Twisted Tales (1994)
For a time Kevin J. Lindemuth had a reasonable place making direct-to-video films and anthologies. This is a solidly effective video-released anthology of horror tales
The Science Fiction Horror and Fantasy Film Review
Anthologies refer to films that tell more than one separate story. Sometimes the stories are interwoven and have linking elements or the same actors but they are always self-contained stories with different characters. Usually (although not in all cases), the stories will have some introductory framework – frequently involving some type of narrator or a set-up where people are told/are reading a story.
Most anthologies covered in genre material are horror anthologies, although there are a smaller number of science-fiction anthologies and an even smaller number of fantasy anthologies. Frequently, anthologies may be grouped around a particular theme, or can be adaptations of stories by a genre author. Popular in recent years are anthologies where stories comes from different directorial hands.
The anthology has been with us since the silent era. It gained a popularity during the 1960s where British company Amicus made a series of horror anthologies beginning with Dr Terror’s House of Horrors (1965). Around the same time, the anthology was popular on US television in particular with the hit The Twilight Zone (1959-63) and the SF themed The Outer Limits (1963-5), which aired a different story each week.
The 1980s saw a revival of the genre with the Stephen King-George Romero Creepshow (1982), which led to several copies and then remakes/revivals of the 1950s/60s tv series, plus a number of original horror anthology shows and films.
The 2010s has seen a revival of the anthology film, in particular multi-director anthologies from directors with genre backgrounds usually around a common theme (novelty deaths, women directed, Found Footage, holidays etc).
For a time Kevin J. Lindemuth had a reasonable place making direct-to-video films and anthologies. This is a solidly effective video-released anthology of horror tales
Anthology of three H.P. Lovecraft tales from directors Christophe Gans, Brian Yuzna and Shusuke Kaneko. For claiming such a quintessentially Lovecraftian title as this, you feel that it should have been more than it is
A pilot for a never sold horror anthology tv series featuring John Carpenter as a pun-cracking narrator. The two Carpenter directed episodes have some tension, while Tobe Hooper’s third episode has a clumsy heavy-handedness
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
Todd Haynes’ first film, three stories, two of which are fantastic … Being Haynes’ first film, this is less polished than his later work but circles through familiar themes of social outsiders, gay identity and recreations of previous cinematic styles, including one segment that is a mocked-up 1940s mad scientist film
A trio of Japanese tv movies that retell supposedly true life ghost stories
An interesting, if not completely successful, attempt to revive the horror anthology – in this case with four tales that all take place in a Western setting
From Jörg Buttgereit, director of the notorious NEKRomantik, an anthology that depicts various scenes of death and suicide. Essentially the original version of The ABCs of Death
Film spinoff from the Tales from the Darkside tv series, this is an anthology of three horror tales, the result is a surprisingly slick and well made film
George Romero and Dario Argento collaborate on an anthology, each adapting an Edgar Allan Poe tale. Either director leaves you with high expectations but the results are very mixed
It is some surprise that Akira Kurosawa’s only full venture into fantastic cinema was with his penultimate film here. A beautifully filmed anthology of eight tales, including several ghost stories and two anti-nuclear parables
A horror anthology that ostensibly tells a series of children’s tales but heads for an admirable grotesquerie
Anthology where directors Martin Scorsese, Francis Ford Coppola and Woody Allen each contribute an episode set in New York. Allen’s contribution in which a magician’s trick manifests a giant nagging mother in the sky is side-splitting
Modest and effective horror anthology from the two brothers responsible for Pitch Black and the Ewoks tv movies. Featuring a quarter of stories, all of them are strong efforts generating a more than reasonable degree of tension throughout
Dry and typically laconic trio of tales from Jim Jarmusch all set around characters at a Memphis hotel on the same night. Included here for one episode featuring the appearance of a ghost Elvis
A collection of Michael Jackson short pieces, leading up to the 25 minute Smooth Criminal segment where he transforms into a godlike being. Fascinating in its bizarreness, largely a Michael Jackson ego trip
Very obscure horror anthology re-edited from episodes of a Canadian tv series featuring names like John Hurt, Charles Gray and Keir Dullea.
One of the more underrated horror anthologies featuring an aging Vincent Price as narrator. All four stories are equally strong and venture into some pleasingly dark and grisly places
The sequel to the hit George Romero-Stephen King horror anthology. This misses the original’s black humour by a mile and instead becomes overblown and filled with shrill unlikable characters
An anthology of comedy skits from several different directors including Joe Dante and John Landis. The result is fairly scattershot with moments of occasional humour falling between laughs that do not come off
One of the earliest works from Katsuhiro Otomo, the cult director of Akira, although he only contributes one episode to an anthology of anime tales with the common theme of robots. The collection contains some impressive and visually striking episodes
Horror anthology with the novelty where all of the stories are horror versions of fairytales. Particularly amusing is the second episode, a modernised version of Little Red Riding Hood
An anthology of three Stephen King stories, this comes out with extremely variable results where what were originally a series of tight and mordant tales end up strangely overblown
An anthology film produced by Charles Band where assorted directors turn in seven episodes all centred around a videogame warrior put through a series of tests by The Devil
An anthology adapted from the stories of Sicilian writer Luigi Pirandello directed by the Taviani Brothers. The stories include a werewolf episode and a ghost story
Steven Spielberg, Joe Dante, John Landis and George Miller came together to make this homage to tv’s The Twilight Zone. The episodes are variable but the standout is Miller’s Nightmare at 20,000 Feet
The third and last of the Monty Python films, a variety of skits that are variously outrageous and frequently leave behind all good taste
A British horror anthology made up of three stories from director Michael Armstrong. As always the episodes are variable but the episode with the killer Punch and Judy dolls stands out
Stephen King and George Romero collaborate on a horror anthology made as homage to the EC Comics, telling five tales that replicate the blacker-than-black sense of humour (and even the visual look) of the comic-book with hilarious results
Cult animated film that adapts several stories from the adult fantasy comic-book Metal Hurlant/Heavy Metal. These vary but in its better moments that has a trippy cult hallucinatory quality
Following the collapse of Amicus Films, producer Milton Subotsky went on on his own to make this horror anthology, the bread and butter of Amicus in their heyday. Though he brings in some major horror names – Vincent Price, John Carradine – the jokey tone failed to find any success
Obscure horror anthology from the great era of regional drive-in cinema. The stories lose any potential due to incredibly dreary direction
Not to be confused with the Uwe Boll videogame adaptation, this is an obscure but not entirely uninteresting horror anthology from the 1970s that tells several tales set around a funeral parlour
A production from Amicus founder Milton Subtosky in the style of the horror anthology that made the company’s name
An Italian-made homage to/parody of Fantasia offering an anthology of animated tales. This is witty and more adult in tone, yet perfectly charming and delightful in its own way
Classic tv movie that is a horror anthology offering a trio of tales all featuring Karen Black. The first two items are okay but the one that made the film into a cult item was the third episode with Black being chased through her apartment by an evil doll
One of the key films from cult director Walerian Borowczyk, a quartet of exquisitely photographed and art directed erotic tales, including one about Countess Bathory
Controversial director Pier Paolo Pasolini offers up a far more adult telling of the Arabian Nights than we are used to, not to mention one that goes on location in the real Arabia
One of the best of the Amicus horror anthologies. All of the episodes are strong, well cast and well directed. The third episode offers a particularly funny comic take on the exorcism film
The second of Amicus Films’ adaptations from EC Comics, a follow-up to their earlier Tales from the Crypt and one of their weaker horror anthologies with the episodes much more variable in overall quality
A variant on the horror anthology film that manages to let the potential in its three stories fall through its hands. Narrated by Rod Serling, creator of tv’s classic anthology series The Twilight Zone, who must’ve needed the money
Director Freddie Francis had had great success making several of the Amicus horror anthologies then went independent to made another Amicus-styled anthology here with mixed results
One of the best of the horror anthologies from UK’s Amicus Films. This adapts four stories from Robert Bloch, which are all tales told by the inmates of the titular asylum and settle in with chill effectiveness
Amicus adapts several stories from the notorious EC Comics as one of their anthology films. Missing is EC’s black humour but this is a worthwhile Amicus anthology
Woody Allen film that takes the title of the best-selling sex manual and spins it out as the basis of a series of hilarious sex-themed skits. Contains the famous episode with the giant breast run amok
A X-rated, West German-made film that blends together several fairytales in a very adult adaptation. The result should be seen for its sheer bizarreness
Another of the Amicus horror anthologies from a series of stories by Robert Bloch. An okay effort, mostly being remembered for Jon Pertwee’s turn as a comic vampire
An anthology that adapts three stories from Ray Bradbury’s short story collection but does so with singularly heavy-handed regard. The best aspect of the film is the framing story with a brooding Rod Steiger in the title role.
Trilogy of Edgar Allan Poe tales from three European directors. Roger Vadim’s opening episode drags but both Louis Malle and Federico Fellini deliver standout works in their respective segments
Brazil’s Jose Mojica Marins became a cult figure for his Coffin Joe films; this is an anthology sold under the Coffin Joe banner. Without the Coffin Joe presence, all we have is a series of not very well directed pieces that linger on perversity, although the final segment does stand out memorably
UK’s Amicus Films had a reasonable hit with their horror anthology Dr Terror’s House of Horrors. Director/producer David L. Hewitt jumped in with a copy with a soundalike title produced on a poverty row budget
Following the success of Dr Terror’s House of Horrors, this was the second of Amicus’s trademark horror anthologies with Burgess Meredith as a carnival barker showing people their fates
The first of Amicus’s horror anthologies. The stories are rehashes of five popular horror tropes, all united by Peter Cushing as the title doctor telling the fortunes of five passengers on a train carriage
The greatest of all Japanese ghost stories. This is an anthology that tells four stories. Each is made with an extraordinary visual flair and great attention to colour, lighting and design
With the success of the Edgar Allan Poe adaptations starring Vincent Price, this was a copycat attempt that cast Price in a trio of tales adapted from another writer of American horror stories, Nathaniel Hawthorne
The great Mario Bava directs a horror anthology of three tales, delivering each with considerable spooky atmosphere. The standout among these is The Wurdulak with Boris Karloff as a vampire preying on his family.
Anthology of Brothers Grimm stories from George Pal where the brothers are wound in as characters. The film’s effectiveness is killed by Pal pitching everything down at a mawkish and simple-minded level
The fourth of Roger Corman’s Edgar Allan Poe films. This mixes it up slightly and adapts four Poe stories into three episodes, each of which stars Vincent Price
One of the greatest of all fantasy films. A reasonable percentage of you are going to switch off when I use the word ballet but I urge you to bear with me and discover this stunningly cinematic Technicolor epic that uses sets in extraordinary ways that no other film ever has
Likeable entry from the 1940s period when Disney was putting out animated anthologies, this conducts adaptations of The Wind in the Willows and The Legend of Sleepy Hollow
One of the Disney animated portmanteaus of the 1940s featuring stories about a circus bear and a retelling of Jack and the Beanstalk starring Donald, Mickey and Goofy
Celebrated British horror anthology, which tells five ghost stories and tales of the supernatural. All are strong stories with The Ventriloquist’s Dummy segment in particular having become regarded as a classic
A really great and overlooked anthology of fantastical tales from the 1940s. The three stories told here by Julien Duvivier blow you away with their extraordinary visual stylishness
The novelty of an animated Disney travelogue. Pitched to the South American market, the four stories see Donald Duck and Goofy visiting various locations
The best animated film Disney ever made, created as a work of art with animation set to classical music. The segments vary between abstraction, comic eccentricity and evocations of nightmare. The results are magical.
A classic of the silent German Expressionist era, telling three tales throughout history – about the Caliph of Baghdad, Ivan the Terrible and Jack the Ripper – all set around the locale of a wax museum