The Science Fiction Horror and Fantasy Film Review
Fascinatingly terrible effort from cult Z-movie maker Ray Dennis Steckler that appears to have been made as a parody of tv’s Batman but comes filled with a mind-boggling ineptitude and classic bad movie dialogue
A small masterpiece of 1960s Italian Gothic cinema. Exquisitely moody black-and-white photography with Barbara Steele as the ideal of a Gothic dominatrix twisting men around her finger and setting a town against itself
Larry Buchanan was a low-budget director whose cheapness easily equaled Edward D. Wood, Jr. This alien invasion effort features Tommy Kirk come to Earth to procure women for repopulation purposes
Modesty Blaise was a classic British comic-book about a smart female thief. On screen, it is turned into a copy of the James Bond films that goes for excruciatingly over-the-top camp excess
Film spinoff from tv’s The Munsters, a likeable knockabout farce featuring the original cast
An excruciating copy of the James Bond films, the second of the Matt Helm films starring Dean Martin as a drunken lounge lizard spy
Cult stop-motion animator Ray Harryhausen made this classic caveman vs dinosaurs film in collaboration with Hammer Films. The work that brought Raquel Welch to prominence as an actress
The third cinematically released film repackaged from episodes of the cultish 1960s spy tv series The Man from U.N.C.L.E.. Despite a scattershot plot that doglegs all over the place, the film is made with a wonderfully droll sense of humour that makes it undeniably appealing
The Man from U.N.C.L.E. tv series was construed as lighter take on the James Bond films. This, the third theatrical film recut from tv episodes, is one of the most entertaining, creating a memorable super-villain and almost entirely consisting of over-the-top death traps and action set-pieces
One of the more amusing of the numerous James Bond copies of the 1960s featuring James Coburn as agent Derek Flint, this plants tongue in cheek and cheerfully spoofs the whole spy fad
Bert I. Gordon, best known for his giant bug films of the 1950s, makes a torrid psycho-thriller about a young girl being cheated of her inheritance as people around her are being killed possibly by the ghost of her mother (Zsa Zsa Gabor)
Classic Hammer film, vividly made and rich in subtext, concerning aristocrats turning the peasantry into zombies to work in the mines
Another of Roger Corman’s films reusing footage from Soviet SF films. Director Curtis Harrington gives the tale of a spaceship crew who bring on board an alien vampire woman an eerie otherworldliness
Hammer Films turn the historical story of Rasputin and his influence over the Russian throne into a horror film. Although they treat history liberally, this is a vivid film with an intense performance from Christopher Lee
Classic Hammer film in which Jacqueline Pearce turns into a snake creature. This seems to have been conceived as one of Hammer’s Dracula films but with snakes. It is given more than reasonable atmosphere by director John Gilling
One of the more unusual Japanese monster movies, one that operates just as much a samurai film, concerning the stone god of a mountain that awakens to defend downtrodden peasants
A Japanese monster movie with a difference. The second in a trilogy of films about a giant stone deity that awakens to defend villagers in trouble
An astonishingly bleak John Frankenheimer film in which a disillusioned middle-aged man is contacted by a secret organisation that rejuvenates him to become Rock Hudson
The first and probably the least worst in a series of James Bond copycat films starring Dean Martin as agent Matt Helm. Martin plays the part as a tipsy lounge lizard and the film comes stuffed with excruciating double entendres
One of the best Tarzan films of the 1960s, the first starring US footballer Mike Henry. This goes to shoot in Mexico with Tarzan in search of a lost valley and plays the action with a fine gritty edge
Japanese movie made for international sales where a scientist has built a race of amphibian cyborgs to take over the world
The first of the films spun off from Gerry Anderson’s cult puppet tv series. Not a completely successful transition but it is, as always with an Anderson production, worth watching for what the Andersons do best – making amazing models and blowing them up
An Italian space opera where a professor and associates are abducted after finding an alien craft. The film’s main distinction was being redubbed in English under the title Star Pilot to be released as a copy of Star Wars
If there ever was a genre actually called grindhouse, this is a prime example. A sordid little film about an undertaker and two diner owners killing spree to drum up business and serve the remains as the special of the day n the diner
One of the various Italian space operas of the 1960s from director Antonio Margheriti. This has a certain colourful ambition despite frequently being let down by cheap effects
From Ishiro Honda, the creator of Godzilla, this bizarrely features two giant Frankenstein monsters battling it out. A fairly typical Japanese monster movie of its era featuring cheesily ridiculous rubber monsters, copious mass destruction and a largely irrelevant human element
Comedy in which Jerry Lewis and Connie Stevens are forced to marry to go to The Moon. The sexual politics play out pretty embarrassingly today
Zany Czech film where a scientist invents a device that can cause dream to manifest only to cause the sexy comic-book heroine her husband is dreaming about to appear
Regarded as one of the worst films ever made, more than anything this is just dull and boring. The plot concerns a couple straying into a desert home where a warlock is about to be resurrected
Cult Italian directer Mario Bava returns to the Gothic of his highly influential Black Sunday in this atmosphere-laden film about a ghost child haunting a small village
Inspired by Voyage to the Bottom of the Sea, this was one among the spate of 1960s underwater adventures. Passable adventure following a team on a quest to plant earthquake sensors on the ocean floor
The second of the theatrically released Doctor Who films intended to highlight the popularity of The Daleks, this is an improvement in that it dispenses with the first film’s buffoonish comedy elements
The title is misleading as the film doesn’t feature any robots but a group of mind-controlled assassins. An entry in the mid-1960s spy film fad from cult exploitation director Jess Franco
A film spinoff from the popular 1960s Batman tv show starring Adam West. At half-an-hour twice a week, the series was an enjoyable piece of surrealistic zaniness but its appeals seem stretched at feature-length
This has a reputation as a bad movie classic. The attention grabbing novelty mash-up transforms the Western outlaw into a hero to combat Dracula (a hammy John Carradine)
An excruciatingly unfunny slapstick comedy with Soupy Sales as the janitor at an space laboratory who is accidentally made weightless
The second film with Christopher Lee as the Chinese super-villain Fu Manchu. Not quite up with its predecessor The Face of Fu Manchu but still an exciting blend of pulp melodrama, super-science and Yellow Peril
Twelfth of the popular British comedy series, here the Carry On team conduct a bawdy farce on the Hammer horror film that was all the in-thing at the time
At initial face value, this appears to be a 1960s revival of the Old Dark House film with a hooded figure killing a cast assembled at gloomy old mansion, but then takes a turn for the bizarre with an unexpected science-fiction twist mid-film
TV pilot about two waxworks curators tracking a mad killer, this was deemed too gruesome for audiences and released to theatres with the addition of a William Castle-like promotional gimmick
An incredibly dreary Christmas film directed by actor Rosanno Brazzi where the South Pole in bought by a miser (played by Brazzi) and Santa ends up being evicted
A classic from Hong Kong’s Shaw Brothers that is credited with being the first flying swordsman film. This contains some great action scenes even if the flying swordplay element is minor
Larry Buchanan was a director whose output rivalled Edward D. Wood Jr in quality. This film about an expedition into the bayous encountering a mad scientist creating human-crocodile hybrids registers fairly poorly on most counts
The film that inspired The Terminator! Michael Rennie plays a cyborg who travels back in time to prevent a machine-dominated future coming about, while being hunted by two killer androids sent back to stop him
A B movie that essentially locates The Thing from Another World underwater with an alien monster invading a sub-oceanic research laboratory. Not dissimilar to a host of B movie copying Alien in the 80s/90s
Notorious Z movie made as companion piece to Billy the Kid Versus Dracula in which the famous outlaw encounters Frankenstein’s granddaughter and her creations
Italian-made sequel to the campy Vincent Price starring Dr Goldfoot and the Bikini Machine. Directed by the usually great Mario Bava and overrun by the buffoonish clowning of Italian comics Franco and Ciccio
The third of Hammer’s Dracula films. Christopher Lee returns to the role but is given no dialogue. Nevertheless, Terence Fisher delivers some vivid directorial set-pieces that make this one of the better sequels in the series
A neglected Japanese classic. This is a haunting existential meditation on identity as a man loses his face in an accident but is then granted a lifelike mask
Francois Truffaut adapts Ray Bradbury’s novel about a dystopian future where books are burned. Truffaut finds different things in the story than Bradbury did but creates a beautiful film
An all-time favourite based on the notion of a journey through the human body via a miniaturised submarine, an idea that comes with a sublime poetry despite the sometimes dodgy effects and plot holes
One of the strangest of Japanese monster movies in which the heart of the Frankenstein monster is caught in the Hiroshima atomic blast and grows into a giant boy
The 1960s Gamera films were always a copy of the Godzilla films, aimed at a more juvenile level and with crappier effects. This was the second of them, somewhat better produced than the others and taking proceedings seriously
Don Knotts was a popular comic of the era who specialised in a craven fearfulness. Here he plays in a haunted house comedy. Beyond Knotts’ comedic antics, the film never seems very interested in the haunted house aspect
Comedy where Doris Day is a NASA employee drawn into spy shenanigans. It feels as though Day has been cast in a Jerry Lewis role and the whole film is nothing more than a series of slapstick set-pieces
The sixth Godzilla film and the point where the series started to become silly and juvenile in its focus. A weak entry featuring some of the shabbiest effects of this era.
Minor British alien invasion effort that creates some atmosphere as a village is trapped in a forcefield by a mystery man pursued by two alien women where both parties claim to be alien cops and the other their prisoners
Director Terence Fisher made his name at Hammer Films but in the 1960s broke away to make a trilogy of SF films. This features the novelty of a giant virus creature but Fisher fails to generate much suspense
Hammer film, not as well known as some of their other works, from a Nigel Kneale script that creates some effect in its story of schoolteacher Joan Fontaine moving to a sleepy English village and finding the locals engaged in witchcraft