Warlock: The End of Innocence (1999)
Third and final of the Warlock films where Julian Sands is replaced by Bruce Payne
The Science Fiction Horror and Fantasy Film Review
Third and final of the Warlock films where Julian Sands is replaced by Bruce Payne
Dean R. Koontz adaptation in which Corey Haim adopts an unusually intelligent dog unaware it is part of a genetically engineered killing machine. Produced by Roger Corman who spun out a series of sequels.
John Hughes cornered a certain 80s market on teen angst with films like The Breakfast Club. He also made this head-scratching oddity in which two nerds create the perfect woman
The third of Spanish star Paul Naschy’s films about the werewolf Waldemar Daninsky. This becomes a crossover where Daninsky meets up to fight Countess Bathory
The first two of these films did ingenious things but now the inspiration is showing through and these films are starting to seem more like a personal fantasy on the director’s part
The second half of the film adaptation of the musical Wicked. This essentially operates as Wizard of Oz fanfiction and substantially wrenches the characters and backstories from the 1939 film out of shape to write its own story
A contender in the animation stakes that never rises above formula and cutsie slapstick. Against its many competitors, it offers up only B-budget animation
While this received a good deal of fan buzz, I must admit to being disappointed. It strips much of the superheroics and mutant cameos of the other X-Men films until it feels more like a Westerner in Japan thriller like Black Rain or even a routine film noir plot that happens to be cast with Wolverine
Sequel to the hit Korean film Along With the Gods: The Two Worlds about a journey of redemption through the afterlife. This is a much better polished effort than its predecessor
Yes, someone made a horror version of the much loved children’s character. Imagine The Texas Chain Saw Massacre where Leatherface has been replaced by Winnie-the-Pooh
Winnie-the-Pooh: Blood and Honey offered a horror version of the much loved children’s character. This is more of the same with a bigger budget
Saw series director Darren Lynn Bousman makes a rock musical about a war between a gaudily exotic Heaven and Hell. A full-length expansion of Bousman’s earlier short film
The first of the sequels to Wishmaster and better than the ones that would follow, although still not a patch on the imaginative makeup effects in the original
The Divergent series is a fundamentally implausible scenario for people that think horoscopes are a profound insight into human nature. This is the most interesting of the films and gives us an imaginative future world
Way back before Blumhouse’s Ouija and the subsequent cheap ouija-titled films, there was the 80s horror Witchboard, which proved popular enough that it produced two sequels starting with this
Sequel to one of the few original (ie. non comic-book) superhero films of the 2010s. this takes the interesting route of telling it as a investigative tv report into someone killing off all the superheroes
Low-budget superhero film. With a plot that strips the superheroes of their powers and them facing a villain’s deathtraps, we end up with little more than a Saw copy in funny costumes
This is a video-released sequel to the Don Bluth animated film with dogs again returning from the afterlife. This is churned out with passable effort
Although it wasn’t the first werewolf film, this is the one the created all the mythology of the werewolf film – full moons, silver bullets etc – while the wolfman went on to join the pantheon of Universal Famous Monsters.
One of the first of the modern wave of darkly romantic vampire films that became the in-thing in the 1990s. This is occasionally effective but was eclipsed by later entries
The first in a series of Disney video-released films based around the Peter Pan fairy who is now reconceived as a contemporary Can Do girl
The very first of the Chucky films. At the time, this seemed a very silly and at times ridiculous killer doll film and not the basis of an ongoing series of sequels that have lasted more than three decades
Sequel to the hit psycho-thriller. Terry O’Quinn is back and on fine form but this just repeats the original, bumps up the number of killings with extra gore to become no more than a B psycho film
The second and so far final of the Candyman sequels, a routine entry with Baywatch starlet Donna D’Errico as a descendant of Candyman who is pursued by Tony Todd
The concluding chapter of the third trilogy of Star Wars films. After the critically divided The Last Jedi, J.J. Abrams opts for a return to the safety of familiarity and nostalgia
Theatrical spinoff from the Star Wars prequels, released to introduce the popular animated series. This shows it is time for George Lucas to move beyond recycling something that was successful three decades ago
A Jordan Peele-written/produced revival of the Candyman series. Director Nia DaCosta lights it up with a new contemporary social relevance but fails to recapture the eerie horror the original held
Sequel to Starship Rising, a space opera that does some amazing things with effects on a next-to-no budget
The first in a surprisingly prolific series of slasher films, which has produced some fourteen sequels at current count. Made on a micro-budget, this vigorously homages the 1980s basics
Passable video-released Starship Troopers sequel the heads more in the direction of a body snatchers film. Directed by Phil Tippett
The second entry in a surprisingly prolific series of low-budget films – currently running to fifteen films – that homage the 1980s slasher film
The fifth of the films in the series begun with Paul Verhoeven’s Starship Troopers. The best of the series was the previous entry Starship Troopers: Invasion where they turned it over to anime director Shinji Aramaki. This is a sequel to that, although the same mix fails to work again
Eli Roth’s Cabin Fever had a surefire premise – a series of gory meltdowns with tongue planted in cheek. It is a puzzle then why two sequels, despite reasonable directors at the wheel, have managed to completely miss these basics
Ira Levin’s original novel wherein the men of a town replace their wives with subservient android duplicates seems to have its satiric point blunted when it comes to the film adaptation
The fourth Captain America film, where Anthony Mackie now takes over the shield and costume. And you really need to have been following MCU continuity to make sense of much of what is going on
The first sequel to Eli Roth’s film, directed by a then unknown Ti West who subsequently tried to have his name removed. The gore effects look cheap and cheesy and the film misses the comedic angle of the original
Stir of Echoes was a spookily effective film. Alas in this sequel, we go from Kevin Bacon as a medium to Rob Lowe as a haunted Iraq War veteran amid a series of routine pop-up scares
Video-released spinoff of the Toy Story films featuring Buzz Lightyear in an adventure. Although released under the Pixar name, the animation is all cheaply produced by a Chinese studio
The Pang Brothers are some of the most exciting genre directors in the world. Here they take on the Wu Xia film and make a sequel to The Storm Riders that feels fuelled by too many viewings of 300
The third of the films based around Star Trek creator Gene Roddenberry’s Genesis II concept where a cryogenic sleeper awakes in a post-apocalyptic world
The concluding chapter in a desultory trilogy of films based on the eerie home invasion classic The Strangers. The surprise is that this ends up being the best of the three films
The Strangers has been cited as one of the best horror films of the 2000s. This sequel emerges as a by-the-numbers entry that plays out no differently than a generic teen slasher film
An Indian horror film about a folk tale of a witch spirit the Stree, this was a popular success that was then built out into an Indian version of The Conjuring Universe
The very first film with the plot of a woman cop going undercover in a strip club. The police procedural plot and psycho element takes a very clear backseat to the stripper set-pieces, some of which are imaginatively staged. On the plus side, the film is directed by a woman
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
The first in a series of vampire films from Charles Band and Full Moon Productions. Several sequels followed.
A disappointing end to George Lucas’s original Star Wars trilogy. The script lazily wraps up loose ends while sidelining the new characters introduced the last time, and the climax rehashes the climaxes of the two other films
The MCU offers up their first superheroine with very unexceptional results. A competent enough effort but DC’s Wonder Woman easily blows everything this tries to do out of the water
Enzo G. Castellari’s sequel to his Escape from New York ripoff 1990: The Bronx Warriors and a most more polished and entertaining B action movie
The Saw series is revived sort of, featuring the activities of a Jigsaw copycat, otherwise this offers up all the familiar essentials in all but name
The sequel to Village of the Damned, this makes the mistake of humanising the cold alienness of the children and taking their side against humanity, losing much of the stark effect of the original
A Roger Corman produced slasher film, which spawned two sequels. The plot draws heavily on Halloween and comes with all the usual scenes of co-eds being stalked by a maniac escaped from an asylum
An animated film about NASA experimental chimpanzees. Not quite up there with Pixar but an amiable and unpretentious and amiable outing
For reasons not clear to me, Space Jam is considered a classic. Now we get a sequel that updates it to the present featuring a different NBA star LeBron James
Slick and rather silly copy of Alien that conceptually cross-hatches it to emerge as essentially Basic Instinct with tentacles
The third of the Species films, which follows Sil’s daughter. Some okay makeup effects but the plotting gets fairly silly
Fourth entry in the Species series where at least the series seems to have gravitated to the arena of the trashily absurd B movie it belongs
Quite who the audience for these Children of the Corn films is that they keep making more of them is a mystery. This was the fifth of eleven films and at least better than the last two entries
The second of the films spun off from the Stephen King short story. This is better that its predecessor, premised around a series of novelty deaths and offering some explanations for what is happening
In a whole bunch of ways this – plausibility being a big one of them – is a bad film. On the other hand, it does boast an entertaining array of giant spiders all emerged from a space shuttle crash
The black sheep among the Japanese Ringu films. A sequel released the same time as the first film, this lacks the other’s uncanny atmosphere and was ignored
Cats & Dogs was amiable but this sequel struggles against the irritatingly cutsie elements that have come to dominate this mini-genre of live-action talking animals films
The second of George Lucas’s Stars Wars prequels is no particular improvement. The romance is stiff and awkward, badly written while the effects sequences seem to be running out of new things to do and so just up the scale of what has happened before with so much going on it reaches a point of visual overload
The third in the series is no longer even a Spy Kids film but a Virtual Reality videogame film. Robert Rodriguez has some fun creating the virtual worlds but the parody that the other films engaged in is missing
A disaster tv mini-series about the most powerful storm in recorded history descending on Chicago just as a hacker disables the power grid. Most of this plays by the cliches of the genre.
Stake Land, set in a beautifully wintry post-holocaust world where vampires had taken over, one of the best films from Glass Eye Pix. This is a sequel that reunites most of the same elements from the original but fails to ignite them as memorably as the first film did
J.J. Abrams revives the Star Trek franchise by recasting it with younger faces and rewriting continuity. But in the appeal to a hipper, sexier vibe, it feels a long way from Gene Roddenberry’s creation – nowhere in evidence is the original’s concern with galactic politics and social issues of the day
For supposedly the Paranormal Activity series final entry, this offer the novelty of the first Found Footage film in 3D – a gimmick that signals the series is out of fresh ideas. Moreover, the series’ look via watching security cameras has been de-emphasised in favour of another CGI driven ghost story
J-horror film based on the Japanese urban legend of a boogeywoman with a face slit from ear to ear who appears to kill people
Gene Roddenbery created a tv series that was about boldly going, confronting different ways of life. The choice to hire the director of The Fast and the Furious films to helm the film made for the show’s 50th anniversary says how wrong-headed the reboot series has become – all about cool young leads and hurtling effects sequences
Another of the weaker sequels that Pixar seem determined to churn out. This lacks the fun among the anthropomorphic vehicles that its predecessors had with a hardly inspiring story about its hero feeling old and over-the-hill
The first of the Star Trek: The Next Generation films is an odd affair that seems like a routine episode of the series that accidentally gained a big-screen budget. This crosses over with Classic Trek where William Shatner mugs his way through a grand old airing of Captain Kirk
I had mixed feelings about J.J. Abrams’ reboot of Star Trek This time around the actors seem more at home in the characters and the plot works a good deal better (for the most part), while Abrams creates a hurtling effects spectacle that is the most action-oriented of the Trek films
George Lucas’s return to the Star Wars series after a sixteen year absence and a build-up rivaled only by the Second Coming. Instead most audiences went away disappointed. Lucas has used the interim to push the technology to its heights but the story and characters are lacking
Fourth of the Tom Clancy Jack Ryan films, which performs a confusing continuity reset to recast the role with the younger Ben Affleck. The film’s release was delayed by 9/11, which makes the plot about nuclear terrorism on US soil seems absurdly tame in retrospect
The third in a trilogy of satirical films from director Lindsay Anderson and star Malcolm McDowell, this takes a biting crosscut of British society as a hospital prepares for a royal visit
Sequel to Timecop with more of an action emphasis as Jason Scott Lee replacing Jean-Claude Van Damme trying to stop a criminal who is erasing agents from the timeline.
Shinya Tsukamoto’s third Tetsuo film is a disappointingly commercial concession that waters down all of the surrealism and wild sexual fetishism that made the first film so amazing
The second live-action Turtles film is a disappointment. The Turtles are infectiously enjoyable characters but the script has an indifferent laziness, while parental concerns over violence have mandated that the fight scenes be watered down to an absurd level
The second of the low-budget Roger Corman produced films made for cable featuring Joan Severance as a black vinyl-clad masked superheroine
Another videogame adapted film, this has almost entirely been conceived around a series of slick fight sequences and little else
Following Michelle Pfeiffer’s turn as Cat Woman in Batman Returns, this was a copycat from Roger Corman in which Joan Severance becomes a black vinyl clad superheroine exacting justice
The third Revelation Road film, this offers the bizarre novelty of a faith-based Mad Max copy with divinely inspired action hero David A.R. White cruising the post-apocalyptic wastelands in the aftermath of The Rapture
The MCU’s sequel to Black Panther. This offers the peculiarity of a work in which the superhero of the title never actually appears and is instead set around his absence following the death of Chadwick Boseman
The sixth Terminator film that boasts the return of both James Cameron and Linda Hamilton to the franchise. After the troughs of Terminator: Genisys, this makes one forget about the last three sequels
The fourth Terminator film is slightly better than you would expect of something directed by the empty-headed McG. There are some undeniably spectacular action sequences, although the film still stands too much in the shadow of what has gone before
Sequel to the remake of the 1980s horror classic, shot back-to-back with its predecessor, this is a better film than the remake was
Roger Corman produces a blatant copy of Alien with a group of people being pursued around a desert laboratory by a rubbery mutant creature
Shinya Tsukamoto makes a better budgeted sequel to his breakthrough hit. The first film was a masterpiece of guerilla filmmaking but the same frenzied fetishism is missing here
Third of the Harry Palmer spy films starring Michael Caine, which were made as a more grounded alternative to James Bond. Unfortunately, this has been placed in the hands of Ken Russell who overblows everything with a giddy eatravagance
This lamely updates I Was a Teenage Werewolf to the 1980s high school, strips all horror elements and has Michael J. Fox’s transformation be regarded as an instant injection of cool. The result was a surprising hit
The sequel to Bill and Ted’s Excellent Adventure where the first film’s humour gets lost amid repetition and blown up by a big-budget. William Sadler’s Death however proves a scene-stealer
The two time-travelling slackers are back after nearly thirty years and the film amusingly sees them having reached uneasy middle-age. But was the wait worth it?
The Asylum made 11/11/11 and 12/12/12 and released them on said dates. Despite running out of exploitable months in the year, they then released a third film here
The third of the MCU’s Thor films. This time Kiwi director Taikia Waititi gives much more of a comedic emphasis where you get the impression the intention has been to push the film in the direction of Guardians of the Galaxy. On the other hand, the superheroics are routine
After 36 years and several abortive attempts, Tim Burton, Michael Keaton and Winona Ryder reunite to make a sequel to Beetlejuice, but the essentials that fired up the young Burton now feel as they come by the numbers
A horror anthology featuring episodes from three Asian directors originally titled Three. The better known Three … Extremes was a sequel whereupon this was retitled and re-released as Three Extremes II
Rob Zombie is back,, making the third in his trilogy of Firefly films following House of 1000 Corpses and The Devil’s Rejects. It is all fairly much the same as before where Zombie’s sympathies are cleanly with the family of psychopaths and their murderous rampage.
Don Coscarelli, director of the culty Phantasm, made this as part of the early 1980s sword and sorcery fad with Marc Singer as a muscular hero who has the ability to communicate with animals
Third of the Filipino-shot Blood Island films. This has a slow first half before getting to what we expect of a Filipino monster movie – an overacting mad scientist, a cheesy monster, schlocky gore and gratuitous toplessness