The Science Fiction Horror and Fantasy Film Review
The vampire film is looking a little anemic in the post-Twilight era. Here is what is easily one of the best vampire films of the 2010s, a combination of Martin and the relationship in Let the Right One In (sort of), all transplanted into a harsh inner city environment
A perfect example of all the things I hate about modern animation. Based around the popular Troll dolls, this is vapidly designed, content-free product based solely around simplistic storylines, manic slapstick sequences, song and dance numbers, and inane contemporary pop culture in-jokes
From Troma films, this is an anthology made up of twelve Christmas-themed short horror films for what supposed leading indie directors – so acclaimed I’ve only heard of two of them before
Lavalantula with Steve Guttenberg facing giant fire-breathing spiders was a modestly enjoyable creature feature. This sequel feels like a Sharknado wannabe with shittier effects and an unfunny sense of humour
I was intrigued a few years ago about whether such a thing as the Islamic horror film existed and shortly after we had A Girl Walks Alone at Night. This could be considered an Iranian version of The Babadook and is a spooky and well made show about a woman slowly descending into fear and superstition
I am at a loss to understand who the audience for the Underworld films is – they are films devoid of minimal requirements like plotting and seem to only exist as a series of forgettable action sequences and interchangeable Gothic poses by characters in black leather – and yet we keep getting more of them
Modestly effective effort about a man whose body is slowly fading away and becoming invisible. A film carried by some fine effects sequences, this derives its frisson from the gradual revelation of what is happening but loses it when the mundane subplots take over in the second half
The use of a designer drug causes a small island to descend into mass insanity – this is essentially The Crazies repackaged as a slick empty-headed thriller for teen audiences. The various scenes of madness are frequently laughable and the film arrives at possibly the most ridiculous twist ending one has ever seen
There is considerable conceptual ambition to this – a giallo homage, most of which takes place inside a limo. Charitably, you call it is a micro-budgeted collision between Cosmopolis and The Strange Colour of Your Body’s Tears, alas the film lets narrative fragment into incoherence in the latter half
This has a great premise – a camera crew revisiting the site of a cult mass suicide stir up the ghosts of the cult members – and a director who I always maintained had much untapped potential. Alas, the finished result seems to slip by his hands
Effort from the near-ubiquitous Blumhouse that is constantly confounding expectations – a plague outbreak drama but not quite, a zombie film but not quite. In the end, not a great or groundbreaking film but certainly a modest one that takes things in some interesting and original directions
In his follow-up to Manborg, Steven Kostanski abandons the affectionate homages to 1980s video-released genre films he has specialised in so far. A homage to the works of H.P. Lovecraft, this should be seen for the utterly wild and outlandish makeup effects that Kostanski delivers
South Korean horror film that generates a more than effectively creepy atmosphere. The downside is that you reached the end of the show with no clear idea what is going on and why things are happening
Adapted from the videogame, this is a third hand rehash of the basics of Tolkien. Secondly, it looks like a giant CGI cartoon where almost anything interesting about the world has been sidelined in favour of fantasy action
Luc Besson written/produced effort where a videogamer kid is transported to Ancient China. A blatant copy of The Forbidden Kingdom that manages to be fundamentally implausible on every level and one of the worst attempts to pander to the Chinese box-office
There are few films that you can accuse of crossing over taboo lines and keeping going without compromise. This Mexican film has been construed as a catalogue of depravities; on the other hand, the lack of even a nominal plot soon causes this to lapse into repetitive tedium
Cryptic film about a couple wandering a post-apocalyptic terrain who discover an untouched and still working apartment tower. Less a work of SF than one of baffling surrealism
A throwback to the 1980s/90s psycho-thriller that came out after Fatal Attraction featuring a surrogate mother who develops a stalkerish fixation on a husband. The crucial difference is that this is played with an all-Black cast but in a way that sends out weirdly uncomfortable racial messages
An acclaimed semi-autobiographical novel about a childhood growing up under Soviet rule is filmed translated to a near-future dystopian setting
Another film about the Manson Family murders, this focuses on the Tate-Folger crime scene. It adheres to the fact general but twists them so it now operates more as a home invasion film
The seventh X-Men chapter arrives with a certain ennui. Bryan Singer creates some epic scenes but the sprawling ensemble and the series’ ragged continuity makes it hard to invest in the characters, while the new villain looks like a B movie wizard and the mass destruction climax comes surprisingly by the book
Kevin Smith’s follow-up to Tusk slides off the cliff somewhere between Johnny Depp’s incredibly silly performance, a nemesis you can’t take seriously and what largely becomes a vanity exercise in nepotism – Smith and Depp creating a vehicle to highlight their daughters
Makoto Shinkai anime that starts as a light and fluffy piece about a boy and a girl who keep waking up in each other’s bodies but expands out into a wholly different story, gaining unexpected emotional depths
From The Asylum, the company that brought the world Sharknado and 2-Headed Shark Attack, a film about a zoo filled with zombie animals. Played more seriously than you might expect, this falls just between The Asylum’s usual corner cutting and the odd moment of effectiveness
A really good Disney animated film set in a world that imagines what might happen if animals lived in cities, this is an ingenious reworking of the talking animals premise that overflows with visual ingenuity and warm humour