The Secret of N.I.M.H. (1982)
The first film from Don Bluth, a Disney animator who formed his own company vowing a return to the studio’s classic tradition. The results are beautiful and quite magical
The Science Fiction Horror and Fantasy Film Review
Animation refers to films in which the films are drawn individually by hand, each frame moved slightly to give the impression of movement. Animated films from the mid-1990s onwards have been increasingly drawn by computer to the point that today the art of hand-drawn animation is a dying art form.
The first animated film was Walt Disney’s Snow White and the Seven Dwarfs (1937) and the success of this has spread until animation now covers a sizeable percentage of contemporary box-office earnings.
Animation in the American mainstream is almost always sold as being for family audiences (although there is a reasonable amount of animation for grown-ups, particularly outside the US, this has by and large not been financially successful). Content frequently deals with fantastic topics such as fairytale adaptations, the lives of anthropomorphic talking animals or adventures featuring young protagonists.
See also: For animation from Japan see Anime. Films in which animation is blended with live-action are discussed under Toons. For animation using three-dimensional models see Stop-Motion Animation, for animation that uses models molded in clay see Claymation. For films that remake prior animated works in live-action see Animation in Live-Action.
The first film from Don Bluth, a Disney animator who formed his own company vowing a return to the studio’s classic tradition. The results are beautiful and quite magical
Beautiful and underrated animated fantasy film about an apprentice magician who protects the last unicorn. This has a maturity that most animated fantasy lacks
One of Rankin-Bass’s animated films, this has an ambitious epic fantasy plot with original themes about the line between science and magic, although this is undone by Rankin-Bass’s limited animation
Rene Laloux, the animator who made Fantastic Planet, collaborates with cult fantasy artist Moebius and the result is a planetary adventure filled with trippily exotic backgrounds and creatures
Almost completely ignored at the time of its release, an animated masterpiece where Martin Rosen, the director of Watership Down, adapts another Richard Adams about two escaped laboratory animals. This has an incredible and at times dark emotional range far away from Disney
Disney animated film from the fallow period of the 1970s/early 80s. This concerns the friendship between a talking fox and a hound tempered by the knowledge they will grow into enemies. An okay effort if not up the heights of the studio’s classics
A very rare anime film about a fairy who descends to Earth from the heavens and takes the side of downtrodden peasants in standing against a greedy landowner and a demon god
aka The Fantastic Adventures of Unico Japan. 1981. Crew Director – Toshio Hirata, Screenplay – Masaki Tsuji, Based on a Story by Osamu Tezuka, Producer – Shintaro Tsuji, Music – Ryo Kitayama, Art Direction – Akio Sugino. Production Company – Sanrio. Plot The gods are jealous of the young unicorn boy Unico who can bring […]
Cult animated film that adapts several stories from the adult fantasy comic-book Metal Hurlant/Heavy Metal. These vary but in its better moments that has a trippy cult hallucinatory quality
A classic French animated film that remained unseen for over thirty years. A fairytale about a cruel king and two lovers aided by a mockingbird, it emerges with an impressively epic sweep
Way back before Peter Jackson, there was another whole era of Tolkien adaptations, including this animated adaptation of the third book, which is a peculiar oddity if nothing else
Not an adaptation of Bram Stoker but an anime based on the Marvel comic-book Tomb of Dracula (the same title that gave birth to Blade)
Classic anime space opera adventure made not long after Star Wars and filled with moments of glorious visual poetry including the conceptually absurd image of a spacegoing train
From the director of Tron, an animated film produced to commemorate the 1980 Olympics, a series of skits with various talking animals participating in different Olympic sports
Earlier less well known adaptation of the C.S. Lewis book made for tv. This is faithful to the book but is badly hampered by primitive animation and an exceedingly simplistic rendering of the story
Likeable and charming Japanese anime for children about a young boy of hubris who sets out on a series of adventures
Part live-action, part animated adaptation of a classic Victorian children’s story about an urchin who discovers a secret world underwater
Neglected today, this adaptation of Richard Adams’ classic novel about a quest among rabbits was one of the finest animated films of its era. This is frequently heartbreaking and touches on darker emotions that Disney and most other family films regularly sanitise.
If you don’t know who Karel Zeman is, you need to check out his films – he is quite one of the most extraordinary directors in his blend of live-action and animation. Zeman’s later films are pure animation and tend to be overlooked but are not uninteresting.
The tv special that George Lucas would have all copies destroyed, a work of legendary badness – a Star Wars Thanksgiving special featuring most of the original cast and a series of variety performances that are mind-boggling in their ineptitude, not to mention complete and utter fumbling of everything that Star Wars was
Way back before Peter Jackson, Ralph Bakshi made this not uninteresting animated adaptation of J.R.R. Tolkien. The film was not a success and Bakshi failed to return to complete the second part of the story
Anime film spun off from a popular Japanese tv series. Despite crude animation, this has a colourful vigour and taps the same space opera vein as Star Wars, which came only three months earlier
Generally overlooked animated adaptation of the J.R.R. Tolkien book made for tv by Rankin-Bass. This keeps to the text very faithfully – more so than Peter Jackson – and is only let down by some limited animation
Based on a popular children’s book, this is a simplistic animated film for very young children about a toy mouse that goes on a quest to find freedom
Ralph Bakshi left behind counter-culture animation to embark on this original fantasy film that comes with a trippily surreal quality, mixing fantasy tropes with a science-fictional rationalisation
An Italian-made homage to/parody of Fantasia offering an anthology of animated tales. This is witty and more adult in tone, yet perfectly charming and delightful in its own way
Animated film based on the popular comic-books co-directed by the comic-book’s creators René Goscinny and Albert Uderzo,. This is disappointingly weak animation that substitutes slapstick cartoon gags for the comic’s more sophisticated humour
Animated film based on the original Belgian Smurfs comics made prior to the hit of the Hanna-Barbera series.
Animated parody of the Tarzan films made with a very adult sense of humour that was banned in several countries as a result
Ralph Bakshi’s satiric animated depiction of African-American life in 1970s conceived as a parody of Song of the South was greeted with such controversy that it nearly derailed his career
The second film from animator Ralph Bakshi, follow-up to Fritz the Cat. As opposed to Fritz‘s surreal trippiness, this is more down-to-earth and sees Bakshi conducting a loose, bawdy trip through his own childhood in Brooklyn
Disney animated film produced during the studio’s creative slump between the 1960s and 80s, the main conceit is recasting the story of Robin Hood with talking animals amid much slapstick
Osama Tezuka is a cult figure in anime and manga – what is less well known is that he also made adult animation. This, about a woman’s temptation by The Devil in mediaeval France, is a mind-boggling array of psychedelia and eroticism
A classic animated film. A delightful film about a young pig that seeks to change his fate and gets aid from a spider that can spell. A theatrical outing for Hanna-Barbera, creator of tv’s The Flintstones et al
The first film from French animator Rene Laloux, a trippily surreal vision and one of the few portraits of a genuinely alien world on film
The first X-rated animated film. Ralph Bakshi’s first film, taken from Robert Crumb’s cartoons, this is hilariously raunchy as the titular talking cat takes a strung-out but often sharply politicised journey through 1960s counter-culture
Animated adaptation of the Tintin character that gets the look and details of the characters just right but is ruined by bad dubbing of some of the voice parts and allowing a slapstick element to take over
One of the better animated films made by Disney during the lean years between Walt’s death in 1966 and the studio’s return to form in the late 1980s. Not the best but it recaptures some of the classic charms of works like Lady and the Tramp
Chuck Jones, the director of numerous Warner Brothers cartoons, adapts a popular children’s book that comes with a dizzying array of surreal visuals and puns
The third of The Beatles films, in this case an animated work that features likenesses of The Fab Four as they trip through some amazing nonsensical psychedelic visuals
The Disney animated version of Rudyard Kipling’s Mowgli tales, the one that everybody remembers, a lively affair with talking and singing animals
3D restoration of a classic Chinese adaptation of Journey to the West and the best film version of the story to date … an incredible film filled with psychedelically eye-popping animation and amazing action scenes, while gleefully celebrating a defiance of all authority
Forgettable Disney animated film telling the story of King Arthur’s boyhood where the Arthurian legends are sidelined in favour of talking animals and slapstick
Anime version of the classic tale Chinese legend Journey to the West made Osamu Tezuka, this comes with a fast-paced action and is undeniably likable
The last really good animated film made during Walt Disney’s lifetime and for the next couple of decades. Filled with cuddly anthropomorphism and charmed delights
One of the finest of all Disney animated films, an adaptation of the fairytale made with the full artistic resources that studio could bring to bear
Czech Jules Verne adaptation that conducts an extraordinary blend of animation and live-action. Maybe the purest evocation of Steampunk that has ever been placed on screen. A work of underappreciated genius
A Disney animation classic about two talking dogs from different walks of life who fall in together. It is impossible not to be charmed by the plaintive delights and sweetly romantic tenderness of the film
Animated adaptation of George Orwell’s fable that was intended as a satire of the Soviet Union. Being rendered as cutsie children’s animation necessarily bluntens the book’s bite
One of the animated Disney classics, if probably an overrated film. It throws slapstick and derring-do together in a likeable package
Disney’s animated adaptation is usually hated by Lewis Carroll purists for its free and easy treatment of the story but for everyone else comes with a splendidly demented visual absurdism
A Disney animated film whose classic stature has been overrated. The fairytale is too familiar to hold much interest, while the cutsie talking animals get to take over proceedings
Likeable entry from the 1940s period when Disney was putting out animated anthologies, this conducts adaptations of The Wind in the Willows and The Legend of Sleepy Hollow
One of the Disney animated portmanteaus of the 1940s featuring stories about a circus bear and a retelling of Jack and the Beanstalk starring Donald, Mickey and Goofy
Disney film that is difficult to see these days due to its controversial treatments of race issues. Controversies aside, this is undeniably likeable, in particular in its telling a series of tall tales and finding a folk vernacular
The novelty of an animated Disney travelogue. Pitched to the South American market, the four stories see Donald Duck and Goofy visiting various locations
One of the unquestionable classics from Disney’s Golden Age of animation between 1939 and 1942. This is an absolute delight for its unalloyed innocence and tragically affecting emotions
One of the more obscure films in the Disney catalogue. A part live-action, part animated dramatised tour of Disney Studios, showing how the studio runs and screening several animated short pieces
One of the classic films from Disney’s Golden Age, a beautiful piece of anthropomorphism in the tale of an ungainly elephant that flies with its oversized ears. Considered controversial in more recent years.
The best animated film Disney ever made, created as a work of art with animation set to classical music. The segments vary between abstraction, comic eccentricity and evocations of nightmare. The results are magical.
One of the great Disney animated classics from the still unsurpassed era between 1937-42. The studio were at the peak of their game artistically and the film embodies a near-perfect sense of childlike innocence
The second animated film ever made, an adaptation of Jonathan Swift’s novel (although only the first section in the miniature land of Lilliput). This comes with enormous visual invention
The first full-length animated film ever made and the beginning of the Disney tradition. A superlative effort, full of an adorable anthropomorphism where Disney instinctively grasps all the elements of the formula