The Science Fiction Horror and Fantasy Film Review
Unrelated to the Bill Murray film in anything but name, this is a moronic teen summer camp comedy in which Patrick Dempsey is aided in trying to lose his virginity by angel Sally Kellerman
Unrelated in any way to the slasher film Prom Night, this plants tongue in cheek as it tries to imitate the A Nightmare on Elm Street films in its story of a vengeful undead prom queen
The third of the Care Bears film conducts a crossover with Alice in Wonderland, although it is an adaptation that is liberal in its treatment of Lewis Carroll to say the least
A shabby Canadian police procedural with David Birney as a detective hunting a killer who is targeting prostitutes
A bad movie classic. A vanity project for Canadian heavy metal star/bodybuilder Jon-Mikl Thor who plays a heavy metal star who takes frequently his shirt off to pose while his band are killed by demonic forces (represented by the screen’s maybe worst ever puppet effects) as they try to record an album
Horror film about a heroine imprisoned by a family who insist on absurdly outmoded traditional values. Mostly an opportunity for the cast, led by Rod Steiger as the family patriarch, to go completely over-the-top
Stylish New Wave film about an existential vampire taxi driver meeting a woman film director who has received a terminal diagnosis. From the underrated Gerard Ciccoritti
The second of the Care Bears films, light, insubstantial and rather sweet as pre-adolescent creatures of indeterminate gender romp around in their cloud kingdom banishing bad feelings
Canadian film about a man rebuilt inside a cyborg body. What started as a Frankenstein film is turned into a copy of The Terminator
The debut of Canadian director Gerard Ciccoritti who should have become more well known, this goes for broke and becomes splendidly deranged
Canadian entry from the classic era of slasher films that hits some occasionally effective notes that sit between horror and prank. The last 10 minutes take an abrupt dogleg turn to become an Evil Dead copy
TV movie that had a unique selling point – a whodunit set aboard an international space mission – where viewers were invited to guess who the killer was
Canadian-made horror from the heyday of the VHS era about psychic vampires terrorising people via astral projection in order to steal their bodies
An obscure Canadian-made thriller about an evil twin
A breath of originality in a decade overrun with Mad Max copies, a clever and original little film in which the crew of a space station return to Earth after the nuclear holocaust
Strange Canadian children’s film about a boy who goes bald and is then given a peanut butter solution that causes wild uncontrolled hair growth
Excellent and underrated film about a caveman unthawed in the Arctic where attempts are made to help him adjust. This conducts the a creaky old story with modern scientific and anthropological realism
Planetary adventure in the Star Wars vein with a few shakes of the junkyard future look of Mad Max 2. This was made to exploit the short-lived early 80s 3D revival fad
Slasher film that is more like an Agatha Christie whodunnit, this comes with an appealing level of meta-fictionality. Mostly, it is an actor’s film and has been set-up to allow its name cast to do amazing things
Underrated film with Peter Weller as a Wall Street banker who has his life overturned in trying to deal with a tenacious, seemingly hyper-intelligent rat that invades his home
Promisingly ambitious animated SF film that tries to catch some of the trippy qualities of Heavy Metal where the impressive quality of animation is let down by a juvenile story about a rock band in a post-holocaust future
A 1980s film that was sold around a single air bladder makeup effects scene where a man swells up and explodes from a snakebite. That and the entirely risible premise of Oliver Reed as a billionaire who has a psychic link with a giant snake
Absolutely fascinating David Cronenberg film that swims with a heady mix of ideas that blur tv, reality and the human body
James Herbert was a writer of extraordinary ferocity and gore-drenched extremes. This is an adaptation of his first book The Rats where all the ferocity has been watered down to a standard Animals Amok film
Highly enjoyable Canadian-made parody of bad 1950s B movies that throws in everything from alien invaders to zombies and splatter. And is a musical to boot!
Taut and effective effort from the heyday of the slasher film, one of several films on the theme of a woman newscaster being stalked by a psycho. A young Michael Ironside goes to town on the role of the psycho and plays to the gallery with nastily effective results
A film about a shapeshifting demonic rapist. This is far more tastefully presented than its premise would suggest, in fact comes with he plodding sedateness of a tv movie
Canadian-made slasher film from the director of the original Prom Night. This mixes slasher standard with a variant on the Mad/Deformed Relative in the Attic plot but mostly seems terminally dull
Cult animated film that adapts several stories from the adult fantasy comic-book Metal Hurlant/Heavy Metal. These vary but in its better moments that has a trippy cult hallucinatory quality
Dystopian action film that could have only been made during the late 70s Oil Crisis where Lee Majors defies a totalitarian system where vehicles are banned by setting out in his racing car
Enormously entertaining David Cronenberg film about psychic powers. Cronenberg is fascinated with the conceptua possibilities and creates some sensational set-pieces
Rather silly thriller in which Richard Chamberlain tries to track a madman who has discovered a means of transmitting explosions by telephone
Slasher film from the 1980s heyday directed by the once great J. Lee Thompson. This drags drearily where the only going for it are some novelty splatter effects and a twist ending that makes no sense whatsoever
Classic from the heyday of the slasher film, an effort that was clearly designed to exploit another holiday title in the wake of the successes of Halloween and Friday the 13th. This snappily adapts the slasher formula and does better than most of its ilk in serving it back up
A case of science prediction where Donald Sutherland and Jeff Goldblum create the world’s first artificial heart
Canadian film set in a dystopian future where private use of cars has been banned and Darren McGavin is among the aging car aficionado who race custom cars in defiance of the authorities
An old-fashioned ghost story with George C. Scott as a widowed composer who moves into a haunted house. This generates spookiness with quite a reasonable degree of effectiveness
Forgotten Canadian film about a series of murders around a former funeral home that has been converted into a guest house. Released at the height of the slasher cycle but this comes more in the vein of Psycho
Film about a ghost ship haunted by Nazi atrocities. This gives the impression it was made to highlight a series of novelty deaths styled after the then-recent hit of The Omen
One of the better entries among the 1980s slasher film cycle – and even featuring the era’s quintessential heroine Jamie Lee Curtis. Essentially Halloween aboard a train, at which the film does the basics of the genre with perfect competence and undeniably stylish photography
Very difficult to find, this is film that has existed in legend – an erotic film with Vanity as a model on a desert island who becomes involved with an ape. Beautifully filmed and Vanity (who spends much of the show nude) is jaw-dropping
Entry amid the 1980s slasher fad featuring Jamie Lee Curtis. A fairly dreary effort that comes with much disco dancing footage
Lee Majors starring thriller set around the 1970s fad over subliminal advertising. The film fails to generate much in the way of thrills.
Shoddy low-budget Canadian-made attempt to jump aboard the Star Wars fad, this promotes itself as a bogus sequel to the H.G. Wells classic
A lavish and ambitious production that has the fictional character of Sherlock Holmes solving the real-life Jack the Ripper murders, even if the eventual resolution opts for one of the more far-fetched theories about The Ripper’s identity
One of David Cronenberg’s great early films. Fueled by a messy divorce Cronenberg was going through, it is set around a radical psychological institute that encourages people to manifest their repressed angers through their bodies
A dull Canadian-made police procedural with detective Richard Crenna on the trail of a sniper that is killing prostitutes
Canadian-made thriller about the accidental release of a deadly plague from a laboratory. This is rather dull and never does anything that does not retread cliches
The fourth film from David Cronenberg, a clear (although by no means uninteresting) attempt to repeat the success of Shivers with Marilyn Chambers as a woman with a vampiric skin parasite that turns victims into maddened killers
A production from Amicus founder Milton Subtosky in the style of the horror anthology that made the company’s name
This was the third of the notorious Ilsa films featuring a hyper-sexed Dyanne Thorne. This locates everything in Russian where she is the commandant torturing the prisoners of a Soviet gulag
A psycho-thriller with a difference where Jodie Foster plays a teenager with secrets who maintains the pretence of living with her late father while fending off a pedophile Martin Sheen
Christopher Lee called this his worst film. Contrarily it is a ridiculously entertaining effort about a war between telepathic aliens in UFOs from beneath the Bermuda Triangle.
A quite good but little seen Backwoods Brutality film from the great era of Canuxploitation with overtones of Deliverance as hikers in the wilderness are harassed by mysterious figures who play taunting psychological games
From the great era of Canuxploitation, an entertainingly ridiculous film about a possessed child wreaking psychic havoc and an often absurd series of deaths against those who are mean to her
A reasonable and effective Canadian entry in the 1970s Backwoods Brutality cycle with Brenda Vaccaro on a weekend getaway with a boyfriend as they are brutaised by three petty hoods
David Cronenberg’s first commercial release, a vivid work about parasites that turn the residents of an apartment building into sexual fetishists. Cronenberg has set out to shock while beneath that he creates fascinating metaphors about sex
While this Canadian obscurity gives the appearance of being a 70s sex vampire film, it is in fact an X-rated Frankenstein spoof. While the film is not without its moment of complete dementia (mostly involving sex scenes with a gorilla), it eventually fragments into narrative incomprehensibility
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
Underwater adventure movie that tries to emulate 2001: A Space Odyssey, this has a bad movie reputation
Legendary Canucksploitation film from Ivan Reitman about a cannibal hotel. This has gained a cult reputation. Seen it seems to lack the essential trashiness that justifies its reputation
Difficult to find 1970s Canadian-made occult film that doesn’t quite live up to expectation. Mostly it is a police procedural and the devil worship cult angle only emerges as a left field ending in the last ten minutes.; Not tight enough as a detective story to fully work
Cheaply made and mind bogglingly bizarre Quebecois film about a Martian who takes two children on a journey around the world at Christmas
The second film from David Cronenberg. Despite the SF title, this is more a work of arthouse surrealism where Cronenberg spends the film documenting strange behaviours in an hilarious deadpan tone that mimics a scientific paper
The very first film from David Cronenberg. An incredibly experimental work even today, which consists of people wandering the halls of a university and the soundtrack of voices discussing psychic powers experiments in a dryly funny parody of an academic paper. Fascinatingly oblique
Film that has a minor cult reputation for its cheaply trippy 3D hallucination scenes. Outside of that, The Mask (not to be confused with the Jim Carrey film) is a dull variant on the Dr Jekyll story in which a ritual mask causes the wearer’s dark side to emerge