The Science Fiction Horror and Fantasy Film Review
Czech puppet fantasy about a toy’s journey through a forest filled with a bizarre menagerie of creatures that are both cutely affecting and sinisterly threatening in the Maurice Sendak vein
Whether we asked for it or not, director Bruce LaBruce gives us the world’s first gay pornographic zombie film in which a zombie finds it can revive the dead by having sex with them
Live-action film adaptation of the popular animated tv series, this was widely seen as a disaster for M. Night Shyamalan. I am one of the few that liked the film for Shyamalan’s superbly designed world
An exorcism film made Found Footage-style with Patrick Fabian as a conman exorcist. This is constantly confounding everything one expects of the genre with considerable cleverness
Seven people wake up in a deserted London with no memory of who they are only to find that something is stalking them. An intriguing hook let down by a tired and overused ending
Zack Snyder makes an exquisite motion-capture animated film for adults about talking owls. This has a story that comes with a sweeping mythic arc
An absurd film where angels conduct a war on Earth, which comes amid much in the way of gunfire and creature effects. Directed by a former visual effects supervisor.
Surprisingly good English-language remake of Let the Right One In, the first release from the revived Hammer Films. It is extremely faithful to the original, while also recreating it with some subtlety
Documentary about the making of Dark Star, depicting its’ journey from student film to cult film. The only disappointment is the absence of key players John Carpenter and Dan O’Bannon
This feels like a remake of the Roger Corman post-holocaust cavemen cheapie Teenage Caveman. It cannot escape that at heart it is never more than a B movie about caveman fighting mutants
Overrated South Korean revenge thriller about a detective obsessively pursuing a serial killer that has a mild level of ultra-violence going for it but otherwise fails to grip or dig into a psychological darkness
An SF film with minimal resources – just two characters in a desert – that deliver a modest variant on the Enemy Mine scenario about an alien and human enemy stranded on a planet
Popular animated adaptation of a children’s book. This hits all the right story arcs and in sufficiently likeable measure to work amiably. Two sequels and a live-action remake followed.
A disappointing tv mini-series adaptation of Terry Pratchett’s Discworld novel, which has been (largely) played as a straight adventure with the usual Pratchett comedy taking a backseat
A modest and effective low-budget reworking of the classic Enemy Mine delivered with a quite reasonable intelligence and professionalism
Luc Besson adapts a French comic-book – sort of a female version of Tintin – with uneven but generally amiable regard. The result is somewhere between an Indiana Jones adventure and the quirkness of an Amelie
Controversial Japanese film about a virus that causes members of a family to engage in gay incest. This is perhaps the dullest taboo-breaking film I have ever sat through
Hong Kong cinema specialises in a type of frenetic, high-energy slapstick. This – a romance set around a swimming competition in which the girl thinks she has been blessed by a water god – is not one of the more inspired
Uwe Boll seems to be improving. Here he has abandoned action for a character-driven drama about the appearance of an ambiguous stranger heralding the Biblical end of the world
Very nicely produced BBC retelling of the H.G. Wells novel that conducts an extremely faithful adaptation of the story and captures a perfect period sense of wonder
The greatly underrated Sean Tretta makes a Frankenstein film – a modernised one that place in a research laboratory where the monster is resurrected with expanded mental abilities
A low-budget entry in the 2000s fad for true-life serial killer films. This is based on William Bonin who around the L.A. freeways in a van and abducted and killed young men
Not to be confused with the Disney animated film, this is a harrowing survival drama from Adam Green about three characters trapped in mid-air on a ski chairlift
Excruciating CGI cute animals film where animals gang up to stop Brendan Fraser redeveloping their forest. Essentially a 1970s Nature’s Revenge film by way of the slapstick family-friendly violence of Home Alone
This has the great idea of paranormal investigators investigating the home of real-life serial killer John Wayne Gacy. Alas, Gacy is of zero relevance and the film no more that a tatty Found Footage effort
An ‘illustrated film’ – essentially comic-book panels with voiceover narration. The story about gods inhabiting a burned-out future is far more ambitious than can be crammed into the film
Another in the spate of gonzo Japanese splatter films. A cartoony OTT vigilante film with a Gothic schoolgirl avenger, featuring ridiculous action and splatter set-pieces
A raucous and vulgar, if at times undeniably funny, comedy where John Cusack and three friends use a hot tub at a resort that causes them to travel back in time to the 1980s.
An Australian entry in the spate of superheroes with no powers films a la the likes of Kick-Ass, Defendor and Super. This plays out as a quirky but never particularly funny romantic comedy
A surprisingly good little film about a group of friends being infected by parasites escaped from a laboratory. Confidant assured horror filmmaking with some way out effects.
Jonathan Swift’s classic tale of a man in a land of miniature people is turned into a comedy vehicle for Jack Black and outfitted with a series of vulgar and pop culture gags
Quebecois (French-speaking Canadian) historical werewolf film. The plot proves entertaining in its whisplash reversals, although the film’s provision of a werewolf falls down amid some ratty CGI effects
Adult actress Tori Black plays a straight role as a hooker who goes to a meet with a client in a motel room where claims that he is a werewolf
A compilation of shorts from anime directors set in the Halo videogame universe. The first two episodes have a breathtaking scale but the others are bitsy stories but nothing standout
The penultimate chapter in the Harry Potter series surprisingly strips out most of the effects and is much slower, more character driven, while moving the saga towards an epic conclusion
Hatchet was a homage to the 1980s slasher film that had a mild amusement. In the sequels, Adam Green upped the number of genre cameos and in-jokes, while pushing the gore effects to an extreme
A Singaporean entry in the Found Footage genre with a camera crew searching a supposedly haunted abandoned hospital. Constant hyped build-up without much payoff
Clint Eastwood tackles the afterlife in a drama following multiple storylines. A film made with earnest serious ambition but one where Eastwood finds surprisingly little to say about the issue
David Lynch’s daughter Jennifer is a much better director than she is given recognition for. She disowned this work about a snake goddess taken on human form nevertheless creates a film that is equal parts lushly sensual and madcap lunacy
Adam Wingard has been a director on the rise in the last few years, although his films often feel as though they could have been more than they are. This mumblecore serial killer film is his most satisfying and fully achieved work so far
Bill Zebub is a micro-budgeted filmmaker who contends to be the most offensive filmmaker of all time. Yes, the film features a zombie Jesus who spends his time violating women who parade in a state of undress
The second of the Twilight films where the moderately grounded original is blown up into the near laughable with the ridiculously over-the-top hyper-sexualised posturing of its male leads