Dead Zone (2022)
Not to be confused with the Stephen King novel/film. A zombie film with a military focus that appropriates the basics of Escape from New York as a tactical unit is sent into an infestation zone to retrieve an antidote
The Science Fiction Horror and Fantasy Film Review
The zombie film is one of the most popular sub-genres of the horror film. A zombie is a reanimated corpse that has returned from the dead, slow, shuffling and lacking will. In the modern incarnation, the zombie has become a creature ravenous for human flesh.
The idea of the zombie comes out of African religion. The first ever zombie film was White Zombie (1932) and for the next 36 years, the zombie remained in the province of Voodoo, occasionally a creature of mad science or created by alien invaders. There it was slow, shuffling reanimated corpse but never more than that.
The modern zombie film began with George Romero’s Night of the Living Dead (1968), an apocalyptic film about the dead risen and laying siege to the living in a farmhouse. This made the zombie into a flesh eater and created the popular mythology about it only being able to be killed by incapacitating the head. This created a number of imitators but the true popularity of the zombie film grew in the 1980s following Romero’s sequel Dawn of the Dead (1978), which added copious gore and splatter to the mix. There were a number of enthusiastic imitators in particular from Italy. The 1990s saw the first zombie comedies.
The zombie film underwent a revival in the mid-2000s with a series of works that remade or homaged Romero’s films and others that claimed to be spurious sequels. This was followed by a vast shuffling horde of mostly low-budgeted zombie films. During this time, we have seen zombie films from almost every film-making country in the world.
These low-budget copies soon revealed that the number of original plots available to the zombie film was limited. This period also saw an upsurge in the zombie comedy and by the 2010s this evolved to a series of gonzo takes where filmmakers mixed zombies up with the most absurd title or conceptual mashups. By the end of the 2010s, the gonzo zombie film too had started to run out of ideas.
Not to be confused with the Stephen King novel/film. A zombie film with a military focus that appropriates the basics of Escape from New York as a tactical unit is sent into an infestation zone to retrieve an antidote
Amid the overused zombie genre, this hits in with a considerable originality. The story of teenagers who find a zombie girl and keep her imprisoned for sexual purposes soon enters a disturbing headspace
Yet another zombie comedy. Essentially a zombie bromance where it gains its life from its two characters’ motormouth performances. The humour sits halfway between goofy silliness and the occasionally amusing
The Maze Runner was a solid Young Adult effort that built out an effective Conceptual Breakthrough story; this, the second of two sequels, feeld like a series of canned action scenes in search of a purpose
The first horror film from New Zealand, a gore drenched effort about a mad scientist creating zombies. Directed by much energy even if it suffers a complete lack of plot
Outrageous New Zealand-made effort that fondly recalls the 1980s splatter comedies of Sam Raimi, Peter Jackson et al. This often feels like former teen metalheads looking back and puncturing the pretensions of their youth
Cult Italian film with Rupert Everett as a cemetery keeper facing the resurrected dead. This has an hilariously off-the-wall mix of black, deadpan humour and artiness, plus Everett at his laconic best
Another in the vast horde of zombie films of the 2010s concerning a group of friends gathered for a party as a terrorist biowarfare attack turns the locals into zombies
Italian horror directed by Lamberto Bava and produced by Dario Argento, an Evil Dead-inspired work about the possessed dead taking over a cinema, all conducted with a ferocious enthusiasm
This is a surreal and plotless Catholic horror film from Dante Tomaselli that seems full of fairground horror house jumps and overloaded with tortured Catholic imagery but makes no real sense
Another entry in the zombie comedy field. This has essentially been conceived as a retread of The Breakfast Club but with the addition of zombies
George Romero returns to zombies, making a Found Footage film. After the disappointment of Land of the Dead, he delivers the goods here, while making powerful political points about modern media
A gonzo parody of WWII heroics a la Inglourious Basterds with the addition of Nazi zombies, over-the-top splatter and some decidedly non-PC humour, this proves an enormously entertainingly comic-book of a film
Documentary about the popularity of zombie films, this covers the history of the genre in reasonable depth, even examines the historical origins and provides an amusing glimpse into the zombie’s pervasion of popular culture
Doctor Strange was one of the better MCU films. Here Sam Raimi takes over in the director’s chair. This readily delves into multiverse themes but requires a major crash course in a plethora of Marvel tv series to follow
A film about a bunch of boorish lads gleefully eliminating zombie women. A comedy this may well be but doesn’t disguise the fact the film’s sympathies are clearly with the guys making crude innuendos and feeling downtrodden by women
Disappointing film version of the videogame. The film seems to either miss or water down the principal appeals of the game, although you do get Dwayne Johnson (still billed as The Rock) as the bad guy
This was the second film based based on the Doom game and actually does a far better job of getting the essence of the game and paying fanservice to its elements than the earlier 2005 film did
South Korean anthology containing a trio of tales on the theme of the end of the world. The standout is the middle segment, a very Asimovian tale wherein a robot claims to have logically attained Buddhist enlightenment
Zombie action film that features Mark Dacascos driving through the post-apocalyptic landscape in a luxury car looking for a home for his daughter
An anthology film produced by Charles Band where assorted directors turn in seven episodes all centred around a videogame warrior put through a series of tests by The Devil
The third film based on the roleplaying game. The previous two films were forgettable but this is surprisingly good, taking a far darker tone than the usual sword-and-sorcery adventure and adding considerable moral complexity
A zombie film of sorts in which the people of an Australian outback town are taken over by an alien force. A zombie film that seems to be trying not to be a zombie film.
US film adaptation of a cult Italian comic-book about a private eye who investigates the supernatural, this comes out like a weak episode of tv’s Angel where a potential worthwhile idea descends to lame humour
The appealing idea of a romantic comedy/road movie where both characters are zombies. The plot is all over the place but the premise is conducted with some amusement
A very eccentric comedy in which momma’s boy Steve Buscemi accepts a deal from a strange salesman to resurrect his beloved mother (Miriam Margolyes) from the dead
Fascinatingly original anime set in an alternate history Steampunk version of Victorian England that has developed a technology based on Frankenstein’s corpse resurrection experiments
Ferociously paced low-budget hit that put the names of Sam Raimi and Bruce Campbell on the map. What made the film a cult hit was Raimi’s full tilt pace and entertainingly over-the-top splatter effects
Modestly effective zombie film set during the US Civil War. This eschews the usual gore-drenched zombie attacks in favour of a nicely achieved story about one man’s internal journey through the apocalypse
Low-budget ingenue effort with pretensions to being more, this produces some occasionally nifty effects that quickly weary and only seem to hold up a thoroughly hackneyed B horror movie plot
One of the worst of Uwe Boll’s videogame adaptations. This consists of action sequences slung together with random indifference and badly mismatched casting
Another zombie film that comes with a deliberately ridiculous title, even if the title ends up being a misnomer. This site’s choice for the worst film of 2020
The Soska Sisters made a splash on the genre scene a few years ago. Here they make a tribute/follow-up to Night of the Living Dead but produce an utterly safe work that is the antithesis of the edginess that gained them a name
Charmingly droll film that posits an alternate version of the 1950s where zombies have been domesticated. This has a perfect sense of mood and admirable deadpan playing by all involved
One Cut of the Dead was one of the freshest takes on the overworked zombie film in recent years. Here Academy Award-winning director Michel Hazanavicius conducts a French remake but misses the mark
One of several films that came out not long after Snakes on a Plane offering similar wacky collusions – in this case, a zombie outbreak aboard a plane. The surprise is that the film plays itself seriously
This has the amusing idea of mashing the zombie film up with the Guy Ritchie gangster film, although never quite hits the comic-bookishly over-the-top posturing of Ritchie’s films
A zombie film made not long after Night of the Living Dead with a wild premise – the prisoners on a chain gang get high inhaling formaldehyde, which causes them to rise from the dead after being shot in an escape attempt
A zombie comedy that comes with a mildly amusing premise – where people stage an intervention to stop their friend eating people. This feels a single gag drawn-out as a full length film
Zombie film about a small town overrun as people are infected with a virus from a fallen satellite. Familiar stuff conducted with a little more care than usual
The 1939 Bob Hope comedy remake of The Cat and the Canary was a big hit; here he and Paulette Goddard are put through the same in what is all but a sequel. Hope is on top form again
The third of the Blind Dead films about the zombies of blind Knights Templar. This is set aboard a ghost ship at sea and is said to have later influenced John Carpenter’s The Fog
The zombie film has become a creatively exhausted genre in recent years. This is an effort that completely changes the game with fiercely original effect, anchored by one of the best child performances in some time
Zombies and soccer! Ok? From co-director of the ferocious French zombie film The Horde, a rather entertaining effort that resembles something of Shaun of the Dead in its comedy approach
A film based on the hugely popular children’s horror series. The film creates a story where the creatures from all the books are unleashed. This is fun to watch, yet what we ultimately have is easy, undemanding horror for family audiences
A British-made effort that offers the amusing idea of zombified geriatrics on their walking frames. However, the actual film lacks any tongue-in-cheek approach and emerges as excruciating on all counts
A zombie film (of sorts) from Mexico, although it could just as easily be about a man infected with a flesh-eating bacteria. A zombie film in which almost nothing happens, we just sit watching a man getting ill
A film adapted from a book by the writer of Let the Right One In concerning the resurrected dead, this goes some way to divorce itself from the zombie film and develops its horrors with striking slow burn effect
A painfully unfunny endurance test created by star Kevon Ward centred around the deformed, imbecilic hillbilly he played at Halloween shows. The film is little more than people playing morons in silly voices
Completely madcap film from Takashi Miike, a black comedy about a family who run a guesthouse where the guests keep dying. This comes replete with musical numbers and Claymation sequences
Deranged entry in the 80s fad for heavy metal horror films where a band are resurrected from the dead to play an all-important concert, while fighting off conservative townspeople and a very much alive Adolf Hitler
Amid the plethora of zombie parodies and gonzo title mash-ups, this British comedy is appealing. Rather than grim battles for survival, this is down-to-earth in its humour and quite affecting by the end
Lightweight film based around the Disney theme park attraction that becomes a Eddie Murphy comedy where he and his family enter a big old mansion that proves to be haunted
Animated film directed by Rob Zombie that feels like an episode of Ren & Stimpy made by someone with an unhealthy obsession with horror and exploitation movies and stripper bars
Cult animated film that adapts several stories from the adult fantasy comic-book Metal Hurlant/Heavy Metal. These vary but in its better moments that has a trippy cult hallucinatory quality
This was one of the entries from the 1980s heyday of the Italian zombie film where people were copying Dawn of the Dead but pushing everything to a gore-drenched extreme
A mind-bogglingly wacky entry in the gonzo Japanese splatter film featuring a crazed bloodbath as Japan is overrun by zombies. This goes frequently nuts featuring vehicles and plans made up of zombie bodies
Typical 1990s video release with mad scientist John Saxon creating zombie experiments amid entertainingly gooey meltdowns and a title intended to make you think this is a Hellraiser film
A Pakistani copy of The Texas Chain Saw Massacre and Backwoods Brutality film, all served up with reasonable vigour. It is fascinating seeing the genre tropes translated between different cultures
Beautifully filmed, intimate work about a woman’s attempts to eke out survival in the woods in the aftermath of an unspecified apocalypse
The Gonzo Japanese Splatter Film offers a wild array of splatter, bio-transformations and an obsession with schoolgirls’ panties. This is a low-budget entry that offers something akin to a zombie-hunting equivalent of Buffy
As part of their attempt to sell everything including the family silver, Disney make a sequel to their witch comedy, bringing back the three original actresses who are now looking a lot longer in the tooth
A Disney live-action film that engenders no believability in its basic premise. Much of the show is regarded as an opportunity for Bette Midler to steal the limelight and play to over-the-top excess
This could be The Raid reconceived as a zombie film (and a few borrowings from Assault on Precinct 13). This never reinvents the basics, just delivers a ferociously entertaining, bared to the bone zombie survival film
A low-budget regionally made film about a zombie outbreak. This does better than most of the vast horde of low-budget zombie films that came out in the late 2000s
Bizarre entry from the Anglo-horror cycle with Michael Gough as a mad scientist creating zombies and driving a deadly armoured Rolls Royce
A variant on the much more charming Mad Monster Party?, an animated film featuring cute cuddly versions of the Famous Monsters (Dracula, Frankenstein’s monster, wolfman etc) with Adam Sandler voicing Dracula
One of the key films in the cult of Lucio Fulci. Imagine a version of The Amityville Horror with the addition of zombies, mad scientists and a gore-drenched death every few minutes
The first of Uwe Boll’s videogame adaptations and the beginning of his bad director reputation. This is a zombie film by the numbers but it was at the forefront of zombie film revival of the 2000s
The third of the trilogy of animated films from Arcana Studios based around the adventures of a young H.P. Lovecraft
A mockbuster from The Asylum that was intended to capitalise on the release of I Am Legend and in fact gets much more of the essence of the original Richard Matheson novel than the official film did
A classic horror film undeniably influenced by Night of the Living Dead wherein a group of hippies are turned into zombies after they are fed rabies-infected meat pies
The greatest distinction this has is that it was released on a double-bill with I Drink Your Blood. While I Drink‘s vision of rabid hippies was highly entertaining, this is a dreary and uninteresting voodoo film
Odd film about 19th Century body snatchers that is like a low-budget version of a Burke and Hare story. This develops a sense of humour and starts to go in some very strange directions
A New Zealand-made entry into the zombie comedy stakes. This has the amusing idea of having a zombie outbreak occur during the shooting of a zombie film
One of the key films from the legendary Val Lewton, this exploits a topical interest in voodoo. As with Lewton’s films, this sits in an ambiguous place that leaves the actuality of the supernatural uncertain
In the overworked vein the zombie film, one of the most unique and original voices has been British director Andrew Parkinson. This was the first of Parkinson’s kitchen sink zombie films
British lad culture take on the zombie film. Think a version of Shaun of the Dead inhabited by guys around the age of 20 whose only real concerns is getting laid and wasted. The constant vulgarity becomes tiresome
Surely the first slacker horror film in which teenager Devon Sawa’s hand becomes possessed. A comedy that feels as though it should have been a lot funnier than it ends up being on screen
A zombie film from Venezuela in which a lone doctor struggles to survive after a train of mutated rabies spreads throughout the countryside. A solid entry in the genre.
Forget about the ostensible explanation about outbreaks of Lyme Disease in the script, this is another zombie film in all but name even if the phrase is never mentioned
Horror film where Jesse Metcalfe has himself committed to an asylum to rescue his sister but comes up against Peter Stormare conducting mad science experiments turning inmates into zombies
Directed by low-budget actress Marlene Mc’Cohen, this is both an alien invasion and a zombie apocalypse film. A film where the skill gap and budget falls well short of what is needed to make a film work
A B budget 1950s alien invasion film that cuts cost by having the invasion represented by stock footage and the resurrected dead in a series of images that prefigure Night of the Living Dead
A zombie film produced by The Asylum that appropriates the name of the Val Lewton classic (and Arnold Bocklin’s painting) but is actually a low-budget copy of Resident Evil
The most original treatment of the zombie film in some time. Rather hilariously, what we get is a film about a girl being pursued by a single zombie (at a walking pace) and the slow relationship she develops with it
Phantasm series director Don Coscarelli makes a mind-expanding effort that seems a conceptual collision between Donnie Darko, Limitless, a slacker version of Supernatural and Dr Strange
The world’s first Cuban zombie film. Imagine a Latin American version of Shaun of the Dead, conducted with some cleverness, oddball wit and an undeniable satiric undertow
An obscure Japanese film with quite a WTF element about a backwoods motel where things get very strange – the hosts slaughtering the guests, a zombie wandering around
A surprisingly good low-budget film that places zombie into the mediaeval period amid the Black Death. From Mark Atkins, one of the directors who usually work for The Asylum – his best film to date
One of the weird mash-ups of horror and martial arts popular in Hong Kong during the late 70s/80s. Despite a great title, this suffers from an emphasis on frenetic slapstick and caricatures
Whether we asked for it or not, director Bruce LaBruce gives us the world’s first gay pornographic zombie film in which a zombie finds it can revive the dead by having sex with them
George Romero’s return to the zombie genre after twenty years, after others starting remaking and homaging his films. Romero still makes potent social metaphors but the gory extremes of his earlier films seem tamed down
This starts out offering a fine astrophysically credible depiction of Mars only to reach for the playbook of Alien cliches to essentially become Zombies on Mars
Film spinoff from a YouTube channel that features two comedians giving absurdly over-the-top survivalist tips. What works as a series of short clips has difficulty extending the gags to a dramatic plot
A crazed Evil Dead-styled film directed by sf/horror writer S.P. Somtow about modern-day Aztec sacrifices, this makes a beeline for bizarrely over-the-top gore effects
An absurd film where angels conduct a war on Earth, which comes amid much in the way of gunfire and creature effects. Directed by a former visual effects supervisor.
Billed as a ‘zom-rom-com’, Dane DeHaan deals with girlfriend Aubrey Plaza who has returned from the dead. The film has a quirky appeal even if it is never quite as funny as it promises to be
Amiable Canadian entry in the oversaturated market of the zombie comedy that emerges sort of as a Judd Apatow film with zombies and produces the occasional smile if few laughs
The premise doesn’t much to enthuse – a hapless loser has to take care of a bunch of kids during a zombie outbreak. Sit past that and this is the funniest zombie comedy since Shaun of the Dead