The Abominable Snowman (1957)
An early Hammer film from a script by Quatermass creator Nigel Kneale and shot in black-and-white about the search for the Yeti. This creates modest atmosphere
The Science Fiction Horror and Fantasy Film Review
An early Hammer film from a script by Quatermass creator Nigel Kneale and shot in black-and-white about the search for the Yeti. This creates modest atmosphere
One of the better of Bert I. Gordon’s B movies of the 1950s. This was rushed out not long after The Incredible Shrinking Man and displays some imagination despite cheap effects
One of the essential items in the cult of B-movie director Roger Corman. A cheerfully absurd atomic monster movie that comes with clear corners cut but played by Corman and cast with more seriousness than it deserves
Giant grasshoppers invade Chicago – what’s not to like? A sterling example of the 1950s atomically enlarged insect film from Bert I. Gordon who found his calling make cheap giant animals/people films during this era.
This was designed as a copy of the giant ant film Them! substituting scorpions for ants. The plot is average but what stands it out are the excellent stop-motion animated effects from King Kong creator Willis O’Brien
Producer Herman Cohen had great success with I Was a Teenage Werewolf and I Was a Teenage Frankenstein. Here he makes a teenage vampire film where a troubled teen is hypnotically regressed into becoming a vampire
B movie in which John Agar is possessed by a glowing alien brain, this unfortunately fails to live up to either its lurid vigour or its bad movie reputation
One of the better copies of Cat People, an Anglo-horror film with Barbara Shelley coming to believe that she is the inheritor of a family curse that causes her to turn into a big cat
This and The Horror of Dracula the following year set Hammer Films on the map. A remake of Frankenstein very different to the 1931 version that comes in vibrant colour and places Peter Cushing’s ruthlessly amoral Baron at the centre of the show
The second of the Mexican-made Aztec Mummy films. The film has cheap, dreary set-ups and the running time is padded by footage from the first film. This does have the novelty of being one of the first Mexican films to feature a masked wrestler hero
This has the clever idea of updating the Cyclops from The Odyssey to the era of the atomic monster movie. Director Bert I. Gordon is otherwise back at his usual tricks of serving up optically enlarged insects and animals
From cult director Edgar G. Ulmer, a film ostensibly pitched as a sequel to the Jekyll and Hyde story focused on his daughter where it is revealed that Dr Jekyll was actually a werewolf!
Routine entry in the giant bug cycle of the 1950s, this essentially rehashes The Beast from 20,000 Fathoms with a revived prehistoric giant mantis on the attack
A bad movie classic. Plenty of hysterically funny dialogue and one of the most ridiculous looking movie monsters of all time – a possessed tree (where the film also manages to wind in the 1950s obsession with atomic monsters)
1950s monster movie about a giant alien bird. A standard B movie of the era that is shot down by one of the most pathetic and ridiculous looking monsters ever put on screen
Producer Herman Cohen had a huge hit with I Was a Teenage Werewolf and quick on its tail released this companion piece, an enjoyably tongue-in-cheek film concerning a Frankenstein descendant turning a teen into a monster
This was a hit in its dayo by tapping the burgeoning teenage market who had just realised they were misunderstood thanks to James Dean. Not a particularly great film but it is one that carries a great deal of primal ferocity
One of the greatest of all 1950s SF films in which average man Grant Williams begins to shrink in size. A film that is as much an effects tour-de-force as it is an existential allegory about a man in an alien universe
One of the spate of teen monster movies of the 1950s, this is a B movie that at least has the benefit of not taking itself too seriously and the creation of some memorable alien creatures
A spinoff designed to feature Robbie the Robot, the scene-stealer from Forbidden Planet. Here Robbie has been sent back in time to the present where he is befriended by a young boy
A 1950s alien invader film that is driven by the quite imaginative image of a giant black alien cube marching across the countryside devouring all forms of energy
A 1950s B movie where a US Navy team discovers a prehistoric lost world in the Antarctic where dinosaurs from prehistory still roam. This unfortunately befalls shoddy effects
This came out two weeks before Hammer Films had their first success with The Curse of Frankenstein. Where Hammer discovered the future of British horror, this is no more than a dreary quota quickie that has possibly the most lunatic scheme of any British horror film involving the revival of Nostradamus’s severed head
A very underrated 1950s sf film … Neither quite alien invader film nor monster movie, it features some of the most original creatures of the era – rocks from a meteorite that grow into massive geodes that devour everything in their path – and eerily atmospheric direction
Possibly the worst film to be made out of the 1950s giant bug cycle concerning giant wasps marauding in Africa. All the dramatic scenes are composed of scenes cannibalised from other adventure films, while the effects have a shoddiness that frequently reduces you to laughter
Average entry in the atomically enlarged animal cycle of the 1950s concerning a giant mutated mollusc on the attack
Ishiro Honda and Toho, the creators of Godzila, turn their attentions to the alien invasion film – the first Japanese entry in the great 1950s SF alien invader fad – and deliver all the same colourful mass destruction we expect
Classic occult film from former Val Lewton associate Jacques Tourneur that sits in a wonderfully ambiguous place where we cannot be certain whether the supernatural is real or imagined
One of the classic B-budget films directed by the legendary Roger Corman back in his heyday. Concerning a mysterious alien vampire, this comes with all the quirks and dry humour of Corman’s films of this era
The second of the Quatermass films. An alien body snatchers tale that suggests even the British government has been infiltrated. This is regarded by many as the best of the series
Ingmar Bergman’s classic work where Max Von Sydow plays a game of chess with Death. A film that seems to carry the philosophical weight of the modern world on its shoulders
1950s mad scientist film where a scientist develops a regeneration serum only to turn Mari Blanchard into a man-eating femme fatale
Laughable Irwin Allen film that conducts a tour of human history via stock footage as Vincent Price’s The Devil holds a heavenly tribunal to judge humanity for inventing the atomic bomb
A classic of 1950s Reds Under the Bed anti-Communist hysteria in which aliens give selected humans capsules capable of obliterating all life, which quickly pits East against West in a race to obtain them. Clearly influenced by The Day the Earth Stood Still, this is better than most
One of the film from legendary stop-motion animator Ray Harryhausen, featuring one of his finest creations The Ymir, an alien monster from Venus that rampages throughout Rome
An early Roger Corman film that stirs a fascinating mix of elements involving hypnotic regression, witchery, time travel and appearances from The Devil
One of the very last gasps of the great era of mad scientist films from the 1940s. Despite assembling a great cast of genre regulars, this never does much to stir its pot – the mad scientist’s scheme is vague and the film almost never ventures outside of a single house
Forgotten and not terribly interesting B movie about an expedition to the Caribbean in search of a missing explorer encountering a mad scientist engaged in experiments involving native sacrifices and local fungi
One of the first films about a medically rationalised vampire concerning a doctor who discovers pills that turn him into a vampire monster
The Italian Gothic cycle of the 1960s was filled with works of amazing visual flair – this is where it started. Although this is more a 1940s mad scientist film, it comes with all the decaying old castles and beautifully moody b&w lighting
Low-budget AIP monster movie largely premised around rehashing the monster from The She-Creature and a cheap backlot jungle. Marla English plays for all she can and gives the film an undeniable vigour
Behind the lurid title, this concerns a mad scientist sacrificing women to a plant in his basement … This came out the same year as Hammer Films burst onto the English horror scene and by comparison is a plodding affair with no greater ambition than being a 1940s Bela Lugosi cheapie
A zombie film back from the days before zombies wanted to eat brains and could only be despatched with a bullet in the head where they were instead figures out of voodoo – in this case undead sailors guarding a treasure. A mildly interesting if never entirely standout B movie of the era