The Science Fiction Horror and Fantasy Film Review
The definitive version of the Jekyll/Hyde story in this author’s opinion, winning a Best Actor Oscar for Fredric March. Rouben Mamoulian uses some unique directorial effects and laces the show with a strong undercurrent of repressed sexuality
The classic version of Mary Shelley’s tale that left the indelible image of Boris Karloff as the dull monster with bolts in its neck. Director James Whale draws on German Expressionist designs to create one of the landmark classics of the genre
Fritz Lang was an extraordinary director of the silent era and this was his first sound film. Peter Lorre gives an amazingly craven performance as a child murderer who becomes hunted by the criminal underworld
John Barrymore as a ballet master who controls and dominates pupil Marian Marsh. This was clearly made as an attempt to replicate the success that Barrymore had playing more or less exactly the same type of role in the earlier Svengali
Classic from the Golden Age of Horror with John Barrymore as a malevolent hypnotist who places a young model under his control. he film’s design scheme draws heavily from German Expressionism and comes with some amazingly inventive directorial effects
The legendary Spanish-language version of Dracula that was shot on the same sets as the classic Bela Lugosi version. Although it ultimately stands too much in the shadow of the Lugosi film, it is the better of the two films
The classic adaptation of the Bram Stoker novel that made Bela Lugosi into a horror icon and created the image of the vampire in dinner-suit and with East European accent. For all its stature, it is a dull and talky film and Lugosi is overwrought