Absolution (1981)
Obscure but worthwhile psycho-thriller with Richard Burton as a priest at a Catholic boy’s school dealing with a pupil playing taunting psychological games
The Science Fiction Horror and Fantasy Film Review
Catholicism refers to the beliefs of the Roman Catholic Church. The church has a long history and is the largest Christian denomination in the world. Catholicism is widespread in Latin American countries, Ireland and Italy, among many others.
Catholicism has a number of essential doctrines that differentiate it from mainstream Christianity. These include a male priesthood who must remain celibate their entire lives, while women become nuns; the belief that the Pope is the appointed head of the church and God’s voice on Earth and that his teachings are infallible; the belief that the Virgin Mary, the mother of Jesus, has a consecrated position. There is also the belief in those who lead sanctified lives can be appointed saints and have special power.
Beliefs also entail the confession of one’s sins to a priest and small penance that one must do to receive forgiveness. Controversial has been stances against divorce, contraception and homosexuality. There are many other aspects, particularly now defunct doctrines such as Latin liturgy, relics and the notion of Purgatory (a holding place between Heaven and Hell where one’s prayers and devotions can aid the dead progress on to Heaven).
In genre portrayals, Catholic priests have been seen as the frontline defenders against demonic possession in the Possession Film ever since The Exorcist (1973). The Church is also seen as funding vampire and other Monster Hunters. They are also seen as aiding in/fighting against the coming of Biblical End Times. The Vatican Library is seen as having objects of great rarity and occult value.
There have been a number of works that are critical of the church’s beliefs and practices, ranging from Witch Persecutions and The Inquisition to modern real-life accounts of paedophile priests. Some other works promote Conspiracy Theories about the church. There have also been films that feature psychopathic priests or nuns or are thrillers set around the confessional.
Obscure but worthwhile psycho-thriller with Richard Burton as a priest at a Catholic boy’s school dealing with a pupil playing taunting psychological games
Abel Ferrara takes on the vampire film and delivers a work loaded with weighty, nihilistic philosophical meditations and creates startling reinventions of vampire imagery
The first of The Amityville Horror sequels and a far more entertaining film than its predecessor by abandoning the pretence at telling a true story and adding a possession plot and makeup effects to the mix
An interesting slow burn film about an ex-soldier who accepts a job as a handyman with a woman and her ailing mother that soon heads off in some very strange directions
Ron Howard and Tom Hanks follow up their adaptation of The Da Vinci Code by turning to an earlier Dan Brown novel concerning conspiratorial goings-on in The Vatican but the show collapses amid absurdly contrived plotting
An Italian-made ripoff of The Exorcist. Probably the most lavishly produced of all Exorcist ripoffs, this soon slips into lurid shock theatrics. Star Carla Gravina should get full marks for going beyond the call of duty
Marcus Nispel is a director most associated with remakes of other films. In original material here, he is still rehashing moves from other films – an abandoned asylum and every shock effect in the possession/exorcism playbook
In the aftermath of the huge success of The Exorcism of Emily Rose, this was another supposedly true account of an exorcism. Made on a low-budget, this fails to surmount the cliches of The Exorcist
Reasonable budgeted film that does no more than rehash Devil Child cliches from The Omen – or even more so the basic plot of Servants of Twilight. Chuck Russell throws in lots of CGI effects to little effect
Thriller in which Antonio Banderas is a Catholic priest dispatched to Jerusalem to deal with the apparent archaeological discovery of Jesus Christ’s body
The Found Footage horror film quickly became worn out. However, this effort about the investigation into a haunted church in the English countryside manages to generate some quite reasonable atmosphere
From regular genre director Christophe Gans, this is a head-scratching mix of French historical drama, monster movie and imported Wu Xia action moves
A low-budget independent vampire film set around a group of vampire hunters trying to bring down the master vampire – the local Catholic priest
Neil Jordan makes a film about an abusive childhood that actually ends up asking us to cheer on the central character’s emergence as a murderer. Maybe the most cheerfully entertaining film ever made about child abuse.
Modest serial killer thriller – imagine one of the numerous Silence of the Lambs copies crossbred with Fargo. The film’s quiet pace soon segues into an absorbing thriller plot, while Christopher Heyerdahl gives a fine performance as the killer
An almost quite good film from Charles and Albert Band’s Empire Productions about imprisoned evil stirring beneath a monastery. The build-up is well done and the film only falters at a weak ending
Not to be confused with the Chucky films, this is a little-seen film about a series of sadistic games played by pupils that targets other pupils in a Catholic boys’ boarding school
Nicolas Roeg was one of the great directors of the 1970s, making works like Performance and Don’t Look Now. This was one of Roeg’s last films where Mark Harmon is killed in an accident but makes a miraculous resurrection
A psycho-thriller that has gained a modest cult reputation. This comes seeped in Catholic guilt and director Alfred Sole delivers twists and turns with a fine hand. Featuring a young Brooke Shields in her film debut.
Spanish-made film that feels like a mash-up of Annabelle and The Nun about the communion doll belonging to a girl who went missing that appears and curse everyone it touches
The third of the Conjuring films, this lacks the presence of James Wan in the director’s seat while peddling an even more highly dubious Based on a True story claim regarding a demonic possession
Christopher Smith was a highly promising director several years ago with Creep, Triangle and Black Death. Here he returns with a film about sinister happenings in a convent
Adaptation of DC’s Hellblazer comic-book that gets the Hollywood treatment where all of the character’s background and look has been thrown out and the part badly miscast with Keanu Reeves
Early Mike Mendez film that quickly abandons being a standard venture into a haunted convent and launches into an entertainingly over-the-top splatter show filled with zombified nuns
Team-up between Ken Russell and Anthony Perkins with both in full-on lunacy mode. Kathleen Turner gives her best performance ever as a fashion designer moonlighting as a hooker who is stalked by Perkins as a psycho priest
Xavier Gens film from the screenwriters of The Conjuring films based on a supposedly true-life exorcism. One was hoping that Gens would do amazing things with the exorcism genre but he only rehashes the same cliches
A low-budget mockbuster that joins the horde of ghost nun films that were made following the success of The Nun. From the director of Clowntergeist.
Hammer Films offer their take on the werewolf film starring a young, unknown Oliver Reed. Director Terence Fisher creates a lush film rich in symbolism, made with the full weight of Hammer’s production values
Ron Howard directed film version of Dan Brown’s best-selling book. This is historical nonsense woven into a fancifully absurd conspiracy theory where Howard does no more than offer an illustrated version of the book
Incomprehensible surrealism from director Raul Ruiz about a doctor sent to investigate a village where miracles occur with commonplace regularity
A film about a woman’s journey to a convent of sinister secrets that is aswim in religious imagery, although the film itself eventually proves to be all imagery with no coherent plot
The Woman was one of the least likely films to ever warrant a sequel. But this is what we get here and directed/written by no less than Pollyanna McIntosh who played The Woman in the original
A passable variant on the usual haunting and possession cliches overloaded with Catholic imagery before becoming a surprise unofficial prequel to a classic horror series
Neill Blomkamp, the director of District 9, returns with a possession film that uniquely takes places in Virtual Reality as Carly Pope must use a device that enters her comatose mother’s dreamspace
Miles Doleac is better known as an actor but also has a number of credits as a director. Here he both directs and stars as a former priest haunted by an exorcism gone wrong
This is a surreal and plotless Catholic horror film from Dante Tomaselli that seems full of fairground horror house jumps and overloaded with tortured Catholic imagery but makes no real sense
This has an insane plot about Satanists stealing the Shroud of Turin to clone a body to incarnate The Devil and a priest possessed by the archangel Michael wading into action with a glowing sword
Another Found Footage variant on an exorcism film. This was a big box-office hit but only ends up repeating the tired cliches of the exorcism and possession genre
Ken Russell makes an historical work about the Catholic Church’s persecution of a supposed outbreak of possession at a convent in 17th Century France. As to be expected of Russell, this is shocking and outrageous. Oliver Reed gives one of his best performance
Irish made Found Footage film where the investigation into a seeming miracle at a Catholic orphanage uncovers a case of possession and assorted deviltry taking place
Canadian family saga told through the eyes of a young boy growing up amid a strange extended Newfoundland family. Featuring a number of fantastical elements.
Kevin Smith makes a film about Catholicism. Smith’s irreverent humour caused considerable controversy when the film came out, although this is also an interesting and thoughtful work that does make a number of thoughtful theological points
Paul Schrader’s original version of Exorcist: The Beginning that was junked by the producers. This is a far more subtle telling of the same story that eschews shock effect in favour of a moral struggle of the soul
A film that was the cause of much censorship controversy when it came out where two teenage girls decide to become devil worshippers and engage on a spree of cruel and malicious acts
One of the early films from Lucio Fulci – the film that he always insisted was his best – concerning a series of child killings in a small town. Quite different to the sort of film Fulci became known for
The first of two sequels to Dracula 2000. This is based around the idea of trying to scientifically examine a vampire’s body, sort of a vampire film by way of CSI
Arnold Schwarzenegger takes on The Devil on the eve of the millennium. This is essentially The Omen and one of its ilk having been reworked as a mindless big-budget action and effects movie
Joshua John Miller, the son of The Exorcist’s star Jason Miller, makes a film where an actor cast as the priest in a remake of The Exorcist becomes possessed. A witty and clever blend of meta reference and autobiography
Low-budget possession and exorcism supposedly based on a true story that cycles through most of the tropes of the genre. An earlier version of the same “true-life” possession depicted in The Ritual
This became a big sensation with its claims to be on the true account of an exorcism even if director Scott Derrickson alters what actually happened to the point of complete fiction. The rest just rehashes cliches from The Exorcist
A possession and exorcism film from Mexico, this draws on the same tired and overly worn clichés that have been around since The Exorcist but offers some interesting twists
A landmark classic of the horror genre, a film whose take on demonic possession and exorcism laid down a series of tropes that are still present over five decades later. A gruelling and intensive horror story into the bargain
This is regarded as one of the worst sequels ever made, featuring many of the actors but with John Boorman stepping in as director. It’s an incomprehensible mishmash of ideas but not without some laudable elements
In much the same way as they did with Halloween, Blumhouse and director David Gordon Green offer up a sequel to The Exorcist on the original’s fiftieth anniversary. The results are a bizarre scratch of the head
Prequel to The Exorcist concerning the young Father Merrin. Production company Morgan Creek dumped Paul Schrader’s original version of the film and brought in the perpetually terrible Renny Harlin to make something scarier but Harlin’s pop-effects remain tepid
Quirkily appealing Canadian fish out of water comedy where John the Baptist is sent to present-day Newfoundland just before the turn of the millennium to prevent the End of the World
From Frank LaLogiaa, a director who has made too few films, a low-budget film with Stefan Arngrim as a teenage Antichrist. This is a film filled with as much promise as it does absurd effect
The third and by general consensus the weakest of The Omen films. It fails to deliver its promise of depicting the Armageddon but Sam Neill gives a performance of magnificently dark charisma as the grown-up Damien
Did the world ask for a prequel to the events of The Omen, explaining how Damien was born etc? It’s not an issue that has given me sleepless night, but it is a question the film sets out to answer anyway
One of the early films from Paul Verhoeven, an amusingly blasphemous tale that draws more than a little from Don’t Look Now with gay writer Jeroen Krabbe becoming wound into the dealings of femme fatale Renee Soutendijk
Thriller where widow Darlanne Fluegel and radio talkback host Richard Belzer team up to hunt a serial killer shooting people on the L.A. freeways
A controversy-laden Jean-Luc Godard film that offers an irreverent modern-day retelling of the Immaculate Conception. An amusing idea that vanishes under Godard’s pretensions
From the creators of Reno 911, a comedy spoofing possession, exorcism and diabolical pregnancy cliches. This assembles material that feels as though it should have been funnier than it is
This Polish film starts out seeming like a possession film set in a monastery but rather pleasingly keeps turning all the expectations on their head with increasingly wilder effect
An outrageously demented low-budget film guaranteed to offend nearly everybody. This takes inspiration from Hobo With a Shotgun with a Catholic priest wielding a gun seeking revenge
From British director Pete Walker who specialised in films about insane authority figures slaughtering Swinging Sixties youth – in this case, he caused a considerable stir with a film featuring a psychopathic Catholic priest
Warm and appealing film filled with great performances that takes place across two generations of an Italian-American family. An obsession with Catholic miracles takes over in the second half, although the film remains ambiguous to their actuality
Madcap slapstick caper comedy with Bruce Willis as a cat burglar. This was a massive box-office flop at the time but remains a lunatically out-of-control mess that is frequently hilarious
A horror film where Sydney Sweeney stars as a virginal nun who appears to be experiencing an immaculate conception. This is only a slightly better version of The Nun
One of the key films from cult director Walerian Borowczyk, a quartet of exquisitely photographed and art directed erotic tales, including one about Countess Bathory
Notorious Video Nasty, a key work in the Nunsploitation genre with Anita Ekberg as a drug addicted nun who kills her patients. Apparently based on real life
Hilariously nonsensical horror film with Joanna Pacula as a sinister aunt. The plot throws in laughable novelty effects, including a killer cat, absurdly overwrought symbolism and some voodoo rationale
Christopher Smith is an underrated genre director but his first venture into tv is disappointing cross-historical quest for the Holy Grail story that reads like warmed over Da Vinci Code
This seemed to promise something of tv’s late lamented Constantine or the first Warlock. Instead what we end up with has been turned into a ponderous effects vehicle for Vin Diesel
A conceptually peculiar mix of Indiana Jones and Waterworld about tomb raiding adventures in a drowned future and the quest for Moses’s staff to turn back the rising waters
An oddity from Hammer Films – a colourfully interesting lost world film set in the Sargasso Sea filled with trapped ships from all eras and cheesy monster. More dramatically interesting in the build-up than when we arrive
Steven Spielberg’s regular cinematographer Janusz Kaminski takes the director’s chair and conducts a modest and effective revival of the 1970s occult/Anti-Christ film
Ray Bradbury’s book about the human colonisation of Mars is an SF classic for its wistful, nostalgic poetry. This tv mini-series adaptation is killed by a lumbering director who over-explains Bradbury’s imagery in the most literal ways
Luc Besson takes on the Joan of Arc story with then wife Milla Jovovich in the title role but in Besson’s hands it becomes a crazed historical action film that unquestioningly accepts Joan’s visions as real
Mike Flanagan returns with his best work to date. Effectively a Catholic version of Salem’s Lot, this comes with some flat out great pieces of writing
Low-budget action film with Dolph Lundgren as a modern-day Knights Templar tasked with preventing The Devil returning to Earth at the millennium
A ridiculously melodramatic Catholic historical drama wherein a statue of the Virgin Mary comes to life to take the place of a nun so she can run off and woo a young Roger Moore … A lushly made canvas but otherwise absurdly overwrought piety
One of a spate of miracle films during this period, Catholic nonsense with Jane Wyman and Van Johnson finding love that transcends death
A ghastly sanctimonious Catholic miracle film from the 1940s about the elevation of a Hollywood starlet to sainthood simply because she was glamorous
An adaptation of a classic 18th Century Gothic novel about a priest who faces diabolic temptations in the form of a woman disguised as a novice monk amid much tortured guilt and damnation
The Monk is a sordid classic of 18th Century Gothic literature, filled with crazed lusts and Catholic guilt and damnation. However, in the hands of French director Dominik Moll, all the tortured sexuality has been watered down and the story stuffed as a costume drama
The third and last of the Monty Python films, a variety of skits that are variously outrageous and frequently leave behind all good taste
Sequel to a film that few people remember, this is all campy one-liners and gory set-pieces conducted with a silliness that boggles the mind
A above average entry in the recent trend of horror anthologies featuring episodes from different directors, including Joe Dante and Mick Garris, featuring at least a couple of standout entries
The directorial debut of William Peter Blatty, the writer of The Exorcist, a strange and unclassifiable black comedy set in a military asylum. Imagine One Flew Over the Cuckoo’s Nest directed by Robert Altman
Film in the faux grindhouse style created by Tarantino and Rodriguez made as homage to the so-called nunsploitation genre. While operating on a low-budget, this has a great pulp energy that delivers in aces on all three title promises
Alex van Warmerdam makes a very strange black comedy, so deadpan you are not sure if you are meant to be laughing or not
Another spinoff from The Conjuring films. James Wan is one of the finest horror directors of the 2010s but has had difficulty imparting his skills to the directors of the films he has produced. This feels like a fairground haunted house show of tedious and repetitive pop-up shocks that runs free of any connection to a plot
More from James Wan’s The Conjuring Universe, this places more focus on mood and atmosphere than The Nun’s ludicrous jump effects
Lush Magical Realist adaptation of a Gabriel Garcia Marquez book about demonic possession that takes the view that it is no more than Church superstition
This is where all the cliches of Devil Children began. A big hit among the 1970s occult boom, this is essentially Sunday tabloid Christianity – a lurid, doom-filled take on Book of Revelation End Times prophecies that moves with a slick polish and a series of schlocky deaths every few minutes
The classic 1976 Anti-Christ film is given the remake treatment. The production look slick but quickly disappears into forgettability
Stuart Gordon’s adaptation of the Edgar Allan Poe story gets full marks for being set during the Spanish Inquisition. On the other hand, Gordon’s unserious splatter heavy approach and a campy performance from Lance Henriksen deflates the material
A film based on the true-life figure of the Vatican’s official exorcist Father Gabriele Amorth this could have been great but descends into tedious hokum
Steven E. de Souza directs a film that supposedly tells the true story that inspired The Exorcist but in practice is just another excuse to trot out the possession and exorcism cliches