The Science Fiction Horror and Fantasy Film Review
This refers to themes that derive from Biblical and Christian sources. The Bible is divided into two parts – The Old Testament concerning Adam and Eve, their fall from the Garden of Eden, Noah and The Flood, Moses and God’s covenant with the Jewish people, and The New Testament concerning the life of Jesus Christ and his death on the cross to deliver humanity from sin.
For Jewish belief see Judaism. Christianity concerns the belief in God, of Jesus Christ’s sacrifice to deliver humanity from sin and the adherence to a moral code. There are many different interpretations and sects within this – the major one covered here is Catholicism. For films depicting faith in action or critical of religion see Religion in Fantastic Cinema; for strange breakaway groups see Cults.
Many popular ideas in genre cinema derive from the Christian tradition – of an afterlife where the virtuous go to Heaven and the evil and sinful go to Hell. In Heaven, God the creator of the universe lives, and is tended by Angels. Hell is commanded by The Devil, the prime source of evil in Christendom, who command hordes of Demons.
A large number of genre tropes derive from these ideas including stories of angelic intervention, demonic possession, people making Diabolical Pacts to sell their soul, of Miracles from the hand of God. The Vampire Film makes use of the prime Christian symbol, the crucifix, as an icon of power that can drive a vampire away.
There is the popularity of films about the Biblical End Times Prophecies as depicted in The Book of Revelations. The first of these was The Omen (1976) concerning the Antichrist, the coming battle of Armageddon and the Rapture where all true believers are taken up to Heaven. There have also been a number of films concerning the return of Jesus, people who are thought to be Jesus or the retelling of aspects of the story in modern times.
It should be added that the use of these elements in stories do not necessarily denote that the people writing and making them is a Christian believer. One needn’t be a regular church attendee, for instance, to write a story about using a crucifix to fight off a vampire. For films made by Christian believers for other believers and/or to proselytize to non-believers see Christian Cinema.
A multi-director anthology of zombie-themed short films. As always in an anthology, the episodes vary but these are generally good with the standout being the side-splitting episode where Jesus faces a zombie horde
Very impressive British mini-series about a woman exorcist. This dispenses with the usual head-turning, barf-bag theatrics and feels like the first theologically thought out work of its type, one that largely eschews horror effect to come together as a superbly well-written story
Henry Rollins is a man who may be immortal. Sort of like a dark version of The Man from Earth, this is made by the wittily phlegmatic indifference of Rollins’s performance and fascinatingly littered clues about who he might be
Positively the most insane, offensive and over-the-top film I have seen in some time. A bride finds she has a vagina possessed by Satan and uses it to go all I Spit on Your Grave on the gang who ate her husband on her wedding night, resulting in an outrageous splatter bloodbath
Another in the spate of multi-director horror anthologies with each episode here being set around a holiday. As with these films, some of the episodes work well, some end with a puzzled WTF and most fall somewhere in between
There have been the various adaptations of the Left Behind books about the Biblical Rapture; this is an attempt to spin the same off for Young Adult audiences and is not very good
This comes with a fantastic conceptual hook “Man is invited to a meeting with God at a hut in the woods”. Alas, what we get is no more than a work of faith-based cinema that drowns in its feelgood Christianity Lite sentiments and appeal to Middle American wholesomeness
Darren Aronofsky’s surreal drama wildly divided critics and was a box-office flop with general audiences. Naturally, what I thought the film was about was completely different to what Aronofsky stated it was about
The Man from Earth built up a reasonable reputation with a simple concept – a 14,000 year old man tells his life story that comes with a killer of a twist. This sequel far less interestingly becomes a detective story about a group of students trying to find if their professor is the same character
TV mini-series based on the Neil Gaiman/Terry Pratchett novel that spoofs The Omen and Biblical End Times prophecies. The series is very close to the book as though it didn’t want to edit any precious gag
A faith-based film that comes with a great hook where a time-traveller seeks to go back and kill Jesus, eliminating Christianity from history
Cheaply made and frequently unintentionally hilarious variant on UFO conspiracies that wheels out all the usual cliches – alien implants, the Men in Black, recovered memories etc
The Stand is in my opinion Stephen King’s greatest book. The question is whether this new mini-series version will improve on the laughably failed 1994 version
Mike Flanagan returns with his best work to date. Effectively a Catholic version of Salem’s Lot, this comes with some flat out great pieces of writing
An entry in the gonzo killer shark film fad from Mark Polonia, this has some undeniable amusement to its title mash-up as a team go in search of Noah’s Ark, which somehow has killer sharks involved
The Asylum build a disaster movie around the Four Horsemen of the Apocalypse who are causing various volcanoes eruptions, locust swarms and other worldwide disasters
A revival of the Kirk Cameron starring Biblical End of the World films and a sequel to the Nicolas Cage starring reboot. Directed by and starring your favourite internet troll Kevin Sorbo
A horror film about the life of Jesus as a child. That’s not quite what we end up getting but it is enough to give this a bizarre freakshow appeal and get this site watching. Behind that though, this is surprisingly traditional