Epsilon (1997)
A film from Rolf de Heer, a director who makes highly unusual works and should be better known than he is. In this, an alien woman befriends a man after she appears in the Australian Outback
The Science Fiction Horror and Fantasy Film Review
A film from Rolf de Heer, a director who makes highly unusual works and should be better known than he is. In this, an alien woman befriends a man after she appears in the Australian Outback
A bizarre film that features Adolf Hitler sitting around in the afterlife joined by Sigmund Freud and others as he reflects on his image
Another variant on Alien – a monster movie with Mark Dacascos as a doctor facing a genetically engineered insect monster in the jungles of Borneo
Despite a premise that sounds more like the punchline of a lawyer joke – The Devil (Al Pacino) is a high-price lawyer in New York – this is lushly produced, played seriously and with surprising theological depths
A Woody Allen film in which he plays a writer on his way to receive an award. The film drifts in and out of a series of vignettes and stories he has written, including a number of fantastic interludes, with highly amusing effect
A police interrogation film that becomes a psycho-thriller as suspect Tim Roth turns the interrogation back on the detectives. Despite a strong cast, the film eventually strains plausibility
The film that brought Japanese director Kiyoshi Kurosawa to attention. Set around a series of hypnotism murders, this is, as with Kurosawa’s films, cryptic and frequently inexplicable but has an undeniable uncanniness
An excellent conceptual SF film, a directorial debut for Vincenzo Natali with six people trapped in a labyrinth of identical rooms some of which contain death traps where they must solve the puzzle to find the way out
Carl Sagan’s novel about SETI is inflated into a big budget film determined to impress even though the story did not need it. Sagan’s interesting debate about religion and science is emasculated so as not to offend any religious groups
This should have been a witty film – Mel Gibson as a conspiracy nut who discovers one of his theories is true and is hunted by government agents – but the result is a confused mess that turns into an overblown action vehicle
Rather muddled film that seems to want to be a biopic of Ada Byron but ends up with her (as played by Tilda Swinton) recreated in cyberspace
Set around a secret society of vampires, this is a strong contender for the worst vampire film ever made. It suffers badly from a directorial approach that is unsure if it is taking things seriously
A Chinese Ghost Story was a classic in Hong Kong cinema, followed by two sequels and then animated spinoff sold in the West under the name of series producer and cult director Tsui Hark
The first of the video-released sequels to the Casper the Friendly Ghost film, this is played down to children and comes with much in the way of slapstick
Neil Jordan makes a film about an abusive childhood that actually ends up asking us to cheer on the central character’s emergence as a murderer. Maybe the most cheerfully entertaining film ever made about child abuse.
The first of two Brave Little Toaster sequels, this plays more along the lines of a regular animated film formula but has its charms
Third of the Brave Little Toaster films, this takes the talking appliances to Mars and comes with an appealingly zany sense of humour
One of several films that came out after the success of Bram Stoker’s Dracula claiming Stoker’s above their title despite slim or no connection. That said, this is a modestly effective film about a demon that exists in the shadows
Low-budget and cheap looking adaptation of a lesser-known Bram Stoker novel The Jewel of the Seven Stars. This was clearly made to capitalise on Stoker’s name following the success of Bram Stoker’s Dracula
Amiable adaptation of Mary Norton’s books about a family of miniature people that live in hiding in a human house. Aimed for big scale effects and slapstick set-pieces but sufficiently engaging nevertheless
Modest and effective portrait of troubled youth as a teen is drawn into a group who have sworn allegiance to Satan. The film is driven by an intense compelling performance from Eric Mabius as the group’s leader
Possibly the worst film ever made on a big studio budget, Joel Schumacher’s follow-up to Tim Buton’s standout Batman films where he turns everything into an absurd Day Glo realm with a script for two year-olds, campy puns and badly overacting super-villains
The second of the animated Batman films, a Mr Freeze story timed to come out at the same time as Joel Schumacher’s Batman & Robin atrocity. This treats the Mr Freeze story with far more respect than that film
Documentary about controversial philosopher/SF writer Ayn Rand. Her life is treated in exhaustive detail but the documentary-makers seem too enamoured of their subject matter to find any critical distance
The first of Mike Myers’ Austin Powers films is at times extremely silly and scatological but does offer a knowing and witty parody of the James Bond films. The result became a cult phenomenon
The title is a cheat as this is not about the End of the World, merely a film about a spaceship on a collision course with Earth. Essentially Die Hard aboard a spaceship
Considerable return to form for animator Don Bluth even if the story of the Russian Royals he is telling is based on a hoax and manages to entirely excise any mention of the Communist Revolution
A film crew in the Amazon headed by Jennifer Lopez encounter a giant snake. Mounted as a CGI monster movie in the aftermath of Jurassic Park, this has scripting that frequently descends into the ludicrous
Sequel to An American Werewolf in London, which copies the set-up with a different city but misses all of the sense of humour, even fails to offer anything like the classic transformation effects
A surprisingly good road movie psycho-thriller focusing on various people travelling a desert highway where it becomes apparent that one of them is a serial killer
The fourth of the Alien films. French director Jean-Pierre Jeunet comes on board and delivers a comic-bookish run through of a Joss Whedon script that overspills with too many ideas
The third and least satisfying of the otherwise above average compilation films on the theme of alien invasion from Kevin J. Lindenmuth and other directors
The second of Kevin J. Kindenmuth’s surprisingly good compilations of video shorts around the loose theme of alien invasion and takeover