I Trapped the Devil (2019)
Low-budget film that absorbs you in an intensive headspace as family members visit a reclusive brother who claims to have The Devil locked in the cellar
The Science Fiction Horror and Fantasy Film Review
Low-budget film that absorbs you in an intensive headspace as family members visit a reclusive brother who claims to have The Devil locked in the cellar
An exhaustive documentary that charts in enormous detail every facet of the 1980s horror film, although this is not as exhaustive as it seems to think and leaves some big omissions
Jim Mickle film that starts out as though a police procedural, possibly a supernatural horror film, and then performs an astonishing series of twists to become something else altogether and an absolute must see
Vincenzo Natali, the director of Cube, adapts a novella by Stephen King and his son Joe Hill about people becoming lost in a topographically and temporally shifting sea of grass
Film about a man in his home fearful of demonic forces attacking those around him, this comes with decent atmosphere and at least one highly effective twist
A zombie film from Venezuela in which a lone doctor struggles to survive after a train of mutated rabies spreads throughout the countryside. A solid entry in the genre.
Despite the title, this is not set on Jupiter’s moon but is strictly earthbound. It is one of the new genre of Cli-Fii (or Climate Fiction) works set in an interesting environmentally devastated future
Sequel to the Russian-made horror film Viy, this is an historical fantasy with a big budget that mounts spectacular effects sequence and provides name stars, even if the results are utterly bizarre
Timo Vuorensola’s follow-up to Iron Sky. It is hard to believe that a film with a premise that combines Nazis on the Moon with alien lizard people from the hollow core of the Earth could go wrong
I had mixed feelings about the first part Andy Muschietti’s adaptation of Stephen King’s novel. The second part here is a better film, although it too eventually gets buried in over an hour’s worth of Muschietti’s jumpshocks
Another remake that nobody asked for. The 1990 film is reworked in a script that ditches almost all of the afterlife themes and instead seems to want to be a film about veterans addicted to reality-blurring drugs
Ching Siu-Tung, director of classic Wu Xia films like A Chinese Ghost Story, returns to wow us all again after an eight years absence with another film of breathtakingly dreamy visuals
An enjoyable comedy where a scientist is visited by his older self who has travelled back in time to beg him not to invent the time machine that he is about to create
This gets full marks for an attention-grabbing title. Beyond that, it is is otherwise a very strange and surrealistic film about spy shenanigans in Virtual Reality
Amiable comedy about an annoyingly intrusive artificially intelligent mobile assistant that wreaks havoc on its owner’s life
The story of a young Nazi boy who has Adolf Hitler as an imaginary companion gained awards acclaim but swings between Hogan’s Heroes slapstick and a tender story about overcoming racial prejudice
This origin story of Batman’s Joker is less epic superheroics than a mundanely grounded work about one individual’s rage against modern life and alienation that comes closest to Martin Scorsese’s Taxi Driver
Jumanji: Welcome to the Jungle, the reboot of the 90s Jumanji, was a box-office success. That mandated a sequel. The central problem is where exactly does a film about characters sucked inside a videogame go with its premise?
A DC Universe Original Animated Movie that introduces the Legion of Superheroes, their nemeses The Fatal Five and an assortment of new Justice League members to widen diversity
Joe Cornish gained much buzz with Attack the Block. His follow-up film concerns a kid who inherits Excalibur. Cornish has fun translating elements of the Arthurian legends to the present-day
A New Zealand-made horror comedy. Oddly this is not, as the title might suggest, about a possessed sofa but a possessed recliner chair
At contrast to the forgettable James Wan produced version around the same time, this Guatemalan film spins the Latin America folktale as a parable about those behind historic atrocities being haunted
Another Disney animated film rehashed in live-action. At which the best compliment you can pay this is that it is at least better than the same year’s remake of The Lion King was
Low-budget film set following the collapse of society about a boy who goes on a quest for the place where wishes can be fulfilled
A homage to Andrei Tarkovsky’s classic Stalker about people venturing into a mysterious alien zone. This is rather fascinatingly filmed inside the Chernobyl Exclusion Zone
Documentary where director William Friedkin sits down for a fascinating, insightful look at the making of The Exorcist
The second of the films based on Dolores Redondo’s police procedurals, this heads into an admirably dark and perverse place with plenty of jolt twists
Sequel to The Lego Movie. This time the idea of the Lego universe, the crossovers and fourth-wall breaking gags are not as fresh but this still gets good mileage out of them
There have been some extremely good films about androids and A.I. in the last few years. This one about an android manservant is so ridiculous it should have been played as a comedy
Casey Affleck directs, writes and stars in a surprisingly good film – a small, intimate tale of survival set in a world where a pandemic has wiped out all women but one man’s daughter
This was Robert Eggers’ second film, less a work of horror than a dive into a disturbed and fraying state of mind in the tensions between two men isolated at a lighthouse in the 19th Century
Film set in a police interrogation room in the afterlife where two attorneys argue over whether a dead man should be saved or damned
Jon Favreau had success recreating The Jungle Book in live-action with CGI animals and does the same with The Lion King – only to produce an exacting, lifeless replication missing the charms of the original
A modestly effective variant on the body snatchers theme with a scientist developing new plants coming to the realisation that the plants are taking over people’s minds
The premise doesn’t much to enthuse – a hapless loser has to take care of a bunch of kids during a zombie outbreak. Sit past that and this is the funniest zombie comedy since Shaun of the Dead
An entry from the revived Hammer Films directed by duo who made Goodnight Mommy. A slow burn of a film about cabin fever and fragmenting psychology often reminiscent of The Shining
Scout Taylor-Compton stars in a slasher about a killer stalking the cast of a high school play. She plays with a professionalism but the rest feels like an amateur production
Blumhouse production with Octavia Spencer as a stalkery mad woman who befriends a group of teens in an elaborate revenge plot. Quite what people though they were making is a scratch of the head
Nobody much liked Maleficent but did make a reasonable amount of money, hence a sequel. The surprise is that in the hands of Norwegian director Joachim Rønning, it is far better than one expected
Dramatised film based on the popular conspiracy theory that people are living in an alternate timeline where their memories have been edited and that we are all living in a simulation a la The Matrix
An absorbing documentary about the making of Alien, which charts the film’s origins and the making of the classic chestburster scene
The original Men in Black was a witty parody of alien coverup conspiracies; the sequels became slapstick films about pop-up aliens and gadgets hidden behind everyday things. This offers little that is new
The mermaid film used to be the stuff of light fantasy but in recent years has become something much darker. This comes with the promising premise of a mermaid having her tail hacked off with an axe then being placed in an asylum where she tries to convince the other patients of who she is
Ari Aster made a big word of mouth splash with his debut film Hereditary, which had him acclaimed a major new name. This was his follow-up, a fascinating dive into Folk Horror territory in the depiction of a pagan cult
Amiable knockabout stop-motion animated film from Laika Entertainment, although the title is a misnomer and the film is actually about a Bigfoot rather than a Missing Link
Film that takes place across three future eras that questions what happens when Virtual Reality produces artificial memories more vivid than real world ones
One of the better mockbusters from The Asylum, timed to come out at the same time as the US Godzilla, King of the Monsters and actually far more modestly enjoyable
A horror anthology with a mordant sense of humour with Clancy Brown doing a great turn as an octogenarian mortuary attendant who tells several stories of the bodies he has tended
Low-budget film that would very much like it if we mistook it for one of the Brendan Fraser Mummy films
Visually stunning Russian film with a clairvoyant and a police inspector teaming up to solve a series of occult murders in 19th Century St Petersburg
One Cut of the Dead was one of the freshest and most hilariously original takes on the zombie film of recent. This is a sequel
A girl moves into a new and welcoming apartment complex only to be imprisoned and tortured by her neighbours into following the code of moral precepts by which they live
A film made for the era of Coronavirus crisis if there ever was one. This concerns a worldwide plague that kills all women where Freida Pinto may be the left woman left alive. What is uncannily predictive is the film’s images of empty streets and supermarket shelves, people huddled in quarantine and social distancing
Nacho Vigalondo scripted film that seems like a mix between a girls’ boarding school story and an SF film like The Island, all directed with amazingly over-ornamented costuming and design scheme not seen on screen since at least The Cell
Japanese film that has overtones of Sliding Doors as a man finds he leads two different parallel lives
Remake of the Stephen King novel that opened to very divided reaction. The surprise about the film is bar one central aspect it is surprisingly faithful to the book. On the other hand, the changes make the crucial difference
Peter Cushing is one of cornerstone figures in the Hammer Films story. This is documentary based on interviews he made towards the end of his life
A beautifully made new live-action version of the classic story about a puppet boy. More faithful to the original story than any other screen version and with amazing creature effects. Think something that resembles Jim Henson circa The Dark Crystal and Labyrinth made with the sensibilities of a Terry Gilliam
A stunningly allegorical film that falls somewhere between Cube and High-Rise where people are trapped in a prison and forced to fight over food as a banquet table passes down the levels each day, resulting in a society where those at the top claim superiority over those below.
Live-action film version of the popular videogame phenomenon, this is capably made but almost entirely content free for anyone with an age in the double digits
Horror film about a cursed Polaroid camera that kills everybody that appears in one of its photos
Produced by Bloody Disgusting, an anthology from different directors about a series of mysterious alien portals that appear around the world
Franck Khalfoun, a former Alexandre Aja associate, who has made the quite reasonable likes of P2 and the remake of Maniac, directs a desert island survival story where the jungle lurks with horrors
A surprisingly good animated film about the relationship between a caveman and a dinosaur, all without a line of dialogue. From the director of the Hotel Transylvania films
In this space of three films, Nicholas McCarthy has risen to the top of this site’s Up and Coming Directors to watch list. On a script level, this is a standard Evil Child film but is made something worth watching by McCarthy’s directorial jumps
Kimo Stamboel, one half of the Mo Brothers, solo directs a film about an orphanage where deviltry and horrors are stirred on a return visit by children who were raised there
The Soska Sisters take on remaking the classic David Cronenberg film about a woman with a blood-drinking skin graft who leaves a trail of rabid victims. The sisters smartly update the original, bringing a host of new ideas to bear
Film in which the entire US Western seaboard falls into social chaos after being hit an EMP burst focusing on one girl’s journey to safety across anarchic territory
Actor Jay Baruchel directs a film in which a comic-book artist bases a graphic novel on a true-life serial killer only to find that the killer has returned and is imitating his work
From the promising Australian director Zak Hilditch. Carmen Ejogo’s daughter is bitten by a snake, a stranger heals her only for Carmen to then be told she has to kill somebody else in payment
This is The Most Dangerous Game in the setting of an Agatha Christie whodunnit. Samara Weaving marries into a family of privilege only to find her wedding night requires her to engage in a deadly game of Hide and Seek
Robert Rodriguez made his first film for $7000 and repeats the same here to show anyone can do it. The result is a wild, mind-bending work loosely based on his own experience as a human test subject in drug trials
A film about occult detectives investigating a missing police officer. This then conducts a mid-film bait and switch on us as to what it is about and actually becomes a faith film
Second half of the two-part animated adaptation of The Death of Superman, which depicts the aftermath where Metropolis is puzzled over the appearance of four impostors all claiming to be the real Superman
McG, one of the more empty-headed of modern mainstream directors, makes a big effects-heavy, Young Adult alien invasion film, a genre that has never enjoyed any success. To no surprise, this did not either
A plague has killed off all adults. In the ruins, two girlfriends venture into the domain ruled by the tyrannical football jocks to rescue one’s brother
Sequel to the earlier The Rizen with the group of people trapped inside a labyrinth of Lovecraftian horrors
Not to be confused with Tommy Wiseau’s bad movie classic. This comes from Christian Volckman who made an impressive debut a few years ago with the animated Cyberpunk film Renaissance. Moving to live-action, this creates an air of unspeakable dread as a couple buy a house that has a hidden room that can manifest anything they wish for
Modest and well-made film where Lin Shaye has the time of her life as an elderly widow who rents out her room and becomes attached to her tenant in disturbing ways
The thirteenth film in the Ring/Ringu franchise. The question is whether the return of original director Hideo Nakata to the franchise can revitalise the series
Highly acclaimed film about a nurse’s descent into madness and religious hallucinations
Rather funny comedy about Satanists and a virginal pizza girl who is chased as their intended victim. This comes with a bizarrely akilter sense of humour that reminds of Martin Scorsese’s After Hours
A strikingly original work of folk horror that creates an incredibly haunted and uncanny atmosphere of mysterious things lurking in the backwoods
Based on the popular series of children’s horror tales, this Guillermo Del Toro written/produced effort borrows the idea from the Goosebumps film of having the stories come to life and the idea from Stranger Things and It with a group children fighting against them. On screen, the finished result never quite seems as much as it promises to be
A documentary that discusses the gay subtext in A Nightmare on Elm Street Part II: Freddy’s Revenge and how lead actor Mark Patton claims it ruined his career
The title suggests more a sea adventure but this is a surprisingly good monster movie about the crew of a fishing vessel attacked by a sea creature and infected by parasites.
Illumination’s The Secret Life of Pets came with a winning concept – a Garfield like series of wry observations on humanity by pets – and this is one amongst the current plague of animated sequels that emerges equally likably
Not to be confused with the Joss Whedon film, this starts out seeming like a weepy romantic drama before pulling one of the most absurd M. Night Shyamaalan-esque conceptual twists ever put on screen on us
Essentially a women’s version of Fight Club, a black comedy about a girl being dragged on a killing spree by a murderous life coach
A Chinese attempt to create an alien invasion film epic mass destruction in the vein of Independence Day and Michael Bay
Adaptation of the superhero comic is played for comedy, making it very different in emphasis to the other films in the DCEU. The boy into man transformation is played up as essentially Big with superpowers – with appealing results
Sequel to the modest He Never Died with Henry Rollins as an immortal. Women get equal time here in a ferocious performance from Olunike Adeliyi that quite takes you aback
This was dismissed as a copy of a A Quiet Place and had an almost identical plot about survivors sheltering from creatures that attack the smallest sound. In actuality, this was based on a book that predates A Quiet Place
Perry Blackshear is a director more people should know about. Here in his fascinatingly minimalist way he makes a film about the relationship between a man and a deadly mermaid creature
Really quite funny film in which a teenage girl becomes pregnant with a body-snatching parasite. Think Mean Girls meets The Hidden
Spider-Man: Homecoming was Sony’s Spider-Man reboot where the elements came together with winning regard and Tom Holland’s politely eager nervousness made for a fantastic Spider-Man. This was the first sequel.
Animated film that has the madcap premise of a top spy (voiced by Will Smith) transformed into a pigeon. A film that comes with such a level of comedic energy that it makes you think all hope is not lost for Blue Sky Studios, the makers of the interminable Ice Age films.
Soldiers are trapped climbing an endless set of stairs in a timeloop that forces them to revisit a battlefield atrocity
The concluding chapter of the third trilogy of Star Wars films. After the critically divided The Last Jedi, J.J. Abrams opts for a return to the safety of familiarity and nostalgia
A film of considerable creepy fascination where Haley Bennett has married into a family of wealth and develops an obsession with eating objects. This heads into an area of disturbed psychology that is quite unsettling