The Bride With White Hair 2 (1993)
Sequel to the earlier Wu Xia film, which brings back the leads in an enjoyable adventure that places much more emphasis on flying swordplay
The Science Fiction Horror and Fantasy Film Review
Sequel to the earlier Wu Xia film, which brings back the leads in an enjoyable adventure that places much more emphasis on flying swordplay
Unfriended had a unique novelty approach – everything took place in one take where the film screen was a computer screen. You wonder what a sequel can add to this. The surprise is that we get a film even better than the original
One of the most unique films in some time – everything takes place across social media (chat sessions, video calls) where the cinema screen is the computer screen. A fairly average supernatural retribution story that generates reasonable tension
The third of Hammer’s Dracula films. Christopher Lee returns to the role but is given no dialogue. Nevertheless, Terence Fisher delivers some vivid directorial set-pieces that make this one of the better sequels in the series
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
Nicely animated film from Richard Rich that tells the story of Tchaikovsky’s Swan Lake in which a princess is turned into a swan by an evil sorcerer
Third of the Brave Little Toaster films, this takes the talking appliances to Mars and comes with an appealingly zany sense of humour
The first in a highly enjoyable series of flying swordsman films produced by Tsui Hark. The series hit its peak with the second film but this is an enjoyably energetic and busy effort in its own
Amicus adapts several stories from the notorious EC Comics as one of their anthology films. Missing is EC’s black humour but this is a worthwhile Amicus anthology
Dan O’Bannon scripted film about a hi-tech helicopter, this crackles with great writing and some immensely exciting aerial action scenes from director John Badham
Sequel to Pixar’s Cars. While the original was a cutely appealing concept with a gentle contemplative message, this plays as more of an out-and-out spy caper making a virtue of its international locations
Seventh of the V/H/S Found Footage horror anthologies, this is one of the best with a number of the episodes venturing into SF and others that feature some genuinely outlandish moments
The best ever Tarzan films were the series made in the 1960s, which abandoned the cutsie elements of the earlier efforts. This comes with an emphasis on pure spectacle and adventure that is visually amazing
The eighth Godzilla film featuring the introduction of his son Minya in a shameless pitch for juvenile audiences. The series is no longer taking itself seriously, although ends up more likeable than some of the other entries of this period
Sing had the cute idea of American Idol-like competition conducted with talking animals. This equally likeable sequel expands the scale of things and takes the show to the talking animal equivalent of Las Vegas
The first sequel to Chocky, the classic mini-series about a boy with an alien invisible companion, this expands the concept out with the introduction of other children
Paco Plaza, co-director of the [Rec] films, shows James Wan how to do a nun horror film properly. This is a prequel to Plaza’s earlier Veronica, telling an origin story for Sister Death
The fifth film of the Found Footage horror anthology series, including one episode that is among the best of the series so far
Classic from the heyday of the slasher film. While the plot only recycles Friday the 13th, everything else is above average from the characterisations to the novelty deaths, before the film reaches one of the great unforgettable endings of the cycle
The sequel to Pitch Black where Vin Diesel’s serial killer now becomes the hero of the show and the original planetary survival story is expanded out into an ornate Gothic space opera
Horror film about a viral curse that bends the victim’s sense of reality and illusion, this settles in with some undeniably creepy effect
An anthology of five short Found Footage horror films each from a different director. As with any anthology these are variable in tone but are on the whole mostly effective and contain a number of alternately unearthly and spooky moments
To Die For was a forgettable effort, most notably as one of the first films to feature the darkly romantic vampire. This sequel recasts the part with the impossibly handsome Michael Praed and is a far more successful assemblage of the elements
Mini-series adaptation of a novel by John Wyndham, best known for The Day of the Triffids, concerning a young boy who develops an invisible alien companion. Imagine a version of Harvey retold by way of E.T.
A Chinese Ghost Story was a classic in Hong Kong cinema, followed by two sequels and then animated spinoff sold in the West under the name of series producer and cult director Tsui Hark
Sequel to the sensational A Chinese Ghost Story, this reunites the principal talents and actors but is not quite as snappy as the original, placing more of an emphasis on comedy
While there is little doubt that Edgar Wright would have made a much better film, this emerges with an engaging likeability. Less epic superheroics, this plays out more as a caper comedy where a good ensemble and comedic playing carry the show
The last of the classic Star Trek films. Nicholas Meyer, who made the last good Trek film The Wrath of Khan, returns to give the characters a moving send off, while the plot that reenacts the fall of the Berlin Wall with the Klingons gives the films a political immediacy that was missing since the tv series
Third of the Sonic the Hedgehog films and surprisingly far more entertaining than you expect from such a lightweight formulaic film
Last and by general opinion the least of the Sam Raimi-Tobey Maguire Spider-Man films. With three super-villains present, the plot feels as though it is bursting at the seams juggling the various origin stories and ongoing dramas, although Raimi still delivers some solid superheroic action scenes
Spider-Man: Homecoming was Sony’s Spider-Man reboot where the elements came together with winning regard and Tom Holland’s politely eager nervousness made for a fantastic Spider-Man. This was the first sequel.
Anything with the Marvel Comics name on it is box-office gold. This spins a standalone film off from one of the main villains of the Spider-Man comic-book. This is watchable by several showstopping effects set-pieces.
One of the earliest films from Ron Howard as director, a bubbly infectiously light comedy with Tom Hanks in a romance with mermaid Daryl Hannah. This was a hit and offered major career breakthroughs for Howard, Hanks, Hannah and John Candy.
After 23 years, Aardman Animation make a sequel to their first feature film. Another chicken caper film where they try to capture some of its dotty charms and largely succeed
Yoshiaki Kawajiri, director of Ninja Scroll and Wicked City, steps in to make a sequel(?)/reboot(?) to the cult 1985 anime with visually enthralling regard
Robert Rodriguez has a huge amount of fun by recasting James Bond antics with kids. The film was a success that spawned several sequels
The dreamscape film was given extraordinary life by Tarsem Singh in his directorial debut who transforms a fairly ordinary script with visuals and costuming that is out of this world
Cult anime about a monosyllabic vampire hunter moving across a hallucinatory post-apocalyptic dispatching mutants and vampires
Here the cutely appealing idea of a talking animals film conducted in live-action a la Babe has been blended with a tongue-in-cheek spy adventure. The results are enjoyably silly
A reasonable film clearly influenced by Hostel with Luke Wilson and Kate Beckinsale as a married couple who sign into a backroads motel used to shoot snuff movies
Fourth of the Johnny Weissmuller Tarzan films, the point where John Sheffield’s Boy enters the series because the Hays Code required that Jane could not get pregnant
The second Tarzan film from producer Sy Weintraub who threw out the custie elements of the Johnny Weissmuller films, while going to Africa to shoot rather than a studio backlot. The effort makes a satisfying difference
Not the first but the most famous of the psycho Santa films. This does the slasher movie formula rather well while digging into Christmas sentiment with a savage bite that takes you aback
Not a remake but a sequel to the cult true-crime film The Town That Dreaded Sundown with a series of copycat killings influenced by the film occurring in the present-day. Directed with a bravura stylishness that makes you jump out of your seat in joy
One of the less successful films of the Disney renaissance of the 90s/00s. Disney has never done well with animated SF. That aside, this a very nicely animated Steampunk adventure
Before the teen idol phenomenon took over, the original in the massively popular Young Adult series works as an earnest romance where all involved are clearly making an effort to play with a conviction
Film featuring Jean-Claude Van Damme as a temporal police officer. While you expect another time travel action film, this has quite a deal more sophistication in the scripting department than you expect
28 Days Later was the work that started the modern zombie film revival. Twenty-three years later, Danny Boyle and Alex Garland return to make a third film and still wring some creativity out of the set-up
An entertainingly violent Japanese comic-book of a movie in which a classroom of school pupils is abandoned on an island with weapons to eliminate one another. Frequently cited as the inspiration for The Hunger Games
A follow-up to 28 Years Later …, made even before the first film was released. This gives a deeper exploration of the character of Dr Kelson and proves a surprisingly good complement to its predecessor
Animated revival of the Teenage Mutant Ninja Turtles, which brings them back to the screen with a satisfyingly gritty edge and a series of kinetic action sequences
This fifteen chapter serial was the second ever Superman film. It is a vigorously entertaining run through the comic’s basics and features the first screen appearance of Lex Luthor
Pierce Brosnan’s second outing as James Bond holds up fairly well, especially in the action department, although Jonathan Pryce seems miscast as a Rupert Murdoch-modeled super-villain
The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded
One of the original genre parodies, a very silly and amateurish film that also manages to be occasionally quite funny. Three sequels and an animated tv series followed
Second sequel to Topper , the screwball light fantasy comedy about a dull man who is driven crazy by ghosts only he can see. This throws everything into an Old Dark House setting but proves there is still a good deal of droll, nonsensical humour to be found in the formula
This slick eroticised thriller was a huge success and made the career of Sharon Stone. The absurd plot bears no resemblance to human motivation but Paul Verhoeven makes an undeniably provocative and entertaining package
With the Mega Shark and especially the Sharknado films, The Asylum played the killer shark film as ridiculously as possible with delirious results. In this sequel to 2-Headed Shark Attack, they get the blend of the tongue-in-cheek absurdity to a point of near-perfection
One of the more enjoyable films from Charles Band with Tim Thomerson giving a highly entertaining performance as a hard-boiled detective travelled back from the future
The fifth of the Gamera films, Japanese monster movies that are made for children. This abandons the relative realism of the earlier films for a colourful silliness with frequently lunatic results
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
The second of the Austin Powers films is less sharp in its parody of the James Bond film and more focused on a series of broad scatological gags. Mike Myers owns the show in a trio of entertainingly gregarious performances
Sequel to the French action hit. The plot shuffles the same basic elements around but it is the action we have come for, which is slow to start but soon kicks into exhilarating high gear
One of the better animated films produced by Amblin, this is based on the true story of a husky rescue in Alaska, albeit turned into a film where the dogs now talk
The first of several sequels to the modest hit of Tremors with Fred Ward and Michael Gross repeating their roles, hunting Graboids in Mexico this time. As with the first film, this ably balances suspense, creature effects and a considerable sense of humour
Third of the films in the Tremors series, which have held up surprisingly well in their balance of creature effects and a considerable sense of humour. This adds a series of twists to the premise that are positively hilarious
James Cameron makes a third venture into the world of Pandora. The question is whether he finds any new territory to explore. What you cannot deny is that he creates a pretty and absorbing picture out of it all
A wildly deranged and gore-drenched ride. Imagine Rosemary’s Baby with an Alien chesburster where a woman is impregnated by a parasite that maintains a monologue as it urges her to kill and drink blood to feed it.
For an original that was only a modest box-office hit, it is surprising how long the Tremors series has kept going – five sequels, plus a tv series. This is the sixth film in the series and despite a limited and repetitive premise, characters running about hunting underground-burrowing monsters, it pulls off another enjoyable entry and fails to set a foot wrong
Not the notorious bad movie but a sequel to Troll, the Norwegian-made effects spectacular about the revival of a giant troll. This is more of the same but with the effects pushed to a more spectacular level
The third and best of Hammer’s Karnstein trilogy, which features twin sisters Madeline and Mary Collinson as vampires. This works due to a strong hand from director John Hough and Peter Cushing on fine form as a witchfinder
Essentially Home Alone as a horror film where Lulu Wilson gives a standout performance as a child who fends off a home invasion by escaped criminals led by Kevin James in a surprisingly effective villainous turn
One of the best of all Tarzan films made under producer Sy Weintraub who dispensed with the cutsie elements of the earlier films and focused on gritty adventure
A variation on the killer clown film that does rack up quite a degree of tension and pushes the material for something edgy. A popular hit that has produced two sequels.
The fifth of Hammer’s Dracula films and by general consensus the last worthwhile entry. New director Peter Sasdy brings something fresh and this has an interesting plot that digs beneath Victorian hypocrisy
Comedy about a foul-mouthed talking teddy bear. This gets its laughs from much scatological, decidedly non-PC humour that occasionally manages to be funny, especially when it comes to some of the 80s pop culture jokes
Eli Roth-produced remake of the Herschell Gordon Lewis splatter film Two Thousand Maniacs, this plants tongue in cheek, is fairly and squarely aimed at a frat boy audience and unapologetic about piling on copious amounts of gore and naked breasts
A spinoff from Full Moon’s Puppetmaster film series, this stirs killer dolls, mad scientists, psychics and Nazi zombies together in an undeniably entertaining mix
Nobody knew it at the time but this was the beginning of the huge surge of Marvel Comics adaptations on screen in the 00s/10s. This distills the basics of the vampire hunter comic-book down into a smart, kinetic action film
Fourth of the live-action films adapted from the Asterix comic-books with Gerard Depardieu as Obelix. This replicates the absurdist historical wit of the originals while poking fun at the foibles of the British
The second of the live-action Asterix films starring Gerard Depardieu, this is a visual delight that gets the comic-book’s nonsensical visuals down perfectly
The first live-action spinoff of the comic-book and animated series still holds up well two decades later. Little of the manic barrage of pop culture has dated, there are some excellent animatronics that allow the Turtles to engage in a series of high-energy fights and more importantly emerge as distinctive characters
Sequel in name only to Cloverfield, this takes place in a survival shelter where an unspecified catastrophe has happened outside but we cannot be certain what or even if anything at all. Okay but films like Take Shelter and The Divide did this much better
Scott Derrickson makes a sequel to his earlier hit The Black Phone. The original was a modest but self-contained story, whereas this has to do some work before coming out as an original and effective follow-up
The first of the live-action films based on the famous comic-books set during the Roman period, starring Gerard Depardieu who seems born to play the part of Obelix
Tsui Hark takes over the directorial reins of the sequel, filling it with much more fantastical elements, pitting the hero against a mad scientist and his mutant creations in a series of wild martial arts scenes
The fifteenth Godzilla film, the last of the classic series, featuring a return of Mechagodzilla from the previous film. Original director Ishiro Honda returns to the series and reclaims it from the juvenile focus it had taken over the last few films to make the best entry of the 1970s
The third film about the title criminal mastermind from Fritz Lang. Here Lang returns to a radically different Germany to the one he fled in the 1930s, the West Germany of the Cold War, to deliver a creepily paranoid work about the surveillance society
Bird Box was a hit on Netflix and this is a sequel. The talented Pastor Brothers take the basics of the original and actually make a much better film out of them filled with fine tension
The third of the live-action Asterix films starring Gerard Depardieu as Obelix. This faithfully replicates the look and visuals of the original comic-books as the two head off to the Olympics
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
Prequel to the 2003 Texas Chainsaw Massacre remake, which sets out to tell the origin story of the cannibal family. New director Jonathan Liebesman pushes the gore and sadism to Torture Porn extremes
Solid vampire film produced by Sam Raimi about a small Alaskan town that suddenly finds itself besieged by vampires who have come because of the month of night
Pee-Wee’s Big Adventure proved a quirky hit and so Pee-Wee was spun out in this sequel. This lacks the zany touch of Tim Burton in the director’s chair, nevertheless has its own moments
This is a killer shark film that is not taking itself too seriously. In their pursuit for the most absurd monster movie title, The Asylum have managed to get the balance of cheap effects and tongue-in-cheek treatment down near perfectly. The first in a series from The Asylum where each sequel added more heads.
Brazil’s Ze do Caixao or Coffin Joe is one of the most evil characters ever created on film, spearheaded by director/star Jose Mojica Marins’s contempt for the weak and catalogue of brutalities and blasphemies
Sequel to the modestly effective Alaskan-set vampire film 30 Days of Night, this holds up surprisingly well for something that gives all indication of being a throwaway video sequel
The second sequel to the cult splatter hit Re-Animator is a superior effort to its predecessor, getting the original’s sense of black humour down pat and arriving at a memorably apocalyptic climax
The fourth of Marvel’s Thor films, where director Taika Waititi gets the balance of humour down much more successfully than he did in the previous film
After the massive success of Jurassic Park, anything with Michael Crichton’s name on it was hot property. This is made from his script about tornado chasers and is a rather entertaining film made with no other purpose that to keep producing a series of spectacular mass destruction scenes on an ever-expanding scale