Kung Fu Panda 3 (2016)
The Kung Fu Panda series are films for couch potatoes – martial arts films with a hero who proclaims the virtues of laziness, overeating and goes into combat with an self-inflated sense of his own awesomeness
The Science Fiction Horror and Fantasy Film Review
Animation refers to films in which the films are drawn individually by hand, each frame moved slightly to give the impression of movement. Animated films from the mid-1990s onwards have been increasingly drawn by computer to the point that today the art of hand-drawn animation is a dying art form.
The first animated film was Walt Disney’s Snow White and the Seven Dwarfs (1937) and the success of this has spread until animation now covers a sizeable percentage of contemporary box-office earnings.
Animation in the American mainstream is almost always sold as being for family audiences (although there is a reasonable amount of animation for grown-ups, particularly outside the US, this has by and large not been financially successful). Content frequently deals with fantastic topics such as fairytale adaptations, the lives of anthropomorphic talking animals or adventures featuring young protagonists.
See also: For animation from Japan see Anime. Films in which animation is blended with live-action are discussed under Toons. For animation using three-dimensional models see Stop-Motion Animation, for animation that uses models molded in clay see Claymation. For films that remake prior animated works in live-action see Animation in Live-Action.
The Kung Fu Panda series are films for couch potatoes – martial arts films with a hero who proclaims the virtues of laziness, overeating and goes into combat with an self-inflated sense of his own awesomeness
As animated films go, there are few that feel like a constructor set of pieces copied from every other film than this. Audiences found the adventures of a twerking polar bear lacking too and it made a record for the lowest weekend gross for an animated film ever
I have lowered expectations of animated films these days but was surprised what an effortlessly engaging film this is. Essentially a version of American Idol but recast with talking/singing animals, it is a film that bursts with confidence and its own natural energy from every pore
Pixar have never been the same since giving in to sequelitis but this sequel to Finding Nemo does recapturing some of their heyday. Not perfect but this has a winning array of new characters and some delightfully madcap comic set-pieces
This did nothing for me in the pre-release. Watching it, it proves far more enjoyable than expectation. It is very baby-centric but it does have a frequently off-the-wall sense of humour that is rather appealing
H.P. Lovecraft is a cult horror writer whose work brims over with a sense of cosmic dread. One of the most bizarre Lovecraft film adaptations is this work of children’s animation featuring a young Lovecraft
Studio Ghibli’s first ever international co-production. A desert island castaway fantasy, this makes interesting comparison to the recent Robinson Crusoe/The Wild Life, even if both films are poles apart in style. This is dialogueless, spare and contained with a minimalism of plot and drama
Another of the DC Universe Original Animated Films. This is less a Batman film than a Batman Family film, a mixed effort that sidelines Batman for much of the show
Robinson Crusoe is a classic adventure story about a man shipwrecked on a desert island. It has no fantastic content but this is a bizarre animated version where Crusoe is aided by the talking animals that inhabits the island amid much slapstick shenanigans
Surprisingly good animated revival of Robert E. Howard’s warrior woman with a script by comic-book writer Gail Simone that gets the character just right
Animated film based on the popular computer game. On screen, this emerges as essentially an instantly forgettable variant on one of the Star Wars prequels retooled for the Under Tens with the emphasis all on frenetic slapstick and visual eye candy
Someone figured out Adam West and Burt Ward, Batman and Robin from the 1960s Batman tv series, were still around and put them in this animated film that replicates the look of the show and pays homage to its willful silliness
A really good Disney animated film set in a world that imagines what might happen if animals lived in cities, this is an ingenious reworking of the talking animals premise that overflows with visual ingenuity and warm humour
The most demented premise of the year – an animated film about the lives of the talking produce in a supermarket. This is crude, rude and guaranteed to offend (as might be expected from a Seth Rogen penned vehicle); it is also one of the funniest and cleverest films of the year
A perfect example of all the things I hate about modern animation. Based around the popular Troll dolls, this is vapidly designed, content-free product based solely around simplistic storylines, manic slapstick sequences, song and dance numbers, and inane contemporary pop culture in-jokes
Adaptation of the Alan Moore graphic novel, one of the most famous comic-book titles of all time. The notoriously cranky Moore need have no reason to shun this film version, which recreates his work right down to preserving his dialogue and replicating the set-up of individual panels
I hate the Ice Age films and their tediously extruded adventures. The opening sequence here and its ignorance of even basic science is the most inane thing in the entire series
I really enjoyed Illumination Entertainment’s debut film Despicable Me but thereafter they just seemed to slip into formula and following what every other animation studio is. Despite low initial enthusiasm, they regain their form here, doing nothing radically out of the ordinary but producing a modestly engaging work
Train to Busan was a massive breakout hit from South Korear. Overlooked in the buzz was this animated prequel from the same director released at the same time. The zombie film and animation are an uneasy mix but this works well, if not with the same kick as Train to Busan
Pixar’s 19th film. Set on the Mexican Day of the Dead and then venturing into the afterlife, this is a celebration of all things Mexican, which Pixar conduct without any wrong steps. A film made in vibrant colours
We are familiar with the Justice League but this gives us an alternate League whose members have supernatural abilities or are versed in dealing with the occult.
The fifth of the films in the series begun with Paul Verhoeven’s Starship Troopers. The best of the series was the previous entry Starship Troopers: Invasion where they turned it over to anime director Shinji Aramaki. This is a sequel to that, although the same mix fails to work again
The second in a series of animated children’s films about the young H.P. Lovecraft and his encounters with the various denizens of the Cthulhu mythos
The 30th Japanese Godzilla film, this is the first anime Godzilla film and the first in a trilogy. More disappointingly, it is more a space opera and planetary adventure than it is ever a Godzilla film
A mockbuster from The Asylum released to take advantage of Pixar’s Cars 3, this is actually a much better film that you expect it to be
Another of the weaker sequels that Pixar seem determined to churn out. This lacks the fun among the anthropomorphic vehicles that its predecessors had with a hardly inspiring story about its hero feeling old and over-the-hill
Batman: Return of the Caped Crusaders, an animated homage to the 1960s Batman tv series reuniting Adam West and Burt Ward, was a quirky delight. This is a sequel in the same vein, although more a case of a joke that tires in the retelling
The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
The Teen Titans get their first solo film in the DC Universe Original Animated Movies. A reasonable adventure based on a classic comic title that works with a good story and characterisation, even if some of it has an adult flavour that makes you wonder who the audience is
This has one of the most original nemeses created for an animated film – a baby in business suit and briefcase and with the demeanour of a ruthless corporate CEO – only for the film to then go and soften the character
Building on the popularity of the character in Suicide Squad, an animated film that gives to Harley Quinn, and lets loose with a sense of humour far more adult than the other animated Batman films
Following the success of The Lego Movie, where he was a scene-stealing supporting character, Batman gets a whole Lego film to himself. Less a Batman film than it is a parody of Batman
The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
An appealingly charming anime about the friendship between a lonely boy and a mermaid. She gains legs whenever music is playing and they form a pop band together
Animated film based on the popular series of children’s stories about a kid who befriends a vampire boy. The same stories had previously appeared as a live-action fllm
For their third Smurfs film, Sony have dispensed with the live-action/CGi animation mix of the previous two films and made a wholly animated film. Its’ the Smurfs in their more natural element but the film is never more than 3D eye candy for the moppet audiences
Despicable Me was a delightful debut for Illumination Entertainment but has come close to making the studio a one-hit wonder they have milked that one hit for all they can
An animated film that bizarrely speculates that the emojis in your text messages are actually living entities that have lives inside the phone. A not-too-well-thought out concept that leaves you with strange questions about its world
The title is misleading as this features no Bigfeet but is an animated film about a family that sprouts all-over body hair and big feet. This quickly falls into the usual formulaic inanities of the modern animated film
Third of the animated films based on the Lego toy line. This has the same fast-paced humour and witty fourth-wall breaking gags as its predecessors, even if you suspect the Lego Movie brand is starting to fade
An extraordinary anime adapted from Project Itoh, a conceptually challenging work concerning a villain who can manipulate language to drive populations to genocide
Film spinoff from the animated tv series Teen Titans Go! This hits in with an hilairous barrage of one-liners wickedly spoofing the superhero genre and jokes at DC Comics canon
A CGI animated film based on the popular comic-book character Asterix. After numerous other adaptations, this was the first of the Asterix films to be written directly for the screen
The Death of Superman is still is the top-selling comic-book title of all-time after 25 years. This was the first half of a two-part animated adaptation of the storyline, which brings it to life with a fair and reasonable telling
After Ron Howard’s over-produced version of the Dr Seuss story, one looked to Illumination Entertainment, the animation company behind the Despicable Me films, to do the story right
Michel Ocelot is one of the great underrated animators of the world. Here he makes an exquisite tribute to the Belle Epoque featuring appearances from names of the era and decked out in Steampunk inventions
A DC Universe Original Animated Movie given over to Suicide Squad. Clearly inspired by the live-action film, this goes overboard on the super-villains present, having three entire teams running around to general confusion, while striking a very odd tone in its pitch for an R-rating
The concluding chapter in the trilogy of Godzilla anime films. This reintroduces two familiar monsters but takes a long time to build to the monster bash we have come to see
The second of the anime Godzilla films and much more successful than its predecessor. The reconceptions of some of the classic monsters has a dazzling ambitiousness while Godzilla has all the ferocity it should have had in the first film
I’m not a fan of the Hotel Transylvania films and their reduction of the Famous Monsters to slapstick yocks. This is exactly the same as the preceding films, no better, no worse and with only minute plotting difference
Adaptation of a classic graphic novel that imagines Batman back in the late 19th Century as he fights Jack the Ripper. This works rather well – in fact, better than the graphic novel it is based on
BBC tv mini-series remake of the classic Richard Adams novel about talking rabbits on a quest. To get it over with, the animation is not the high-end quality that we have been spoiled with by Pixar et al. On the other hand, what remains is an excellent faithfully told version of the story
The third of the trilogy of animated films from Arcana Studios based around the adventures of a young H.P. Lovecraft
Pixar’s venture into sequels has resulted in works playing off past successes that are lesser than their originals. This came with much anticipation but it too must be counted as another disappointment
The Dc Comics character John Constantine was made into an animated web series that was compiled as this film. One is quite taken aback at how much more edgy and adult this is than most of DC’s animated offerings
I had a lot of liking for Disney’s Wreck-It Ralph, a depiction of the inside of a videogame from the viewpoint of the characters. This expands the concept to the internet. Despite being the ultimate product placement film, this also rather appealingly shows Disney poking fun at themselves
This gets full marks for a WTF set-up, an anime that imagines Batman and most of the villains transplanted back to feudal Japan. There is fun to seeing the familiar characters reinterpreted in terms of Japanese imagery
Sony, the holders of the Spider-Man copyright, squeeze more out of the property with a madcap animated offering that mixes up a host of alternate takes on Spider-Man in what visually resembles an explosion at a pop art exhibition
Sequel to Gnomeo & Juliet, which retold Shakespeare with garden gnomes. This for some reason adds a garden gnome Sherlock Holmes to the mix. The high speed whirring you hear is probably Arthur Conan Doyle rotating in his grave,
Mamoru Hosoda film nominated for the Best Animated Film at Academy Awards. A young boy jealous at the arrival of a baby sister is visited by her future self and travels through time to meet his family at different periods
Here the less-than-serious Teen Titans Go! conduct an Into the Spider-Verse-type crossover with their serious counterparts from the multiverse
Pixar sequelise their very first film for a third time but the surprise is a film that creates a range of eccentric characters and finds the wit and warmth that has been missing through their last few films
Animated adaptation of the classic Batman comic-book story, this places the Batman/Cat Woman relationship centre stage to give her the most substantial workout of any film
A surprisingly good animated film about the relationship between a caveman and a dinosaur, all without a line of dialogue. From the director of the Hotel Transylvania films
Illumination’s The Secret Life of Pets came with a winning concept – a Garfield like series of wry observations on humanity by pets – and this is one amongst the current plague of animated sequels that emerges equally likably
An animated crossover where you cannot help but think that the two styles of either – a grim loner who lives in a dark milieu vs a team of manic teenagers spouting surfer speak – are only going to end up clashing
Animated film that is gore-drenched and certainly not for children. Imagine The Belko Experiment conceived as a videogame where the heroine has to survive an office of people trying to kill her while aliens bet on the outcome
Sequel to The Lego Movie. This time the idea of the Lego universe, the crossovers and fourth-wall breaking gags are not as fresh but this still gets good mileage out of them
Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
One of the most beautifully made formula animated films of recent vintage but at the end of the day no more than a film that is by the numbers where the artistry is unsupported by the banal script
From Makoto Shinkai who made Your Name., a lovely anime about a girl who can control the weather. An odd premise about orphans that soon develops unusual and unexpected depths
Second half of the two-part animated adaptation of The Death of Superman, which depicts the aftermath where Metropolis is puzzled over the appearance of four impostors all claiming to be the real Superman
A DC Universe Original Animated Movie that introduces the Legion of Superheroes, their nemeses The Fatal Five and an assortment of new Justice League members to widen diversity
Animated film that has the madcap premise of a top spy (voiced by Will Smith) transformed into a pigeon. A film that comes with such a level of comedic energy that it makes you think all hope is not lost for Blue Sky Studios, the makers of the interminable Ice Age films.
Animated film in which a girl befriends a Yeti. Essentially a rewrite of E.T. that never much rises out of banal formula. On the other hand, I do have an issue with a children’s film pushing blatant political propaganda
An animated film revival of The Addams Family. You feel that a PG-rated film sold to family audiences is a bit tame for the Addams’ dark humour, nevertheless this gets much of the kooky silliness.
The second of the DC Universe Animated Original Movies made as a standalone entry for Wonder Woman, clearly building on the success of the Gal Gadot film
A clone of Donald Trump battles The Illuminati and the Egyptian god Anubis on Mars before travelling to Hell to sort out The Devil. The sheer dementia of the premise alone has one sitting down to watch
A sweet and quite lovely anime where a girl befriends the boy she pines after being offered a mask that transforms her into a cat body – only to then have her own body stolen
The third film from Irish animator Tomm Moore, a beautiful Princess Mononoke-like tale of a girl’s friendship with persecuted werewolves in the forest
Charming anime from Hayao Miyazaki’s son Goro about a young girl adopted into a witch’s strange household. The occasion where Studio Ghibli made the switch over to computer animation
An animated film revival of the Mortal Kombat videogame franchise. This does a quite reasonable reworking of the basics, while leaving you blown away with the ultra-violent excesses of the action
From the director of Trump vs the Illuminati, gonzo animation where Bigfoot and several resurrected historical figures fight off invading aliens that include Stalin, Aleister Crowley and Anubis
An animated film revival of Scooby-Doo, Where Are You? This also makes an misguided attempt to build a shared universe among assorted Hanna-Barbera characters
The sequel to DreamWorks’ animated prehistoric film. For a very low expectation effort – the modern animated sequel – this emerges as far more colourful and entertaining than one expects
Pixar film with a head-scratchingly odd plot but also one of the better efforts of the divided post-2010 period that goes a long way towards recapturing the things they did so well in their heyday
South Korean-made anime that takes a dive into horror grotesquerie in the story of a beauty product that offers to reshape flesh and a girl who becomes obsessed with it
The 22nd animated film from Pixar and also the least successful (being released only a week before theatrical chains closing down due to Coronavirus). This has an appealingly quirky and original concept not unakin to Bright that takes place in an alternate reality where magic creatures live in a world akin to our own
Fine animated film that traces Superman’s early years – Superman: Year One if you like – as we see pieces of the mythos coming together
A very different take on the Superman story that asks What if Superman had grown up in the Soviet Union rather than in the US and become a paragon of Communist virtue
The DC Comics animated version of an Avengers film where they put every superhero under their roof on screen at once, including Justice League Dark, the regular Justice League, Suicide Squad and Teen Titans
Animated film about a talking and singing monkey from Cuba that travels to the US on a quest
A beautiful anime from Momoru Hosoda that retells Beauty and the Beast and spins it in SF terms as tale about a girl who finds fame as a singer in Virtual Reality
The 59th animated film from Disney emerges as a modest effort with a cross-Asian cultural focus that eventually builds a strong character arc
A remake of the original zombie film Night of the Living Dead conducted in animation
A Pixar offering that is an enjoyable work about merpeople/human friendship but this also sits on the B-rung of their films along with Onward and The Good Dinosaur
The Long Halloween Part One was one of the best DC animated films in some time, now comes the concluding chapter, which alas fails to fulfill the promise that the first film showed
A surprise delight, an animated film that overspills with madcap creative energy concerning a misfit family on a road trip who come up against the machine revolution
The first in a two-part adaptation of a classic Batman story, this shows great promise that lifts the DC Universe Original Animated Movies out of the comfortable middle ground they have been drifting through the last few years
An oddity among the animated Batman films. This seems less another Batman film – Bruce Wayne gets more screen time than Batman, for instance – than it does a homage to the 1970s martial arts film