Rollerball (2002)
Remade, the 1975 dystopian film about future sports is stripped of any of its big message (even of its future setting) and is turned into no more than a formulaic action film
The Science Fiction Horror and Fantasy Film Review
The action film is a popular subgenre of cinema where the emphasis is on action sequences – gunfights or unarmed combat, vehicular chases, stunts, frequent explosions and mass destruction – which are usually presented as serial set-pieces.
The action film emerged a distinct genre in the 1970s. Action films usually feature lone male (occasionally female) heroes who win out through muscular brawn or martial ability. In genre material, heroes often come with cyborg enhancements or occasional powers.
There have been numerous genre crossovers from action films set in dystopian and cyberpunk futures, featuring killer androids and cyborg heroes, time travel action films, others set in post-apocalyptic venues, or blends of action and horror featuring vampire and zombie-hunting action heroes, plus a good many others.
Remade, the 1975 dystopian film about future sports is stripped of any of its big message (even of its future setting) and is turned into no more than a formulaic action film
Classic work of dystopian SF set in a future where an ultra-violent sport has been created to pacify the masses
From Italy, a blatant copy of Predator – only where instead of a military unit being hunted through the jungle by an alien, they are hunted by a copycat of RoboCop
Hong Kong-made copy of RoboCop where Amy Yip has her mind transferred into a cyborg body to track a mad scientist
A Hong Kong take on RoboCop with Sally Yeh as crimefighting android. Though produced by and also starring Tsui Hark, a very silly slapstick element comes to dominate what are otherwise imaginative action sequences
The third Robocop film killed the series off with a disastrous decision to go for a PG rating and pair Robocop with a cute kid
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
Japanese SF film that makes a rather enjoyable magpie collage out of a Terminator time travel action plot married to John Woo and Matrix action stylistics
The Resident Evil films are designed for people who were introduced to drama via the Xbox, action sequences that can be assembled in random order and where it doesn’t matter what happens. I watched this, the sixth and final entry, with next-to-no enthusiasm but then quite unexpectedly it starts to work
Another unnecessary entry in a creativity-handicapped series, the continuing popularity of which is baffles. This shuffles through the familiar moves, brings back several familiar characters but only leaves me asking why I have invested some nine hours of time following this series
Third of the Resident Evil films. This expands the scale of action to show the entire world destroyed by the virus but for all that and a decent budget, director Russell Mulcahy fails to push the elements to a suitable head of steam
The first of the Resident Evil sequels and a better film than its predecessor, getting in a series of spectacular, if at times ridiculously silly, action sequences
Four films in and clear evidence that the Resident Evil series needs to be retired. This consists of tediously borrowed action moves now presented in 3D and a plot of random dead ends that make little sense
Based on the survival horror videogame, this was the first in a surprisingly popular series of films. It also presaged a major return of the zombie film during the 2000s/10s, even if this only treads where George Romero went better before
SF film set in a future where agents are sent to repossess artificial organs when the owner’s fall behind on payments. Sort of Sicko by way of Logan’s Run but lacking the necessary sense of black humour to work
Halfway reasonable Jean-Claude Van Damme film in which he plays the clone of a serial killer who is brought to life in attempt to track down the original
Australian vampire action that feels like a single pose that has been inspired by too many watchings of The Matrix
An action film about soldiers on an expedition into a zombie-filled quarantine zone. This comes with a furious pace that feels more as though you are watching a videogame than a film
An astoundingly bad low-budget RoboCop copy about an android motorcycle cop that goes amok
The Punisher (2004) with Thomas Jane was a dud among the 2000s Marvel Comics adaptations. Here the role is recast with Ray Stevenson and director Lexi Alexander gets the dark, violent tone of the comic-book right
Amid the huge surge of Marvel Comics adaptations in the early 2000s, there came this version of The Punisher. Cast with Thomas Jane, the film is tepid and singularly lacking in the grim, dark avenging violence of the comic-book
Dolph Lundgren’s The Punisher is minus his trademark t-shirt and the film takes considerable liberties with the source material but this is a hugely entertaining action comic-book of a film with hilariously tongue-in-cheek dialogue
This is a standard 90s direct-to-video SF/action film about warring cyborgs in a burned-out future. This has borrowed most of its moves from other films. Not a lot happens
Fred Olen Ray and Don ‘The Dragon’ Wilson combine forces on a low-budget action film about psychic powers. The action scenes are competent but the film lacking in the script department
The most violent, brutal, blood-drenched films one has seen in recent memory, a South Korean entry about a monster loose aboard a prison ship
Third in the series about android terrorists, this is now about an amok android on a spaceship
Sequel to the ridiculous Project Shadowchaser, which has another android terrorist this time take over a nuclear power plant
Completely ridiculous mix of The Terminator and Die Hard where, for no clear reason, an android terrorist decides to take hostages in an office building and the FBI’s only hope is a cryogenically unfrozen football player
French film about a tv gameshow where contestants are pursued by armed hunters. Much of this was copied by the subsequent The Running Man but this conducted the idea first and better
The seventh film in the Predator franchise. This received some of the best reviews of any film in the series and comes with the unique idea of pitting Native Americans up against a Predator
Despite being hamstrung with Adrien Brody in Action Hero mode, this is a hard-edged film that goes some way to rescue the Predator franchise from its novelty crossovers with Alien(s)
The Predator series continues. Dan Trachtenberg, the director of Prey, makes an animated offering that tells three stories of encounters between human and Predator in different eras of history
Predator was one of the better Alien/Aliens copies of the 1980s. This sequel does little more than serve the same up all over again bar the substitution of a near-future L.A. for the jungle but manages to generate a reasonably intensive ride out of the action
Shane Black, a writer-director with a reasonable cult following, makes the sixth Predator film (he also appeared as an actor in the original). Black shakes the series up, introduces a number of new ideas and makes an okay entry
This takes the previous year’s big hit of Aliens and fuses it with The Most Dangerous Game, swapping that story’s bored aristocratic hunter for an alien hunting Arnold Schwarzenegger and a team of soldiers in the jungles of South America
Steven Seagal makes an SF film. Even more bizarrely, Seagal plays the villain for one of the few times in his career, namely the dictator of a dystopian future. An overweight and aging Seagal has a handful of scenes philosophising, while the bulk of the film is a super-soldier plot carried by others
Yeon Sang-ho makes a sequel to his international breakout zombie film hit of Train to Busan, appropriating the basics of Escape to New York to good ends
Entertaining B-budget variant on The Hidden with a woman caught between an alien aw enforcement officer and fugitive criminal both of whom offer contradictory stories
This Philip K. Dick adaptation has a great premise – Ben Affleck is an engineer with a blanked memory blanked only to find he has left himself clues from the future of things that are starting to come true. Alas, this is reduced to an action vehicle in the hands of John Woo
Steven Seagal action film in which he plays a former virologist fighting a militia group threatening to unleash a deadly virus
SF action film with Eric Roberts as a future cop travelling through time trying to stop kids before they become criminals
Low-budget film that steals the premise of Westworld in the story of an amusement park that recreates the world of 1940s film noir with androids, which proceed to go amok
There have been some impressive works about A.I. in the last few years. This plays out as Ex Machina by way of Training Day and is only notable in its ridiculous implausibility
Soldiers in the middle of a warzone are abducted by aliens and wake up aboard an alien facility. An interesting set up that dissolves into massive amounts of artillery fire and action
A low-budget spy/action film with entertainingly bizarre elements including a cryogenically frozen Hitler and the hero going into action accompanied by a baboon
Guy Ricthie makes a spy action film that doesn’t take itself too seriously and is far more absurdly entertaining than anything you expect it to be. Hugh Grant steals the day as the super-villain of the show
Promising idea of an alternate world-hopping film from James Wong, this spends too much time copying moves from The Matrix and lets most of its possibilities pass by
The sixth James Bond film where Sean Connery was replaced by Australian model George Lazenby who had never acted before. Lazenby is a disliked Bond but that tends does stand in the way of the fact that this is a fine character-driven Bond film with some of the best action sequences of the series
Albert Pyun cheapie in which the plot of Kurosawa’s Yojimbo is relocated to a post-apocalyptic setting and cast with androids
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
Huge Netflix hit adapted from a comic-book about a team of immortal mercenaries
The Old Guard about a team of immortal mercenaries was a hit when it was released a few years ago. Now most of the principals reunite for a sequel
The thirteenth James Bond film. the fifth for Roger Moore. While the preceding entry had tried to trim back the cartoonish excesses of the Moore era, it is back to business as usual here. The film frequently feels divorced from the remotest shred of realism
Daniel Craig’s swansong as James Bond but it no longer seems a Bond that Ian Fleming would recognise leading to the question of whether James Bond still has any relevance in 2021
Big-budget action film that essentially rewrites Papillon in SF terms. Martin Campbell has a good eye for widescreen action but the film is only drawn in cliches.
Produced by The Wachowskis who take the opportunity to reinvent the ninja film with the same flamboyant visuals they employed on The Matrix with exhilarating results
An Italian exploitation film about gangs fighting in the ruins of a future New York. Director Enzo G. Catsellari has ripped off both Escape from New York and The Warriors
Low-budget action film with Don ‘The Dragon’ Wilson hunting vampires. Routine as both action and vampire film.
This adapts a Philip K. Dick story and then throws it out to make a generic action film with Nicolas Cage as a psychic. All the potential of its idea is lost amid a series of ridiculous plot twists
SF film with Stephen Baldwin sentenced to life on a prison planet where he becomes saviour to a small peaceful community
One of a number of Italian-made copies of Mad Max 2 from Enzo G. Castellari. This is cheap and in some of the writing and dialogue frequently laughable
Completely insane 1980s spy film – a madcap mahsup of elements including James Bond gadgetry, mad scientists, action and splatter served up with not a shred of realism. The crowning glory is a completely OTT Gene Simmons as a cross-dressing super-villain
Rogue James Bond film made outside the regular series due to a complicated copyright battle. Sean Connery was inveigled back the role and this has some standout casting that is a welcome relief from the unserious Roger Moore films
Another of the string of cyborg action films that low-budget director Albert Pyun made in the 1990s. This has a head-scratching fascination, featuring very weird cyborg sex scenes, the unearthly bodybuilder heroine Sue Price and a series of strange philosophical ruminations
The third of Albert Pyun’s Nemesis films about time-travelling cyborgs – not much plot just action scenes and some moments of undeniable strangeness
The first of several sequels Albert Pyun made to Nemesis. This copies The Terminator with bodybuilder Sue Price being pursued through East Africa by killer androids
Albert Pyun’s finest film. It is another of his standard killer cyborg films but comes with an often hauntingly written gritty Cyberpunk edge that makes it quite unique
About the only ‘vs’ titled zombie film to take itself seriously. I have no time for films about the glory of military heroism, but this must be commended as one of the few films where the soldiers feel like a real trained combat unit
Laughably badly made ripoff of Blade Runner and The Terminator with a mercenary hunting amok androids
Long-planned project that creates an interesting future scenario, epic action, an array of Dirty Dozen characters but emerges as surprisingly trivial
Remake of the oft-filmed story wherein a couple are forced to survive with their bare hands while hunted by a sportsman. This has been updated where hero John Hennigan is now a reality tv star
A sequel to the 2021 revival of the film series based on the videogame and a much more satisfying film than its predecessor. The first film was all origin story, but this plunges us into the actual kombat itself
Sequel to the Mortal Kombat film. While the first film was fun, here anything resembling plot has been stripped away to concentrate on fight scenes such that the film blurs into a single shapeless action sequence
A reboot of the film series adapted from the popular videogame. Produced by James Wan, this emerges as a kinetic and enjoyable effort that has clearly designed to introduce an ongoing franchise
This film adaptation of the videogame is a lot of fun. The plot is a rehash of Enter the Dragon but the film offers up wall-to-wall action and exotic creatures. A directorial debut for Paul W.S. Anderson
The eleventh James Bond film and one that sees that series trying to compete with the success of Star Wars and taking Roger Moore into orbit. One of the most spectacular productions of the series, it is also killed by a cartoonish unserious tone
Early Roland Emmerich film with Michael Paré investigating pirates targeting a mining moon. As usual with Emmerich, the focus is on action while neglecting the plausibility of the scenario
Ridiculous action film produced at the peak of The X Files popularity about two detectives against a body-hopping alien and sinister government agency
The eighth of the Mission: Impossible films. The previous entry Dead Reckoning was a high point in the series and this is left wrapping up the storyline in what would appear to be Tom Cruise’s final outing for the series
The Mission: Impossible films have become superbly polished vehicles with exotic locales, death-defying stuntwork and spectacular action sequences. This enacts it all well; the main problem is that Ghost Protocol is such a tough act to follow that this cannot help but fall in its shadow
The best of Tom Cruise’s Mission: Impossible films to this point. The live-action directorial debut of Pixar director Brad Bird proves an inspired move and Bird gets all the gadgetry just right along with a series of sensational action sequences
The sixth of the Mission: Impossible films. Not the best of the series but Tom Cruise and associates have everything polished to an expertly honed formula by now and the film is a kinetic ride of intensive and often jaw-dropping action sequences
The seventh of Mission: Impossible films with Tom Cruise still on great form at age 61. He and the team raise the bar for the series to a new high
For his third outing in the series, Tom Cruise made a smart bet on giving the reins to J.J. Abrams who made his directorial debut and turned in the most enjoyable entry in the series to that point. One of the best moves is in the casting of Philip Seymour Hoffman as the villain of the show
The second of Tom Cruise’s Mission: Impossible films where he has the smarts to hire John Woo as director who brings his customary stylish flair with action to transform the film into something exhiliraing
Low-budget action film with Dolph Lundgren as a modern-day Knights Templar tasked with preventing The Devil returning to Earth at the millennium
Cheaply made Cannon Film that plays out like an action version of The Hitcher featuring a completely over-the-top Mark Hamill as the psycho
SF film about an international action team outfitted in hi-tech vehicles, this was a big bomb in its day
Flop Jackie Chan film that tries to recapture some of his Hong Kong heyday with Jackie in a quest for a boy and medallion with magical powers
Based on the popular videogame, this is fairly much Death Wish by way of Jacob’s Ladder and proves an underwhelming delivery of its promise
Third of The Matrix sequels and the weakest of the series. This offers one showstopping effects sequence, on the other hand it also leaves a host of unanswered questions dangling
One of The Wachowskis returns to the world of The Matrix and rather wittily turns it into an anti-blockbuster about her reluctance to do so
The first of the sequels to The Matrix inevitably disappointed on the massive build-up. The Wachowskis leave more questions than answers, while the new action scenes are often jaw-dropping they also feel boiler-plated on
A film that was as groundbreaking when it came out as Star Wars was in its day. The Wachowskis create a defining work on Virtual Reality themes and do so with a sublime cool and a series of breathtaking action moves that blew everybody away
Action film with police officer Olivier Gruner investigating a murder on Mars. For a film that claims such a definitive title – that it is about the planet Mars – this lets all opportunities slip through its hands
Ninth and weakest of the James Bond films. Ian Fleming created a great nemesis in the assassin Scaramanga and the film casts it with Christopher Lee – only to fail to write the role interesting enough for Lee to fill
30 years in the making and the results are sensational. An action film so relentlessly foot-to-the-floor and full of kinetic wildness that it blows all its contemporaries away and sets the bar anew
The third of the Mad Max films sees the series becoming increasingly more mainstream in focus, along with the conscious resignation that it is impossible to top the previous film