The Phantom Gunslinger (1970)
A mind-boggling oddity – a slapstick comedy Western where there seems no limit on how nutty things are allowed to go, including characters venturing to Heaven and Hell
Fantasy
The Phantom Tollbooth (1970)
Chuck Jones, the director of numerous Warner Brothers cartoons, adapts a popular children’s book that comes with a dizzying array of surreal visuals and puns
The Phantom Treehouse (1984)
Australian animation about a boy’s adventure on an island amid pirates, inventors and magic creatures that in its better moments suggests a collision between Peter Pan and Pufnstuf. Unfortunately, the film is made with a budget that must have been well within four figures
The Phantom (2009)
A mini-series based on the classic comic-book masked hero but the attempts to modernise The Phantom for the post-Dark Knight era seem bizarrely awkward
Photographing Fairies (1997)
One of two films that came out in 1997 about the Cottingley Fairies Hoax. In comparison to the other, FairyTale: A true Story, this expands the premise out into a remarkable study of altered perception
The PianoTuner of EarthQuakes (2005)
The second feature film from the Quay Brothers, a bafflingly incomprehensible work of surrealism, strange designs and non-sequitir dialogue
The Picnic at Hanging Rock (1975)
Voted the Best Australian film of all time, Peter Weir creates an incredibly haunting mystery about four girls who disappear while on said picnic. A film full of unexplained answers that remains just beyond your fingertips
Picnic at Hanging Rock (2018)
The Picnic at Hanging Rock with its hauntingly unsolved mystery is considered one of the greatest Australian films of all time; this mini-series in six one-hour parts drags every beat of the story out and pads the slim original with so many other character mini-dramas and backstories that the mystery is drowned out
The Pied Piper (1972)
The first dark adult fairytale. Before this, fairytales on film had been in the realm of Disney. This roots the familiar tale in an historical reality surrounded by the Black Death, The Inquisition and Anti-Semitism
Pink Floyd – The Wall (1982)
Film version of Pink Floyd’s best-selling album, an extraordinary surreal audiovisual dive into the fraying mind of a rock star
Pinocchio (2019)
A beautifully made new live-action version of the classic story about a puppet boy. More faithful to the original story than any other screen version and with amazing creature effects. Think something that resembles Jim Henson circa The Dark Crystal and Labyrinth made with the sensibilities of a Terry Gilliam
Pinocchio (2022)
The first of two Pinocchio adaptations of 2022, Here Back to the Future director Robert Zemeckis delivers a live-action remake of the Disney animated film
Pinocchio (1940)
One of the great Disney animated classics from the still unsurpassed era between 1937-42. The studio were at the peak of their game artistically and the film embodies a near-perfect sense of childlike innocence
Pippi Goes on Board (1970)
The second of the excruciatingly dull Swedish-made Pippi Longstocking live-action films
Pippi in the South Seas (1970)
Third of the Swedish live-action Pippi Longstocking films and more likeable than the others due to capturing some of Astrid Lindgren’s absurdism
Pippi Longstocking (1969)
First of a series of Swedish-made live-action films based on Astrid Lindgren’s anarchic child heroine
Pippi Longstocking (1997)
A likeable animated adaptation of Astrid Lindgren’s popular children’s character from the Canadian company Nelvana
Pippi on the Run (1973)
Fourth and final of the Swedish live-action films based on Astrid Lindgren’s child heroine Pippi Longstocking
The Pirate Fairy (2014)
Another of Disney’s Tinker Bell spinoff adventures. This has some slickly produced animation and does some occasionally cute pieces of fanservice that tie in to Peter Pan but is ultimately fantasy being produced for the single digit age groups
The Pirate Movie (1982)
Widely rididculed attempt to market Gilbert & Sullivan’s Pirates of Penzance as a teen pop film by way of The Blue Lagoon. A mind-spinning film that seems to have no limit on how silly it is prepared to be, including numerous anachronistic contemporary pop culture in-jokes and fourth-wall breaking gags
The Pirates! Band of Misfits (2012)
Amiable effort from England’s Aardman Animations that doesn’t quite scale the heights of their other films but still has an entertainingly nonsensical charm that is far more enjoyable than most Hollywood competition
Pirates of the Caribbean: At World’s End (2007)
Third of the Pirates of the Caribbean films and purportedly made without a completed script, this becomes bloated and sprawling
Pirates of the Caribbean: Dead Man’s Chest (2006)
The second of the Pirates of the Caribbean films. Johnny Depp and all the principals are back and much of the eccentric humour is present but the action has undergone budget bloat
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
After the two last lacklustre entries, the Pirates of the Caribbean franchise starts to recover where the two new directors pull off some spectacular comedy-action sequences that go a long way towards recapturing what the series used to be
Pirates of the Caribbean: On Stranger Tides (2011)
The Pirates of the Caribbean franchise is revived for a fifth outing. There is a new director in Rob Marshall but bar an energetic comic opening, he never does much that hits the zany heights of the previous entries
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Enjoyably tongue-in-cheek pirate swashbuckler based on the Disney theme park that proved an enormous hit and spun off a series of sequels, as well as giving Johnny Depp one of his iconic roles
The Plague Dogs (1982)
Almost completely ignored at the time of its release, an animated masterpiece where Martin Rosen, the director of Watership Down, adapts another Richard Adams about two escaped laboratory animals. This has an incredible and at times dark emotional range far away from Disney
Planes: Fire & Rescue (2014)
The second of Disney’s spinoffs from Pixar’s Cars films featuring talking anthropomorphic planes. Like the first film, this is amiable and occasionally cute but lightweight. This is beginning to feel like a franchise that is spinning out thinning ideas solely for its own sake
Play It Again Sam (1972)
Comedy based on a Woody Allen play in which Allen plays his usual hapless character who receives romantic advice from the ghost of Humphrey Bogart
Pleasantville (1998)
Tobey Maguire and Reese Witherspoon are modern teens who become trapped in a 1950s tv show and end up puncturing its innocence. The messages made end up being broad and heavy-handed but the premise and the visual palette of the film is extremely clever
Pocahontas (1995)
Disney bases an animated film on the historical character but warps the story considerably. It feels that this is a Disney animated film made more to adhere to Political Correctness than it is a good one
Pocahontas II: Journey to a New World (1998)
One of the better among the cheap video-released sequels to their animated films Disney released during the 1990s/2000s, this actually works better than the original
Pokemon Detective Pikachu (2019)
Live-action film version of the popular videogame phenomenon, this is capably made but almost entirely content free for anyone with an age in the double digits
Pokemon The First Movie: Mewtwo Strikes Back (1998)
The first film spun off from the popular Pokemon phenomenon and animated series, this is largely incomprehensible to anyone who is not familiar with the series
Pokemon: The Power of One (1999)
The second of the animated films spun off around the Pokemon phenomenon and an altogether better film than its predecessor due to some imaginative animation
The Polar Express (2004)
This broke ground in being the first animated film made using the motion-capture process. Robert Zemeckis directs with a quite magical touch
Pom Poko (1994)
Delightful and charming Studio Ghibli film about shape-changing raccoons that blend with humanity when their forest is threatened
Ponyo on a Cliff By the Sea (2008)
Probably the least great of Hayao Miyazaki’s films. The plot feels recycled from The Little Mermaid while Miyazaki’s recurrent themes seem more perfunctory and the film lacks many of the beautiful contrasts of epic and fragile he specialises in
Pootie Tang in “Sine Your Pitty on the Runy Kine” (2001)
Film based on a Saturday Night Life sketch with Lance Crouther as a superhero who speaks a nonsense babble
Pop Skull (2007)
Micro-budgeted early Adam Wingard film that delves into the disturbed mental spaces of a depressed man
Popeye (1980)
Robert Altman’s adaptation of the Popeye comic-strip starring Robin Williams has become widely regarded as a turkey but Altman’s eccentricity makes for a by no means unenjoyable film
Porco Rosso (1992)
Hayao Miyazaki in a more whimsical comedic mood with this story of the adventures of a talking pig aviator. Even when in a lighter vein, Miyazaki cannot help but fill the film with images of charm and considerable beauty
The Portable Door (2023)
A story about an apprentice at a mysterious company that deals with magic, this could well serve as a fix for those wanting something more of the Harry Potter franchise
Portrait of Jennie (1948)
Classic, exquisitely made weepie romantic fantasy about an artist obsessed with a woman who appears to travel through time
Possession (1981)
Bafflingly surreal film from Andrzej Zulawski in which Isabelle Adjani gives birth to a tentacled monster in a subway. Nobody has any idea what the film is about but it has become a cult work since
Possible Loves (2001)
Brazilian-made variant on the alternate timelines film showing three very different outcomes of the lives of a man and a woman after a date
Posthumous Memoirs (2001)
Adapted from a classic Brazilian novel, a man narrates his life story from beyond the grave
Powder (1995)
Film from the controversial Victor Salva with Sean Patrick Flanery as an alienated teenager who demonstrates remarkable powers
Practical Magic (1998)
Chick Flick with Nicole Kidman and Sandra Bullock as two sisters from a family of witches. The film never really settles on a consistent tone between comedy, thriller or romance and veers all over the place
A Prairie Home Companion (2006)
The final film from the great Robert Altman set backstage at a radio variety show as an angel of death wanders through
Prancer (1989)
An appealing bittersweet film based around the improbable premise of a young girl finding what she believes is one of Santa’s reindeer. In a genre that usually deals in sugary sentiment, this has a much more rewarding downbeat realism
The Preacher’s Wife (1996)
Remake of The Bishop’s Wife with Denzel Washington as an angel come to aid an overworked pastor but falling for his wife Whitney Houston
Prelude to a Kiss (1992)
Beautifully written film where newlywed bride Meg Ryan ends up swapping bodies with an old man
Premonition (2007)
Weepie drama in which Sandra Bullock becomes unstuck in time flipping back and forward with the foreknowledge that her husband Julian McMahon will befall a tragedy
Pretty Ghost (1991)
One of a popular spate of 80s/90s Hong Kong ghost comedies where a man gets the aid of an annoying ghost girl as he pursues the woman of his dreams
The Price of Milk (2000)
Quirkily eccentric and surreal New Zealand made comedy about a couple living on a farm
Prince Charming (2000)
Fairly silly fairytale parody with a prince transformed into a frog trying to find a modern girl to give him the kiss of true love
The Prince of Egypt (1998)
The second animated film from DreamWorks, an impressively produced retelling of The Book of Exodus and the story of Moses.
Prince of Persia: The Sands of Time (2010)
Adaptation of the popular videogame that ventures into Arabian Nights adventure, this was a box-office flop. It swashbuckles entertainingly but Jake Gyllenhaal feels badly miscast as a buffed adventure hero
Prince Valiant (1997)
The classic comic-strip receives a disastrous film adaption where director Anthony Hickox plays everything for campy silliness
Princes and Princesses (1999)
From Kirikou director Michel Ocelot, an anthology of animated fairytales that prove quite delightful
The Princess and the Frog (2009)
One of the more enjoyable Disney animated films from the latter half of the 00s. Featuring Disney’s first Black heroine, this embraces its New Orleans setting and turns Hans Christian Andersen’s fairytale on its head with enjoyable results
The Princess and the Goblin (1992)
Likeable animated fantasy made for young children
The Princess Bride (1987)
Swashbuckling fairytale that treads a fine line between deconstruction and parody, while reveling in a script where the dialogue positively dances. Perfectly cast – a film that few do not come out enjoying its ebullient fantasy
Princess Mononoke (1997)
Stunning work of fantasy from Hayao Miyazaki. Made on an epic-sized story canvas and with a breathtaking beauty, this is one of the few original screen works to capture something of the nature and scale of written epic fantasy
Princess of the Sun (2007)
Very nicely made French animated film based around the daughter of the pharaoh Akhenaton
Professor Marston and the Wonder Women (2017)
Biopic about William Moulton Marston, the creator of Wonder Woman This covers the key aspects of Marston’s life and how it influenced the comic-book and delves into the highly unconventional lifestyle he led in a polyamorous relationship and exploring BDSM
The Projectionist (1971)
A Secret Life of Walter Mitty for movie lovers wherein a milquetoast projectionist daydreams himself into a variety of movie scenarios as an inept superhero. Quirkily charming if never more than a single idea. Something you feel should have been a cult film
Prospero’s Books (1991)
Peter Greenaway gets loose on Shakespeare’s The Tempest, indulging his obsessions with lists and multimedia visuals while the costume department goes completely over-the-top
Providence (1977)
Alain Resnais meta-fiction with John Gielgud as an aging writer sits in bed writing a story that is based on the people around him
Psychonauts, The Forgotten Children (2015)
Strange, surrealist animation from Spain – the characters are the small, cute talking animals you might encounter in a standard piece of cutsie moppet animation but it exists in a disturbing world that is anything but where characters are plagued by drug addictions, mental illness and police brutality
Puffball (2007)
Nicolas Roeg returns to screens after a long absence in what would be his last film, a Fay Weldon adaptation about pagan rites, pregnancy and witchcraft that manages to sound far wilder in synopsis than how Roeg directs it all on screen
Pufnstuf (1970)
Mind-spinning film spinoff of the tv series H.R. Pufnstuf, this plays out like The Wizard of Oz on hallucinogens
A Pure Formality (1994)
Gerard Depardieu is being interrogated by police inspector Roman Polanski over a murder he cannot remember. Solid, well constructed drama that is turned on its head with a surprise ending
The Purple Rose of Cairo (1985)
Woody Allen comedy in which mousy housewife Mia Farrow is the fan of a film whereupon lead character Jeff Daniels steps out into the real world to romance her
Puss in Boots (1987)
Another of the cheaply made fairytale adaptations from Cannon Films with the bizarre casting of Christopher Walken as Puss in Boots
Puss in Boots (1999)
An obscure animated version of the classic fairytale that comes with excruciating puns, much slapstick and has clearly been animated on a low budget
Puss in Boots (2011)
Spinoff of the popular Antonio Banderas voiced character from the Shrek sequels, this is lightweight and amiable but can be quickly forgotten
Pyrates (1991)
Comedy where real-life husband and wife Kevin Bacon and Kyra Sedgwick play a couple who are so passionate they start fires whenever they have sex
The Queen of Spades (1949)
Classic British adaptation of the Alexander Pushkin’s story about a soldier who seeks the secret of selling one’s soul for a winning hand at cards
Quest for Camelot (1998)
An Arthurian legends fantasy adventure made as part of the animation renaissance of the 1990s. Anything serious aspirations are wrecked by the insertion of inane popular culture in-jokes
Rabbit Trap (2025)
Another entry in the burgeoning Folk Horror genre, a moody work about a couple of musicians living in the Welsh countryside in the 1970s who befriend a very mysterious boy who shows them the secrets of the landscape
Racing Stripes (2005)
Schizoid film – on one level a National Velvet-like story in which Hayden Panettiere trains a zebra to enter a horse race; another in which the animals and insects crack one-liners and make poop and pee jokes
Radio Flyer (1992)
Rare flop from Richard Donner, a Coming of Age story where a young Elijah Wood receives visions from a buffalo and dreams of flying away from an abusive childhood
Raging Angels (1994)
Christian film in which Sean Patrick Flanery is a recovering rock musician who fights to rescue his girlfriend from the clutches of a music promoter who is the Ant-Christ
Raiders of the Lost Ark (1981)
Steven Spielberg and George Lucas’s homage to the adventure films of the 1940s was a huge hit in its day, spawning several sequels and many imitators. The film is pure action and adventure, delivered with enormous charm and wit
Raiders! The Story of the Greatest Fan Film Ever Made (2015)
Raiders of the Lost Ark: The Adaptation, a scene-for-scene remake of Raiders of the Lost Ark, shot on video by two teenagers over seven years, has become the stuff of legend. This is a documentary about its making, filled with hair-raising story of seat of the pants filmmaking
Rainbow (1995)
A directorial outing from actor Bob Hoskins where a kid travels up a rainbow but his doing up sets nature in a heavy-handed environmentalist message
Rainbow Brite and the Star Stealer (1985)
Slight but colourful animated film for the very young based on the popular series of Hallmark cards and Mattel toys about a magical horse
Ralph Breaks the Internet (2018)
I had a lot of liking for Disney’s Wreck-It Ralph, a depiction of the inside of a videogame from the viewpoint of the characters. This expands the concept to the internet. Despite being the ultimate product placement film, this also rather appealingly shows Disney poking fun at themselves
The Rambler (2013)
A man just out of jail leaves his wife after an argument and starts hitch-hiking. And then things start to get really weird
Rampo (1994)
Beautifully made arthouse film about the real-life Japanese horror writer who becomes wound up in in enigmatic meta-fiction with his own creation
Rango (2011)
Gore Verbinski makes an eccentrically different animated homage to the Western, all cast with talking animals. The animation comes from Industrial Light and Magic and is quite unlike any other animated film.
The Rapture (1991)
Remarkable film with Mimi Rogers as a grieving widow who is drawn into the certainty that the Biblical Rapture is about to occur
Rapture-Palooza (2013)
There is irresistible appeal to the idea of a comedy that conducts a spoof of the Biblical Rapture. Despite a script from one of the Bill and Ted writers, this emerges as a remarkably unfunny film that consists of about an hour of Craig Robinson delivering crude sexual innuendos
Rare Exports (2010)
A Finnish film that comes as appealing anathema to the rosy sentiments of most Christmas films – more like a monster movie where Santa is a monster that punishes bad children
Rashomon (1950)
Classic film from Akira Kurosawa about the subjectivity of perception in which a trial is held about a murder and all four witnesses retell an entirely different story about what happened
Rat (2000)
Rather charming Steve Barron film in which Pete Postlethwaite turns into a rat. The delights are the perfect nonchalance in which everyone accepts the situation
Rat Pfink a Boo Boo (1966)
Fascinatingly terrible effort from cult Z-movie maker Ray Dennis Steckler that appears to have been made as a parody of tv’s Batman but comes filled with a mind-boggling ineptitude and classic bad movie dialogue
Ratatouille (2007)
The eighth film from Pixar and Brad Bird’s follow-up to the hit of The Incredibles. Telling the story of a rat that becomes a gourmet chef, this is slightly the lesser among the high standard that Pixar have set nevertheless still immensely enjoyable