The Astounding She-Monster (1958)
A cheap 1950s B alien invader film with mobsters holed up at a mountainside cabin who are then visited by Shirley Kilpatrick as a radioactive alien
The Science Fiction Horror and Fantasy Film Review
A cheap 1950s B alien invader film with mobsters holed up at a mountainside cabin who are then visited by Shirley Kilpatrick as a radioactive alien
1950s bad movie classic with Allison Hayes as a wife made into a giant by a passing UFO who rampages through town after her philandering husband. Painfully bad effects make for show that frequently slides into the laughable
Charming fantasy in which James Stewart is tempted by capricious witch Kim Novak. This almost certainly served as the inspiration for tv’s Bewitched
Film about a monstrous blob that devours everything in its path. This has become a 1950s B movie classic more through its chessiness value, not to mention theme of teenage rebellion, than necessarily being a great film
An obscure effort from the early days of the Anglo-horror cycle. A medical vampire effort and a Hammer imitator with lavish production values and memorable characters that easily sits up alongside Hammer’s better work
A B budget variant on the 1950s an alien body snatchers film uncreditedly based on Robert Heinlein’s The Puppet Masters. Other films in this niche created great paranoid atmosphere but here the results only look cheap and tatty
1950s sf film about a scientist’s brain transplanted into a hulking robot body. Fairly standard plot material that is turned into something striking by director Eugene Lourie of The Beast from 20,000 Fathoms fame
Early Anglo-horror film that seems to be trying to push a story about a 19th century doctor (Boris Karloff)’s discovery of anaesthetic gas out of shape and make it into a horror story.
Musical where an ordinary guy sells his soul to become a star baseball player. Choreographed with exuberance by the great Bob Fosse, including a seduction number that proved controversial for the era
The point where the legend of Hammer Films and the careers of Christopher Lee and Peter Cushing began. A vivid colour remake of the Bram Stoker book that put a stake through the heart of the staid Universal horrors and created a new English horror industry
Rather tatty effort in the 1950s giant bug cycle from director Bert I. Gordon who spent most of this era making similar films about big and small creatures and people
Czech Jules Verne adaptation that conducts an extraordinary blend of animation and live-action. Maybe the purest evocation of Steampunk that has ever been placed on screen. A work of underappreciated genius
Classic SF film where Marshall Thompson faces an invasion of hopping brains – pure thought monsters that have been unleashed by an atomic scientist dabbling in telekinesis
An odd mix of 1950s alien invasion film and low-budget jungle adventure as explorers in the wilds of Mexico encounter a glowing amorphous blob in the jungle
A teleporter accident causes a scientist to swap head and arm with a fly. This requires you to suspend believability but is otherwise one of the classic monster movies of the era. Several sequels and a remake followed.
Boris Karloff became an icon of horror after appearing as the monster in the 1931 Frankenstein. This was the only time he played Baron Frankenstein, appearing as his modern descendant using an atomic reactor to bring his creation to life
A Z-budget effort that taps the 1950s teenage monster fad, producing a number of ridiculous dialogue howlers and a female monster that induces laughter whenever it turns up on screen
One of a series of Jules Verne adaptations that were popular in the 1950s about a Victorian-era Lunar rocket launch, this starts with great promise but loses impetus once it gets into orbit
The director of The Beast from 20,000 Fathoms essentially rehashes the same film here with another atomically revived dinosaur this time attacking London instead of New York
1950s B movie that jumps aboard the fad for big/small people films created by The Incredible Shrinking Man. Only you end up feeling that the film’s 6’6″ resurrected Conquistador is a letdown on the title promise
Monster movie from Godzilla creator Ishiro Honda featuring a glowing blob that dissolves humans. Mostly a routine policier that is spiced up every so often by novelty effects of people melting
A split-personality killer film from the early days of the English horror cycle that fails through fundamentally absurd psychology and a hammy performance from Boris Karloff
The hugely successful film that started the Italian peplum cycle featuring muscle-builder heroes in togas. This is rather stolid and strips much of the fantasy out of the Greek legends, nevertheless has its own pulp spectacle
After his assorted teenage monster films, producer Herman Cohen made this about a resentful studio makeup effects artist who takes revenge by using his makeups to turn teens into mind-controlled monsters
Fascinating forgotten film with Richard Boone as a cemetery keeper who finds he can kill by placing pins on a map of the cemetery. This feels like a forgotten Twilight Zone episode and develops some quite creepy effect.
Defying the sensationalistic title, this is actually a fairly reasonable entry in the 1950s alien body snatchers fad in which wives discover their husbands have been taken over by aliens come to Earth to repopulate their species
Although others can be cited, this is the film that inspired Alien. It seems to have been conceived in terms of putting The Thing from Another World aboard a spaceship. A B movie no denying but well constructed
A colorful and entertainingly absurd musical adaptation of Al Capp’s popular satirically absurd comic-strip set in a parody of backwoods USA. Filled with some inspired nonsense
A film from the heyday of Cold War hysteria made not long after the launch of the first ICBM about a mysterious hypersonic missile of possibly alien origin that terrorises the US
The first of William Castle’s films set around outrageous promotional stunts – here he took an insurance policy out against audience members dying of fright. The film entirely belies its promise to scare an audience to death
Ingmar Bergman film about a travelling magic show. Bergman is fascinated with the power that illusionists hold and what happens behind the mask. A spellbinding film that is more haunted that most genre films
A remake of the classic bad movie Cat-Women of the Moon in which explorers to the Moon encounter an all-women society. Things do not improve in the bad movie stakes here
One of Jack Arnold’s lesser films, a Jekyll and Hyde story where a scientist finds himself reveting to a caveman after scraping his hand on a prehistoric coelacanth
One of the first films to copy William Castle’s gimmick and filmed in Psychorama wherein frightening images and words were subliminally projected on the screen. The plot where a newlywed wife has a recurrent dream of a sinister house only for it to be the one they move into has a disappointingly mundane rationale
Absurd space exploration fantasy where men encounter an all-women planet and proceed to put them in their place. The film has a Plan 9 from Outer Space-level badness and the appallingness of the sexual politics makes you do a double-take today
One of the first contemporary Dracula films. Compared to Christopher Lee’s first appearance as Dracula the same year, this is dull, plodding and without atmosphere where Dracula looks like no more than a door-to-door salesman
The second of Hammer’s Frankenstein films and a fine work that finds positively ingenious ways to continue on from its predecessor. Terence Fisher and the production team are all on top form.
A bad movie classic. As the title explains, we get a revived mummy pitted against an actor in a ridiculously clunky tin man suit. Third in the Mexican-made Aztec Mummy series, the biggest ripoff is that 3/4 of the film consist of footage recycled from the preceding films
Incredible Communist fear film largely made up of stock footage that urges the US to build a strong missile defence as the Soviet Union arms itself to attack
One of the classic films from cult stop motion animator Ray Harryhausen, an Arabian Nights fantasy adventure where Harryhausen’s creations prove to be quite wondrous
One of the less remembered films from Jack Arnold who directed a number of 1950s SF classics in which the children of rocket engineers are used by an alien force to sabotage a space launch. Not one of Arnold’s greats but still a modestly effective work.
Cheap 1950s SF film about alien spores brought back from Mars and the hunt for a housewife who inadvertently spreads them
1950s British science-fiction entry that draws influence from the Quatermass films. While the title(s) leads you to expect an alien invasion entry, it is in actuality more of a British copy of a giant insect film. A routine effort that is eventually done in by utterly impoverished giant insect effects
Third of the Gordon Scott Tarzan films, the second in colour and to be shot in real African locations
Roger Corman film that sets out to exploit the teenage themed fad of the late 1950s, offering up a caveman drama that comes with a surprise SF twist
1950s B movie about time travel experiments that produce a deadly woman from the future. Nothing standout but Salome Jens has an otherworldly presence as the woman
George Pal adapts the Brothers Grimm fairytale with Russ Tamblyn as a miniature youth amid colourful effects and extended slapstick scenes
Modestly effective British entry into the 1950s alien invasion genre with people fighting invaders on a Swiss mountainside
Japanese monster movie from the same team that created the original Godzilla. The English-language version has simply kept the effects scenes and cut everything else, replacing it with scenes of the US military ordering the Japanese about
Considered one of Alfred Hitchcock’s greatest films, this is a study in obsession and features a reincarnation plot. What works more so than the contrived plot twists is Hitchcock’s expert direction, all thunderously brooding mood and lush Technicolor dreaminess
Bert I. Gordon makes a sequel to The Amazing Colossal Man. The film cheats where a good chunk of running time is padded with footage from the original
An early film from legendary B movie producer/director Roger Corman. This is an alien invasion film but has been twisted out of shape to exploit the fascination with satellites after the launch of Sputnik several months before the film came out