The Astronaut’s Wife (1999)
Charlize Theron becomes paranoid and suspects her space shuttle astronaut husband Johnny Depp of returning possessed by an alien. Essentially an SF version of Rosemary’s Baby
The Science Fiction Horror and Fantasy Film Review
Paranoia is a fear-filled state of mind where someone believes that the world is conspiring against them. Paranoia is listed as a psychological disorder by the American DSM. That said, most people at one point or another experience varying degrees of paranoia without it being pathological. These can range from full-on belief in conspiracy theories and alien lizard people to merely that a partner or co-worker may be up to something. Usually when we talk about paranoia, we refer to people fearing things happening based only on tenuous suppositions or slim imaginings.
What we are concerned with here is paranoid mood. That is to say, the sense created in a film that something is going on around the protagonist(s). This can range from conspiracies by the government or secret organisations, that aliens are stealing people’s bodies, that neighbours might be Satanists, serial killers or up to some form of no good, of alien abductions, medical experiments being conducted on people, of lurking monsters, that They (the government, the military, scientists, the medical establishment, alien lizard people, corporations, forces of conformity etc) might be out to get you. Or even that what you suspect about reality itself may be in question.
Some themes by their very nature lend themselves to paranoia – Body Snatchers, Secret Societies, Conceptual Reversal Twists and of course Conspiracy Theories. The tone of most paranoia films sit in an edgy state of mind where a person’s belief about the world around them may be an illusion that is abruptly peeled back to reveal something far more sinister. The paranoia will be evoked in terms of uncertainty and will often have a perfectly calm and rational alternate explanation that makes it seem that everything is in the protagonist’s mind. Many works of Black Humour also come with a sense of paranoia that is pushed to an hysteric extreme.
Charlize Theron becomes paranoid and suspects her space shuttle astronaut husband Johnny Depp of returning possessed by an alien. Essentially an SF version of Rosemary’s Baby
Cult Anglo-horror film with a series of vampire killings that lead to Vincent Price trying to replace bureaucrats with androids
Called the only horror film Elizabeth Taylor ever appeared in (although one would dispute that somewhat), this feels like a Hammer psycho-thriller made with an A-list cast
Film spinoff from tv’s hit ultra-paranoid alien conspiracy drama. The film is caught in the unenviable position of trying to give fans what they want and reiterate the basics of the series for new audiences, while giving away no plot details in advance, and as a result ended up pleasing nobody
A man surveilling a woman finds strange goings-on and becomes infected by something. This is essentially Francis Ford Coppola’s The Conversation played as a horror film; alas, while this does a fine job in the build-up, it lacks a third act that explains anything at all
This has been conceived as a 1970s car chase film mashed up with the 1970s fad for Satanism and occult where two couples in an RV inadvertently witness a devil worship ceremony and are pursued
This travels into very similar places to Roman Polanski’s The Tenant – a paranoid tale about a man surrounded by very strange apartment neighbours. Apart from adding some reality blurring SF twists to the mix, this does little more than churn cliches
Bizarre black comedy directed by actor Bob Balaban that takes place in a paranoid parody of 1950s normalcy about a boy who believes his parents are cannibals
Directorial outing from makeup effects artist Chris Walas who created the Gremlins and Cronenberg’s The Fly. This Bill Paxton as a Yuppie who buys a home and is driven paranoid as it keeps being invaded by a vagrant
Obscure VHS era paranoia thriller about the uncovering of a conspiracy to use satellites to control the population. Not a very interesting film.
From Mark Hartley, known for his documentaries about cult cinema, a film that borrows the premise of Disturbia where a teenage girl thinks her neighbour is a serial killer
The third film and least version of the classic horror story about a pianist who receives hands transplanted from a murderer and is driven mad believing they are possessing him
The fourth film version of Invasion of the Body Snatchers starring Nicole Kidman, this badly miscues many key scenes and is missing all the paranoid mood of the original film
A low-budget film about a journalist’s modern-day investigation into a secret village located near Salem, Massachusetts that results in paranoia and suspicious treatment by the locals
Tobe Hooper makes a film where Chad Lowe becomes the supervisor an apartment building filled with strange tenants. However, Hooper misses the intended black comedy tone by a mile
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
Demented Joel Schumacher film in which Jim Carrey sees occurrences of the number 23 everywhere and finds his life is being predicted by a book. Featuring one of the most absurd scripts ever written
The second of three sequels to The Stepford Wives. I found the original implausible on any level and this is quadrupled when you get to replacing their children with android duplicates. A film that has been generated without anybody sitting and thinking about the premise on a practical level