The Science Fiction Horror and Fantasy Film Review
Sequel in name only to Cloverfield, this takes place in a survival shelter where an unspecified catastrophe has happened outside but we cannot be certain what or even if anything at all. Okay but films like Take Shelter and The Divide did this much better
Disaster mini-series based around the great belief that a super-earthquake will come and pitch most of California into the ocean. Despite devoting some four hour of screen time to it, the drama feels painfully padded at times, while the special effects sequences come out as not very special
One of the 2-3 most influential SF films since 1980. James Cameron creates a barrelling powerhouse of a film, all lorded over by Arnold Schwarzenegger as the relentless killer machine in the role that defined his career
The first sequel to The Terminator where James Cameron returns with the biggest budget for a film at the time. Cameron harnesses then top-drawer CGI technology to create one of the most original nemeses in any SF film
After the highs of James Cameron’s first two Terminator films, this was a crashing disappointment. Schwarzenegger is back but his performance has become self-parody and the uninspired action sequences are accompanied by some terrible effects
The sixth Terminator film that boasts the return of both James Cameron and Linda Hamilton to the franchise. After the troughs of Terminator: Genisys, this makes one forget about the last three sequels
A hodgepodge of competing elements – an aging Arnold Schwarzenegger, a soft reboot, alternate timelines, reintroduction of the familiar, twists to the familiar – that make no sense on a narrative level, least of all come anywhere near what James Cameron delivered back in the first two films
The fourth Terminator film is slightly better than you would expect of something directed by the empty-headed McG. There are some undeniably spectacular action sequences, although the film still stands too much in the shadow of what has gone before
A variation on the killer clown film that does rack up quite a degree of tension and pushes the material for something edgy. A popular hit that has produced two sequels.
The fifteenth Godzilla film, the last of the classic series, featuring a return of Mechagodzilla from the previous film. Original director Ishiro Honda returns to the series and reclaims it from the juvenile focus it had taken over the last few films to make the best entry of the 1970s
Sequel to the remake of the 1980s horror classic, shot back-to-back with its predecessor, this is a better film than the remake was
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
Roger Corman produces a blatant copy of Alien with a group of people being pursued around a desert laboratory by a rubbery mutant creature
The second of Fritz Lang;s films about the criminal mastermind Dr Mabuse, which was banned under the Nazi regime and forced Lang to flee the country. Not quite the equal of its predecessor, Lang is still on fine form and makes an exciting crime melodrama
Shinya Tsukamoto makes a better budgeted sequel to his breakthrough hit. The first film was a masterpiece of guerilla filmmaking but the same frenzied fetishism is missing here
Shinya Tsukamoto’s third Tetsuo film is a disappointingly commercial concession that waters down all of the surrealism and wild sexual fetishism that made the first film so amazing
Extraordinary directorial debut from Shinya Tsukamoto, a frenetic, fetishistic and surreally deranged vision of man-machine fusion that feels like David Lynch after a crash reading course of William Gibson
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies but rarely any that matched the original
A Texas Chainsaw sequel in 3D with chainsaws and gore coming out at the screen seems the complete antithesis of the raw savagery of the original. The result is like a formulaic modern slasher, while the film is wrecked by a ridiculous reversal of sympathies in the last half
The first sequel to The Texas Chain Saw Massacre where Tobe Hooper returns and pushes the series into an outrageously black sense of humour
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
The ninth Texas Chainsaw Massacre film, this offers the intriguing idea of Leatherface vs millennials
Prequel to the 2003 Texas Chainsaw Massacre remake, which sets out to tell the origin story of the cannibal family. New director Jonathan Liebesman pushes the gore and sadism to Torture Porn extremes
The Asylum made 11/11/11 and 12/12/12 and released them on said dates. Despite running out of exploitable months in the year, they then released a third film here
Solid vampire film produced by Sam Raimi about a small Alaskan town that suddenly finds itself besieged by vampires who have come because of the month of night
Sequel to the modestly effective Alaskan-set vampire film 30 Days of Night, this holds up surprisingly well for something that gives all indication of being a throwaway video sequel
The Hamiltons was an unusual film about a strange family who were eventually revealed to be vampires. By the time of this sequel, all the interesting elements of the original have been eliminated and all that we have is a film of tired poses that fails to add anything to the overworked vampire genre
The film adaptation of Marvel Comics’ The Mighty Thor is placed in the hands of Kenneth Branagh who delivers an okay film, if one where he never quite seems at home with the superheroic action
The fourth of Marvel’s Thor films, where director Taika Waititi gets the balance of humour down much more successfully than he did in the previous film
The third of the MCU’s Thor films. This time Kiwi director Taikia Waititi gives much more of a comedic emphasis where you get the impression the intention has been to push the film in the direction of Guardians of the Galaxy. On the other hand, the superheroics are routine
Sequel to Thor that earranges the same basic elements much more satisfyingly than the first film – the actors (with the exception of a tranquilised Natalie Portman) seem more at home in their roles and a director who is more confident with the effects and superheroics. That said, it is starting to feel like Marvel is shuffling the same plot ingredients around between films
The third film about the title criminal mastermind from Fritz Lang. Here Lang returns to a radically different Germany to the one he fled in the 1930s, the West Germany of the Cold War, to deliver a creepily paranoid work about the surveillance society
Standout horror anthology designed to highlight episodes from three Asian directors – Hong Kong’s Fruit Chan, South Korea’s Park Chan-wook and Japan’s Takashi Miike – all of whom are on top form
A horror anthology featuring episodes from three Asian directors originally titled Three. The better known Three … Extremes was a sequel whereupon this was retitled and re-released as Three Extremes II
Rob Zombie is back,, making the third in his trilogy of Firefly films following House of 1000 Corpses and The Devil’s Rejects. It is all fairly much the same as before where Zombie’s sympathies are cleanly with the family of psychopaths and their murderous rampage.
With the Mega Shark and especially the Sharknado films, The Asylum played the killer shark film as ridiculously as possible with delirious results. In this sequel to 2-Headed Shark Attack, they get the blend of the tongue-in-cheek absurdity to a point of near-perfection
Zack Snyder’s adaptation of the classic Frank Miller graphic novel about the Greek battle of Thermopylae. In replicating the look of the original’s panels, Snyder pushes what would otherwise be a standard historical film into something extraordinarily stylised and fantastic
Less a 300 sequel or prequel than a parallel story, this offers much the same as before but in 3D and with naval instead of land combat. Seeing Zack Snyder’s amazing visuals repeated all over again, all the poses and hyper-masculinity now seem to bubble with an inherent risibility.
The Three Investigators books were an essential part of my youth. This does a fair job of remaining faithful to the stories, albeit with the addition of some grating modernisations, and creates reasonable atmosphere as they investigate a seemingly spooky mansion
Film featuring Jean-Claude Van Damme as a temporal police officer. While you expect another time travel action film, this has quite a deal more sophistication in the scripting department than you expect
Sequel to Timecop with more of an action emphasis as Jason Scott Lee replacing Jean-Claude Van Damme trying to stop a criminal who is erasing agents from the timeline.
The first in a series of Disney video-released films based around the Peter Pan fairy who is now reconceived as a contemporary Can Do girl
Animated revival of the Teenage Mutant Ninja Turtles, which brings them back to the screen with a satisfyingly gritty edge and a series of kinetic action sequences
One of the first of the modern wave of darkly romantic vampire films that became the in-thing in the 1990s. This is occasionally effective but was eclipsed by later entries
Multiverse films are all the in-thing in superhero films right now. This anime is a treatment of multiverse themes far away from superheroics that works beautifully in its sophistication of ideas
The first in a series of films from Spanish director Amando de Ossorio about blind Knights Templar zombies. De Ossorio is clearly influenced by Night of the Living Dead but creates considerable atmosphere
Another Japanese horror film that stands heavily in the shadow of Ringu. Directed without much style and often uninteresting to the point of being dull, it is hard to tell from this that you are watching a film that inspired eight sequels
Pierce Brosnan’s second outing as James Bond holds up fairly well, especially in the action department, although Jonathan Pryce seems miscast as a Rupert Murdoch-modeled super-villain
The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded
From the top wrestling superstar in the world in the early 00s to movie action hero to being dressed in a pink tutu with fairy wings, it is hard to believe that Dwayne Johnson’s box-office star would have ever recovered from this family film embarrassment that sees him cast as a fairy
A deliriously frothy screwball comedy starring Cary Grant and Constance Bennett as two socialites killed in a crash who then haunt the car’s new owner. Several sequels followed.
Second sequel to Topper , the screwball light fantasy comedy about a dull man who is driven crazy by ghosts only he can see. This throws everything into an Old Dark House setting but proves there is still a good deal of droll, nonsensical humour to be found in the formula
Not a remake but a sequel to the cult true-crime film The Town That Dreaded Sundown with a series of copycat killings influenced by the film occurring in the present-day. Directed with a bravura stylishness that makes you jump out of your seat in joy
The film that launched the name of Troma Films. The world’s first superhero splatter film, this readily dives into bad taste just to see what kind of offence it can get away with
The first film from Pixar and a breakthrough in being the first computer-animated film. Even aside from its technical innovations, this is enormously good fun with extremely well-constructed character arcs
Pixar’s sequel to their first film and arguably an even better work where they get the plaintive emotion, character arcs and witty humour down perfect
After such high standards with the previous two films, there is considerable onus on Pixar when it comes to this third entry nevertheless they manage to wring some strong new twists on the familiar
Pixar sequelise their very first film for a third time but the surprise is a film that creates a range of eccentric characters and finds the wit and warmth that has been missing through their last few films
It does seem precious the world’s leading computer animation company making a film about reliance on e-devices. Nevertheless, Pixar manages to wring something new out of the Toy Story franchise
The third of the Robert the Doll films. Here Andrew Jones takes a few leaves from the Puppet Master films in creating an origin story set during the Nazi era
The zombie film has become an overworked vein in the last few years. This South Korean film does nothing to reinvent it, just contains the drama aboard a train but manages to create a grippingly intense epic of the genre
One of the more enjoyable films from Charles Band with Tim Thomerson giving a highly entertaining performance as a hard-boiled detective travelled back from the future
The first of several sequels to Charles Band’s Trancers with Tim Thomerson as a hard-boiled time-travelling detective. This does a passably okay job of following up on its predecessor
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
Are there any new creative directions that Michael Bay feels he he has to explore for a fourth Transformers film? All the Transformers beating the crap out of each other and copious mass destruction has become hard to tell one of the films from each other
The third of Michael Bay’s Transformers films. While the human scenes opt for a ghastly miscalculated sense of humour, the effects houses are at the peak of their game, even if Bay allows them to drag the mass destruction out to a numbing excess
Since Michael Bay retired from the series, The Transformers films have been looking for new directions. This ventures into animation to tell a Transformers origin story
The first of Michael Bay’s Transformers sequels has even better effects and more copious mass destruction to the point it washes over you without any effect
The seventh of the live-action Transformers films, the second made after Michael Bay stepped down from the director’s chair
The fifth of Michael Bay’s Transformers films. This comes with more of an outright comedy focus than any of the other films where Bay seems to be second-guessing his critics and spoofing his own peccadilloes in quote marks, only to produce the silliest entry in the series yet
The Asylum’s answer to Michael Bay’s Transformers. Bay had a $150 million budget; they try to copy it for $250,000. To its credit, the film flies valiantly to deliver a watchable show in the face of inadequate effects
Transmorphers was The Asylum’s mockbuster copy of Michael Bay’s Transformers and one of their better films. When Bay released his sequel Transformers: Revenge of the Fallen, The Asylum also made this prequel
One of the strangest film homages one has come across – an almost complete scene-for-scene remake of Jaws but with the shark substituted by a killer tree being hunted through a park by rangers
A sequel to the Star Trek fandom documentary Trekkies. Here the filmmakers and Denise Crosby return to take in international fandom in all its permutations
A mind-boggling and frequently hilarious documentary that charts the eccentricities of Star Trek fandom, profiling the lives of several fans and how the fandom is part of their lives
The first of several sequels to the modest hit of Tremors with Fred Ward and Michael Gross repeating their roles, hunting Graboids in Mexico this time. As with the first film, this ably balances suspense, creature effects and a considerable sense of humour
Third of the films in the Tremors series, which have held up surprisingly well in their balance of creature effects and a considerable sense of humour. This adds a series of twists to the premise that are positively hilarious
The fourth of the Tremors films.; It is a surprise that the series has managed to remain consistently enjoyable despite a limited premise. The main spin here is an origin story that takes the series back to the West
It is a surprise that the Tremors series has managed to get so much out of a slim premise and to remain consistently enjoyable. Coming a decade after the last entry, this still remains enjoyable with the benefit of CGI outfitted Graboids and Michael Gross back in fine form
For an original that was only a modest box-office hit, it is surprising how long the Tremors series has kept going – five sequels, plus a tv series. This is the sixth film in the series and despite a limited and repetitive premise, characters running about hunting underground-burrowing monsters, it pulls off another enjoyable entry and fails to set a foot wrong
After thirty years, the Tremors series has held up in terms of quality much better than most other monster series. This is the seventh and what would appear to be the last of the films
Film from The Asylum about dinosaurs hunting mercenaries. Essentially Jurassic Park that takes place in a warehouse
A mockbuster from The Asylum that was designed to capitalise on the release of Jurassic World: Fallen Kingdom, this is a low-budget CGI dinosaur film that is slightly better than most
The third in a series of Biblical End Times films withGary Busey as a decent cop who wakes up in a future ruled by the Anti-Christ. The heavy-handed slinging of Bible verses makes this hard-going for anyone who is not a believer, while the conspiratorial tone frequently verges on nuttiness
Sequel to the classic Karen Black-starring horror anthology tv movie with Lysette Anthony starring in a trio of horror tales
Classic tv mini-series about rebellion in a future where Earth is controlled by giant alien tripod machines, this still holds up as something great today
Not the notorious bad movie but a sequel to Troll, the Norwegian-made effects spectacular about the revival of a giant troll. This is more of the same but with the effects pushed to a more spectacular level
Norway attempts to compete with the Godzilla films in the story of a giant troll amok and pull off a work that does the whole mass destruction spectacular well and with some top notch effects
A flop in its day, nobody at the time saw how revolutionary this was in that it predicted the idea of cyberspace and the internet. The design of the world inside the computer all in candy apple colours and geometric shapes is extraordinary
Tron was a genuinely groundbreaking work. It is hard to describe how ill conceived this sequel is where we have gone to predicting the idea of cyberspace to a fight over a glorified 3D printer
Tron was a groundreaking work that predicted the advent of cyberspace. Three decades on, this sequel never does anything as imaginative, although advances in effects technology allow for a dazzling reinvention of The Grid
The second part of Peter Greenaway’s massive multi-media installation, a surreal mock biography dominated by Greenaway’s fascination with nonsense lists. Gorgeous to look it but does it make for a dramatically engaging a film?
The third and final of Peter Greenaway’s Tulse Luper films, a sprawling mock biography that is more like a mad multi-media art installation than a film, filled with digressions, endless lists and obscure jokes
The first part in Peter Greenaway’s three-part mock biography, a surreal, sprawling work of mad information overload and obsessive lists
Ridiculous disaster movie where air hostess Lauren Holly must deal with serial killer Ray Liotta while trying to land the plane
A strong contender for Worst Film Ever. Rather than create any effects, it has simply uplifted footage from Star Wars, while the score is a mismash taken from popular films of the era. The dialogue is so bizarrely surreal it makes the brain hurt trying to understand it
Really, Kevin Smith?!? A film wherein a mad lunatic transforms another man into a walrus? While you can applaud Smith’s completely out there leap off into Human Centipede territory, you feel unsure whether you should be reacting in shock or laughter at the absurdity of the premise
Danny Boyle’s sleeper hit presaged a big return for the zombie film during the 2000s/2010s. Not a bad film even if Boyle is conducting major borrowings from other works like The Day of the Triffids and Day of the Dead
I was cautious about hailing 28 Days Later as a modern classic; this sequel is in fact a much better film. Newcomer director Juan Carlos Fresnadillo draws it out into a series of superbly sustained suspense sequences
A follow-up to 28 Years Later …, made even before the first film was released. This gives a deeper exploration of the character of Dr Kelson and proves a surprisingly good complement to its predecessor