Arabian Nights (2000)
Hallmark tv mini-series adaptation of the classic tales has been granted a decent budget that allows the stories to emerge with lavish spectacle and the fantasy to fly with exceptional regard
The Science Fiction Horror and Fantasy Film Review
Hallmark tv mini-series adaptation of the classic tales has been granted a decent budget that allows the stories to emerge with lavish spectacle and the fantasy to fly with exceptional regard
This is not an adaptation of the Arabian Nights but the title has been appropriated for a collection of quasi-fantastical tales and even documentaries about the Portuguese Austerity Crisis over six hours in length
An action film that takes place in a single room. A samurai is invited to dine by a mysterious host who reveals he is an immortal monster and believes they have been destined to fight
The second film from Guy Maddin, which comes with all of his familiar homages to German Expressionism and silent cinema, wrapped up in a surrealist plot of hilarious melodrama and side-splittingly deadpan dialogue
One of the better animated films made by Disney during the lean years between Walt’s death in 1966 and the studio’s return to form in the late 1980s. Not the best but it recaptures some of the classic charms of works like Lady and the Tramp
This English-language debut from Emir Kusturica should have been a hit going by its cast that includes a young Johnny Depp romancing a 50+ Faye Dunaway, but is a plotless piece of improv of occasional surreal interludes
Studio Ghibli tackle Mary Norton’s classic books about a miniature family that live inside the walls of a house. Norton’s essential Englishness translates surprisingly well to anime and the results are quite magical
Adaptation of the popular Young Adult series about a twelve-year-old super-villain and his adventures with assorted magical creatures. Audiences hated this but I though it overspilled with a madcap creativity
A completely ignored sequel to Arthur, the non-genre comedy hit with Dudley Moore as an alcoholic millionaire. Included here because butler John Gielgud turns up as a ghost
A B-budget venture into the Arthurian Legends that never much finds the rich myth of the cycle and emerges as just a routine fantasy adventure
Lightweight Luc Besson directed children’s fantasy with a young boy shrunken down to miniature size to engage in a series of CGI animated adventures among a race of fairy-like people. Several sequels followed
This was the second of Luc Besson’s Minimoys films, partly animated children’s films set in a world of miniature creatures. Here the charms of the first film seem thinly stretched
Luc Besson has made some phenomenal action films but I just can’t seem to get into his trilogy of children’s films. This was the third. A silly effort written down to a very juvenile level and padded with inane humour
An animated collaboration between Aardman and Sony Pictures Anomation. This has a good deal of eccentric charm that overcomes one’s dislike of the cloying sentiment of most Christmas films
Adaptation of the popular videogame that is lumbered with the game’s inherently uncinematic premise where people only sit around and watch what has already happened in the past
Fourth of the live-action films adapted from the Asterix comic-books with Gerard Depardieu as Obelix. This replicates the absurdist historical wit of the originals while poking fun at the foibles of the British
The second of the live-action Asterix films starring Gerard Depardieu, this is a visual delight that gets the comic-book’s nonsensical visuals down perfectly
The first of the live-action films based on the famous comic-books set during the Roman period, starring Gerard Depardieu who seems born to play the part of Obelix
The third of the live-action Asterix films starring Gerard Depardieu as Obelix. This faithfully replicates the look and visuals of the original comic-books as the two head off to the Olympics
One of several animated films based on the popular comic-book characters Asterix and Obelix made by Dargaud Films
The best among the films made from the Asterix comics. This delivers the characters and the visual humour the way they should be, plus leaves the sly satiric wit of the originals intact with side-splitting results
A CGI animated film based on the popular comic-book character Asterix. After numerous other adaptations, this was the first of the Asterix films to be written directly for the screen
One of the sillier among the animated Asterix films maintained at a high-level of slapstick and with badly dubbed voices that do not suit the characters
Film about asylum inmates that goes for a gonzo approach but becomes an unwatchable mix of student artistic pretensions played out at a level of shrill caricature
A strong and powerful depiction of historic Inuit culture in the Arctic Circle, which has been shot and acted by Inuit people. Included here because of some Magical Realist elements.
The first and best film version of a classic story about an expedition finding the city ruled by an immortal queen in the desert. This was shot in the real locations and comes with a stunning sense of expansiveness
The sixth film version of a classic lost world story about explorers finding Atlantis and its immortal queen in the desert. This is a more mundane version that waters down the fantastic elements
The live-action adaptation of a popular manga series, this comes with a completely WTF premise about humanity defending itself from an invasion by a horde of misshapen giants that like to bite people’s heads off
Sequel the demented Attack of Titan with its wild images of humanity under attack from mindless giants that bite their heads off, which was shot back-to-back and released a few months later
The Asylum’s response to Avengers: Age of Ultron. Not having their own superheroes, they have ingeniously created an adventure involving various fairytale princesses – a great idea that befalls miserable execution
Released at the same time as Avengers: Infinity War, this was a mockbuster from The Asylum involving a team-up between fairytale characters. The third in their Avengers Grimm series
This is a romance film with conceptual ambitions that starts out by killing the heroine in the first scene and then has she and the guy meeting in lucid time-travelling dreams
A real oddity among the Batman animated films – one where the basics of the Batman mythos are translated into Aztec culture at the time of the arrival of the Conquistadors
Next to Hayao Miyazaki, Michel Ocelot is the greatest animators of all time but one of the least widely recognised. Here he conducts a beautifully made Arabian fairytale
Runaway hit produced by George Miller of Mad Max fame that conducts what in any other terms would be an animated talking animals film in live-action with CGI and animatronics. The results are utterly charming.
For this sequel to the hit talking pig film, producer George Miller of Mad Max films fame steps into the director’s chair. However, the cuteness of the original promptly becomes buried under careening slapstick
An inane French/Canadian-made children’s film about three cute creatures that come to help a boy stop the resurrection of the Tower of Babel on the eve of the millennium
The Disney musical version of a story that takes place among the denizens of fairytale. Some visual nonsense but the film dies a slow lumbering death amid the sugary sentiment
Peter Greenaway film about a woman claiming her baby is divinely conceived. As fascinating for Greenaway’s constant visual games as for the film’s brutal taboo-defying impact
Pål Sletaune is a Norwegian director who deserves more attention for his reality-bending surrealism. Here mother Noomi Rapace moves into new apartment where ghostly screams come through the baby monitor and she soon finds that she cannot be sure what is real
Adapted from a Young Adult series of books, this is a bland and utterly superficial film about a secret society of monster-hunting babysitters
A film that feels like it should be an erotic thriller but isn’t. Antonio Sabato Jr. rescues an amnesiac Annalynne McCord who proceeds to exert a fatal influence
Sometimes you shake your head and wonder how a film got greenlit. In this case, we have a comedy where Cam Gigandet’s penis gains a separate life of its own, resulting in a Jekyll/Hyde film of sorts
A young and dashing Leonard Nimoy plays a clairvoyant racing driver in this unsold tv pilot. The disappointment is that his powers amount to no more than a detective deducing clues in a standard murder mystery
Strange Disney tv movie in which widow Linda Hamilton moves to a small town where the people seem able to do magic
One of the better animated films produced by Amblin, this is based on the true story of a husky rescue in Alaska, albeit turned into a film where the dogs now talk
One of the better video-released Disney sequels churned out during the 90s/00s, this finds some of the innocence of the original even if it never scales the same heights
One of the unquestionable classics from Disney’s Golden Age of animation between 1939 and 1942. This is an absolute delight for its unalloyed innocence and tragically affecting emotions
A fascinatingly enigmatic and beautifully made film where Sienna Guillory becomes concerned when her daughter is mysteriously affected by something that causes her to stop eating
One of a series of low-budget sword-and-sorcery films of the 1980s. This predates both Red Sonja and Xena with its depiction of a fierce warrior woman. Produced by Roger Corman
Less a film than a phenomenon, there is something ironic about a doll that is accused of promoting negative body standards ending up leading a women’s movement. Moria has just one or two issues with this.
One of the first of Mainframe’s animated Barbie films, this creates a fairytale where reasonable effort gone into the animation and characters
Alexandre Dumas’s classic adventure story is turned into an animated vehicle for Barbie with genders reversed and an absurdly upbeat Girls Can Do Anything vibe. Being a kid’s film, the girl Musketeers are no longer allowed to wield swords
The second of the animated Barbie films, this casts her as the title character in the popular Brothers Grimm fairytale, which has been considerably embellished. This suffers the glassy plasticity of the early Mainframe films
Another of the animated Barbie films, this casts her as a desert island castaway accompanied by a retinue of talking animals. Visually colourful but slight
Here the Barbie films turn to Mark Twain’s classic (non-fantasy) tale of rags and riches and spins it as a fairytale This has the same blank, plastic style of the early Barbie films and is otherwise bland
The previous Barbie animated films had adapted various fairytales but this casts her as a fairy in a magical kingdom – simplistic, but one of the most colourfully animated of Mainframe’s Barbie films
Sequel to the earlier Barbie animated film Barbie Fairytopia. Extremely colourful but essentially a fantasy version of a teenage girl high school drama that quickly slips into pre-packaged formula
Another animated Barbie film that leaves you quite certain that every problem in life can be solved with a positive upbeat ditty
The first in a long series of animated films based on Mattel’s girl’s doll Barbie. This casts Barbie as a lead in an adaptation of The Nutcracker ballet
Another of Mainframe’s interminable Barbie films that soon slip into a sameness. This is at least directed with a visual sweep
Seventh of the animated Barbie films, spinoff of the earlier Barbie Fairytopia, all delivered in sugary upbeat sentiments amid pastel colour schemes that would look eye-poppingly psychedelic if one were high
The third animated film based on the popular girl’s doll Barbie. This places Barbie into Tchaikovsky’s ballet Swan Lake in an okay telling, if one that suffers from the usual limited animation of Mainframe’s early films
Another animated Barbie film, this appropriate the name of the Hans Christian Andersen’s fairytale and makes it now about a fairy who preaches conservation. As these films go, this is one of the better made and comes with quite a degree of colour
Very slight Disney live-action comedy with Kurt Russell as a tv network mailboy with a chimpanzee that can predict which tv shows are going to be hits
An incredibly silly animated film set around the antics of talking barnyard animals. Directed by comedy writer Steve Oedekerk, this is almost entirely centred around gags involving animals doing parodies of human things
A version of the Baron’s tall tales from the great, underrated Karel Zeman. Zeman’s dizzying blend of live-action, animation and cutouts and deadpan absurdism is perfect, resulting in the best Baron Munchausen film to date
Animator Don Bluth conducts a spinoff from his previous film Anastasia, focusing on the adventures of the talking bat sidekick
Batman’s first screen appearance in a fifteen-chapter serial. This is a dull, impoverished adaptation, which sees Batman and Robin rewritten in the service of the US government fighting a Japanese invasion force
A film spinoff from the popular 1960s Batman tv show starring Adam West. At half-an-hour twice a week, the series was an enjoyable piece of surrealistic zaniness but its appeals seem stretched at feature-length
Tim Burton borrows from the dark brooding graphic novels of the era and gives us a beautiful, stunningly designed film that digs deep into the psychological recesses of the masks and funny faces
The reboot of the Batman franchise post Zack Snyder returns to the Christopher Nolan conception with Robert Pattinson as an emo Batman who resembles The Cure’s Robert Smith. Not completely successful on all fronts but a promising start
While the world knows of Bob Kane as the creator of Batman, few of heard of Bill Finger who created many of the core aspects but had his contributions claimed by Kane. This is a documentary that sets out to find the truth
Building on the popularity of the character in Suicide Squad, an animated film that gives to Harley Quinn, and lets loose with a sense of humour far more adult than the other animated Batman films
The second of the animated Batman films, a Mr Freeze story timed to come out at the same time as Joel Schumacher’s Batman & Robin atrocity. This treats the Mr Freeze story with far more respect than that film
Not to be confused with the Joel Schumacher atrocity, this was the second Batman film ever made, a 15-chapter serial. This is mostly worth watching as a novelty in its laughable attempts to approximate the superheroics of the comic-book in comparison to modern counterparts
Possibly the worst film ever made on a big studio budget, Joel Schumacher’s follow-up to Tim Buton’s standout Batman films where he turns everything into an absurd Day Glo realm with a script for two year-olds, campy puns and badly overacting super-villains
This is more of a Suicide Squad than a Batman film. Based on the popular Arkham videogames, this a Justice League-type adventure but with super-villains where the emphasis is on dark humor and gleeful mayhem
Another of the DC Universe Original Animated Films. This is less a Batman film than a Batman Family film, a mixed effort that sidelines Batman for much of the show
After Joel Schumacher killed off the cinematic Batman franchise, Christopher Nolan successfully revives it, bringing back the dark, psychologically brooding superhero and telling a Batman origin story
Tim Burton’s superlative duo of Batman films were wrecked after Joel Schumacher took up the director’s chair and turned the films into giant camp fests. Here he allows a madly overacting Jim Carrey and Tommy Lee Jones loose as the villains
Adaptation of a classic graphic novel that imagines Batman back in the late 19th Century as he fights Jack the Ripper. This works rather well – in fact, better than the graphic novel it is based on
Taking a leaf from The Wachowskis with The Animatrix, DC went to Japan and hired a bunch of anime directors to deliver an anthology of six different animated Batman stories
Animated adaptation of the classic Batman comic-book story, this places the Batman/Cat Woman relationship centre stage to give her the most substantial workout of any film
Theatrically released film based on the 1990s animated Batman tv series. This allows the series to stretch its wings and do things it never could on tv, although the creation of a new super-villain never quite comes off
One of the better films spun off from the 1990s animated Batman tv series, introducing the character of Batwoman (although a different one to the comic-book incarnation).
This gets full marks for a WTF set-up, an anime that imagines Batman and most of the villains transplanted back to feudal Japan. There is fun to seeing the familiar characters reinterpreted in terms of Japanese imagery
Someone figured out Adam West and Burt Ward, Batman and Robin from the 1960s Batman tv series, were still around and put them in this animated film that replicates the look of the show and pays homage to its willful silliness
The second of Tim Burton’s Batman films is even more beautifully dark and glistering than the first, introducing Michelle Pfeiffer as a sizzling Cat Woman and Danny De Vito as a venomous Penguin who respectively own the show
An oddity among the animated Batman films. This seems less another Batman film – Bruce Wayne gets more screen time than Batman, for instance – than it does a homage to the 1970s martial arts film
The first of a two-part animated adaptation of the classic graphic novel ever written. The film lacks the same impact because, firstly, it is an incomplete story, and secondly, Frank Miller’s ideas have now become so much part of the modern Batman
The second of the two-part animated adaptation of Frank Miller’s classic graphic novel. The film is staged as a series of epic confrontations between iconic DC characters and written with a dark bite to emerge much more satisfying than the first part
DC Universe Animated film that is adapted from an Elseworlds story that offers up an alternate 1920s version of Batman who is fighting up against H.P. Lovecraft entities
Adaptation of the Alan Moore graphic novel, one of the most famous comic-book titles of all time. The notoriously cranky Moore need have no reason to shun this film version, which recreates his work right down to preserving his dialogue and replicating the set-up of individual panels
The first in a two-part adaptation of a classic Batman story, this shows great promise that lifts the DC Universe Original Animated Movies out of the comfortable middle ground they have been drifting through the last few years
The Long Halloween Part One was one of the best DC animated films in some time, now comes the concluding chapter, which alas fails to fulfill the promise that the first film showed
One of the best of the animated Batman films, telling the story of the overlooked Robin Jason Todd and his resurrection as the villain Red Hood, a film that has an adult tone and comes with immensely exciting action scenes
An animated Batman film that is essentially an extended commercial based on a line of toys wherein Batman fights super-villains that have an animal motif
A film spinoff from the animated The Batman tv series, this offers a great title match but proves a disappointment. Moreover, it has to twist comic-book canon to make the plot work
Second in the trilogy of animated films dealing with Bruce Wayne’s son Damian who becomes the new Robin – this also adapts the massive Court of Owls crossover event, which provides a fascinating new nemesis for Batman