Hard Luck (2006)
Mario Van Peebles directs a beyond ridiculous getaway thriller that turns into Torture Porn. Cybill Shepherd gives a performance that seems determined to trash her image
The Science Fiction Horror and Fantasy Film Review
Sadism and Torture is the infliction of pain, suffering and cruelty on another person and the enjoyment of doing so. The sexual enjoyment of administering and receiving such between consenting parties is discussed under BDSM.
Sadism and Torture is frequently the province of Psychos and Serial Killers. Those held captive in Imprisonment Thrillers are also frequently subject to such. 1970s exploitation films detailing the historic Witch Persecutions and the Women in Prison genre became notorious for depicting catalogues of cruelties inflicted on victims.
The Backwoods Brutality cycle was known for pushing depictions of sadism and torture to extremes, showing backwoods dwellers and hillbillies taking great delight in inflicting a range of savageries upon innocent city dwellers.
One of the greatest extremes in recent years has been the so-called Torture Porn cycle of the 2000s and the French Extremism of the same period, featuring a series of films that pushed on-screen depictions of sadism to heretofore unknown levels.
Mario Van Peebles directs a beyond ridiculous getaway thriller that turns into Torture Porn. Cybill Shepherd gives a performance that seems determined to trash her image
Highly effective British venture into the Torture Porn fad made not long after the successes of Saw and Hostel. A brutal and harrowing tale about women kept prisoner in the woods that travels to some grim and gore-drenched extremes
Third of the Saw films and the point where director Darren Lynn Bousman places the series’ focus on grim gore-drenched sadism and torture
Film based on true-life serial killing couple Paul Bernardo and Karla Homolka. This could have been another Monster but it feels like a film that played everything safe in terms of its content
A hardcore and irredeemably nasty film, this has the aesthetic of a snuff movie and features lots of scenes of victims tortured and vomiting
Prequel to the 2003 Texas Chainsaw Massacre remake, which sets out to tell the origin story of the cannibal family. New director Jonathan Liebesman pushes the gore and sadism to Torture Porn extremes
The first sequel to the sleeper success of Saw where Darren Lynn Bousman inherits the director’s chair but delivers a film that lacks the torturous suspense that James Wan gave the original
Making dubious claim to be based on real-life, this courted considerable controversy with its violence. Essentially an Australian Texas Chain Saw Massacre, Greg McLean readily pushes things to extremes
Brilliantly nasty film where Ellen Page is a 14 year-old who is lured by a paedophile Patrick Wilson and promptly turns the tables, preparing to castrate him. Filled with razor sharp dialogue and career-best performances from Page and Wilson
Rob Zombie’s sequel to House of 1000 Corpses and a more polished film, probably Zombie’s best. On the other hand, Zombie’s nihilistic worldview and sympathy for the psychopaths does take one aback.
The film that put the term Torture Porn on the map. Eli Roth determines to push boundaries with one of the most brutal films ever seen in mainstream release in the tale of tourists made prisoners at an East European hostel for paying clients to torture
Forget the grim and sadistic sequels that followed, this low-budget directorial debut from James Wan is a masterwork that conjures unbearable dread and tension in its study of characters forced to consider the horribly inconceivable
Standout horror anthology designed to highlight episodes from three Asian directors – Hong Kong’s Fruit Chan, South Korea’s Park Chan-wook and Japan’s Takashi Miike – all of whom are on top form
A psycho film about a serial killing photographer that stalks Las Vegas, this collapses under its determination to be edgy
Mel Gibson wants to give us a film that shows Jesus’s suffering leading up to the Crucifixion but has taken it to such an extreme that he has actually created a Torture Porn film that gives the Saw and Hostel franchises a run for their money
Rob Zombie’s debut film was propelled into an infamy it didn’t deserve it was banned by its distributor. Zombie only slavishly rehashes The Texas Chain Saw Massacre with a constant posturing for shock effect that becomes tiresome
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
A really good, unrecognised early Found Footage film, supposedly a series of videotapes that chronicle the activities of a serial killer. A film that takes us inside an incredibly disturbed headspace
The fifth Hellraiser sequel and the only one among the last four worth watching. It brings back Ashley Laurence but abandons the Cenobites for a fascinating series of reality bending games
Internet horror film that rehashes Ring with a haunted website instead of a tv broadcast. This suffers from a muddled concept where it is not at all clear what is happening.
One of the best of several horror films that came out immediately following the advent of the reality tv show in the early 2000s. Director Marc Evans creates a sense of clammy claustrophobia.
One of the key films upon which the Takashi Miike cult is based. Miike takes a nominal Yakuza plot based on a manga where he pushes the sadism and ultra-violence to a mind-boggling extreme
Fifth and best of Hellraiser sequels after Clive Barker bowed out. Scott Derrickson made his directorial debut here and infuses the series with some of the wild imagery and perverse darkness that Barker gave the original
This seeks to be another Se7en, adapting a script by Se7en writer Andrew Kevin Walker and employing the same visual style in the story of Nicolas Cage delving into a seedy underworld in search of a snuff movie.
The film that made the world pay attention to Takashi Miike. Starting out as a seeming love story, this culminates in some of the most brutal and hard-to-watch torture scenes ever committed to film
Extremely twisted Japanese film that plays out like a conceptual mix of Saw and Fear Factor (even though it predates either) wherein contestants are locked in a room and get to challenge each other to engage in more and more extreme acts against the other
80s outrage rocker Dee Snider writes and stars in this horror film where he plays a freakish serial killer who is demonised by parents
In this sequel to their earlier film, director Brian Yuzna and star Corbin Bernsen return to the role of the psychopathic dentist and successfully tap the same outrageously sadistic nastiness and black humour once again
Strong and effective film set against the backdrop of The Troubles in Northern Ireland in the 1970s depicting a gang of psychopaths that killed and tortured people on the streets
Brutal Michael Haneke film where a family’s weekend getaway becomes a nightmare when two boys enter the house and proceed to torture and kill them. Haneke adds a level of meta-fiction that taunts the viewer’s participation
A disturbing Japanese film about a student revolutionary group and their internal turmoils, which descend into violence and bloodshed as the leader pushed them to torture and bloodshed
Brian Yuzna plays on everybody’s fear of the dentist in this outrageously nasty film top-lining Corbin Bernsen in wildly over-the-top mode as a psychopathic dentist amid a series of imaginatively sadistic dental-themed dispatches
A biopic of the Marquis de Sade that is not uninteresting but suffers from being produced by Roger Corman on one of his usual B-budgets
Fourth of the Hellraiser films. This attempts to tell a story set in three different eras but was subject to much studio interference that waters the vision down to something forgettable
The third sequel to The Texas Chain Saw Massacre. Usually reviled by fans, this is not unworthwhile, capped by a genuinely insane performance from a then-unknown Matthew McConaughey
A modestly effective action film written by/starring stuntman Corey Michael Eubanks where he is forced by backwoods hicks to compete in bare-knuckle fights
The Hellraiser sequels begin their descent to mediocrity. Clive Barker’s original vision of dark, forbidden pleasures has been watered down and the Cenobites become little more than campy variations on Freddy Krueger
Actor Wings Hauser directs and stars in a film in which he plays a detective pursuing a killer who is luring teenage runaways into making snuff films
Stuart Gordon’s adaptation of the Edgar Allan Poe story gets full marks for being set during the Spanish Inquisition. On the other hand, Gordon’s unserious splatter heavy approach and a campy performance from Lance Henriksen deflates the material
The third of the Texas Chainsaw films where the rights have now been inherited by New Line Cinema and the brutality of the original promptly watered down to MPAA standards
Completely demented Greek film about a mother and daughter imprisoning and torturing people in a big old house
The first of the Hellraiser sequels. This lacks Clive Barker’s original dark obsessive vision but is worthwhile in its own right, expanding the scope of the story out into a magnificent vision of Hell
One of a rare handful of films that can be considered the most extreme ever made, this a catalogue of the true-life atrocities and experiments inflicted on prisoners during the Japanese occupation of Manchuria in WWII. An intensely uncomfortable watch not recommended for the faint-hearted
The film that put the name of Clive Barker on the map. A work of considerable imagination where Barker delves into forbidden pleasures and fuses the film with S&M imagery for the memorable creations of the Cenobites
This may well be the finest of Dario Argento’s giallo thrillers. Set around the production of an opera, this offers a series of murder set-pieces staged with an artistry that is as extraordinary as their sadism
One of the key David Lynch films in which cleancut college kid Kyle MacLachlan finds a severed human ear and is drawn into a dark underworld of S&M lorded over by a maniacally deranged Dennis Hopper
The debut of Canadian director Gerard Ciccoritti who should have become more well known, this goes for broke and becomes splendidly deranged
The original Apt Pupil, an extraordinary study in cruelty about a Nazi war criminal confined to an iron lung and the way his past cruelties influence a teenage boy reading his journals
The first sequel to The Texas Chain Saw Massacre where Tobe Hooper returns and pushes the series into an outrageously black sense of humour
An anthology of three Stephen King stories, this comes out with extremely variable results where what were originally a series of tight and mordant tales end up strangely overblown
An imprisonment thriller with a difference, a work of Japanese BDSM erotica where a young teacher is imprisoned and erotically tortured. Quite out there and different to anything Western erotica turns out
Another of Dario Argento’s giallo psycho-thrillers with all the stylistically wild and over-the-top deaths one expects as a horror writer finds people being murdered with pages from his books in their mouths
Along with Cannibal Holocaust, this was the most notorious and extreme of the Italian cannibal film fad of the 70s/early 80s. The film becomes a catalogue of violent savageries that are not recommended for the faint of heart
From the director of Cannibal Holocaust, Ruggero Deodato, comes this home invasion thriller that rips off The Last House on the Left. This was listed as a Video Nasty back in the day
THE most extreme film covered on this site. The defining work of the notorious Italian cannibal genre, a pseudo-documentary work that features stomach churning tortures, guttings and actual animal mutilations
This was the third of the notorious Ilsa films featuring a hyper-sexed Dyanne Thorne. This locates everything in Russian where she is the commandant torturing the prisoners of a Soviet gulag
Harrowing and difficult to watch variation on The Last House on the Left where a trio of escaped convicts brutalise a decent black family in a series of humiliations
One of the notorious 1970s Nazisploitation films, this Italian-made entry is one work that crosses way over taboo lines and makes for extreme watching
A work of exploitation notoriety about snuff movies. Seen in heavily cut and edited forms, the film holds an undeniably sordid and nasty charge but mostly comes across as amateurish
Film that gained a notoriety for its scenes of a stage magician torturing and mutilating people. This seems fueled by a nasty misogyny involving the degradation and killing of women.
The first of the sequels to the notorious Ilsa, She Wolf of the SS. The dispenses with the first film’s unpleasant use of the Nazi concentration camps as a source of exploitation grist and is an altogether better film
Arguably the world’s first Found Footage film, this gained a notoriety by conducting a scam that tried to sell it as a real snuff movie
Pier Paolo Pasolini’s adaptation of the work by the Marquis de Sade is a catalogue of depravities and tortures and one of the most disturbing films ever made
One of the most tasteless films ever made, a sado-sexual work set in a Nazi concentration camp with Dyanne Thorne as a sadistic commandant torturing and having sex with prisoners.
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies but rarely any that matched the original
The best film from UK director Pete Walker. All of Walker’s film have a horror of ingrained institutionalism. This, concerning a private prison where morally lax women are abducted and tortured, is depicted with an extraordinary cruelty
Amicus adapts several stories from the notorious EC Comics as one of their anthology films. Missing is EC’s black humour but this is a worthwhile Amicus anthology
Not to be confused with the Chucky films, this is a little-seen film about a series of sadistic games played by pupils that targets other pupils in a Catholic boys’ boarding school
Harrowing wilderness survival film from John Boorman about four men on a trip downriver that fall afoul of hillbillies. A classic that was highly influential on the formation of the Backwoods Brutality genre.
Maybe one of the great exploitation titles of all time quickly telescopes down to a near-unwatchable film from Andy Milligan. A Victorian-set werewolf film with rats thrown in to capitalise on the success of Willard
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
Obscure film in which director Fernando Arrabal depicts a series of vignettes from his childhood depicting the sadism and cruelty of the Spanish Fascists
A giallo film with Anthony Steffen as an aristocrat who likes to pick up red-haired girls and kill them in the dungeon in his villa, who then becomes haunted by the ghost of his late wife
Made not long after the success of The Witchfinder General, a film based on the notorious historical figure of Judge Jeffreys. In the hands of exploitation director Jess Franco, the historical account is sidetracked by sado-sexual scenes
Another depiction of the Middle Ages witch persecutions that becomes a catalogue of the cruelties enacted – Torture Porn way back before anybody ever invented the term
Larry Buchanan is a director on a par with Edward D. Wood Jr. This, not to be confused with the 1974 killer baby film, is his best film. Buchanan creates a perverse obsessiveness that is fascinating to watch
Stark and effective film based on a true-life historical figure, this sets out to depict the barbarism of the 17th century witch hunts. Vincent Price plays seriously and the film is all the more effective as a result
Trilogy of Edgar Allan Poe tales from three European directors. Roger Vadim’s opening episode drags but both Louis Malle and Federico Fellini deliver standout works in their respective segments
Brazil’s Jose Mojica Marins became a cult figure for his Coffin Joe films; this is an anthology sold under the Coffin Joe banner. Without the Coffin Joe presence, all we have is a series of not very well directed pieces that linger on perversity, although the final segment does stand out memorably
The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded
Not a Marquis de Sade adaptation as this was sold as but an Italian giallo film. Mickey Hargitay (aka Mr Jayne Mansfield) has a ball as a mad bodybuilder aristocrat in red tights devising entertainingly lurid tortures.
Classic work of the 1960s Italian Gothic cycle featuring Barbara Steele, shot in beautifully brooding black-and-white and with a remarkable sadomasochistic undertow
A home invasion thriller starring Olivia de Havilland as a wheelchair-ridden woman who is brutalised and tormented after three hoodlums break in as she is trapped in an elevator cage during a power cut
Brazil’s Ze do Caixao or Coffin Joe is one of the most evil characters ever created on film, spearheaded by director/star Jose Mojica Marins’s contempt for the weak and catalogue of brutalities and blasphemies
The seventh of Roger Corman’s Edgar Allan Poe adaptations and usually the best regarded. Vincent Price is at his most cruel and the film looks incredibly sumptuous thanks to a young Nicolas Roeg on camera
The second of Roger Corman’s Edgar Allan Poe films with Vincent Price. This feels too much as though Corman was trying to make another House of Usher, nevertheless it creates its own thunderously overwrought atmosphere, even if it has little to do with the Poe story
A highly entertaining Herman Cohen production where Michael Gough plays a mad crime writer who employs a series of cruel sensationalistic deaths for his victims
An entertainingly madcap screen pairing of Boris Karloff and Bela Lugosi with the latter as a Poe-obsessed surgeon who has built a house of Poe-inspired torture devices
This has nothing whatsoever to do with the Edgar Allan Poe story but is a fascinating piece with Boris Karloff and Bela Lugosi skulking about engaged in a twisted plot involving revenge, Satanism and chess games played for human lives
Boris Karloff plays the super-villain Fu Manchu, giving a performance of calculating evil in a film of great pulp thrillers