Zeder (1983)
Acclaimed classic of 1980s Italian horror where a mysterious typewriter ribbon leads a writer in search of zones where the dead can return to life
The Science Fiction Horror and Fantasy Film Review
Catholicism refers to the beliefs of the Roman Catholic Church. The church has a long history and is the largest Christian denomination in the world. Catholicism is widespread in Latin American countries, Ireland and Italy, among many others.
Catholicism has a number of essential doctrines that differentiate it from mainstream Christianity. These include a male priesthood who must remain celibate their entire lives, while women become nuns; the belief that the Pope is the appointed head of the church and God’s voice on Earth and that his teachings are infallible; the belief that the Virgin Mary, the mother of Jesus, has a consecrated position. There is also the belief in those who lead sanctified lives can be appointed saints and have special power.
Beliefs also entail the confession of one’s sins to a priest and small penance that one must do to receive forgiveness. Controversial has been stances against divorce, contraception and homosexuality. There are many other aspects, particularly now defunct doctrines such as Latin liturgy, relics and the notion of Purgatory (a holding place between Heaven and Hell where one’s prayers and devotions can aid the dead progress on to Heaven).
In genre portrayals, Catholic priests have been seen as the frontline defenders against demonic possession in the Possession Film ever since The Exorcist (1973). The Church is also seen as funding vampire and other Monster Hunters. They are also seen as aiding in/fighting against the coming of Biblical End Times. The Vatican Library is seen as having objects of great rarity and occult value.
There have been a number of works that are critical of the church’s beliefs and practices, ranging from Witch Persecutions and The Inquisition to modern real-life accounts of paedophile priests. Some other works promote Conspiracy Theories about the church. There have also been films that feature psychopathic priests or nuns or are thrillers set around the confessional.
Acclaimed classic of 1980s Italian horror where a mysterious typewriter ribbon leads a writer in search of zones where the dead can return to life
One of the standout entries in the giallo film and certainly one of the best plotted of the genre, concerning a series of murders at a Catholic girls school
Obscure film in which director Fernando Arrabal depicts a series of vignettes from his childhood depicting the sadism and cruelty of the Spanish Fascists
The exorcism film has made a big comeback in the 00s. From one of the co-directors of the Crank films, this only offers up the same mix of cliches as usual – indeed, often seems like a series of random jump scares without any rationale as to why they would be happening
Stephen Sommers conducts a big-budget rehash of a 1940s Universal monster bash. A film so overloaded with CGI bombast and general overkill it becomes utterly absurd.
John Carpenter revitalises the vampire film with a sharp action edge as James Woods heads a team of vampire hunters. Woods gives a ferociously determined performance way above and beyond the call of duty
Little-seen Czech film that sits on the blurred edge of a dream in its hazily surreal view of the world through the eyes of a young girl where the figures around her seem to become vampires that constantly loom with darkly allegorical sexual threat
Adaptation of a James Herbert book about a deafmute girl who suddenly speaks and performs miracles, which may have a sinister cause
A British mini-series that offers an ingenious modernised reconeptualisation of the vampire genre, depicting the activities of a secret agency of vampire hunters
Dull serial killer thriller with Andrew McCarthy tracking a killer that has a Catholic fixation
The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded
The second-to-last Hammer film, an adaptation of one of Dennis Wheatley’s occult novels, shows them trying to catch up with The Exorcist and its ilk
Park Chan-wook film in which he rewrites the French literary classic Therese Raquin with the addition of a vampire priest with most effective results
Agnieszka Holland film with Ed Harris as a Catholic priest who has lost his faith who is asked defend the authenticity of a supposed miracle
This seems caught between offering an earnest theological debate about Catholicism and being a standard possession film. The results are not entirely uninteresting
Paco Plaza, co-director of the [Rec] films, shows James Wan how to do a nun horror film properly. This is a prequel to Plaza’s earlier Veronica, telling an origin story for Sister Death
Catholic horror film with Heath Ledger miscast as a priest that was a flopped. This is a fascinating piece of theological horror that plays out with an unusually strong and original script
Not the first but the most famous of the psycho Santa films. At the time, it was just another slasher film exploiting a holiday title. However, this does the slasher movie formula rather well while digging into Christmas sentiment with a bite that takes you aback
Michael Winner directs a film about a sinister apartment building but his typical crude and heavy-handed style fails to conjure anything remotely scary
Medieavel fantasy action film with Nicolas Cage and Ron Perlman assigned to escort a witch who may be able to deliver the land from the Black Plague. The wider moral issues of the film are buried under action and CGI
Fairly by-the-books possession and exorcism film that does have the novelty of playing out in a morgue and where the entire cast has been pared down to four. There also seems an earnest strain of belief in Christianity/Catholicism that runs throughout
Saw series director Darren Lynn Bousman makes a film set at a convent for unwed mothers in the 1950s. Is there any chance this might be a work about institutional cruelty or the plight of unwed mothers in the era? Hardly, all it really is is Bousman inflicting a series of tortures on the girls
Extremely good thriller from an Elmore Leonard script with Donald Sutherland as a Catholic priest who tries to stop a serial killer without violating the sanctity of the confessional
A film based on what is said to be the most well-documented exorcism in US history. Al Pacino plays the exorcist
Full-blooded possession and exorcism that takes its Catholic cant seriously and emerges as dramatically gripping, with Anthony Hopkins delivering a tour-de-force performance. Supposedly based on a true story.
This has a fascinating premise where the Catholic Church develops a resurrection process, before one priest starts to see a darker conspiracy beneath. Shot in the Screenlife process where the film screen becomes a computer screen
This should be mandatory viewing after watching The Exorcism of Emily Rose. While that film rewrote the tragedy of Anneliese Michel as a film about possession, this German-made production sets things straight and tells a story about a girl with mental health issues
Lesser sequel to the Spanish Found Footage zombie film [Rec] that repeats the original to variable effect but needlessly breaks up the single camera point-of-view
Difficult to find 1970s Canadian-made occult film that doesn’t quite live up to expectation. Mostly it is a police procedural and the devil worship cult angle only emerges as a left field ending in the last ten minutes.; Not tight enough as a detective story to fully work
Well worthwhile Psycho sequel directed by Anthony Perkins himself who makes an assured, even at times dazzling debut. The film has a playfulness and outrageousness that quite takes you aback
One of the less successful, nevertheless underrated John Carpenter films where he pays tribute to Nigel Kneale in a conceptually mind-boggling mix of deviltry and quantum physics
The possession and exorcism film has become a heavily exhausted one, having cycled through the same limited bag of tricks for the last 40 years. This South Korean take still mines the same territory but adds some nifty new tricks to build to a riveting climax
This spends much effort creating an imaginative future where priests battle vampires who are banished to reservations only to do nothing with it other than reach for the tropes of the Western
Daniel Stamm, the director who made the standout
Steven E. de Souza directs a film that supposedly tells the true story that inspired The Exorcist but in practice is just another excuse to trot out the possession and exorcism cliches
A film based on the true-life figure of the Vatican’s official exorcist Father Gabriele Amorth this could have been great but descends into tedious hokum
Stuart Gordon’s adaptation of the Edgar Allan Poe story gets full marks for being set during the Spanish Inquisition. On the other hand, Gordon’s unserious splatter heavy approach and a campy performance from Lance Henriksen deflates the material
The classic 1976 Anti-Christ film is given the remake treatment. The production look slick but quickly disappears into forgettability
This is where all the cliches of Devil Children began. A big hit among the 1970s occult boom, this is essentially Sunday tabloid Christianity – a lurid, doom-filled take on Book of Revelation End Times prophecies that moves with a slick polish and a series of schlocky deaths every few minutes
Lush Magical Realist adaptation of a Gabriel Garcia Marquez book about demonic possession that takes the view that it is no more than Church superstition
More from James Wan’s The Conjuring Universe, this places more focus on mood and atmosphere than The Nun’s ludicrous jump effects
Another spinoff from The Conjuring films. James Wan is one of the finest horror directors of the 2010s but has had difficulty imparting his skills to the directors of the films he has produced. This feels like a fairground haunted house show of tedious and repetitive pop-up shocks that runs free of any connection to a plot
Alex van Warmerdam makes a very strange black comedy, so deadpan you are not sure if you are meant to be laughing or not
Film in the faux grindhouse style created by Tarantino and Rodriguez made as homage to the so-called nunsploitation genre. While operating on a low-budget, this has a great pulp energy that delivers in aces on all three title promises
The directorial debut of William Peter Blatty, the writer of The Exorcist, a strange and unclassifiable black comedy set in a military asylum. Imagine One Flew Over the Cuckoo’s Nest directed by Robert Altman
A above average entry in the recent trend of horror anthologies featuring episodes from different directors, including Joe Dante and Mick Garris, featuring at least a couple of standout entries
Sequel to a film that few people remember, this is all campy one-liners and gory set-pieces conducted with a silliness that boggles the mind
The third and last of the Monty Python films, a variety of skits that are variously outrageous and frequently leave behind all good taste
The Monk is a sordid classic of 18th Century Gothic literature, filled with crazed lusts and Catholic guilt and damnation. However, in the hands of French director Dominik Moll, all the tortured sexuality has been watered down and the story stuffed as a costume drama
An adaptation of a classic 18th Century Gothic novel about a priest who faces diabolic temptations in the form of a woman disguised as a novice monk amid much tortured guilt and damnation
A ghastly sanctimonious Catholic miracle film from the 1940s about the elevation of a Hollywood starlet to sainthood simply because she was glamorous
One of a spate of miracle films during this period, Catholic nonsense with Jane Wyman and Van Johnson finding love that transcends death
A ridiculously melodramatic Catholic historical drama wherein a statue of the Virgin Mary comes to life to take the place of a nun so she can run off and woo a young Roger Moore … A lushly made canvas but otherwise absurdly overwrought piety
Low-budget action film with Dolph Lundgren as a modern-day Knights Templar tasked with preventing The Devil returning to Earth at the millennium
Mike Flanagan returns with his best work to date. Effectively a Catholic version of Salem’s Lot, this comes with some flat out great pieces of writing
Luc Besson takes on the Joan of Arc story with then wife Milla Jovovich in the title role but in Besson’s hands it becomes a crazed historical action film that unquestioningly accepts Joan’s visions as real
Ray Bradbury’s book about the human colonisation of Mars is an SF classic for its wistful, nostalgic poetry. This tv mini-series adaptation is killed by a lumbering director who over-explains Bradbury’s imagery in the most literal ways
Steven Spielberg’s regular cinematographer Janusz Kaminski takes the director’s chair and conducts a modest and effective revival of the 1970s occult/Anti-Christ film
An oddity from Hammer Films – a colourfully interesting lost world film set in the Sargasso Sea filled with trapped ships from all eras and cheesy monster. More dramatically interesting in the build-up than when we arrive
A conceptually peculiar mix of Indiana Jones and Waterworld about tomb raiding adventures in a drowned future and the quest for Moses’s staff to turn back the rising waters
This seemed to promise something of tv’s late lamented Constantine or the first Warlock. Instead what we end up with has been turned into a ponderous effects vehicle for Vin Diesel
Christopher Smith is an underrated genre director but his first venture into tv is disappointing cross-historical quest for the Holy Grail story that reads like warmed over Da Vinci Code
Hilariously nonsensical horror film with Joanna Pacula as a sinister aunt. The plot throws in laughable novelty effects, including a killer cat, absurdly overwrought symbolism and some voodoo rationale
Notorious Video Nasty, a key work in the Nunsploitation genre with Anita Ekberg as a drug addicted nun who kills her patients. Apparently based on real life
One of the key films from cult director Walerian Borowczyk, a quartet of exquisitely photographed and art directed erotic tales, including one about Countess Bathory
A horror film where Sydney Sweeney stars as a virginal nun who appears to be experiencing an immaculate conception. This is only a slightly better version of The Nun
Madcap slapstick caper comedy with Bruce Willis as a cat burglar. This was a massive box-office flop at the time but remains a lunatically out-of-control mess that is frequently hilarious
Warm and appealing film filled with great performances that takes place across two generations of an Italian-American family. An obsession with Catholic miracles takes over in the second half, although the film remains ambiguous to their actuality
From British director Pete Walker who specialised in films about insane authority figures slaughtering Swinging Sixties youth – in this case, he caused a considerable stir with a film featuring a psychopathic Catholic priest
An outrageously demented low-budget film guaranteed to offend nearly everybody. This takes inspiration from Hobo With a Shotgun with a Catholic priest wielding a gun seeking revenge
This Polish film starts out seeming like a possession film set in a monastery but rather pleasingly keeps turning all the expectations on their head with increasingly wilder effect
From the creators of Reno 911, a comedy spoofing possession, exorcism and diabolical pregnancy cliches. This assembles material that feels as though it should have been funnier than it is
A controversy-laden Jean-Luc Godard film that offers an irreverent modern-day retelling of the Immaculate Conception. An amusing idea that vanishes under Godard’s pretensions
Thriller where widow Darlanne Fluegel and radio talkback host Richard Belzer team up to hunt a serial killer shooting people on the L.A. freeways
One of the early films from Paul Verhoeven, an amusingly blasphemous tale that draws more than a little from Don’t Look Now with gay writer Jeroen Krabbe becoming wound into the dealings of femme fatale Renee Soutendijk
Did the world ask for a prequel to the events of The Omen, explaining how Damien was born etc? It’s not an issue that has given me sleepless night, but it is a question the film sets out to answer anyway
The third and by general consensus the weakest of The Omen films. It fails to deliver its promise of depicting the Armageddon but Sam Neill gives a performance of magnificently dark charisma as the grown-up Damien
From Frank LaLogiaa, a director who has made too few films, a low-budget film with Stefan Arngrim as a teenage Antichrist. This is a film filled with as much promise as it does absurd effect
Quirkily appealing Canadian fish out of water comedy where John the Baptist is sent to present-day Newfoundland just before the turn of the millennium to prevent the End of the World
Prequel to The Exorcist concerning the young Father Merrin. Production company Morgan Creek dumped Paul Schrader’s original version of the film and brought in the perpetually terrible Renny Harlin to make something scarier but Harlin’s pop-effects remain tepid
In much the same way as they did with Halloween, Blumhouse and director David Gordon Green offer up a sequel to The Exorcist on the original’s fiftieth anniversary. The results are a bizarre scratch of the head
This is regarded as one of the worst sequels ever made, featuring many of the actors but with John Boorman stepping in as director. It’s an incomprehensible mishmash of ideas but not without some laudable elements
A landmark classic of the horror genre, a film whose take on demonic possession and exorcism laid down a series of tropes that are still present over five decades later. A gruelling and intensive horror story into the bargain
A possession and exorcism film from Mexico, this draws on the same tired and overly worn clichés that have been around since The Exorcist but offers some interesting twists
This became a big sensation with its claims to be on the true account of an exorcism even if director Scott Derrickson alters what actually happened to the point of complete fiction. The rest just rehashes cliches from The Exorcist
Low-budget possession and exorcism supposedly based on a true story that cycles through most of the tropes of the genre. An earlier version of the same “true-life” possession depicted in The Ritual
Joshua John Miller, the son of The Exorcist’s star Jason Miller, makes a film where an actor cast as the priest in a remake of The Exorcist becomes possessed. A witty and clever blend of meta reference and autobiography
Arnold Schwarzenegger takes on The Devil on the eve of the millennium. This is essentially The Omen and one of its ilk having been reworked as a mindless big-budget action and effects movie
The first of two sequels to Dracula 2000. This is based around the idea of trying to scientifically examine a vampire’s body, sort of a vampire film by way of CSI
One of the early films from Lucio Fulci – the film that he always insisted was his best – concerning a series of child killings in a small town. Quite different to the sort of film Fulci became known for
A film that was the cause of much censorship controversy when it came out where two teenage girls decide to become devil worshippers and engage on a spree of cruel and malicious acts
Paul Schrader’s original version of Exorcist: The Beginning that was junked by the producers. This is a far more subtle telling of the same story that eschews shock effect in favour of a moral struggle of the soul
Kevin Smith makes a film about Catholicism. Smith’s irreverent humour caused considerable controversy when the film came out, although this is also an interesting and thoughtful work that does make a number of thoughtful theological points
Canadian family saga told through the eyes of a young boy growing up amid a strange extended Newfoundland family. Featuring a number of fantastical elements.
Irish made Found Footage film where the investigation into a seeming miracle at a Catholic orphanage uncovers a case of possession and assorted deviltry taking place
Ken Russell makes an historical work about the Catholic Church’s persecution of a supposed outbreak of possession at a convent in 17th Century France. As to be expected of Russell, this is shocking and outrageous. Oliver Reed gives one of his best performance
Another Found Footage variant on an exorcism film. This was a big box-office hit but only ends up repeating the tired cliches of the exorcism and possession genre
This has an insane plot about Satanists stealing the Shroud of Turin to clone a body to incarnate The Devil and a priest possessed by the archangel Michael wading into action with a glowing sword
This is a surreal and plotless Catholic horror film from Dante Tomaselli that seems full of fairground horror house jumps and overloaded with tortured Catholic imagery but makes no real sense
Miles Doleac is better known as an actor but also has a number of credits as a director. Here he both directs and stars as a former priest haunted by an exorcism gone wrong