Bloodbath in the House of Knives (2010)
Low-budget film that conjures a weird psychotronic atmosphere and features some out-there killings even if it fails to fully sustain it
The Science Fiction Horror and Fantasy Film Review
Hypnotism is the existing ability of one person (a hypnotist) to place another in a trance-like state. Various means are used to achieve this from patterns of light, a pendulum, being asked to stare into the hypnotist’s eyes and the ever reliable fob watch on a chain. A hypnotic state resembles sleep but where the subject is alert and extremely susceptible to commands. In such a state, the hypnotised subject can be given orders, made to believe something is happening or recall a memory before being brought out of the trance. At the end of a session, they can be told to forget what happened or commands can be implanted to be triggered at a later point.
Hypnotism is often regarded as a form of Mind Control. In genre works, Super-Villains are often outfitted with great abilities to control the minds of others and get people to unquestioningly follow their orders. There are also a number of films featuring sinister hypnotists using their abilities to nefarious purpose.
Another use of hypnotism is in stories of Reincarnation where people are regressed to where they can supposedly recall details of their previous lives. This emerged from a real world account – see The Search for Bridey Murphy (1956) – after which a fascination with past lives regression bled over into a number of genre films. Hypnotism is also used as a tool to help people recall accounts of Alien Abduction.
Low-budget film that conjures a weird psychotronic atmosphere and features some out-there killings even if it fails to fully sustain it
Producer Herman Cohen had great success with I Was a Teenage Werewolf and I Was a Teenage Frankenstein. Here he makes a teenage vampire film where a troubled teen is hypnotically regressed into becoming a vampire
One of the entries from the Italian Gothic cycle featuring a big decaying castle, lurking disfigured figures, sinister hypnotists and moodily atmospheric black-and-white photography
Head-scratching Australian oddity in which a middle-aged man becomes possessed and suddenly able to sing with the voice of Billie Holliday
French director Jean-Pierre Jeunet of The City of Lost Children and Amelie fame returns with an appealingly eccentric, beautifully designed comedic take on the machine revolution
Classic silent movie about a murderer haunted by his guilty conscience. The film’s simplistic morality is rather hard to swallow today but the film is richly directed for its era and creates some wonderfully theatrical effects
A comedy about a demon that appears out of a man’s ass!!! This has the dementia to be a potential midnight cult hit but misses the mark by a wide mile and stumbles around obvious targets in predictable ways
An Italian-made ripoff of The Exorcist. Probably the most lavishly produced of all Exorcist ripoffs, this soon slips into lurid shock theatrics. Star Carla Gravina should get full marks for going beyond the call of duty
Strange Spanish-made film about a mother-dominated psycho, which is also a film being watched in a theatre by an audience that is being stalked by another psycho
A small masterpiece of 1960s Italian Gothic cinema. Exquisitely moody black-and-white photography with Barbara Steele as the ideal of a Gothic dominatrix twisting men around her finger and setting a town against itself
B movie with Beverly Garland venturing into the swamps in search of her missing husband to find a scientist has transformed him into an alligator hybrid