Black Adam (2022)
An entry from the abortive attempt to create a DC Comics shared universe. Dwayne Johnson takes on the role of the DC’s anti-hero in a film that is far more fun than the recent Marvel offerings
The Science Fiction Horror and Fantasy Film Review
A comic-book refers to anything where a story is told in visual panels with accompanying text (usually dialogue balloons). This is taken to refer to film adaptations of comic-books, newspapers strips, graphic novels or manga (Japanese comic-books).
The comic-book has been with us since the 19th Century. Its popularity became widespread in the US in the 1930s, sold as individual weekly or monthly issues or appearing in newspapers as daily/weekly strips of 3-4 panels. Since 1938 and Action Comics #1, which introduced Superman to the world, the comic-book has become synonymous with the Superhero, although by no means are all comic-books about superheroes.
The first comic-book adapted film was the silent short The Katzenjammer Kids (1898). The first genre work was the serial Flash Gordon (1936) based on the popular space opera newspaper strip. The 1940s saw a spate of adventurer hero and superhero Serials adapted from comic-books. The first comic-book adapted superhero was the serial Adventures of Captain Marvel (1941).
The 1960s brought a renewed interest in comic-books with the eye-poppingly colourful exploits of tv’s Batman (1966-8), which was followed by a number of works that took a similar campy vein. The 1970s began to treat the superhero and comic-book seriously beginning with the Christopher Reeve Superman (1978), while the Tim Burton Batman (1989) introduced the superhero to the dark, brooding graphic novel superhero. Both of these saw several adaptations in a similar vein.
The 2000s/10s brought the ascendancy of Marvel Comics and its shared interwoven continuity to the point it has eclipsed everything else at the box-office. The success has seen a number of other superheroic properties adapted to the screen in particular from DC Comics.
The other major source of comic-book adaptations have been in Japanese manga, which have been adapted both inAnime and live-action, which have been prolific producing superheroic, Cyberpunk, giant robots, tentacle creatures and Young Adult fantasies.
Although the superhero dominates comic-book adapted properties, it would be a mistake to assume that it is the only type of comic-book adaptation out there. There are plentiful other works from the stories of the boy adventurer Tintin; the gonzo historical exploits of Asterix and Obelix; the space opera adventures of Buck Rogers and Flash Gordon; from comic-book detective Dick Tracy to the film noir homage of Sin City (2005); the mock gothic of The Addams Family and the dark Gothic of The Crow (1994); the fantastical historical retelling of 300 (2007); to adaptations of comics made for children like the adventures of Richie Rich and Casper the Friendly Ghost; talking animal comics like Garfield and Howard the Duck; to works made for adults like Barbarella and the stories from Heavy Metal magazine; and spy adventures like Modesty Blaise and the Kingsman films.
An entry from the abortive attempt to create a DC Comics shared universe. Dwayne Johnson takes on the role of the DC’s anti-hero in a film that is far more fun than the recent Marvel offerings
The 2021 Diabolik was a witty and stylish revival of the cult Italian comic-book about a masked super-thief. This was the first of the sequels, albeit with a different actor playing the title role
Sony’s attempts to wring everything possible from the Spider-Man copyright in order to compete with the MCU continue with this film devoted to the Spider-Man vampire villain
Another of the last films made by Bruce Willis before his retirement. This one has a watchable central idea and is set around the idea of a prison for super-villains even if Bruce is not up to much
Animated film featuring a team-up between the sons of Batman and Superman, which ends up being far more fun than you expect
The reboot of the Batman franchise post Zack Snyder returns to the Christopher Nolan conception with Robert Pattinson as an emo Batman who resembles The Cure’s Robert Smith. Not completely successful on all fronts but a promising start
Superheroes have overrun screens. It is starting to seem a little too much when we now get an animated film about animal superheroes who form their own Justice League
A comic-book adaptation about vampire wars in a modern East European war zone. A slick Underworld-styled vampire action film that has some interesting ideas going on inside it
The fourth of Marvel’s Thor films, where director Taika Waititi gets the balance of humour down much more successfully than he did in the previous film
Third of the Guardians of the Galaxy films, this successfully recaptures the nature of the goofy ensemble comedy caper that made the first film such a winner but seemed to be missing in the second
Another of the animated DC Comics films in which various of their regular characters find themselves incarnated in simulated combat arenas
Despite a poor box-office performance and a troubled production behind the scenes, it is a surprise what a good film this is, easily outstripping the last half-dozen MCU films put together
This ended up being the lowest rated of all MCU films. One wondered whether this was just fannish hyperbole but no what we end up with is the Batman & Robin of The MCU, the single worst film that franchise has produced
A real head-scratching oddity, a Batman animated Christmas film
DC Universe Animated film that is adapted from an Elseworlds story that offers up an alternate 1920s version of Batman who is fighting up against H.P. Lovecraft entities
The third of the new series of films based on the cult Italian comic-book about a masked super-thief. This entry goes back to offer us a Diabolik origin story
The animated Spider-Man: Into the Spider-Verse proved an unexpected success. This sequel builds on that ups the artistic quality of the original to something quite extraordinary
A very strange Japanese-made blend of fairytale and detective story that takes place in the realm of fairytale where Little Red Riding Hood turns detective to solve a murder at Cinderella’s ball
The Teenage Mutant Ninja Turtles were the pop culture phenomenon of the 1980s. They have not fared so well in the 2000s but this new animated film written by Seth Rogen is a promising start
An utterly charming film, all told without dialogue, about a dog living in 1980s New York who purchases a robot as its new best friend
A smart, intelligent tv mini-series that conducts a murder mystery that ranges between the 1890s and 2050s, before arriving at an ingenious and clever SF explanation
The third of the films devoted to Marvel’s miniature superhero. This ventures into multiverse themes works well when it comes to introducing the MCU’s big new super-villain who ended up never happening
Shazam! was one of the more enjoyable DCEU superhero offerings, placing a light-hearted spin on the superheroics. This is the sequel
The DC Comics superhero Blue Beetle, one of the Teen Titans, is given his own film. One of the more quickly forgettable entries among DC Comics’ attempts to compete with the MCU
A reboot of the classic Japanese tv series about a superhero who goes into action on a motorcycle using a suit to transform into a grasshopper being
Another of the DC Original Animated Movies. This deals with both the Legion of Super-Heroes and Supergirl, bringing them together in a mutual adventure
The sequel to the DCEU’s Aquaman reaches for epic effects spectacle, although the character of Aquaman undergoes a substantial shift and is now given more of a comedy playing
A rather hilarious live-action manga adaptation that depicts the inner workings of the human body in terms of a series of talking blood cells. Not dissimilar to the US-made Osmosis Jones
Another of Sony’s films spun off from Spider-Man supporting characters. In the comics, Kraven is a Spider-Man super-villain with a big game hunter motif but here is turned into a superhero
The second part of DC Universe Animated Original Movies’ adaptation of Alan Moore’s classic graphic novel, the most faithful screen adaptation yet
An animated adaptation of Alan Moore’s classic, genre defining comic-book, this is the most faithful treatment to date
In his third cinematic outing, Deadpool gets into the multiverse game, creating a hilarious team-up with Wolverine and a crossover with an assortment of other cancelled Marvel franchises
Another of the films spun off from Sony’s hold on the Spider-Man copyright, this has been called the worst Marvel Comics superhero film ever. This also bears next-to-no resemblance to its comic-book counterpart
The third of the Venom films, which has become one of the worst of the modern Marvel spinoffs. By this point any pretence that the films are taking themselves seriously has been long forgotten
Joker was a huge hit with Joaquin Phoenix winning an Academy Award for his role. This sequel emerged to very mixed reception, partly due to its rejection of the first film and then heading off to become a musical
The second part of the epic three film animated adaptation of the classic DC Comics title Crisis on Infinite Earths concerning a battle across the DC multiverse
A unique experimental film from Robert Zemeckis where the camera sits in a single spot in a room and tells is story, covers across history from the dinosaurs to the present day. Based on an acclaimed graphic novel
The third and final part of the adaptation of DC Comics’ classic title Crisis on Infinite Earths featuring an epic battle to prevent the destruction of the multiverse
The original The Crow is a cult classic. This long-planned remake from the perpetually terrible Rupert Sanders was an ill-advised move from every angle that gets just about everything from the mood to the conception of its character wrong
An animated film adaptation of Crisis on Infinite Earths, one of the classic DC Comics titles of all time. With superhero films now obsessed with multiverses, this seems the perfect time to bring it to the screen
After a disastrous reboot of the Hellboy franchise, Millennium Media get it right, employing the comic’s creator on script, taking the series into wild directions with Hellboy up against Appalachian folk horrors
A sequel to Batman Ninja, which offered an anime treatment of Batman. This gives us a bizarre alternate Yakuza-ruled Japan with versions of the Justice League working for them
The fourth Captain America film, where Anthony Mackie now takes over the shield and costume. And you really need to have been following MCU continuity to make sense of much of what is going on
A real oddity among the Batman animated films – one where the basics of the Batman mythos are translated into Aztec culture at the time of the arrival of the Conquistadors
The Old Guard about a team of immortal mercenaries was a hit when it was released a few years ago. Now most of the principals reunite for a sequel
Action film with Dave Bautista as a treasure hunter retrieving items in a post-apocalyptic world. Directed by a former stuntman, this plays much to the action element with little else of substance
After several other film incarnations that went nowhere, The Fantastic Four make their first appearance in The MCU. The film creates a wonderful retro world of 1960s futurism based on their original comic-books for them to inhabit
Following the disastrous Brigitte Nielsen film, a new version of Robert E. Howard’s Amazonian warrior woman has been promised since the late 2000s. It finally emerges here from the same people behind the revivals of Hellboy and the Jason Momoa starring Conan
This offering from the MCU was one of the lowest grossing, but it a good deal more likeable than many other recent entries, emerging as a sort of earthbound Guardians of the Galaxy Lite
James Gunn’s almost completely successful reboot of the cinematic Superman, the first film that comes with a total confidence in the comic-book source and where Gunn is not afraid to be goofy
Companion piece of James Gunn’s Superman, this met a very mixed reception. Part of its problem is that it wants to create a cynical version of the virtuous Supergirl we are familiar with and trash her image