Independents’ Day (2016)
The Asylum’s mockbuster answer to Independence Day: Resurgence, a rehash of Independence Day on a cheaper budget. The desire to copy the title has forced some plotting oddities onto the film
The Science Fiction Horror and Fantasy Film Review
The Asylum’s mockbuster answer to Independence Day: Resurgence, a rehash of Independence Day on a cheaper budget. The desire to copy the title has forced some plotting oddities onto the film
The fourth of the Indiana Jones films, returning after a 19 year gap to general disappointment. Largely a film about Indy getting old, this tries but the action scenes pale against what the series was in its heyday
Albert Pyun makes an alien body snatchers film that has been shot Found Footage style and takes place entirely from the viewpoint of the dashcam camera of a police car
The third film based on Dan Brown’s Robert Langdon books. This is essentially the same plot as The Da Vinci Code with Tom Hanks following clues to a deadly virus hidden in classic artworks around Europe
A throwback to the 1950s giant bug film, a humorous effort with a group of people trying to survive in the aftermath of an insect invasion. From Mel Gibson’s production company, no less!
An Australian effort that is less the usual people being hunted by alien nasties in darkened corridors standard than ‘The Crazies in Space’. Crippled by a fatal lack of tension and suspense
An enormously clever Australian time travel film about the mind-boggling conundrums that occur when a man tries to go back in time and stop his girlfriend leaving only to encounter multiple versions of himself come to fix the snowballing situation
TV mini-series that adapts six less well known short stories by H.G. Wells into an anthology with Wells as the central character. A couple of good stories, some that never hit the mark
An interesting film shot during Covid lockdown, all filmed on an IPhone, about a woman caught in a timeloop where she keeps repeating through various scenarios
A reality bending film about a man held in an automated prison where he must outsmart the prison’s A.I. in order to affect an escape
Extraordinary Brandon Cronenberg film about a fictional country where those convicted of crimes can have clone copies executed in their place, leading to an tourist underworld where all crimes are permissible
A deranged madcap film produced by the Shaw Brothers featuring an enhanced superhero fighting off a bizarre menagerie of monsters commanded by an alien princess
Russian adaptation of a classic Soviet-era SF novel from the Srugatski Brothers that plays what was originally a complex social allegory out as an effects extravaganza
An alternate world take on DC Comics continuity where Superman snaps and creates a totalitarian police state and the other DC superheroes come together to stop him
Joe Dante pays homage to Fantastic Voyage, the classic film about a submarine journey through the human body. Here Dante plays it as a screwball comedy but his in-joke heavy style failed to catch on with audiences
One of the most extraordinary films ever made about psychic powers concerning a group of children who discover remarkable talents to move objects but then that one among their number has used the power to kill
A film with Lovecraftian overtones about a group at the Miskatonic University doing research into time travel that proceeds to go wrong, while unleashing mysterious monsters
Fairly trashy low-budget British copy of Alien with several well-known actors running around a series of caves after Judy Geeson becomes impregnated by an alien embryo
A live-action adaptation of the popular animated series, one of the spate of such films made after the live-action The Flintstones. Amiably silly and frequently slapstick fun that proves to be exactly what one expects of it
A video-released sequel to the live-action Matthew Broderick film starring French Stewart. This is played as much more of a cartoon and amped to a maximum level of slapstick inanity
Divergent, the first entry in this Young Adult dystopian series, a poor man’s Hunger Games, failed the “I can’t hold any suspension of disbelief” test. This offers more of the same, plus lots of random effects sequences
W.C. Fields starring screwball comedy set at a hotel around a series of variety sketches and featuring an early prediction of television
Dance music duo Daft Punk collaborate with anime directors to create an animated space opera based on their album Discovery about an intergalactic rock band and their fight to save the galaxy
This could be Christopher Nolan’s 2001: A Space Odyssey. But where Kubrick was cold and oblique, this is a 2001 with a heart. A pleasure to see a film rooted in credible science and dealing with high concept SF
Directed by low-budget actress Marlene Mc’Cohen, this is both an alien invasion and a zombie apocalypse film. A film where the skill gap and budget falls well short of what is needed to make a film work
Modest story about a catastrophic countrywide powercut – rather than depicting a widespread apocalypse, the film is a character-driven piece focused around two sisters living on their own at a cabin in the woods
One of the earliest works about Alien Abduction, predating the fascination with the topic that came not long after with tv’s The X Files. From genre regular Dan Curtis, the creator of tv’s Dark Shadows
A completely ridiculous film that throws in an incomprehensible mix of an amok A.I.’s that takes over a stealth plane, UFOs, mind control and military conspiracy and proves badly made on every single count
Classic of the 1950s alien invader genre in which a young boy discovers that the adults around him are being taken over by Martian invaders. Director William Cameron Menzies makes striking use of sets to further a sense of alienation
Tobe Hooper’s remake of the 1950s alien invaders classic for Cannon Films has much better effects and more technical proficient than the original but misses any of its paranoid, alienated mood
Minor British alien invasion effort that creates some atmosphere as a village is trapped in a forcefield by a mystery man pursued by two alien women where both parties claim to be alien cops and the other their prisoners
The fourth film version of Invasion of the Body Snatchers starring Nicole Kidman, this badly miscues many key scenes and is missing all the paranoid mood of the original film
A film about the alien invasion of a movie theatre that is screening an all-night marathon of old films. This has been constructed around clips of old 1950s sf films
Wacky South Korean comedy that seems like Species played with the sensibilities of My Stepmother is an Alien – the whole film plays out as a nonsensically charming seduction
From on an early script by Star Trek director Nicholas Meyer, this is an entertainingly tongue-in-cheek effort where women use a serum to turn into deadly bee creatures
The finest film to come out of 1950s SF cinema, concerning an invasion of pods that replicate people but for their emotions. The sense of paranoia and psychological tension is unsurpassed
An excellent remake of the Cold War classic Invasion of the Body Snatchers. The original has now been smartly retooled for the 1970s and slots right into the Me Generation era with paranoia perfectly intact
A Japanese SF film with Sonny Chiba as superhero fighting off alien invaders. This has a tatty cheapness that takes it well and truly places into bad movie territory.
One of the spate of teen monster movies of the 1950s, this is a B movie that at least has the benefit of not taking itself too seriously and the creation of some memorable alien creatures
Comedy about two idiot soldiers captured by alien women. The painfully unfunny routines, laughable vegetable monsters and attitudes to women make this one of the great unrecognised bad movies of all time
An amazing Communist Scare film from the 1950s depicting a Soviet invasion and atomic bombing of the US. This writes its fears of the Communist treat in loud and red-bloodedly alarmist tones
A ridiculous action film from Cannon Films written by and starring Chuck Norris in which he singlehandedly arms himself and defeats a Communist invasion of the USA
One of the handful of animated Marvel Comics films. This confusingly presents a different origin story to the live-action Iorn Man film, while the major villain of The Mandarin is completely mishandled
In the fourth entry in Universal’s series of Invisible Man films, particularly in the effects department. here, made just after Pearl Harbor, The Invisible Man now becomes a spy fighting Nazi and Japanese villains
A spinoff designed to feature Robbie the Robot, the scene-stealer from Forbidden Planet. Here Robbie has been sent back in time to the present where he is befriended by a young boy
A B budget 1950s alien invasion film that cuts cost by having the invasion represented by stock footage and the resurrected dead in a series of images that prefigure Night of the Living Dead
An inane invisibility film that plays out as no more than a crude 1980s teen makeout comedy with the addition of invisibility gags
Universal’s adaptation of the H.G. Wells novel that becomes a droll masterpiece in the hands of James Whale and with effects that still hold up today. Followed by a series of sequels
A version of the H.G. Wells novel conducted as a mini-series of six half-hour episodes from the BBC. This is the most faithful adaptation of the book so far
Blumhouse deliver an invisible man, although one that has nothing to do with H.G. Wells or the previous invisible man films. Indeed, this feels like an invisible man film that doesn’t even want to be about an invisible man at all.
An obscure and little-seen but fascinating Japanese copy of The Invisible Man films wherein a scientist becomes an invisible man after taking his formula. Let down by weak effects.
The second of Universal’s Invisible Man films with Vincent Price inheriting the title role. Not quite as sublimely droll as James Whale’s original, this still has some amusing comic moment and good effects
Low-budget invisible man film that makes a beeline for the squalid – the invisible man is a nerd scientist and invisibility becomes an opportunity for him to wander into girl’s locker rooms, kill bullies and the like
The fourth and last of Universal’s Invisible Man sequels (aside from their outing with Abbott and Costello). Like the preceding ones, this is likeably good humoured and with decent effects for the era
B-budget director Fred Olen Ray makes an invisibility comedy with impoverished effects. Olen Ray’s usual parade of bimbos and cynical one-liners is kept under restraint and this made as a children’s film
A twelve chapter serial about the hunt for The Phantom, a criminal who operates with the use of a ray that can render him invisible
Boris Karloff-Bela Lugosi pairing from the heyday of mad science cinema. The science is portrayed with a fascinating and fearful Gothic awe, which leads to some captivatingly directed scenes
Third entry in Universal’s Invisible Man series. Though less recognised, The Invisible Man series had a level of creativity higher than Universal’s other monster series. This one plays everything for broad comedy
Despite the title, this is not set on Jupiter’s moon but is strictly earthbound. It is one of the new genre of Cli-Fii (or Climate Fiction) works set in an interesting environmentally devastated future
A modest German-made film not dissimilar to Cube in which a man wakes up inside a labyrinth of locked rooms and must find a means of escape
The first animated film from Brad Bird is a sweet and lovely piece about the friendship between a young boy and a giant robot. Underrated at the time, this has subsequently become regarded as a classic
A Japanese film about a cyborg-enhanced bounty hunter chick, the second in a series. This is sort of like RoboCop but played with a much more softcore focus
This where the MCU began after a spate of high-profile Marvel Comics adaptations in the early 2000s. Jon Favreau conducts a highly enjoyable adaptation of the comic-book with Robert Downey Jr shining as Tony Stark
Iron Man was very enjoyable. True to typical superhero sequel form, this complicates the original by introducing so many new villains and characters that it becomes an overcrowded narrative juggling act
An animated Marvel films released at the same time as Iron Man Three. With action scenes that kick every Marvel animated film out of the park and lots of Marvel fanservice cameos
A major disappointment. Stripping the superhero of the show of his suit makes for no more than a regular action hero, while the film’s reduction of Iron Man’s No 1 villain to a cardboard threat ranks down alongside a Batsuit with nipples
Finnish filmmaker Timo Vuorensola makes a conceptually wild film about invasion by Nazi flying saucers from the Moon. Stunning quality effects on a minuscule budget that rival the work of professional houses
Timo Vuorensola’s follow-up to Iron Sky. It is hard to believe that a film with a premise that combines Nazis on the Moon with alien lizard people from the hollow core of the Earth could go wrong
Novelist Peter Benchley’s name was huge as a result of Jaws. One of the less successful Benchley adaptations about the discovery of a lost society of pirate descendants who prey on shipping in the Bermuda Triangle
What should have been a modest conceptual SF story about people coming to discover the true nature of the world they live in is killed by being turned into an loud and over-inflated Michael Bay action vehicle
An underrated and quite magnificent lost world adventure from Disney with an airship crew in search of a lost Viking world in the Arctic. Contains some absolutely stunning effects work for the era.
Film about giant crabs amok that feels like a throwback to a certain kind of 1950s monster movie. This plays itself remarkably seriously for the most part only to fall apart right at the end
The second film adaptation of the H.G. Wells novel following The Island of Lost Souls. This has remade with a decent budget but the story’s primal charge has been cleaned up
A legendary cinematic train wreck filled with behind the scenes stories of fired directors and star egos. Despite all of this, this remake of the H.G. Wells novel emerges as a well made and watchable film
Director Terence Fisher made his name at Hammer Films but in the 1960s broke away to make a trilogy of SF films. This features the novelty of a giant virus creature but Fisher fails to generate much suspense
An early film from cult stop-motion animator Ray Harryhausen. Here he seems to have been given orders to copy the basics of his earlier The Beast from 20,000 Fathoms and offers up the tale of a giant atomically-mutated octopus
The very first alien body snatchers film. With Jack Arnold’s eerily haunted landscapes and a memorably literate Ray Bradbury script, this is one of the classic SF films of the 1950s era
It Came from Outer Space was one of the classics of the 1950s SF film. Here it was resurrected as a cable-made sequel. Without Jack Arnold or Ray Bradbury on board, the results are dreary
Audiences were confused by a title and promotion that led them to expect a horror film. This isn’t a horror film but a plague outbreak/fallout shelter drama – at which it is an okay offering but nothing standout
One of the early directorial films from Roger Corman, a surprisingly vigorous and well written variant on the alien body snatcher film featuring one of the memorable alien creations of the era
This was the first film to depict an alternate history scenario. With stark and powerful effect, this shows in documentary-like fashion a 1960s England after it had been conquered by Nazis
A comedy in which Ray Milland is cast as a chemistry professor who becomes a baseball star after inventing a wood-repelling chemical
Although others can be cited, this is the film that inspired Alien. It seems to have been conceived in terms of putting The Thing from Another World aboard a spaceship. A B movie no denying but well constructed
An indie film about hitmen guarding an alien creature, this topples over with ridiculous effects and its affected attempts to be cool
This is possibly the most bizarre entry in the history of the cinematic Superman – a filmed adaptation of Superman Broadway musical. This has to be seen to be believed
Imagine This is The End with four hipster couples instead of a bunch of Hollywood celebrities barricaded in a house. A likeable, if never side-splitting, End of the World comedy with a finely tuned ensemble cast
An SF outing from Thomas Vinterberg that proved a flop with audiences. It is never satisfying as an SF film but you cannot deny it is directed with a beautiful and sophisticated cool that draws you inside it
An interesting twist on the bodyswap film where millennials at a party use a device that allows them to swap bodies – only for two of the host bodies to be killed in an accident
This starts off with an amnesiac, possibly hallucinating Adrien Brody who is accused or murder and locked in an asylum, before eventually opening up into a time travel film akin to Twelve Monkeys
This comes out like a comedy version of The Purge almost, where a future California lottery awards the winner millions if they can avoid every other person trying to kill them
An enjoyable comedy where a scientist is visited by his older self who has travelled back in time to beg him not to invent the time machine that he is about to create
French New Wave SF film from director Alain Resnais about a time machine. The idea of a protagonist travelling at random through his own memory is predictive of Kurt Vonnegut’s Slaughterhouse Five
Extremely silly and at times undeniably funny spoof on Dr Jekyll and Mr Hyde – here Dr Jekyll becomes a coke addict who snorts his formula and turns into a swinger with a giant afro
The original animated series was one of the pop oddities of the 80s – part teen pop fantasy, part superheroics and secret identities. This live-action remake is an object lesson in how to strip all the fun elements out a series
This gets full marks for an attention-grabbing title. Beyond that, it is is otherwise a very strange and surrealistic film about spy shenanigans in Virtual Reality
A Syfy Channel disaster movie. Between the formula dramatics and cheap effects, this is better than expected, having a sense of humour and a more original hero than most of its kind
Chris Marker’s celebrated 28 minute time paradox film, an experimental work that was made at the height of the French New Wave. This later became the basis of Terry Gilliam’s Twelve Monkeys
A theatrical film version spun off from The Jetsons, the popular Hanna-Barbera animated tv series about a space age family. Not too much has changed since the 1960s
Amiable comedy about an annoyingly intrusive artificially intelligent mobile assistant that wreaks havoc on its owner’s life
Amiable animated film about a juvenile inventor that only serves to show how more polished Pixar’s films are by comparison