Martyrs Lane (2021)
Director Ruth Platt creates a beautifully subtle and delicate ghost story
The Science Fiction Horror and Fantasy Film Review
A ghost is a person whose spirit continues to live on following death in non-corporeal and insubstantial form (as opposed to other more physical forms of undead such as vampires and zombies). Hauntings refers to ghostly phenomena – films featuring ghosts and/or haunted houses and other places.
A common plot in a many ghosts stories is of the living investigating a haunted place to find who the ghost was and achieving a form of exorcism by aiding them in complete their Unfinished Business and depart.
The haunted house is a long-standing tradition and concerns the investigation of a large old gloomy mansions. More modern variants have tried numerous other form of dwelling from suburban houses to hotels, supermarkets, ships and submarines.
There is the misconception that the ghost story and haunted house film originated in the 1930s. The first Hollywood effort was not until well into the 1940s and the genre did not fully develop until the 1950s/60s, reaching a peak in the 1970s.
The 1980s brought the introduction of visual and makeup effects. The 1990s/2000s introduced the Found Footage investigation of the haunted house. In the 2000s onwards, the ghost story has become so prolific that it is rare to find efforts that stand out from the formula and cliches.
There is also the Asian ghost story – see Asian Horror – where hauntings tend to be less centred around dwellings and more about personal vengeance and the grievances.
The depiction of ghost stories is so numerous that this topic has been split between actual ghost stories (here) and those that depict ghosts in a comedic or other vein – for which see Ghosts in Light Fantasy
Director Ruth Platt creates a beautifully subtle and delicate ghost story
Strong return to genre material for Australian director Richard Franklin with Radha Mitchell as a yachtswoman in a round the world race facing ghosts on board that may well all be in her imagination
Adaptation of a ghost story from Sarah Waters, an author who usually specialises in literary Victorian lesbian bodice rippers. The ghost story is an overmined genre but this is a not uninteresting venture into the field
Modest and effective horror anthology from the two brothers responsible for Pitch Black and the Ewoks tv movies. Featuring a quarter of stories, all of them are strong efforts generating a more than reasonable degree of tension throughout
Takashi Shimizu’s follow-up to the international hit of Ju-on: The Grudge. These Ju-on films become repetitive after a time but you cannot deny that Shimizu delivers the spooky goods here
The first of The Amityville Horror sequels and a far more entertaining film than its predecessor by abandoning the pretence at telling a true story and adding a possession plot and makeup effects to the mix
The second film from Belgian director Fabrice Du Welz is an intensely haunted albeit enigmatic journey into Southeast Asian jungles in search of a missing child
An entry from the revived Hammer Films directed by duo who made Goodnight Mommy. A slow burn of a film about cabin fever and fragmenting psychology often reminiscent of The Shining
A New Zealand-made film where a sound effects artist is haunted by the ghost of a woman who steps out of a biopic about Henri Toulouse-Lautec that he is editing
Blair Witch Project co-director Eduardo Sanchez makes a film that sits in a fascinatingly ambiguous place as to whether a wife is being haunted/possessed or is mentally disintegrating
Solidly atmospheric effort concerning a middle-aged couple who buy a house with sinister forces lurking in the basement. This builds to an admirably gore-drenched climax
Likeable entry from the 1940s period when Disney was putting out animated anthologies, this conducts adaptations of The Wind in the Willows and The Legend of Sleepy Hollow
A no-budget New Zealand-made film about a student who makes the realisation he is living in a haunted flat. This delivers everything with some modest spooky effect
May the Devil Take YouThe Evil Dead. Here Timo Tjajjanto makes a sequel and goes absolutely demented
British tv mini-series ghost story that takes place across three different eras – in 1944, 1975 and 2012. More of a mystery than a scare show but drawn with a beautifully wistful feel for place and time
This necessarily lacks the surprise effect of the first film but still captures some of the same eerie dread anticipation as spooky things begin happening
The better of two spinoff films made for the tenth anniversary of the Ju-on/The Grudge series. The series is suffering over-familiarity, but this manage to create moments of uncanny spookiness
The 1939 Bob Hope comedy remake of The Cat and the Canary was a big hit; here he and Paulette Goddard are put through the same in what is all but a sequel. Hope is on top form again
Rue Morgue magazine editor Rodrigo Gudiño makes his directorial debut with an old-fashioned ghost story that is a slow, moody ambiguous single-person drama
Mike Flanagan horror mini-series adapted from Christopher Pike’s book, this is set around a group of patients in a hospice who form a group to tell each other horror stories
The fifth film of the Found Footage horror anthology series, including one episode that is among the best of the series so far
An anthology of five short Found Footage horror films each from a different director. As with any anthology these are variable in tone but are on the whole mostly effective and contain a number of alternately unearthly and spooky moments
A nicely made Stephen King adaptation about a teen who starts to receive text message from beyond the grave. From Ryan Murphy, the producer behind tv’s Glee and American Horror Story
One of the better films from exploitation director Jess Franco that develops a haunted atmosphere that while crude is hard to shake
James Wan proves himself one of the finest directors in the horror genre with this sequel to his 2010 film. The plot is trimmed to deliver an effective scare show and Wan again produces a series of eerie and unworldly jumps
A ghost story that borrows quite a few touches from Assault on Precinct 13 in its tale of a haunted police station. Director Anthony DiBlasi spends his time on accumulating atmosphere with considerable effectiveness
On a pure plot level, this is largely a generic haunted house story but director James Wan creates an eerie atmosphere and manages to undeniably jangle the audience’s nerves on a number of occasions
Japanese ghost story based on a kabuki play that has been filmed numerous times. Much more character and story driven than modern kaidan eiga, this builds to a grim and spooky climax with undeniable effect
South Korean jump aboard the Ringu phenomenon about a series of haunted phone calls that works well through a clever ending
One of Guillermo Del Toro earliest films – a ghost story set at an orphanage during the Spanish Civil War. Eerie supernatural scenes sit alongside a surprisingly rich swim of symbolism
Very strange Japanese ghost story that has been rediscovered as a cult classic. It resembles a film like Willy Wonka turned into a haunted house film where the intention seems to have been to be a bizarre and wacky as possible
Unusual and interesting ghost story that draws heavily on Don’t Look Now and proves fascinating in its teasing maze of visual clues, before heading off into a surreal game of identity exchange
The Paranormal Activity series still manages to produce a reasonable amount of eerie scares and jumps a third time around, although by now the claim to still being found footage is starting to strain credulity
The last film from the great Mario Bava – an uncanny effort filled with some strikingly spooky scenes that leaves you uncertain whether what we are seeing is a haunting, a possession or is taking place in a mad woman’s fraying mind
Japan’s Kiyoshi Kurosawa conducts a remake of the British thriller Seance on a Wet Afternoon. Where the original was a mundane film that depicted a kidnap scheme involving a fake medium, Kurosawa builds this out as an actual ghost story
The fourth of Roger Corman’s Edgar Allan Poe films. This mixes it up slightly and adapts four Poe stories into three episodes, each of which stars Vincent Price
An early film from Apichatpong Weerasethakul, two tales – the first a gay love story, the second about a ghost tiger
Czech-made haunted house story that does not vary far from the traditional basics but generates a sparse but modest atmosphere
An old-fashioned ghost story with George C. Scott as a widowed composer who moves into a haunted house. This generates spookiness with quite a reasonable degree of effectiveness
Spookily effective Japanese ghost story about a mother’s pilgrimage around a series of shrines to raise her daughter’s spirit from the dead
Stephen King expressed dissatisfaction with the way Stanley Kubrick handled his novel and here remakes it as a tv mini-series that adheres more closely to the book. While Kubrick’s film is far better, this is not bad where even the perpetually awful Mick Garris subdues his tendency to overdo everything towards some subtlety
Classic work of 1960s Italian Gothic cinema. Director Antonio Margheriti rises above himself to create a vividly spooky atmosphere, while at the centre of the show is the haunted otherworldly looks of Barbara Steele
A Thai ghost story that later underwent a lesser Hollywood remake, this generates quite a degree of atmosphere in the story of a photographer who is haunted by a ghost girl who appears out of his photographs
Beautifully made Australian ghost story that creates a strong sense of eerie disquiet as psychologist Adrien Brody realises that all of his patients are dead and is prompted to go on a journey to uncover forgotten things from his past
Classic silent movie about a murderer haunted by his guilty conscience. The film’s simplistic morality is rather hard to swallow today but the film is richly directed for its era and creates some wonderfully theatrical effects
Tim Burton adapts the classic Washington Irving ghost story, although throws most of it out, to make his own beautifully designed period piece spearheaded by another eccentric Johnny Depp performance
A Clive Barker adaptation capped by a magisterial performance from Tony Todd. This was greeted as a horror masterpiece when it came out and went on to spawn two sequels. Not too bad if it falls short of the classic status
Irish director Damian McCarthy impressed a good deal with Oddity. In his equally spooky follow-up, writer Adam Scott travels to a hotel in Ireland only to become trapped in a haunted suite
Word of mouth hit that has in its fingertips the capacity to be a great horror film. Moments of intense spookiness and an awards-worthy performance from Toni Colette but Ari Aster has an unfocused script
A modestly successful Bollywood horror film that becomes a copy of The Exorcist but does generate a reasonable degree of atmosphere
The Found Footage horror film quickly became worn out. However, this effort about the investigation into a haunted church in the English countryside manages to generate some quite reasonable atmosphere
Troubled teenager is sent to a reform camp only to find he has raised a force that is exacting brutal vengeance against his bullies. This feels like one of the underdog gets supernatural comeuppance films that we had after Carrie but is rather well made on all fronts
Highly original piece that works as a supernatural version of Black Hawk Down with a unit of soldiers cut off in rebel territory and surrounded by spirit beings. Grippingly effective both in terms of the tension and a script that treats the phenomenon with scrupulous rationalism
A work of brooding Italian Gothic, a loose sequel to The Terror of Dr Hichcock. Featuring oodles of atmosphere and the genre’s indisputable queen Barbara Steele as a wife haunted by a dead husband
South Korean horror film that feels like The Sixth Sense crossed with the enigmatic games of Don’t Look Now. The film takes place in a cryptically baffling mandala of dreams, hallucinations and possible deathdream that eventually proves rather absorbing
Mind-bogglingly bizarre documentary that conducts a tour of the bizarre practices of Chinese religion
Influential if possibly overrated work in the Italian Gothic cycle of the 1960s. There’s the haunted figure of Barbara Steele and rich atmosphere, even if the plot doesn’t make much sense
A multi-director horror anthology where all the directors are Latin American
The underrated Curtis Harrington makes a quickie possession film about a haunted drive-in theatre. Cast soon after Carrie, the film is headed by a fierily passionate performance from Piper Laurie
Scott Derrickson delivers an eerie film from a Joe Hill story about a child who is abducted and imprisoned by a serial killer but then receives message from beyond the grave on an old telephone.
A Young Adult film that comes with a highly original premise concerning the aftermath of a catastrophe that has left ghostly figures trapped in timeloops repeating the same moves
Very strange New Zealand-made film that starts out seeming to be an abduction thriller and then turns into an even stranger ghost story that we cannot be sure is happening or all in the heroine’s imagination
A quirkily enjoyable horror Western about children searching for their parents and ending up in a town that exists in an afterlife netherworld populated by an assortment of weird creatures
Adapted from a Kingsley Amis novel, this BBC mini-series is a ghost story for arts audiences. Albert Finney is great as a philandering hotelier who must deal with the appearances of an 18th Century sorcerer
Modest and quite well made film entirely shot, produced and acted by the Adams Family who have gone on to make a series of other striking horror films. This concerns a man haunted by a ghost after he kills a girl
Horror anthology featuring four ghost stories from Thai directors. While all the segments vary in approach and style, this is a spooky and above average effort with the real standout being the final segment with an air hostess aboard a plane with a dead body in the midst of a storm
Modestly effective tv mini-series about the crew of a British submarine in the 1980s being taken over by the ghosts from a World War II submarine
A rather funny horror comedy based around the concept of a livestream conducted from a haunted house – all of which proceeds to quite hilariously go wrong
The second of Roger Corman’s Edgar Allan Poe films with Vincent Price. This feels too much as though Corman was trying to make another House of Usher, nevertheless it creates its own thunderously overwrought atmosphere, even if it has little to do with the Poe story
A children’s ghost story that is written with uncommon depth and care and directed with reasonable effect
A really quite spooky film about a series of audio recordings send to a podcast that seem to contain evidence of a possession. A film that almost entirely has its effect relayed by sound
Undeniably effective ghost story where Sandra Oh plays a woman who is haunted by the ghost of her abusive traditional mother
One of the films from the most promising Mickey Keating. Darling owes a great deal of debt to Roman Polanski’s Repulsion but Keating very effectively drags us into a disturbed mental space
The English-language remake of Ju-on: The Grudge, this has the good sense to retain the original’s director Takashi Shimizu. The script makes more sense and Shimizu replicates the same eerie scares
Spooky Russian film about a haunted plane flight, this recalls something of The Twilight Zone’s famous Nightmare at 20,000 Feet episode
Vincenzo Natali tackles the ghost story, turning everything on its head in a series of mind-boggling twists. One of the few post-Sixth Sense films to take the film’s big twist as its starting point and build from there
From Japan’s Kiyoshi Kurosawa, a ghost story that creates an incredibly haunted atmosphere. As with most of Kurosawa’s work, dazzling ideas sit alongside a murky and impenetrable plot where you are baffled trying to make sense of what is happening
Kimo Stamboel, one half of the Mo Brothers, solo directs a film about an orphanage where deviltry and horrors are stirred on a return visit by children who were raised there
The rarity of a Bollywood horror film. This blatantly steals the plot of What Lies Beneath but spins it through the Bollywood formula with the addition of songs and much implied sensuality to create something unique
A film from the Pang Brothers in which a heroine enters into an extraordinarily conceived fantasy world that would appear to be taking place in her own imagination
A ghost story directed by Osgood Perkins. Essentially a two-person show where all the atmosphere is provided by haunting voicover narration but this has undeniable effect
The announcement of the remake of The Haunting was followed by this remake of the 1959 William Castle film, which turns out far more unpretentious and altogether more fun than the bloated flop of The Haunting
One of the key films from William Castle, the P.T. Barnum of the horror genre. Castle always approached horror like a carnival barker. Castle does not have much style but the luridness of his shocks proves entertaining
Locke as a ghost story. A really good film that takes place during a car journey as a married couple race off to help their daughter who has had an accident. A tight, twist-filled script with some great performances
Kaidan eiga (Japanese ghost story) that was a huge hit, spawning several sequels and an English-language remake, plus a horde of imitators. For all its reputation, the film is often crude, nevertheless does evince an eerie atmosphere
A BBC adaptation of the classic oft-filmed Henry James ghost story in which we cannot be sure whether the ghosts are real or exist inside the heroine’s imagination. This treats some aspects of the story liberally but gets the essence of the story right
Filipino variant on the Japanese ghost story (Ring, The Grudge et al). Much more low key than some of the other variants but with moments of undeniably spooky effect and with an ambitious story that takes place across three different decades
A Stephen King scripted tv mini-series about the investigation into a haunted house. This is not quite a classic in the vein of its model The Haunting but is a solid and effective entry
Scott Derrickson makes a sequel to his earlier hit The Black Phone. The original was a modest but self-contained story, whereas this has to do some work before coming out as an original and effective follow-up
A minor British ghost story about a composer who looks in and sees the lives of the inhabitants of a haunted house replayed. This comes with some modest effect
An Irish shot adaptation of a Henry James ghost story that was repackaged by Roger Corman to take advantage of the release of the remake of The Haunting
A ghost story that takes place between two eras set aboard the real-life cruise liner Queen Mary, this conducts a variant on the ghost ship story with some reasonable effect
The first of two animated Hellboy spinoffs with the live-action actors returning to voice their parts. This is the better of the two animated films, developing a weirdness as it takes Hellboy inside a Japanese spirit realm
The first sequel to House, this is largely unrelated to its predecessor and plays itself with a sense of humour to emerge as the superior film. Now a skull opens doorways in the house into different eras
One of a duo of spinoff films made to celebrate the tenth anniversary of the Ju-on/The Grudge series. Seven films in and the series is starting to resemble much of a muchness
A film directed by Chris D, lead singer of The Flesh Eaters, about a heroin addict who starts to see ghosts. A strong portrait of addiction but less effective as a horror film
A passable 80s horror in which Tawny Kitaen summons an evil spirit via an ouija board. That was a sufficient hit on video shelves that two sequels followed and then a remake.
A South Korean ghost story that achieves quite a degree of spookiness, albeit influenced by the Japanese Ring phenomenon, although things fall apart at a confusing twist ending
Cult director Takashi Miike jumps aboard the J-horror fad of the 2000s and makes a Ringu copy that substitutes haunted videos for haunted cellphone calls. Two sequels and an English-language remake followed
Early film from Larry Fessenden about a family and a Native American spirit. Much brooding build-up but not much payoff (*)