The Science Fiction Horror and Fantasy Film Review
Clairvoyance is a Psychic Power. It deals with the ability to foresee the future or detect information at a distance. This usually come in the form of the clairvoyant receiving visions that offer cryptic clues. There are clairvoyants in the real world that claim to offer aid to police investigations (although there are no cited examples where they have actually solved a crime).
From the 1970s, there have been a number of thrillers featuring clairvoyants. Most of these are detective stories in which an individual receives a vision of events that have or are about to happen and then tries to solve a mystery or prevent a tragedy from happening. These are in effect detective thrillers but where psychic insight is used instead of the investigation of clues. Since Eyes of Laura Mars (1978), there has also been a body of these films about psychics seeing through the eyes of a killer.
Other forms of precognition can come from dreams. Other works deal with fortune-tellers who see futures via tarot cards and crystal balls. There are a smaller number of films about people who are able to predict or see the future with the aid of some science-fictional device.
Mini-series with the intriguing premise of Timothy Hutton receiving a briefcase from the future with clues that foretells his death in five days time. This befalls utterly predictable handling and is padded out to fill a five-hour slot
Serial killer thriller with Aaron Eckhart on the trail of an ambiguous Ben Kingsley. This offers some interesting twists but fails in the core issue of developing it into an absorbing thriller plot
An amazing breakout hit from Russia, a film that is busy to the point of overcrowding with ideas and its’ director’s visual excess but delivers the goods in ways that make your jaw drop
Japanese horror film about a professor who receives newspaper headlines that predict deaths before they occur
A Japanese Found Footage film made not long after The Blair Witch Project with a man investigating various paranormal incidents around Tokyo
Vincent Ward is one of the directors who should be granted more opportunities to make films. This is his least satisfying work, a troubled behind-the-scenes epic set during New Zealand’s Maori Wars with some Magical Realist touches
An interesting and worthwhile attempt to retell the epic legend of Beowulf but to give it grounding as an historical work. Filmed in Iceland with an international cast
Marc Forster film that starts in with a beautifully filmed sense of disquiet mood and eerie reality disjuncts but loses it when it opts for another M. Night Shyamalan twist ending
A remake of the silent German Expressionist classic that replicates the unique look and sets. Interesting, although it now emerges more like a film noir with artistic pretensions than the avant garde work the original was
An impressive line-up of genre names came together for this big event mini-series that sets out to offer a conclusive explanation for the Bermuda Triangle in a plot that juggles an entertaining stew of wild ideas involving timewarps, alternate timelines and government cover-ups
Magical Realist film with Aishwarya Rai running a spice bazaar where she is able to tell fortunes
Frustratingly insipid indie slice-of-life film following three guys affected by a fortune-teller’s prophecy, this never surmounts the banalities of its characters’ lives
The third of The Crow sequels, starring a miscast Edward Furlong as a resurrected trailer park kid. This has a bad movie ridiculousness that killed the series off
The original creative team behind the Final Destination series, James Wong and Glen Morgan, return for this sequel but only provide a routine series of bizarre novelty deaths following the premonition of a rollercoaster disaster
David Lynch’s last theatrical films and probably the most divided of Lynch’s films. Another delve into cryptic surrealism that arrives at no clear plot destinations or clues about what is going on
Thriller starring Jennifer Beals as an FBI agent who receives clairvoyant visions during the hunt for an abducted girl
British clairvoyance thriller with an almost identical premise to The Dead Zone. Familiar material told with a modest effectiveness
Weepie drama in which Sandra Bullock becomes unstuck in time flipping back and forward with the foreknowledge that her husband Julian McMahon will befall a tragedy
Girl returns to her hometown after many years, encounters family secrets, ghostly figures, clairvoyant visions. The film holds interest for a time as you try to figure out what is going on but eventually proves a letdown
This adapts a Philip K. Dick story and then throws it out to make a generic action film with Nicolas Cage as a psychic. All the potential of its idea is lost amid a series of ridiculous plot twists
The movie parodies of Jason Friedberg and Aaron Seltzer, which consist of crude, witless gags run over replication of scenes from films of the last twelve months, are painfully unfunny. This doesn’t even spoof the disaster movie
Before the teen idol phenomenon took over, the original in the massively popular Young Adult series works as an earnest romance where all involved are clearly making an effort to play with a conviction
The second theatrical spinoff from The X Files, a dismally dull entry where one wonders how the people who created one of the great tv shows of the 1990s got it all wrong
An English-language remake of the ghost story from the Pang Brothers follows the other film faithfully but in terms of atmosphere is a pallid copy of the original
Eddie Murphy in another of the lame flops that marked his career in the 2000s where he plays a stockbroker who gets stock tips from his daughter’s imaginary companion
Neo-noir variation on a clairvoyant murder mystery. This works well in terms of capturing an extraordinary sense of its the central character’s loneliness and melancholy
Adaptation of a series of Young Adult books that should have emerged as Harry Potter made with the sensibilities of a Tim Burton. But the result fails to come to life in Paul Weitz’s hands
The second of the Twilight films where the moderately grounded original is blown up into the near laughable with the ridiculously over-the-top hyper-sexualised posturing of its male leads
The fourth in the series of films about a series of deaths for survivors after premonition of disaster at a speedway. This is shot in 3D but the novelty death set-pieces have become preposterous
A Viking film from Nicolas Winding Refn. Rather than being as any regular historical film, this is almost a mystical arthouse work, a work haunted by the austerity of its primal landscape
A positively ingenious film about psychic powers that comes with an enormous conceptual joy in seeing the ways the various powers can be combined
Sequel to Tarsem Singh’s The Cell that feels made by people who haven’t even seen the original. The original’s fascinating journey into dream terrain is replaced by a dull psychic with a link to a serial killer plot
This is a wholly unnecessary sequel to Donnie Darko, featuring the same bafflingly inexplicable time-blurring things happening to his sister but without the same culty weirdness
A gay version of Don’t Look Now – a film that takes forever to go anywhere and fails to wind its twists up to anything interesting
The third of the Twilight films. This extrudes the dramatic irresolution of the last film’s cliffhanger – should Bella marry Edward or does she really love Jacob? – with over-padded momentousness
Gregg Araki film that centres around sexually conflicted university student Thomas Dekker and his various liaisons amid witches, a doomsday weapon, cults and premonitions
There are few fantastic themes more tired than the clairvoyant thriller – a standard murder mystery where the detective just intuits all their deductions psychically. Apart from a couple of interesting twists, this is no different
A venture into Greek myth retelling the story of Theseus and the labyrinth. Tarsem Singh, a director with a visually extraordinary eye, lavishes everything on the sets and costumes. One film of the 3D overkill fad that needs to be seen in 3D
Film about clairvoyance and predestination that owes much to Don’t Look Now. Unfortunately, this reduces everything to the prosaic level of a tv movie thriller
The series drags another entry out set around the premonition of a bridge collapse. This one is played with such an enthusiasm for the bizarrely improbable deaths that it is one of the best of the sequels
The idea of (some chapters of) the classic Chinese legend Journey to the West retold in contemporary terms. This makes for some amusing interpolations, while also acting as a social critique of modern-day Chinese society
For the stew of elements this throws together – a famous unsolved murder case, ghosts, a blind psychic killer, possession, a sinister psychiatrist – it is surprising how dull the film that emerges is
Perhaps the best thing about this is that the Twilight saga is finally ended. This provides a moderately spectacular showdown but also wraps its plotlines up with absurd deus ex machina wimp outs and an infuriating twist ending
At first glance, Stephen Sommers and Dean R. Koontz seem strange bedfellows, but oddly enough it works – Koontz gives Sommers more story than he is used to working with and surprisingly it is the likeable characters and mind-boggling quirks of plot at the forefront rather than Sommers’ usual CGI bombast
While this received a good deal of fan buzz, I must admit to being disappointed. It strips much of the superheroics and mutant cameos of the other X-Men films until it feels more like a Westerner in Japan thriller like Black Rain or even a routine film noir plot that happens to be cast with Wolverine
A perfect example of a film carried by the ingenuity of its concept – a camera that takes photos 24 hours into the future – told with a superb tightness of economy – two sets and mostly three actors (largely unknowns) – and some wonderfully contorted twists
An object lessons in how not to adapt a Young Adult series – take a book series about an apprentice witch hunter set in an alternate England and turn it a generic Lord of the Rings copy
I went to see this on the description that called it a horror film about premonitions of disaster but far less interestingly it is a fictional attempt to analyse people’s attempts to grieve over the Fukushima Disaster – not uninteresting but with little interest in being a fantastic film
The underrated Victor Salva, director of Jeepers Creepers, takes on the deviltry and occult film where with his ability to conjure eerie jumps and outlandish images produces something original and out of this world
Dwayne Johnson starring Hercules film that just wants to be a big dumb cartoon without a brain cell in its body. This takes the interesting approach that Hercules was an ordinary man whose exploits were all down to PR
Ghost story from one of the directors of the Saw sequels that settles in with halfway reasonable build-up, before being killed off by an improbable left field twist ending
Another effort from the near-ubiquitous Blumhouse horror company. A film that teases many things – occult rituals, cultists after the pregnant heroine’s baby – that prove red herrings as it eventually telescopes down to a frustratingly ordinary explanation
For supposedly the Paranormal Activity series final entry, this offer the novelty of the first Found Footage film in 3D – a gimmick that signals the series is out of fresh ideas. Moreover, the series’ look via watching security cameras has been de-emphasised in favour of another CGI driven ghost story
This was intriguingly once planned as a Se7en sequel but I felt uninspired as it seems just another clairvoyant murder mystery. On the other hand, it is grippingly well written and has some great performances. With the introduction of a rival clairvoyant halfway through, it however becomes something amazing
Tim Burton used to be the great hope of fantastic cinema but his efforts since 2000 have been greeted with general disappointment. This Young Adult adaptation plays out like a fantasy version of the X-Men
Most SF films gloss over the issue of communication with aliens, having them either speaking English or with devices like Universal Translators. This is a superbly intelligent film that grapples with how to communicate with something different
South Korean film that borrows the premise of the film Frequency in having two characters separated across twenty years have clairvoyant dreams of the other’s life and combining forces to stop a killer
Screenwriter Akiva Goldsman gives us an utterly mangled version of Stephen King’s Dark Tower series that has little resemblance to the books, yet makes little sense if you haven’t read them
Modest horror film in which a photographer obtains a camera that predicts deaths before they happen – only to then find it predicts his wife’s death
The first in a trilogy of Russian dark fantasy films featuring the real-life horror writer Nikolai Gogol as an occult detective investigating a series of supernatural mysteries
BBC tv mini-series remake of the classic Richard Adams novel about talking rabbits on a quest. To get it over with, the animation is not the high-end quality that we have been spoiled with by Pixar et al. On the other hand, what remains is an excellent faithfully told version of the story
Based on an acclaimed book, once to be directed by David Cronenberg. This opened to bad reviews but is not uninteresting. A near future setting, precognitive dreams and Amber Heard as a sizzling femme fatale
Visually stunning Russian film with a clairvoyant and a police inspector teaming up to solve a series of occult murders in 19th Century St Petersburg
This feels like the Final Destination franchise updated for the mobile user generation concerning a sinister app that predicts how long the user has to live
Released for the fiftieth anniversary of the Manson Killings, this details the attacks on Sharon Tate by the Manson Family. The film expands on the claim that Tate had a precognitive dream about what was going to happen
Robert Rodriguez appears to have gotten the oversized non-event that was Alita: Battle Angel out of his system by making another of his seat of the pants home movies – this is less Spy Kids than Superhero Kids – and brings back one element Alita forgot, a sense of fun
The title suggests either a comedic take on the superhero film or a teen film about a kid discovering superpowers. The least thing you expect this to be is a French police thriller about a unit investigating super-powered crimes
Denis Villeneuve’s adaptation of Frank Herbert’s classic SF novel comes with a determination to give the story and its richly detailed world faithful life on screen. Villeneuve adapts freely in many areas but gets the complexity of the saga
Nominated for an Academy Award for Best Picture, Guillermo Del Toro’s remake of the 1947 film noir tale about a fake clairvoyant is an exquisite piece of mood and design
This is a superbly written and directed work of Southern Gothic that consists of three interwoven tales that gradually expose dark family secrets
Edgar Wright creates a dazzlingly stylish recreation of 1960s London in a work with Thomasine McKenzie as a modern girl haunted by ghosts of the era’s dark underside
Scott Derrickson delivers an eerie film from a Joe Hill story about a child who is abducted and imprisoned by a serial killer but then receives message from beyond the grave on an old telephone.
One of the best Disney animated films in some time. Set around a Colombian American family that have hereditary magic powers and live in a magical house, this comes with an enormous degree of colour and energy
Third of the Fantastic Beasts films, this comes as a mix of ennui with the franchise and promise. It feels like about right now would be a good time to retire the series
Jaume Balaguero of [Rec] fame returns with an occult horror where a woman on the run is drawn into sinister happenings at an apartment
An entry from the abortive attempt to create a DC Comics shared universe. Dwayne Johnson takes on the role of the DC’s anti-hero in a film that is far more fun than the recent Marvel offerings
Mike Flanagan horror mini-series adapted from Christopher Pike’s book, this is set around a group of patients in a hospice who form a group to tell each other horror stories
The sixth entry among the popular multi-director anthology series, this includes episodes from Scott Derrickson among others but is also one of the weaker of the V/H/S films overall
The second part of Denis Villeneuve’s adaptation of Frank Herbert’s classic SF novel Dune, this delves more deeply into the world of the Fremen, although starts to diverge more from the book
A Mike Flanagan adaptation of a Stephen King story, this received a great deal of acclaim, but comes with a very peculiar story structure that opens out into a series of unfolding revelations
A horror film based around the phenomenon of tarot cards, a surprise that nobody has done so before
An Irish film that develops an incredibly uncanny atmosphere as a blind clairvoyant turns up at the home where her sister was murder and deduces the truth about what happened
Another of the films spun off from Sony’s hold on the Spider-Man copyright, this has been called the worst Marvel Comics superhero film ever. This also bears next-to-no resemblance to its comic-book counterpart
A return to the Final Destination franchise after fourteen years, this comes with an undeniable sense of humour, producing a series of highly entertaining despatches to make the best entry in the series so far