Ghostriders (1987)
An obscure and drearily made film about avenging ghosts of a gang of western outlaws who are resurrected in the present day
The Science Fiction Horror and Fantasy Film Review
A ghost is a person whose spirit continues to live on following death in non-corporeal and insubstantial form (as opposed to other more physical forms of undead such as vampires and zombies). Hauntings refers to ghostly phenomena – films featuring ghosts and/or haunted houses and other places.
A common plot in a many ghosts stories is of the living investigating a haunted place to find who the ghost was and achieving a form of exorcism by aiding them in complete their Unfinished Business and depart.
The haunted house is a long-standing tradition and concerns the investigation of a large old gloomy mansions. More modern variants have tried numerous other form of dwelling from suburban houses to hotels, supermarkets, ships and submarines.
There is the misconception that the ghost story and haunted house film originated in the 1930s. The first Hollywood effort was not until well into the 1940s and the genre did not fully develop until the 1950s/60s, reaching a peak in the 1970s.
The 1980s brought the introduction of visual and makeup effects. The 1990s/2000s introduced the Found Footage investigation of the haunted house. In the 2000s onwards, the ghost story has become so prolific that it is rare to find efforts that stand out from the formula and cliches.
There is also the Asian ghost story – see Asian Horror – where hauntings tend to be less centred around dwellings and more about personal vengeance and the grievances.
The depiction of ghost stories is so numerous that this topic has been split between actual ghost stories (here) and those that depict ghosts in a comedic or other vein – for which see Ghosts in Light Fantasy
An obscure and drearily made film about avenging ghosts of a gang of western outlaws who are resurrected in the present day
US soldiers arrive at a chateau in Nazi-occupied France during World War II that appears to be haunted. In a conceptual reversal twist, everything is not what it seems
Classic BBC live broadcast tv special where a camera crew investigate a haunted house. Cited as one of the first Found Footage films, this does some ingenious things blending fact and fiction and messing with its audience
A B-budget horror film about an agoraphobic woman who is unable to go over of her apartment who then finds that it is haunted by a ghost
Catholic schoolgirls are being killed in a big old haunted house. This was unable to find a release in its original form whereupon it was bought up by Troma, given a much more sensationalistic title and released with extra gore scenes
A cryptic ghost story based on a novel by Watership Down author Richard Adams, featuring Meg Tilly as a newlywed bride who is haunted by events from her past
Wrestler C.M. Punk does a halfway reasonable job of branching out as an actor, playing a regular guy engaged in home renovation who has to deal with a malevolent house
Film about a couple going to an institute where Robert De Niro promises a clone of their dead child. The film goes off the rails in an absurd and blatantly manipulative script that tries to turn this into a ghost story
The first in a trilogy of Russian dark fantasy films featuring the real-life horror writer Nikolai Gogol as an occult detective investigating a series of supernatural mysteries
It is said that animals like dogs can perceive the supernatural. This runs with that idea and is a ghost story told entirely from the point of view of the dog. The results are unexpectedly effective
Halle Berry is a psychiatrist who comes around to find she has been incarcerated in her own asylum only to then find it is haunted. An improbably contrived set up with some jumps
Grave Encounters was an unremarkable Found Footage film. This much smarter sequel takes its lead from Book of Shadows: Blair Witch 2 in being a meta-fiction that investigates the phenomenon of the first film
Another Found Footage horror film with a reality tv ghostbusting team investigating a haunted asylum. The Found Footage genre quickly became exhausted and this only treads where others have gone before
Mike Mendez has gained a reasonable name as a genre director since the early 2000s. This is one of his earlier works, a venture into the ghost story where three friends are haunted after drunkenly dancing on a grave
Adapted from a Kingsley Amis novel, this BBC mini-series is a ghost story for arts audiences. Albert Finney is great as a philandering hotelier who must deal with the appearances of an 18th Century sorcerer
Oliver Stone’s son Sean makes a Found Footage horror film. The haunted asylum has become a thoroughly overused cliche. That said, Sean Stone wrings some undeniably spooky jumps out of the material
The English-language remake of Ju-on: The Grudge, this has the good sense to retain the original’s director Takashi Shimizu. The script makes more sense and Shimizu replicates the same eerie scares
Follow-up to The Grudge, the English-language remake of the Japanese horror film. Although original Japanese director Takashi Shimizu is present, this is one of the weaker Ju-on/Grudge films
The Ju-on/The Grudge series has spawned thirteen films to date. This was the second sequel to the English-language remake but by this point everything disappears into formulaic scares
The fourteenth Ju-on/The Grudge film, a reboot of the 2004 English language version from Sam Raimi’s Ghost House Pictures. This was dumped by its distributor and received some terrible reviews
Japanese horror film that only treads tepidly where the Ring and Ju-on/The Grudgefilms have gone before. Shot in a plain, ordinary manner that bleeds the J-horror film of atmosphere
Locke as a ghost story. A really good film that takes place during a car journey as a married couple race off to help their daughter who has had an accident. A tight, twist-filled script with some great performances
Brazilian film about a haunted supermarket, which becomes a metaphor for post-Recession economic stress. While the film sets up a host of haunted house elements, it fails to ever reach a resolution
Mario Bava essentially created the giallo film. Here he returns to the genre with an entry about an man obsessed with killing brides that comes filled with exquisitely stylish surroundings and directorial set-pieces
A modern ghost story that aims for a slow, delicate atmosphere. Noble ambitions but what we end up with is a film that fails to produce any boo moment that makes us leap out of our seats
An old fashioned Victorian ghost story based on a James Herbert novel, this suffers a very laidback pace but is redeemed by its left field twist ending. Produced by Francis Ford Coppola
A Singaporean entry in the Found Footage genre with a camera crew searching a supposedly haunted abandoned hospital. Constant hyped build-up without much payoff
A madcap Hong Kong comedy that takes more than a few leaves from the Mr Vampire films with cops fighting off vampires in a haunted police station. A popular hit.
Both directing and starring here, Gene Wilder attempts to revive the Old Dark House comedy. By the 1980s, this was datedly creaky, while Wilder’s comedy mugging histrionics are excruciating to sit through
Marlon Wayans treads the same territory as the Scary Movie films in this parody take on Paranormal Activity. Most of the film is pitched as a series of crude lowest common denominator gags
Lightweight film based around the Disney theme park attraction that becomes a Eddie Murphy comedy where he and his family enter a big old mansion that proves to be haunted
The second attempt to spin a film off from the Disney theme park ride, this comes in a more serious tone than the prior Eddie Murphy film but still emerges as lightweight in terms of horror
Vincenzo Natali tackles the ghost story, turning everything on its head in a series of mind-boggling twists. One of the few post-Sixth Sense films to take the film’s big twist as its starting point and build from there
This is the finest haunted house film of all. In Robert Wise’s hands, the ghosts are unseen and only ever psychological and suggested – the results are terrifying. Adapted from Shirley Jackson’s The Haunting of Hill House
The original 1963 version of The Haunting was a masterpiece of unseen psychological horrors. This, in which all of the psychological horrors are replaced by loud and unsubtle CGI bombast, is one of the worst remakes of all time
Another supposedly based on a true story ghost story, although the absurdity of plotting makes this a nonsense. The film quickly slides to the irredeemably banal without a single spooky moment
Another supposed true-life ghost story, an early case by Ed and Lorraine Warren. The film exists as a progression of pop-up scares that through the need to keep producing effect produces no effect at all.
The Haunting in Connecticut was a reasonable success in the claim to being a true story ghost story stakes. This is a sequel, seemingly unaware that Connecticut and Georgia are about a thousand miles apart
Mike Flanagan follows up the hit of The Haunting of Hill House with a mini-series that adapts another classic work The Turn of the Screw out into a similar kind of cross-generational ghost story. The results are extraordinary
An Irish shot adaptation of a Henry James ghost story that was repackaged by Roger Corman to take advantage of the release of the remake of The Haunting
A dull and mannered ghost story that makes a good effort at period atmosphere but places almost nothing into attempting to produce anything spooky
A ghost story that takes place between two eras set aboard the real-life cruise liner Queen Mary, this conducts a variant on the ghost ship story with some reasonable effect
One of the tatty ghost stories made by The Asylum, sold with the association of famous haunted locations or murders. Minor moments of interest if you are prepared to wade through the over-hyped shocks
Ghost story in which Trish Van Devere moves into her late aunt’s house where she is wooed by a handsome stranger while being haunted by a mysterious hearse
A cheap and tatty horror film set in a haunted asylum that was one of several similar films in the early 2000s that set out to exploit the then newly arrived fad for reality tv
The second of two animated Hellboy spinoffs, this renders what might have been impressive superheroics had they been conducted in live-action down at the level of children’s animation
The first of two animated Hellboy spinoffs with the live-action actors returning to voice their parts. This is the better of the two animated films, developing a weirdness as it takes Hellboy inside a Japanese spirit realm
Word of mouth hit that has in its fingertips the capacity to be a great horror film. Moments of intense spookiness and an awards-worthy performance from Toni Colette but Ari Aster has an unfocused script
Neil Jordan has shown himself as an excellent director elsewhere but seems to have little aptitude for comedy when it comes to this raucous knockabout farce about a haunted castle
A film of legendarily bad proportions where a group of Country and Western singers end up in a haunted house. Despite casting some famous horror actors, this is more interested in its excruciating country performances
Irish director Damian McCarthy impressed a good deal with Oddity. In his equally spooky follow-up, writer Adam Scott travels to a hotel in Ireland only to become trapped in a haunted suite
A compilation of short horror films from Denmark
Amiably silly haunted house film with William Katt fighting rubbery pop-up monsters. This doesn’t take itself too seriously. A minor hit that produced three sequels.
The first sequel to House, this is largely unrelated to its predecessor and plays itself with a sense of humour to emerge as the superior film. Now a skull opens doorways in the house into different eras
Very strange Japanese ghost story that has been rediscovered as a cult classic. It resembles a film like Willy Wonka turned into a haunted house film where the intention seems to have been to be a bizarre and wacky as possible
One of the key films in the cult of Lucio Fulci. Imagine a version of The Amityville Horror with the addition of zombies, mad scientists and a gore-drenched death every few minutes
The fourth and last in the series of 1980s horror comedies that began with House produced by Friday the 13th director Sean S. Cunningham. This brings the first film’s William Katt back to round the series out
A largely routine haunted house film where Lara Flynn Boyle plays a wife who becomes certain that the house next door is parasitic and preys upon people’s minds
A minor British ghost story about a composer who looks in and sees the lives of the inhabitants of a haunted house replayed. This comes with some modest effect
Unusual and interesting ghost story that draws heavily on Don’t Look Now and proves fascinating in its teasing maze of visual clues, before heading off into a surreal game of identity exchange
One of the key films from William Castle, the P.T. Barnum of the horror genre. Castle always approached horror like a carnival barker. Castle does not have much style but the luridness of his shocks proves entertaining
The announcement of the remake of The Haunting was followed by this remake of the 1959 William Castle film, which turns out far more unpretentious and altogether more fun than the bloated flop of The Haunting
A routine haunted house film that was made as a tv movie,. One of the several early genre works made by celebrated tv producer Aaron Spelling.
US-made ghost story set in Japan with a couple moved into a house haunted by a dead samurai, his wife and her lover. Not a patch on any of the classic Japanese kaidan eiga
An NZ-made haunted house comedy that runs through a frenzied array of genre plot devices, a couple of minor jumps and some easy middle-of-the-road laughs leaving you feeling there should have been more to it
A ghost story directed by Osgood Perkins. Essentially a two-person show where all the atmosphere is provided by haunting voicover narration but this has undeniable effect
A film directed by Chris D, lead singer of The Flesh Eaters, about a heroin addict who starts to see ghosts. A strong portrait of addiction but less effective as a horror film
A Young Adult film that comes with a highly original premise concerning the aftermath of a catastrophe that has left ghostly figures trapped in timeloops repeating the same moves
A standout adaptation of the oft-filmed kaidan eiga (Japanese ghost story) Yotsuya Kaidan/The Yotsuya Ghost Story. A beautifully filmed classic version of the story
A ghost story from Ti West that gains its effect from a quiet, mundanely understated approach and existing in an ambiguous place where we cannot be sure whether manifestations are real or in the imagination
Henry James’ The Turn of the Screw is a classic ghost story that hovers in a state of ambiguity as to whether the ghosts are real or in the heroine’s imagination. Of the multiple film versions, this is the best and most authentic to the story
On a pure plot level, this is largely a generic haunted house story but director James Wan creates an eerie atmosphere and manages to undeniably jangle the audience’s nerves on a number of occasions
James Wan proves himself one of the finest directors in the horror genre with this sequel to his 2010 film. The plot is trimmed to deliver an effective scare show and Wan again produces a series of eerie and unworldly jumps
This doesn’t have James Wan directing and is a far less interesting ghost story before doing a repeat venture into the beyond. On the plus side, incoming director Leigh Whannell does generate a fair degree of eerie tension
After two fairly good initial entries, the Insidious series began its downward slide. Here new director Adam Robitel’s clumsy jumpshocks are a far cry from the eerie effects James Wan pulled off
The fifth film in the Insidious series. This time Patrick Wilson returns to the franchise and takes the director’s chair, showing he has been taking some lessons from James Wan
A South Korean entry in the fad for Asian ghost stories that were popular in the 2000s following the successes of Ring and Ju-on/The Grudge. This later underwent remake as Alexandre Aja’s Mirrors
The haunted house genre has become so overused t feels mined out of original moves. Despite a better cast line-up, this follows all the familiar paths, even if it arrives at a quite different ending
A low-budget cheapie starring Bela Lugosi as a widower who goes into a trance and starts killing women after having visions of his late wife’s ghost
Ghost story from one of the directors of the Saw sequels that settles in with halfway reasonable build-up, before being killed off by an improbable left field twist ending
Completely ridiculous killer clown film with a theatre haunted by clowns where nothing makes any sense. Even more absurdly, it becomes a preachy diatribe in favour of the right to gun ownership
The Japanese Ju-on/The Grudge is one of the most popular modern kaidan eiga series, having produced fourteen films to date. This was the very first of the series
One of a duo of spinoff films made to celebrate the tenth anniversary of the Ju-on/The Grudge series. Seven films in and the series is starting to resemble much of a muchness
The better of two spinoff films made for the tenth anniversary of the Ju-on/The Grudge series. The series is suffering over-familiarity, but this manage to create moments of uncanny spookiness
The tenth of the Japanese Ju-on/The Grudge series. Newcomer Masayuki Ochiai has some effective touches but the series is running out of original moves
Unsettlingly spooky Japanese ghost story from Takashi Shimizu that spawned a number of sequels, reboots and English-language remakes. This was the third of the films and superior to all that came after
Takashi Shimizu’s follow-up to the international hit of Ju-on: The Grudge. These Ju-on films become repetitive after a time but you cannot deny that Shimizu delivers the spooky goods here
The best film that Blumhouse have produced to date. A ghost story as much as it becomes a relationship drama of incredibly authentic emotion that is beautifully made
Cult Italian directer Mario Bava returns to the Gothic of his highly influential Black Sunday in this atmosphere-laden film about a ghost child haunting a small village
Danish tv mini-series co-directed by Lars von Trier set in a haunted hospital. This comes with a blacker-than-black sense of humour in its interwoven character strands plus moments that are genuinely eerie
Lars von Trier returns to finish off his haunted hospital saga The Kingdom after a 25 years absence, despite the death of several principals, and again milks the same darkly hilarious vein
An exquisitely haunted Japanese ghost story from the muchly overlooked Kaneto Shindo that conjures some moments of genuinely otherworldly atmosphere as two ghost women take vengeance against samurai
The greatest of all Japanese ghost stories. This is an anthology that tells four stories. Each is made with an extraordinary visual flair and great attention to colour, lighting and design
At contrast to the forgettable James Wan produced version around the same time, this Guatemalan film spins the Latin America folktale as a parable about those behind historic atrocities being haunted
This is a beautifully made Coming of Age ghost story from the greatly underrated Frank LaLoggia wherein a bullied Lukas Haas is led by a ghost to uncover a murderer
This seems to be shaping up to be another entry in the over-saturated low-budget haunted house film. While never straying too far from this, this does throw in some interestingly strange twists
A cabin in the woods horror made with an ineptitude of execution. This sets out to rip off The Evil Dead but becomes one shock effect after another that runs into an incomprehensible mass like a bad nightmare
An Australian Found Footage film about a haunting. Rather than the intense spookiness of Paranormal Activity, this is more a mockumentary that is constantly turning what we expect is going on on its head
A haunted house film from Andrew Jones, who makes an okay but very low key film – the spookiest it ever gets is a phantom record player. Things are lifted by a modest M. Shyamalan-esque twist
Edgar Wright creates a dazzlingly stylish recreation of 1960s London in a work with Thomasine McKenzie as a modern girl haunted by ghosts of the era’s dark underside