Bug (2006)
One of the last films from William Friedkin, an astonishingly deranged descent into paranoia and madness, featuring an alarming performance from a young, unknown Michael Shannon
The Science Fiction Horror and Fantasy Film Review
Paranoia is a fear-filled state of mind where someone believes that the world is conspiring against them. Paranoia is listed as a psychological disorder by the American DSM. That said, most people at one point or another experience varying degrees of paranoia without it being pathological. These can range from full-on belief in conspiracy theories and alien lizard people to merely that a partner or co-worker may be up to something. Usually when we talk about paranoia, we refer to people fearing things happening based only on tenuous suppositions or slim imaginings.
What we are concerned with here is paranoid mood. That is to say, the sense created in a film that something is going on around the protagonist(s). This can range from conspiracies by the government or secret organisations, that aliens are stealing people’s bodies, that neighbours might be Satanists, serial killers or up to some form of no good, of alien abductions, medical experiments being conducted on people, of lurking monsters, that They (the government, the military, scientists, the medical establishment, alien lizard people, corporations, forces of conformity etc) might be out to get you. Or even that what you suspect about reality itself may be in question.
Some themes by their very nature lend themselves to paranoia – Body Snatchers, Secret Societies, Conceptual Reversal Twists and of course Conspiracy Theories. The tone of most paranoia films sit in an edgy state of mind where a person’s belief about the world around them may be an illusion that is abruptly peeled back to reveal something far more sinister. The paranoia will be evoked in terms of uncertainty and will often have a perfectly calm and rational alternate explanation that makes it seem that everything is in the protagonist’s mind. Many works of Black Humour also come with a sense of paranoia that is pushed to an hysteric extreme.
One of the last films from William Friedkin, an astonishingly deranged descent into paranoia and madness, featuring an alarming performance from a young, unknown Michael Shannon
Variation on Invasion of the Body Snatchers with body-snatching doppelgangers emerging from mirrors. Directed with an impressive air of subtle, brooding disquiet, this manages to run up some reasonable twists on an oft-told tale
A B budget variant on the 1950s an alien body snatchers film uncreditedly based on Robert Heinlein’s The Puppet Masters. Other films in this niche created great paranoid atmosphere but here the results only look cheap and tatty
Abel Ferrara’s remake of Invasion of the Body Snatchers is an overlooked film that settles in with an undeniable creepiness that is just as effective as the earlier versions. The metaphor for the pod people is more diffuse in this one but that does not mitigate the film’s effect
Scathingly funny film where a party held by a group of self-absorbed twentysomethings turns deadly as it appears there is a killer in their midst
A film where a girl goes to stay with her girl friend at a cabin in the woods but thinks her friend might be drugging her and taking her blood
Modest and quite effective Dean R. Koontz adaptation in which Jay Mohr is trapped in a small town run by an A.I. that does everything it can to prevent him from leaving
Imagine Brian De Palma’s Blow Out by way of Barton Fink. Set around the sound recording of a giallo horror, this mounts an impressive spiral down into claustrophobia and paranoia, even if it is never quite the horror film it keeps trying to be
Hollywood noir from the Coen Brothers, this takes us inside the crumbling mental state of a screenwriter in the 1930s. Like a David Lynch remake of Day of the Locust, this comes rich in the Coens’ black uncomfortable humour
Saw series Darren Lynn Bousman downplays sadism in favour of a psychologically ambiguous film about a series of attacks possibly conducted by the Jersey Devil
Spain’s Alex de la Iglesia has become a specialist in comedies with a dark bite. This centres around a crosscut of characters trapped inside a bar during the outbreak of a deadly infection
Film based on true-life New Zealand mass murderer Stanley Graham, a disenfranchised farmer who became a local hero after shooting several police and inspiring a massive manhunt
Charlize Theron becomes paranoid and suspects her space shuttle astronaut husband Johnny Depp of returning possessed by an alien. Essentially an SF version of Rosemary’s Baby
An alien invasion and takeover film that was clearly inspired by the success of tv’s The X Files. This is a smart effort that emerges as something unworldly in David Twohy’s hands
Clever and well made Found Footage film about a NASA crew encountering something alien on The Moon’s surface. Falls somewhere between Alien, Apollo 13 and Paranormal Activity
Psychological thriller where an uptight Colin Firth gets a handsomely charming roommate in Hart Bochner who proceeds to seduce everybody in the building with sinister intent
Tobe Hooper makes a film where Chad Lowe becomes the supervisor an apartment building filled with strange tenants. However, Hooper misses the intended black comedy tone by a mile
Obscure VHS era paranoia thriller about the uncovering of a conspiracy to use satellites to control the population. Not a very interesting film.