks that runs free of any connection to a plot
The second of Disney’s Dexter Reilly films with Kurt Russell as a teen genius who invents an invisibility formula
Werner Herzog conducts a remake of the silent German classic with Klaus Kinski as Dracula. A very different film to the original but quite unique in Herzog’s individualistic way
Sequel to Nosferatu the Vampyre featuring a return performance from Klaus Kinski with the action (or lack thereof) relocated to Venice
Daniel Craig’s swansong as James Bond but it no longer seems a Bond that Ian Fleming would recognise leading to the question of whether James Bond still has any relevance in 2021
Martial arts film about a bullied teenager who gets aid from the ghost of Bruce Lee. A shabby effort lifted by the dynamic presence of a then unknown Jean-Claude Van Damme
Likeable film made by fans about a ninja team formed to deal with a zombie onslaught
A low-budget film served by some witty fanboy humour, decent fight choreography and unexpectedly good acting
An Italian exploitation film about gangs fighting in the ruins of a future New York. Director Enzo G. Catsellari has ripped off both Escape from New York and The Warriors
The Bollywood horror film is a rare and strange beast – what other horror film would you see that comes with song and dance numbers? This is a Bollywood possession film where, despite the use of local colour and custom, it is surprisingly still drawn from the cliches created by The Exorcist
A sequel to 976-Evil, Robert Englund’s directorial debut about a demonic phone line. This is an almost entirely unrelated work that is now about a killer with astral projection powers
Riding on his fame as Freddy Krueger in the Elm Street films, actor Robert Englund made his directorial debut here but the film is lumbered with the lame concept of a demonic phone line
Nightwatch about the paranoia of a morgue attendant on the night shift was a festival hit. After 29 years, the principals reunite for a sequel
Gripping Danish thriller in which morgue attendant Nicholaj Coster Waldau finds a serial killer is playing games with him. Filled with paranoia, sharp twists and lashings of black humour
The fifth of the A Nightmare on Elm Street films offers up the same old thing but director Stephen Hopkins enters at an inspired level that transforms the set-pieces with a genuine weirdness
The first and worst of the A Nightmare on Elm Street sequels. The dream logic becomes incoherent, while the film is twisted out of shape to become a bizarre gay Coming Out parable
Fourth of the A Nightmare on Elm Street films. Under Renny Harlin’s hand, the unworldly atmosphere of Wes Craven’s original is replaced by moments of incredible silliness
The point where Robert Englund’s Freddy went from a boogeyman into the equivalent of Wile E. Coyote, popping up like a malevolent jack-in-a-box to quip a one-liner and dispatch victims
One of the most influential horror films of the 1980s, creating a series of dream horror copycats. Before the campy, makeup effects driven sequels kicked in, Wes Craven’s original creates a genuinely unearthly series of nightmare jumps
Nightmare Detective was Shinya Tsukamoto’s venture into the dreamscape theme of works like The Cell and the subsequent Inception. Many regard this sequel as a superior work.
A clearly more commercial film from cult Japanese director Shinya Tsukamoto of Tetsuo: The Iron Man fame. This draws influence from Ring but this lacks much of the obsessive drive of Tsukamoto’s other films
Michael Winner makes a prequel to the classic, multiply filmed psychological ghost story The Turn of the Screw but erases all the ambiguity in his clodding and unsubtle direction
An amazing breakout hit from Russia, a film that is busy to the point of overcrowding with ideas and its’ director’s visual excess but delivers the goods in ways that make your jaw drop
Less famous sequel to the cult tv movie The Night Stalker but a far superior work. This repeats much of the first film but with Darren McGavin’s Kolchak hunting an immortal killer. Much better script and featuring a superbly eerie climactic venture down into the Seattle Underground
Witty and funny attempt to update the vampire to the present day being hunted by a reporter. Darren McGavin gives an enormously entertaining performance. A hit tv movie that was spun out into a series.