Split Infinity (1992)
Christian-made family film where a girl travels back in time to 1929 to help save the family farm
The Science Fiction Horror and Fantasy Film Review
Christian Cinema (often referred to as faith-based cinema) refers to films made by Christian believers intended for Christian audiences and to preach the message to non-believers. This should be differentiated from regular films that employ Christian themes (depictions of Heaven/Hell, God/The Devil, use of the crucifix to repel vampires etc) as fictional devices. By contrast, the films here are made by people who are believers.
The genre has emerged from sporadic releases of the 1970s to a series of obscure low-budget video-releases in the 1990s to an increasing prominence and mainstream theatrical release in the 2000s employing name stars.
Entries listed here feature appearances of The Almighty, Jesus or the miraculous in the present-day or people who have experiences that lead them to believe. By far and away, the most popular treatments listed here concern themselves with the Biblical End Times Prophecies scenarios – the end of the world as predicted in The Book of Revelations, The Rapture, the rise of the Antichrist etc.
Christian-made family film where a girl travels back in time to 1929 to help save the family farm
Christian film in which Sean Patrick Flanery is a recovering rock musician who fights to rescue his girlfriend from the clutches of a music promoter who is the Ant-Christ
One of a cluster of faith-based films made around the turn of the millennium dealing with the biblical apocalypse and The Rapture, this has not dated well
The second in a series of Biblical End Times films from Canada’s faith-based Cloud Ten Pictures, this offers the peculiarity of the Anti-Christ appearing in Virtual Reality
The Omen and imitators had been exploiting Biblical End Times prophecies for years but this is one that approaches it from a Christian perspective. The film also started a wave of serious faith-based films that employed name actors in order to carry them to crossover audiences
The third in a series of Biblical End Times films withGary Busey as a decent cop who wakes up in a future ruled by the Anti-Christ. The heavy-handed slinging of Bible verses makes this hard-going for anyone who is not a believer, while the conspiratorial tone frequently verges on nuttiness
Adaptation of the best-selling Christian book series about the Biblical End of the World. There is a mini-industry of these films and, if one can stomach the preachiness, this is not entirely bad
The second of the Kirk Cameron Biblical End Times films. On one hand, these are quite competently made B movies; on the other the fundamentalist message is unpalatable
This holds the novelty of being a Christian time travel film but plummets into bad movie stakes when it has a 19th Century professor travel into the present to become appalled at seeing couples kiss on tv and lingerie in store … A great idea for a comedy but then you realise the film is serious
Perhaps the strangest film on Chuck Norris’s cv – the film where Chuck plays an angel. A work of Christian horror where Chuck’s son Mike plays a decent man trapped in a sinister Western town of devil worshipping children
Christian film in which insurance agent Wil Wheaton receives the title book containing the dates on which people are going to die and uses it to make his quotas
Mel Gibson wants to give us a film that shows Jesus’s suffering leading up to the Crucifixion but has taken it to such an extreme that he has actually created a Torture Porn film that gives the Saw and Hostel franchises a run for their money
Christian work about the Biblical End Times set in a dystopia where everyone is forced to accept the Mark of the Beast. Starring Jeffrey Dean Morgan, no less!
This became a big sensation with its claims to be on the true account of an exorcism even if director Scott Derrickson alters what actually happened to the point of complete fiction. The rest just rehashes cliches from The Exorcist
The third of the Left Behind films with Kirk Cameron facing the Biblical End of the World and the Antichrist. This travels well down into bad movie territory
The film adaptation of C.S. Lewis’s book sought to appeal to audiences for the Lord of the Rings films but between Lewis’s heavy-handed Christian allegories and Andrew Adamson’s inexperience as a director fails to fly
Quite evidently modelled on Se7en even to the lookalike title, this is the novelty of a Christian serial killer thriller. The results are quite strange to say the least
The novelty of the first Christian horror film. As opposed to much of the message-heavy tripe that usually gets peddled in this niche market, this is actually well structured with a number of interesting ambiguities and engaging as a story for the better part
One of the bizarre early oddities from The Asylum, a disaster movie about an oncoming asteroid. This also try to jump aboard the mid-2000s fad for Biblical movies where faith elements are combined with the scenario in ways that are bizarre
A Christian-made film based on the intriguing idea of Satan on trial in a courtroom. A film that in its bad acting, laughable dialogue and lack of conviction rivals The Room in bad movie stakes. The usually worthwhile Malcolm McDowell, who for some reason also produces, gives one of his worst performances
Chuck Norris’s son Mike directs a laughably ridiculous faith-based film where a miraculous child appears, come to heal the people of an impoverished, drought-ridden town
Not wishing to insult anyone’s beliefs but Christian cinema has produced some really bad films. With such lowered expectations, this Rapture film approaches halfway watchable with a story that somewhat resembles Mad Max 1 about a biker seeking vengeance against a decent man
One of a number of faith-produced films we have had since the late 90s that concern themselves with the arrival of The Rapture – this one even spawned a trilogy. This is passable if you can palate the relatively light sermonising and at least better written that the Left Behind films
Nicolas Cage stars in a new film based on the best-selling books about the Biblical end of the world. Despite a much bigger budget than the Kirk Cameron version, nothing terribly interesting happens
The third Revelation Road film, this offers the bizarre novelty of a faith-based Mad Max copy with divinely inspired action hero David A.R. White cruising the post-apocalyptic wastelands in the aftermath of The Rapture
There have been the various adaptations of the Left Behind books about the Biblical Rapture; this is an attempt to spin the same off for Young Adult audiences and is not very good
This comes with a fantastic conceptual hook “Man is invited to a meeting with God at a hut in the woods”. Alas, what we get is no more than a work of faith-based cinema that drowns in its feelgood Christianity Lite sentiments and appeal to Middle American wholesomeness
A film about occult detectives investigating a missing police officer. This then conducts a mid-film bait and switch on us as to what it is about and actually becomes a faith film
A faith-based film that comes with a great hook where a time-traveller seeks to go back and kill Jesus, eliminating Christianity from history
An hilariously bad film in which Christians launch a space mission to flee a Bible-censoring dystopia on Earth
The worst exorcism film ever made. A ridiculous Christian evangelical film about a God-loving American family under attack by malevolent spirits emerged from a book on witchcraft! Supposedly based on a true story
A psychologist is sent in to interview a killer facing execution who makes the claim he is possessed by a demon. Despite being made by the people behind God’s Not Dead, this is actually a well-made and captivating film
A revival of the Kirk Cameron starring Biblical End of the World films and a sequel to the Nicolas Cage starring reboot. Directed by and starring your favourite internet troll Kevin Sorbo