Camp Blood 2 (2000)
The second entry in a surprisingly prolific series of low-budget films – currently running to fifteen films – that homage the 1980s slasher film
The Science Fiction Horror and Fantasy Film Review
The second entry in a surprisingly prolific series of low-budget films – currently running to fifteen films – that homage the 1980s slasher film
Eli Roth’s Cabin Fever had a surefire premise – a series of gory meltdowns with tongue planted in cheek. It is a puzzle then why two sequels, despite reasonable directors at the wheel, have managed to completely miss these basics
The first sequel to Eli Roth’s film, directed by a then unknown Ti West who subsequently tried to have his name removed. The gore effects look cheap and cheesy and the film misses the comedic angle of the original
The first film from Eli Roth, which proved a solid hit, one that gets back to gore-drenched horror basics. Not quite the classic it was acclaimed but delivers the goods and with a strong dose of wryly sarcastic humour
Video-released spinoff of the Toy Story films featuring Buzz Lightyear in an adventure. Although released under the Pixar name, the animation is all cheaply produced by a Chinese studio
The Butterfly Effect was not a film set up for a sequel but we get one here anyway with a different person flipping back in time to change his rather dull and uninteresting life
This was dismissed at the time because of its star Ashton Kutcher but is a surprisingly good film in which Kutcher finds the ability to travel back in time and alter his past
Spinoff from the Transformers films. As though all it took was a change of director, this is a small sweet film that has more in common with E.T. as opposed to Michael Bay’s mass destruction spectaculars
An unfunny comedy about a cheerleader vampire slayer. This should have been quickly forgotten but instead it surprisingly became the basis for a much superior hit tv series several years later
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
Comedy in which God appears to Jim Carrey and grants him His powers for one week. Expectedly the film is of zero theological depth and all about Carrey going completely over-the-top
One of the flop Disney animated films of the 2000s, set among the Inuit with the head-scratching premise of a warrior who is transformed into a bear
Enzo G. Castellari’s sequel to his Escape from New York ripoff 1990: The Bronx Warriors and a most more polished and entertaining B action movie
The third in a trilogy of satirical films from director Lindsay Anderson and star Malcolm McDowell, this takes a biting crosscut of British society as a hospital prepares for a royal visit
The second film with Christopher Lee as the Chinese super-villain Fu Manchu. Not quite up with its predecessor The Face of Fu Manchu but still an exciting blend of pulp melodrama, super-science and Yellow Peril
The second of Hammer’s Dracula films has to work around the absence of Christopher Lee. Peter Cushing’s Van Helsing is brought to the forefront and Terence Fisher provides some standout directorial sequences
The first of the Blood Island films, a classic of Filipino exploitation cinema. Although not as polished as later efforts, this serves up all the requisite cheesy monsters, mad scientists and gratuitous toplessness you expect
Sequel to the earlier Wu Xia film, which brings back the leads in an enjoyable adventure that places much more emphasis on flying swordplay
Classic Hong Kong Wu Xia film featuring much aerial swordplay and lushly dressing/lighting but also a work of wildly uneven tone
Sequel to the cult splatter hit of Re-Animator, directed by the original’s producer Brian Yuzna. Jeffrey Combs, Bruce Abbott and David Gale are back. This has some amazing effects work but lacks the first film’s outrageous black humour
The first sequel to the 1931 Boris Karloff Frankenstein, which many prefer to the original. Director James Whale comes into his element and provides a whole other level of droll humour that the first film did not have
Fourth of the Child’s Play films where the importation of Hong Kong director Ronnie Yu doesn’t do much to enliven proceedings, although this does embellish the black humour element considerably
Perhaps the best thing about this is that the Twilight saga is finally ended. This provides a moderately spectacular showdown but also wraps its plotlines up with absurd deus ex machina wimp outs and an infuriating twist ending
The point where the Twilight series collapses under its pretensions and draws every detail of its wedding out for an excruciating hour. A series that has been all about preaching chastity then segues into Right to Life advocacy
The first of two Brave Little Toaster sequels, this plays more along the lines of a regular animated film formula but has its charms
Third of the Brave Little Toaster films, this takes the talking appliances to Mars and comes with an appealingly zany sense of humour
This is a charming and delightful animated film about a group of talking household appliances appliances that set out on a quest to find their young master. Little seen at the time but two sequels followed.
Sequel to The Boy in which a nanny was hired to tend a sinister doll. Now in what is clearly an attempt to imitate the Annabelle franchise, the doll gains life
A reboot of the Jason Bourne series with Jeremy Renner replacing Matt Damon. The exhiliratingly kinetic action scenes are watered down, while the plot lacks the same focus. The first of the series to enter genre territory however
Absolutely delightful and charming BBC series about a family of miniature people who live in secrecy inside the walls of human houses. The best of several versions of the popular books
The much lambasted but not entirely uninteresting sequel to The Blair Witch Project. Documentary director Joe Berlinger adds a fascinating layer of meta-fiction that winds in the real-world reaction to the first film
A film that has been construed almost entirely as a series of spooky jumps and hyped suspense scenes with nothing in the way of rhyme, reason or connecting rationale. Produced by Sam Raimi
Probably the most well-known film from hackmeister Ulli Lommel. An odd mix of Halloween ripoff and an occult film but nothing that stands out beyond a couple of weird novelty deaths
Tyler Perry is an accomplished impressionist but his two Halloween comedies appropriate elements of the horror film while having no interest in the genre. Here all the horror elements only serve to deliver a lecture on child rearing
Charles B. Pierce, a director who gained a cult with his films for 1970s drive-in audiences, makes a sequel to his earlier pseudo-documentary The Legend of Boggy Creek about the hunt for a Bigfoot creature
John Landis and Dan Aykroyd minus the late John Belushi revisit their cult classic but the reunion exercise smacks of poor judgement and emerges as a haphazard arrangement made only to exploit the appeal of the original
Dan O’Bannon scripted film about a hi-tech helicopter, this crackles with great writing and some immensely exciting aerial action scenes from director John Badham
A modern slasher film that slavishly rehashes Friday the 13th. Routine on most counts, excepting perhaps the oddity of it being made by a director/producer of Christian films
The second in a series of low-budget vampire films from Charles Band and Full Moon Productions. Nothing much to write home about.
The third of Uwe Boll’s Bloodrayne trilogy and one of his better films. The action scenes are slickly choreographed and the film is largely made by Michael Paré and Clint Howard who play to the gallery with entertaining regard
The second in Uwe Boll’s trilogy adapted from the videogame, this plays out as a mix of Western and vampire hunter film and is marginally better than Boll’s usual standards
Another Uwe Boll’s videogame adaptation, this feels slung together from vampire film and sword and sorcery cliches. Among the badly mismatched casting, the most eyebrow raising is Ben Kingsley as the vampire villain
The fourth of the Christopher Lee-starring Fu Manchu films and the point the series was handed over to exploitation director Jess Franco and started to go badly downhill
Film about a monstrous blob that devours everything in its path. This has become a 1950s B movie classic more through its chessiness value, not to mention theme of teenage rebellion, than necessarily being a great film
This shot-on-video film that became a word of mouth sensation with many people believing they were watching real video footage of a trio lost in haunted woods by a witch. Of course, what nobody knew at the time was this was creating the Found Footage film
The Blair Witch Project was genuinely innovative. It is a surprise that we never saw a string of sequels. Adam Wingard finally does here but at a time when the Found Footage genre feels played out of moves
Third of the Blade films with Wesley Snipes. As director, series screenwriter David S. Goyer emulates the same exhilarating, kinetic moves that Guillermo Del Toro infused the second film with, while the script zings with his wryly cynical dialogue
A spinoff from Full Moon’s Puppetmaster film series, this stirs killer dolls, mad scientists, psychics and Nazi zombies together in an undeniably entertaining mix
Blade Runner is a landmark classic but this is well worthwhile sequel from Denis Villeneuve that recreates the fascinating Cyberpunk world in more detail and expands out on the themes laid down in the original. Made with impeccably beautiful detail
Ridley Scott’s film was not a success at the time but has since been regarded as a SF masterpiece, one of the defining screen treatments of android themes while the incredibly dense Cyberpunk vision of the future was copied by many subsequent films
Blade was a solid vampire/action film but the sequel is a quantum leap over that, a visually kinetic and immensely exciting comic-book of a movie thanks to the employment of Guillermo Del Toro in the director’s chair
Nobody knew it at the time but this was the beginning of the huge surge of Marvel Comics adaptations on screen in the 00s/10s. This distills the basics of the vampire hunter comic-book down into a smart, kinetic action film
A hit among the Blaxploitation fad of the 1970s, this has the novelty of casting a vampire film with African-American actor William Marshall. A whole series of Blaxploitation takes on horror themes followed.
The Australian-made Black Water was a gripping thriller about three people in a tree being menaced by a crocodile in the water below. This is a sequel with a further group trapped in a cave and menaced by a killer crocodile
The second of the low-budget Roger Corman produced films made for cable featuring Joan Severance as a black vinyl-clad masked superheroine
Following Michelle Pfeiffer’s turn as Cat Woman in Batman Returns, this was a copycat from Roger Corman in which Joan Severance becomes a black vinyl clad superheroine exacting justice
The third Revelation Road film, this offers the bizarre novelty of a faith-based Mad Max copy with divinely inspired action hero David A.R. White cruising the post-apocalyptic wastelands in the aftermath of The Rapture
Scott Derrickson makes a sequel to his earlier hit The Black Phone. The original was a modest but self-contained story, whereas this has to do some work before coming out as an original and effective follow-up
The MCU’s sequel to Black Panther. This offers the peculiarity of a work in which the superhero of the title never actually appears and is instead set around his absence following the death of Chadwick Boseman
Tsui Hark takes over the directorial reins of the sequel, filling it with much more fantastical elements, pitting the hero against a mad scientist and his mutant creations in a series of wild martial arts scenes
A Jet Li vehicle that falls into the masked superhero genre where the show has taken a few leaves from the tv series The Green Hornet. Enjoyable fun with some exhilarating action sequences
Alfred Hitchcock’s classic film inspired a series of Nature’s Revenge films throughout the 1970s. Expectedly, Hitchcock creates masterful set-pieces but the most effective thing the film does is to remove explanations creating a work of anxious uncertainty
The new contender for the Worst Film Ever Made, this fully lives up to its reputation, full of astounding technical ineptitudes, bad acting and hilarious one-liners. A blatant ripoff of Alfred Hitchcock’s The Birds
At one point, Birdemic had a bad movie cult that rivalled The Room. Whether we asked for it or not, this is a third film in the series. James Nguyen seems to think everybody has come for a lecture about Global Warming.
Birdemic was a cult bad movie – incredibly, despite the better budget that must have come his way, James Nguyen has gone and made the same thing filled with laughably flat dialogue and the worst effects ever seen on screen
Bird Box was a hit on Netflix and this is a sequel. The talented Pastor Brothers take the basics of the original and actually make a much better film out of them filled with fine tension
Very similar to A Quiet Place from several months earlier where here people cannot look outdoors and must remain blindfolded. Hindered by a frustrating lack of any explanations as to what is happening
Third of the Harry Palmer spy films starring Michael Caine, which were made as a more grounded alternative to James Bond. Unfortunately, this has been placed in the hands of Ken Russell who overblows everything with a giddy eatravagance
A quirky hit that jumped aboard the 1980s popularity of time travel themes and laid into them with an appealingly offbeat eccentricity. The film that propelled Keanu Reeves onto become a star
The sequel to Bill and Ted’s Excellent Adventure where the first film’s humour gets lost amid repetition and blown up by a big-budget. William Sadler’s Death however proves a scene-stealer
The two time-travelling slackers are back after nearly thirty years and the film amusingly sees them having reached uneasy middle-age. But was the wait worth it?
From the director of Trump vs the Illuminati, gonzo animation where Bigfoot and several resurrected historical figures fight off invading aliens that include Stalin, Aleister Crowley and Anubis
Pee-Wee’s Big Adventure proved a quirky hit and so Pee-Wee was spun out in this sequel. This lacks the zany touch of Tim Burton in the director’s chair, nevertheless has its own moments
Skyline was a modest alien invasion film; this is a long-planned sequel. The new director has simply turned it into an action film and tediously deals with every alien encounter with gunfire, stunts and explosions
The second sequel to the cult splatter hit Re-Animator is a superior effort to its predecessor, getting the original’s sense of black humour down pat and arriving at a memorably apocalyptic climax
A sequel to The Blob, although this plays everything for comedy. The one and only film directed by actor Larry Hagman, no less than J.R. Ewing of Dallas fame
One of the most inane talking animals film ever – the tale of a spoiled Beverly Hills dogs who has to make her way home after being abandoned in Mexico. Filled with excruciating slapstick and animals spouting smartass one-liners
The second and most underrated of the Planet of the Apes films. For a time it repeats the original but gains considerable imagination and a striking satiric bite with the introduction of the mutants
Sequel to the hit killer rat film Willard, which brings back the scene-stealing bad rat but kills the film off by pairing him with a nauseatingly cute kid
After 36 years and several abortive attempts, Tim Burton, Michael Keaton and Winona Ryder reunite to make a sequel to Beetlejuice, but the essentials that fired up the young Burton now feel as they come by the numbers
This was where the world took notice of Tim Burton in his second film. This throws the standard ghost story on its head with the dead trying to exorcise the living. The show is dominated by Burton’s wild set-pieces and Michael Keaton’s OTT title performance
Essentially Home Alone as a horror film where Lulu Wilson gives a standout performance as a child who fends off a home invasion by escaped criminals led by Kevin James in a surprisingly effective villainous turn
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
Don Coscarelli, director of the culty Phantasm, made this as part of the early 1980s sword and sorcery fad with Marc Singer as a muscular hero who has the ability to communicate with animals
Excruciating sequel to The Beastmaster that transports Marc Singer’s Dar to contemporary L.A. The whole film is wrecked by an attitude that seems unable to take the proceedings seriously.
Third of the Filipino-shot Blood Island films. This has a slow first half before getting to what we expect of a Filipino monster movie – an overacting mad scientist, a cheesy monster, schlocky gore and gratuitous toplessness
Prolific low-budget hack David DeCoteau directs what feels like a very softcore version of a Gidget film crossbred with Earth Girls Are Easy (albeit with the sexes reversed). A film that quickly sinks into awfulness
This was the second of the films spun off from the 2000s Battlestar Galactica revival series, and ingeniously retells the events of the series as seen through the eyes of the Cylons
A spinoff film from the Battlestar Galactica revival series that flashes back to tell the story of the divisive figure of Commander Cain, featuring fine performances and the series’ usual high level of writing
The original Battlestar Galactica tv series was an incredibly blatant copy built on the success of Star Wars. This is the pilot, which aired on tv in the US but was released theatrically to theatres in other countries
Web-series/film prequel to the 2003-9 revival of Battlestar Galactica with a rookie Commander Adama arriving aboard the Galactica. Easily one the best of the Galactica spinoff films to date
Mini-series that reconstructs the old Battlestar Galactica into smart and intelligent SF with strong characters, a gritty realism and sensational effects. A tv series followed and became one of the best SF shows of the 2000s
This was the sequel to Battle Royale and ups the scale of the conflict but somewhere loses the gleeful fun of the original and strays off to become a war film
An entertainingly violent Japanese comic-book of a movie in which a classroom of school pupils is abandoned on an island with weapons to eliminate one another. Frequently cited as the inspiration for The Hunger Games
The fifth and final of the original Planet of the Apes films. After four well worthwhile entries up to this point, a tired air infects this production as it assembles the elements in a haphazard clutter
There has yet to be a decent killer bat movie. This redresses the balance somewhat by offering up CGI bat effects but otherwise falls prey to a cliche-ridden script
It took DC Comics the better part of a decade to catch up with the massive success Marvel Comics are having on screen in crossing their characters over. Zack Snyder comes to the party offering up THE biggest headline double-bill in superherodom
The second of Tim Burton’s Batman films is even more beautifully dark and glistering than the first, introducing Michelle Pfeiffer as a sizzling Cat Woman and Danny De Vito as a venomous Penguin who respectively own the show
A sequel to Batman Ninja, which offered an anime treatment of Batman. This gives us a bizarre alternate Yakuza-ruled Japan with versions of the Justice League working for them
Tim Burton’s superlative duo of Batman films were wrecked after Joel Schumacher took up the director’s chair and turned the films into giant camp fests. Here he allows a madly overacting Jim Carrey and Tommy Lee Jones loose as the villains