Black Swan (2010)
Award-winning Darren Aronofsky film about the rivalry between two ballerinas. At heart though, this is no more than a Brian De Palma psycho-thriller with pretensions
The Science Fiction Horror and Fantasy Film Review
Award-winning Darren Aronofsky film about the rivalry between two ballerinas. At heart though, this is no more than a Brian De Palma psycho-thriller with pretensions
Rather odd but amiable Chinese film about friendship between a real-life artist and his model & with flying swordsmen and alien visitors all thrown in for no discernibly apparent reason
This could easily be called Cowboys vs Zombies. A low-budget effort that is tame on the zombie front but makes great effort and is served by some well-drawn characters
Film about a penis-enlarging drug that creates zombies, this goes for an outrageous bad taste vein are rarely lets up
Modestly effective film about people being hunted by a shapechanging killer car
A modest and effective low-budget reworking of the classic Enemy Mine delivered with a quite reasonable intelligence and professionalism
Animated adaptation of the one of the biggest Marvel Comics event storylines of the 2000s – the same one also used in Thor Ragnarok. Essentially Spartacus recast with The Incredible Hulk
Strange but by no means uninteresting film that takes several weird doglegs going from biker parties to a possession film and then a home invasion by seemingly resurrected 1950s rockers
The greatly underrated Sean Tretta makes a Frankenstein film – a modernised one that place in a research laboratory where the monster is resurrected with expanded mental abilities
An alien invasion film that exists largely as a series of dazzling effects set-pieces, although proves frustrating when it comes to plot or explanatory rationale
An Australian entry in the spate of superheroes with no powers films a la the likes of Kick-Ass, Defendor and Super. This plays out as a quirky but never particularly funny romantic comedy
DreamWorks animated film about a super-villain that might have worked better had its thunder not been stolen by the far superior Despicable Me a few months earlier
Quebecois (French-speaking Canadian) historical werewolf film. The plot proves entertaining in its whisplash reversals, although the film’s provision of a werewolf falls down amid some ratty CGI effects
A compilation of shorts from anime directors set in the Halo videogame universe. The first two episodes have a breathtaking scale but the others are bitsy stories but nothing standout
Horror film about a soldier returned home from conflict strangely ‘changed’ reminiscent of the classic Dead of Night. From the director of August Underground films.
David Lynch’s daughter Jennifer is a much better director than she is given recognition for. She disowned this work about a snake goddess taken on human form nevertheless creates a film that is equal parts lushly sensual and madcap lunacy
An SF film with minimal resources – just two characters in a desert – that deliver a modest variant on the Enemy Mine scenario about an alien and human enemy stranded on a planet
If you could take it seriously, Mega Piranha would be a strong contender for a bad movie; however, its awareness of its own absurd shortcomings becomes its saving grace. The sight of giant piranha skipping down rivers and impaling themselves in the sides of buildings has an appealing delirium
Anime that has clearly been modelled along the lines of Neon Genesis Evangelion Initially, the animation is conducted with a dazzlingly realistic textured look but once the giant robot action scenes take over, these seem increasingly absurd in their anthropomorphism
A Backwoods Brutality entry from the increasingly underrated Adam Mason where the entire film has been shot in a single take. Often brutal but much of the film seems monotonous with indulgent improvised performances allowed to dominate the show
Passable amateur-made superhero film clearly inspired by DC’s The Flash. While the film is written with some at times snappy dialogue and has two good lead actors, it suffers from spotty digital effects
Chris Columbus seeks to emulate the success of the Harry Potter films with this adaptation of a Young Adult series about the children of Greek gods. The film falls apart due to Columbus’s typical banal cues and effects overkill
Takashi Miike makes a sequel to his earlier superhero film filled with his typically eccentric touches
This has the intriguing hook of casting 1990s teen heartthrob Val Kilmer as a supernaturally empowered mysterious stranger. It soon becomes apparent that the film is a variant on Clint Eastwood’s High Plains Drifter. After blowing its twist soon in, the film only proceeds to a desultory ending
Adaptation of the popular videogame that ventures into Arabian Nights adventure, this was a box-office flop. It swashbuckles entertainingly but Jake Gyllenhaal feels badly miscast as a buffed adventure hero
Passable attempt to return to the heyday of the 1990s erotic thriller. Made on the cheap side, this does an okay job of covering the basics until an improbable denouement
An Australian version of Red Dawn – prettily mounted but feels more like Dawson’s Creek Goes to War than it has does a realistic war film
A live-action film based on a popular Japanese young adult novel that has been filmed multiple times before. This is a rather dull film that fails to do anything terribly interesting with its time travel premise
Tron was a groundreaking work that predicted the advent of cyberspace. Three decades on, this sequel never does anything as imaginative, although advances in effects technology allow for a dazzling reinvention of The Grid
The English-language remake of the Georgian 13 Tzameti about underground Russian Roulette gambling. This has an impressive cast line-up but lacks the stark tension of the original
Another videogame adapted film, this has almost entirely been conceived around a series of slick fight sequences and little else
Disney fairytale Lite. The story of Rapunzel gets hiply modernised and is now no more than a cute adventure/romance about a handsome rogue and a girl who has magical hair. Eminently forgettable Disney animation.
Animated film based on the popular fantasy wargame. The set-up is a fascinating mix of SF and mediaeval religion but the plot rehashes Aliens without much payoff and the animation is B-budget
From the world’s oldest living director ( Manoel de Oliveira who turned 102 when this was released) comes a ghost story that remains soporifically dull and never seems to get started
Thriller with a heroine working in an abandoned hospital amid sinister happenings that draws substantially on the fine Danish film Nightwatch. Does an okay if familiar job making us constantly doubt everything that happens before arriving at an ending that only confuses
A couple on a getaway to an uninhabited island on Australia’s Great Barrier Reef find the island may be haunted
Catherine Breillat, a director usually known for tackling issues of female sexuality, adapts the classic fairytale in a muddled effort that singularly fails to fly either as fairytale or deconstruction
Based on Ray Kurzweil’s non-fiction book about the coming evolution of machine intelligence, this is an odd mix of documentary and SF, including a storyline to illustrate Kurzweil’s main theses … The vision is an extraordinarily utopian one but one has just a few plausibility problems with it
A low-budget vampire film that at least tries to be original. Has a worthwhile leading lady and a chase plot that keeps it going past some of its amateurishness, but in the end it never quite goes far enough
A gay version of Don’t Look Now – a film that takes forever to go anywhere and fails to wind its twists up to anything interesting
SF film set in a future where agents are sent to repossess artificial organs when the owner’s fall behind on payments. Sort of Sicko by way of Logan’s Run but lacking the necessary sense of black humour to work
Chinese-made Wu Xia film – sort of a flying swordsman variant on A History of Violence. This comes on an impressive scale but also plays down the action element and leaves all the flying swordsman moves sitting on the fence as being possibly mundane
John Carpenter returned to the director’s chair after more than a decade but failed to light the world on fire. Carpenter makes what you could call a ghost story version of Girl, Interrupted. The scares are tame and the film is hamstrung by an improbable M. Night Shyamalan twist ending
A live-action film based on the titular segment from Fantasia. From Jerry Bruckheimer meaning that it is a film of empty-headed special effects that fails to conjure any magic of its own
Bollywood film that is a blatant copy of Back to the Future with the young hero going back in time to prevent his parents from divorcing. Lame comedy routines but some extremely colourful song and dance numbers
Yet another in the fad for 19870s/0s horror remakes, a merely efficient revival that reduces the wild, outré scares of Wes Craven’s original to conveyor belt shocks
The Pang Brothers were for a time some the best directors in the horror genre. This is one of their slighter efforts, a misguided venture into 3D. Seen flat, it still holds an undeniable amount of the eerie atmosphere they specialise in
Denzel Washington as an enigmatic Man With No Name wandering the post-holocaust apocalyptic landscape. This follows the cliches of the genre before it bizarrely morphs into a Biblical allegory partway through
Entirely unrelated to the forgettable 1973 film, this is a children’s film for the Nickelodeon Channel. Merely adequate but no more. Brooke Shields seems to be having the time of her life vamping it up with Bela Lugosi accent
Lavishly produced, reasonably historically authentic retelling of the story of the grave robbers from John Landis, which also becomes a wasted opportunity that turns the story into a comedy where the title characters are just two likeable schmucks
Pitched as another Crouching Tiger, Hidden Dragon, this has multiple stories, a cluttered look and a bizarreness that comes out more like a Wu Xia version of Scott Pilgrim vs the World
Another in the spate of gonzo Japanese splatter films. A cartoony OTT vigilante film with a Gothic schoolgirl avenger, featuring ridiculous action and splatter set-pieces
A disappointing tv mini-series adaptation of Terry Pratchett’s Discworld novel, which has been (largely) played as a straight adventure with the usual Pratchett comedy taking a backseat
An ‘illustrated film’ – essentially comic-book panels with voiceover narration. The story about gods inhabiting a burned-out future is far more ambitious than can be crammed into the film
Cats & Dogs was amiable but this sequel struggles against the irritatingly cutsie elements that have come to dominate this mini-genre of live-action talking animals films
A low-budget entry in the 2000s fad for true-life serial killer films. This is based on William Bonin who around the L.A. freeways in a van and abducted and killed young men
Uwe Boll seems to be improving. Here he has abandoned action for a character-driven drama about the appearance of an ambiguous stranger heralding the Biblical end of the world
A banal Zac Efron starring attempt to rewrite The Sixth Sense for the mopily sensitive teenage Gothic Chick Lit audience weaned on Twilight with Efron as a cemetery groundskeeper who talks to the dead
Another lacklustre entry in the banal Lord of the Rings Lite franchise from C.S. Lewis’s books, a plodding run of the mill fantasy adventure for the most part. The mediocre reception killed off interest in the series
Hatchet was a homage to the 1980s slasher film that had a mild amusement. In the sequels, Adam Green upped the number of genre cameos and in-jokes, while pushing the gore effects to an extreme
This claims to adapt a Chinese fairytale that was the basis for Cinderella. Nicely made but what you get is a cultural portrait with occasional Magical Realist elements more than anything like the traditional fairytale
The third of the Twilight films. This extrudes the dramatic irresolution of the last film’s cliffhanger – should Bella marry Edward or does she really love Jacob? – with over-padded momentousness
US film adaptation of a cult Italian comic-book about a private eye who investigates the supernatural, this comes out like a weak episode of tv’s Angel where a potential worthwhile idea descends to lame humour
One of the earliest entries in the gonzo killer shark fad, predating Sharknado even. This comes produced by Roger Corman and concerns a prehistoric shark that is revived
A blatant copy of Saw, albeit without the Torture Porn sadism, with people imprisoned in a cellar forced to kill one another. An oddly unconvincing film that fails to generate any tension or even conviction
Crime film that takes place amid cardboard sets and toy robots. A puzzlingly surreal effort that seems more suited to an MTV clip for an indie band than a full-length film
The first of three sequels (actually a prequel) to Paul W.S. Anderson’s Death Race, this gives the origins of Frankenstein and the Death Race. This rehashes much of the first film as generic direct-to-dvd fodder
Low-budget film about a killer and his teenage apprentice. The film benefits from a well-seasoned Brad Dourif and Jeremy Sumpter, the grown-up Peter Pan, who gives a fine brooding performance
The debut film from the Soska Sisters – a demented road movie – is scrappy, all over the place and highly uneven but shows the two are definitely going places
Low-budget UFO/alien abduction film that mostly this just retreads familiar material, although it does evince a certain interesting state of rubber reality about what is happening
a low-budget SF film set in an underground world ruled by a caste of genetically engineered people concerning who now face rebellion from among the lower classes
This Australian thriller has a captivating premise – pregnant women are abducted, C-sectioned and imprisoned where they must fight to the death to get their children back
A horror movie set around a modern day Western recreation town that was quickly retitled on the tail of Cowboys vs Aliens. It’s debatable though whether it does actually feature any vampires
Jonathan Swift’s classic tale of a man in a land of miniature people is turned into a comedy vehicle for Jack Black and outfitted with a series of vulgar and pop culture gags
A Singaporean entry in the Found Footage genre with a camera crew searching a supposedly haunted abandoned hospital. Constant hyped build-up without much payoff
Spanish home invasion thriller that comes with a moderate degree of brutality and tension but ultimately feels more like a set of choices in a survival horror videogame than an engaging thriller
I never much cared for Nanny McPhee. This is a sequel that replicates the original in fairly much the same amount mix of plot elements, slapstick sequences and nonsensical absurdism
Tim Burton takes on Lewis Carroll but Carroll gets lost beneath Burton doing his usual quirky eccentric thing and a plot that seems to want to turn Alice’s adventures into a modern epic fantasy
A contender in the animation stakes that never rises above formula and cutsie slapstick. Against its many competitors, it offers up only B-budget animation
A film from genre regular Brian Yuzna that takes place in Indonesia with people at siege on a fishing platform as it comes under attack by a sea monster. One of the films made in the 3D process following the huge success of Avatar
British director Adam Mason has been a rising name of note in recent years. Here he makes a Jekyll and Hyde story with Andrew Howard as a mild-mannered man at war with his own evil half
This feels like a remake of the Roger Corman post-holocaust cavemen cheapie Teenage Caveman. It cannot escape that at heart it is never more than a B movie about caveman fighting mutants
Seven people wake up in a deserted London with no memory of who they are only to find that something is stalking them. An intriguing hook let down by a tired and overused ending
Whether we asked for it or not, director Bruce LaBruce gives us the world’s first gay pornographic zombie film in which a zombie finds it can revive the dead by having sex with them
Another pointless 1970s remake, in this case of the little-known British psycho-thriller about two tourists stalked in the French countryside (now transplanted to Argentina) with ho-hum results
Gregg Araki film that centres around sexually conflicted university student Thomas Dekker and his various liaisons amid witches, a doomsday weapon, cults and premonitions
A demented Jeffrey Lau comedy that seems to have no limits on how silly it is willing to be, while parodying just about every other film made around the same time
Overrated South Korean revenge thriller about a detective obsessively pursuing a serial killer that has a mild level of ultra-violence going for it but otherwise fails to grip or dig into a psychological darkness
A comedy involving murder and ghosts set in London’s Little India. An exceedingly lightweight comedy that never does anything unexpected with its material
This is an adaptation of the DC comic-book character of a supernatural avenging Western gunslinger that fails to burn with the grim mood it should have
Low-budget film that conjures a weird psychotronic atmosphere and features some out-there killings even if it fails to fully sustain it
George Romero’s underrated classic gets a makeover amid the 00/10s fad for remakes of 70s/80s horror films. Alas, Romero’s modest classic about a madness-inducing biospill has a big-budget thrown to emerge as just another zombie film
The first sequel to The Asylum’s Mega Shark vs Giant Octopus and marginally a better film. This is less sparing with the cheap effects, while in every other regard it plants tongue-in-cheek and tries to make a virtue out of the sheer ridiculousness of the action
A misfire from the usually reliable Wes Craven, this drearily traipses through a slasher/supernatural plot that lacks any surprises or Craven’s characteristic atmosphere
A sequel to Alexandre Aja’s Mirrors that abandons most of the basics of the first film and strips everything down to a series of gory, novelty deaths
Cheap mockbuster from The Asylum that was designed to exploit the success of the flop Prince of Persia. While ostensibly a Sinbad film, this confusingly abandons the Arabian Nights milieu and is set contemporary where Sinbad is not sailor but a corporate CEO stranded on a desert island
Sequel to the outrageously gory 2001 Maniacs, although here the horror comedy balance spills over into absurd farce and cheap gore effects. Crucially, the film seems cheaper and less polished, more messy and random in terms of its arrangements
The always interesting David Blyth returns to screens with what feels like an amateur remake of Nicolas Roeg’s Track 29 that becomes a confused and plotless mishmash of hallucinations, random BDSM scenarios and shock effects
A homage to 1970s SF cinema, full of trippy journeys through transcendental space and white antisceptic corridors. In aiming for this look, the film also forgot a small thing like a plot or coherent explanation of what is happening
Another cheap Syfy Channel disaster movie featuring a cold wave that freezes everything in its path. As expected, this ignores basic science while offering cut-price digital mass destruction effects