The Science Fiction Horror and Fantasy Film Review
This refers to thrillers where someone is held prisoner by a captor. The drama of the story centers around their attempts to escape from confinement, where suspense rides a rollercoaster around the building up of hopes and seeing them dashed.
There have been a number of films about people imprisoned by psychos, serial killers and backwoods hicks. A popular variant came during the Torture Porn fad where people were imprisoned in locked rooms and forced to participate in cruel and sadistic games.
Of more recent has been the Conceptual Containment Thriller, which seeks to confine a person or persons in as small a place as possible – a coffin, an elevator, a tree, a tent, a phone booth – for the duration of the show.
The topic is discussed in more depth in the essay Imprisonment Thrillers
This makes an interesting attempt to tell a modern-day version of the Edgar Allan Poe story but the film’s emphasis on cheap shock effects is a far cry from Poe’s masterful mood of despair and desolation
Film adaptation of Virginia C. Andrews’ popular Gothic potboiler about a brother and sister who develop an incestuous relationship after being locked in the attic by their mother. Andrews’ turgid melodrama gets the screen adaptation it deserves
Cult Italian director Lucio Fulci makes an erotic thriller but fails to leave his horror background behind with deranged results quite unlike any other erotic film
An imprisonment thriller with a difference, a work of Japanese BDSM erotica where a young teacher is imprisoned and erotically tortured. Quite out there and different to anything Western erotica turns out
Not to be confused with the Uwe Boll videogame adaptation, this is an obscure but not entirely uninteresting horror anthology from the 1970s that tells several tales set around a funeral parlour
Adaptation of an early Dean R. Koontz novel about an A.I who imprisons a woman in her own home with the intention of impregnating her. A variant on Rosemary’s Baby conducted far more tastefully than you might think
The best film from UK director Pete Walker. All of Walker’s film have a horror of ingrained institutionalism. This, concerning a private prison where morally lax women are abducted and tortured, is depicted with an extraordinary cruelty
Underrated work of Southern Gothic with Clint Eastwood as a wounded soldier sheltered at a Confederate girl’s school during the Civil War where he succeeds in manipulating the sexual tensions of the teachers and schoolgirls to his advantage
Variant on the Mad Relative Locked in the Attic/Cellar film made as part of the British horror cycle. Unfortunately, this plods where it should have developed tension
Larry Buchanan is a director on a par with Edward D. Wood Jr. This, not to be confused with the 1974 killer baby film, is his best film. Buchanan creates a perverse obsessiveness that is fascinating to watch
Freddie Francis was one of the key players of the 1960s/70s Anglo-horror cycle – he always claimed that this was his favourite film, although it has seen little distribution. The film consists of an annoyingly giggly scenes of adults running around playing children’s games
Brazil’s Jose Mojica Marins became a cult figure for his Coffin Joe films; this is an anthology sold under the Coffin Joe banner. Without the Coffin Joe presence, all we have is a series of not very well directed pieces that linger on perversity, although the final segment does stand out memorably
Adaptation of a John Fowles novel where shy Terence Stamp makes Samantha Eggar a prisoner so she can love him. Made not long after Psycho, this tries similar but becomes more of an Odd Couple comedy
An acclaimed surrealistic film from Luis Buñuel in which a group of people attend an upper-class dinner party but then find themselves inexplicably unable to leave the room