The Last Resort (2009)
This was made following the success of Hostel, a low-budget film concerning a group of girls abandoned at a deserted Mexican resort town that may be haunted
The Science Fiction Horror and Fantasy Film Review
A ghost is a person whose spirit continues to live on following death in non-corporeal and insubstantial form (as opposed to other more physical forms of undead such as vampires and zombies). Hauntings refers to ghostly phenomena – films featuring ghosts and/or haunted houses and other places.
A common plot in a many ghosts stories is of the living investigating a haunted place to find who the ghost was and achieving a form of exorcism by aiding them in complete their Unfinished Business and depart.
The haunted house is a long-standing tradition and concerns the investigation of a large old gloomy mansions. More modern variants have tried numerous other form of dwelling from suburban houses to hotels, supermarkets, ships and submarines.
There is the misconception that the ghost story and haunted house film originated in the 1930s. The first Hollywood effort was not until well into the 1940s and the genre did not fully develop until the 1950s/60s, reaching a peak in the 1970s.
The 1980s brought the introduction of visual and makeup effects. The 1990s/2000s introduced the Found Footage investigation of the haunted house. In the 2000s onwards, the ghost story has become so prolific that it is rare to find efforts that stand out from the formula and cliches.
There is also the Asian ghost story – see Asian Horror – where hauntings tend to be less centred around dwellings and more about personal vengeance and the grievances.
The depiction of ghost stories is so numerous that this topic has been split between actual ghost stories (here) and those that depict ghosts in a comedic or other vein – for which see Ghosts in Light Fantasy
This was made following the success of Hostel, a low-budget film concerning a group of girls abandoned at a deserted Mexican resort town that may be haunted
A ghost story that borrows quite a few touches from Assault on Precinct 13 in its tale of a haunted police station. Director Anthony DiBlasi spends his time on accumulating atmosphere with considerable effectiveness
Rue Morgue magazine editor Rodrigo Gudiño makes his directorial debut with an old-fashioned ghost story that is a slow, moody ambiguous single-person drama
From the director of The Last Exorcism Part II, a title that does nothing to suggest a horror film. All we get is a ghost story that does an M. Night Shyamalan shift into an improbably contrived fugue state drama
The first of a trilogy of Japanese vampire films, although this does not feature Dracula despite the title and should be considered more of ghost story.
While holding many similarities to The Haunting, this is a strong, intelligent film about parapsychologists investigating a haunted house. Filled with eerie scares and a standout script from Richard Matheson
A tv movie version of the classic ghost story by Washington Irving and the most faithful version of the story to date. With a young Jeff Goldblum as Ichabod Crane
Part post Night of the Living Dead zombie film, part flower child ghost story, part Body Snatchers and lacking in much explanatory logic, this is nevertheless a film of unnerving and eerie effect
British tv mini-series ghost story that takes place across three different eras – in 1944, 1975 and 2012. More of a mystery than a scare show but drawn with a beautifully wistful feel for place and time
The James Wan produced (as opposed to directed) film is a dubious prospect. You cannot deny that this film about creatures in the dark does make an audience jump but I felt that I’d seen everything before
The last great film from Mario Bava, an exquisitely dreamy giallo/haunted house film that had the ignomity of being butchered and made into an Exorcist copy when it came out
Adaptation of a ghost story from Sarah Waters, an author who usually specialises in literary Victorian lesbian bodice rippers. The ghost story is an overmined genre but this is a not uninteresting venture into the field
One of the best and most original ghost stories in some time, a mini-series for the BBC set in the 1890s, this does remarkable things in entirely turning the genre on its head
A New Zealand-made horror film in which two friends find themselves trapped in a small rural town where the dead keep returning to life
A film shot during the Covid lockdown, following a police detective who conducts an investigation into deaths caused by supernatural entities unleashed amid the isolation
An entry from the revived Hammer Films directed by duo who made Goodnight Mommy. A slow burn of a film about cabin fever and fragmenting psychology often reminiscent of The Shining
A beautifully shot period set Irish ghost story that does a superb job in building atmosphere but is all fascinating mystery that ends without explaining a single thing
Blair Witch Project co-director Eduardo Sanchez makes a film that sits in a fascinatingly ambiguous place as to whether a wife is being haunted/possessed or is mentally disintegrating
A ghost story that is directed by a married couple who shoot the film in their own apartment and also play a family as they start to be affected by a malign presence
A painfully dull and uneventful Roberta Findlay film where almost nothing happens. The film is almost redeemed by an effective twist ending ripped off from The Sentinel
Roland Emmerich’s second film, a confused oddity that seems to be trying to model itself as a Spielberg film about a kid who gains psychic powers and whose toys come to life
A Guillermo Del Toro produced ghost story that fails to go anywhere. The promise of the film’s trailer falls apart in the hands of a novice director who blows all of his scares
Okay ghost story in which Gabrielle Anwar rents a haunted farmhouse. Forest Whitaker turns up as a neighbouring occult expert
Director Ruth Platt creates a beautifully subtle and delicate ghost story
May the Devil Take YouThe Evil Dead. Here Timo Tjajjanto makes a sequel and goes absolutely demented
Thai director Apichatpong Weerasethakul is a festival favourite and one genre director whose work is least categorised as such. As with any of Weerasethakul’s films, this has some intensely haunted moments but is severely lacking in plot or any kind of dramatic inertia
This is a Russian dark fantasy that has been misleadingly titled as a mermaid film in English release. It in fact concerns an avenging rusalka water spirit who haunts a small lake
The Pang Brothers, two of the most exciting genre directors in the world, have their distinctive style swallowed up in their bland US mainstream debut produced by Sam Raimi
Mike Flanagan horror mini-series adapted from Christopher Pike’s book, this is set around a group of patients in a hospice who form a group to tell each other horror stories
A sequel to Alexandre Aja’s Mirrors that abandons most of the basics of the first film and strips everything down to a series of gory, novelty deaths
Alexandre Aja film about haunted mirrors. Aja is more a director of physical horror and seems less attuned to the supernatural mood
This starts out seeming like another haunted house film before developing some conceptual reversal twists of the first M. Night Shyamalan-esque order
Incredibly shabby film about residents of a Texas boarding house being killed by a supernatural dog
A strong contender for the worst Blair Witch copy AND the worst Amityville film ever made. This has the feel of a home movie made by a husband and wife and is laughably ridiculous in its failings
A nicely made Stephen King adaptation about a teen who starts to receive text message from beyond the grave. From Ryan Murphy, the producer behind tv’s Glee and American Horror Story
Hong Kong hopping vampire film that produced a string of sequels. The original is the best, a clever, fast-paced blend of comedy, supernatural and traditional Eastern beliefs
The last of the popular Hong Kong comedy series about hopping vampires. While the other sequels became very silly, this goes out on an inspired final note
Third in the popular series of Hong Kong hopping vampire films. As in the previous entry, a frenetic slapstick element dominates
New Zealand-made ghost story where Heather Bolton buys a second-hand car only to find it is haunted
Film made during World War II about the locals of small English town dealing with a haunted mine and uncovering a Nazi infiltration plot
Film that takes place with the heroine confined to a hospital bed unable to move as a malevolent ghost enters her room
Obscure almost interesting film where Robert Culp drops out of city life, renovates a possibly haunted house before being drawn into a surreal Free Love fantasia
Beautifully made Thai film about a husband whose wife dies in childbirth but where he refuses to let go of her ghost
Italian-made film centred around a haunted lake that sits just between earnest amateurism and promising ambition. Features a range of mysterious happenings that you leave you for some time wondering what is going on before these are pulled together in a surprise ending
A modestly effective Iranian horror film where a married couple become trapped in a hotel of shifting realities. One of the few films that favourably compares to the mood of The Shining
A giallo film with Anthony Steffen as an aristocrat who likes to pick up red-haired girls and kill them in the dungeon in his villa, who then becomes haunted by the ghost of his late wife
Rebecca Hall gives a standout performance in an eerie ghost story about a woman possibly haunted and discovering disturbing things in the aftermath of her husband’s death
The second and better of the films spun off from tv’s Dark Shadows. At last the show gets production values and atmosphere that do it justice, although the series cult figure of Barnabas Collins does not appear
A once lost Edward D. Wood Jr film with police investigating a fake medium scam being run out of a haunted house
A Blumhouse and James Wan co-production about a malevolent swimming pool
Any Found Footage film about people venturing into a haunted forest cannot help but draw comparison to the progenitor of the genre, The Blair Witch Project. This comes up with some sufficiently original twists and spooky moments, even if it is eventually unbuckled by its pretensions
Resembling a supernatural version of I Know What You Did Last Summer, this South Korean ghost story delivers considerable spookiness
A film shot during Covid lockdown that creates a great sense of isolation with a man locked inside a possibly haunted apartment
Another in the fad for horror films about escape rooms we have had in the last few years, this concerns a possibly haunted venue and reaches an interestingly odd ending
Horror film where a group of people end up at an abandoned motel where the secrets they have are turned back on them
John McTiernan directs Pierce Brosnan is a film about phantom street gangs that creates an incredibly haunted mood
A Japanese Found Footage film made not long after The Blair Witch Project with a man investigating various paranormal incidents around Tokyo
Singaporean film that offers an assemblage of cliches elements from various horror films in a mishmash of hauntings, possession, occult happenings and ominous Biblical portents that make little sense in terms of explanatory rationale
This lifts the premise of Disturbia – protagonist confined to home detention who spies a killer next door – but then asks what would happen if the space they were confined was haunted
Cult director Takashi Miike jumps aboard the J-horror fad of the 2000s and makes a Ringu copy that substitutes haunted videos for haunted cellphone calls. Two sequels and an English-language remake followed
Probably the worst among the mid-00s fad for English-language remakes of Japanese horror films. Takashi Miike’s original is reduced to affectless CGI pop-up scares
Sequel to the Japanese original, not the English-language remake. This quickly forgets about haunted phonecalls and becomes even more of a copy of Ring, the inspiration of the original, and fails at generating spooky atmosphere
A Spanish ghost story that effectively eschews modern jumpshock tactics in favour of subtle old-fashioned scares
From Johannes Roberts, the director of 47 Meters Down and other works, an undeniably spooky variant on Pet Sematary set in Mumbai as a mother unwittingly resurrects her late son’s spirit
Alejandro Amenabar directed ghost story made not longer after The Sixth Sense that works with nicely subtle effect and arrives at an unexpected twist ending that turn the standard haunted house tale on its head
Blumhouse horror film based around the Parker Brothers boardgame. Modern multiplex horror films don’t come more generic than this. On the other hand, you cannot deny that debuting director Stiles White creates some occasionally quite spooky moments, it’s just that the rest of the show comes entirely by the numbers
Blumhouse’s Ouija didn’t get many good reviews but they proceeded with a prequel here. This is automatically the better film from the outset by employing Mike Flanagan, behind amazing works like Absentia, Hush and The Haunting of Hill House, as director, even if it comes out as one of Flanagan’s lesser works
A bafflingly incoherent effort – quite what it is about I am at a loss to explain. The sole distinction it has that it was repackaged from its anonymous original title to market it on the tail of Blumhouse’s Ouija: Origin of Evil despite the fact an ouija board only briefly features at the start
The most sustained film Takashi Miike has made in some time. In this case, he adapts Yotsuya Kaidan, the most famous of all Japanese ghost stories, which has been filmed multiple times, but rather than offer a straight telling also adds a layer where the story comes to replay itself among the actors in the play
Modestly effective film about a haunted suburban house. Debuting director Nicholas McCarthy produces a number of accomplished and eerie scares that stand him as a promising new name. The film weakens in the last act when trying to tie everything together with an improbable rationale
The Pact was a modest and rather effective ghost story about a serial killer hiding inside the walls of a house. This seems to be straining to find some way to justify any relevance a sequel – for one, where do you go with the premise? Another killer hiding inside a different family home?
No-budget film that became a word of mouth hit, spawned a series of sequels and sparked off the Found Footage fascination that took over the 2010s. Unlike most of the films that followed, Oren Peli creates a creepingly chill atmosphere and some undeniable jumps
This necessarily lacks the surprise effect of the first film but still captures some of the same eerie dread anticipation as spooky things begin happening
The Paranormal Activity series still manages to produce a reasonable amount of eerie scares and jumps a third time around, although by now the claim to still being found footage is starting to strain credulity
The Paranormal Activity series has had a better run than most horror franchises up until now but the cracks are starting to show through here. This feels like it is straining to find some new way to do the familiar moves but fails to provide anything unexpected or original
For supposedly the Paranormal Activity series final entry, this offer the novelty of the first Found Footage film in 3D – a gimmick that signals the series is out of fresh ideas. Moreover, the series’ look via watching security cameras has been de-emphasised in favour of another CGI driven ghost story
Loosely set around the legend of Typhoid Mary with ghostbusters investigating an abandoned asylum. One of a host of films that automatically relegate themselves to B movies by borrowing the prefix ‘Paranormal’, this sits between the amateurish and occasionally interesting
The Asylum’s answer to Paranormal Activity Oren Peli made his film for $15,000, which is about as cheap as it is possible to make a film; this manages to look even cheaper – simply someone wandering around with a camcorder that is at best aimed in the general direction of things happening
The second-to-last film from legendary Z-budget filmmaker Ted V. Mikels. The title is a misnomer and the film is more about a woman discovering her abilities as a medium. Despite having been making films since the 1960s, Mikels has improved none in quality
Very strange New Zealand-made film that starts out seeming to be an abduction thriller and then turns into an even stranger ghost story that we cannot be sure is happening or all in the heroine’s imagination
A film about three American girls who are haunted by a vengeful child spirit while in Thailand. Another post-Insidious film that uses a sinister adjective as title
Olivier Assayas’s high-profile but wildly critically divided work feels as though it has several competing plots circling around Kristen Stewart – a ghost story, one about a mystery texter and briefly a murder mystery – which feel incomplete and unfinished and only maybe intersecting with one another
A quirkily enjoyable horror Western about children searching for their parents and ending up in a town that exists in an afterlife netherworld populated by an assortment of weird creatures
In the same vein as The Conjuring films, a film about a true-life Spanish team of paranormal investigators
Horror anthology featuring four ghost stories from Thai directors. While all the segments vary in approach and style, this is a spooky and above average effort with the real standout being the final segment with an air hostess aboard a plane with a dead body in the midst of a storm
South Korean jump aboard the Ringu phenomenon about a series of haunted phone calls that works well through a clever ending
The second of Roger Corman’s Edgar Allan Poe films with Vincent Price. This feels too much as though Corman was trying to make another House of Usher, nevertheless it creates its own thunderously overwrought atmosphere, even if it has little to do with the Poe story
A rare Indian venture into the horror film, this is a haunted house film of modest effect that suddenly becomes a whole lot more watchable when it pulls a major M. Night Shyamalan-esque twist on us
Bollywood remake of a ghost story that comes with one of the cleverer M. Night Shyamalan conceptual reversal twists
This is one of a plethora of hard-to-differentiate apart ghost stories that have littered the dvd shelves in recent years, frequently copying Insidious in appropriating a sinister-seeming adjective as title. There is not a single directorial or musical cue, sound effect or line of dialogue that doesn’t feel like a cliche
The third of the Poltergeist sequels, which moves the locale to an apartment building and is better than its predecessor thanks to a series of eerie mirror effects
Debate will always rage as to whether this was directed by Tobe Hooper or executive producer Steven Spielberg. It doesn’t alter the fact that it is a superlative rollercoaster of a ghost story that doesn’t always make sense but pulls its effects off flawlessly
It has become an overused phrase in this site’s critical arsenal to say “yet another 70s/80s remake that is inferior to the original”. The 1982 Poltergeist was one of the great ghost stories of the era; this hits all the beats and with bigger effects but fails to find any of the haunted mood of the original
Sequel to Poltergeist that without Tobe Hopper in the director’s seat is an unimaginative by-the-numbers effort
A film that sat on the shelf and was then retitled to capitalise on the release of the Poltergeist remake despite featuring no poltergeists … A routine run through the well and truly worn modern ghost story cliches with no originality and little atmosphere
Classic, exquisitely made weepie romantic fantasy about an artist obsessed with a woman who appears to travel through time
An incredibly spooky film set at a hospital during a power cut as a nurse on night duty finds ghostly things stirring in the building
Ghost story that does an excellent job in creating an incredibly haunted and unusual atmosphere. On the other hand, the film falls apart during the second half where it heads in another direction altogether and leaves one entirely unclear what is going on
Steven Soderbergh is one of the foremost independent directors in the US. He has dipped into numerous different genres and here takes on the ghost story in a film shot from the ghost’s point-of-view
An early film from Renny Harlin made for Charles Band concerning a haunted prison. Features an unknown Viggo Mortensen in one of his earliest roles