Krull (1983)
A big-budget fantasy film made too much in the shadow of Star Wars by people with little understanding of the genre. The fantasy elements feel leaden and fail to take any imaginative flight
The Science Fiction Horror and Fantasy Film Review
Magic is a process inherent in many works of fantasy, although actually defining what it is is elusive. It can be said that it is not scientific in nature or based on real-world physics, otherwise a work becomes one of science-fiction. Nor does it come by divine process otherwise it is a Miracle. If we can define the current world as a rational one, magic is a system or property of things that stands outside these mundane definitions where it is akin to an energy or an invisible force.
Magic can be wielded by adept individuals. In use, magic is capable of transformation of matter or person-into-animal changes, it can create illusions, control of the environment and elements, can be used for healing, to create energy blasts, Mind Control, open portals to other worlds and dimensions, or conjure entities. The employment of magic will frequently be aided by something like a staff, a ring, a lens, a cauldron, potions and the assemblage of obscure items or else via Magic Spells – the uttering of phrases and rituals, which are usually written on scrolls.
It is often seen or implied that magic needs some training in its usage. Those versed in the use of magic are referred to as Magicians, Wizards, Sorcerers or Magic Users or a Witch. It is common in works of fantasy and horror for magic users to be divided into Black and White magicians, between those who make benevolent use of the art and the dark arts. The Harry Potter series and other works gave us schools dedicated to the training of magicians and the apprentice magician story is a trope in its own right.
Magic is also a property had by certain creatures such as unicorns, Dragons and Fairies. It is also something that can be imbued into certain objects such as swords, staffs, flying carpets, red slippers, rings and the like, or even objects that may have residual power such as the robes of a magician. Possession of these is frequently greatly sought. For these see Magical Artefacts.
Most depictions of magic on screen display little interest for analysing the processes of how and why it operates. Some have been brave enough to create magic systems. By and large, the stories about magic that work the best are the ones that try to create some restrictions on its use. This may involve the user being limited in what they can do by their skill or knowledge; that a magic artefact has only a certain amount of energy; that there is a natural depletion of magic in the world; that it requires the collection of obscure items in order to work; or that its use may have some cost to the one wielding it.
A big-budget fantasy film made too much in the shadow of Star Wars by people with little understanding of the genre. The fantasy elements feel leaden and fail to take any imaginative flight
Beautiful stop-motion animated feature from Laika. This takes a big bite and tells an epic adventure. The only flaw is that the stop-motion is so flawless that audiences cannot tell the difference between regular animation
Disappointing adaptation of Robert E. Howard’s other barbarian hero. Cast with Kevin Sorbo, it comes out as Kull: The Legendary Journeys and the material is killed by the filmmakers taking an unserious approach
Hong Kong kung fu films of the 1970/80s contains some bizarre crosshatches in a search for novelty. Here a kung fu practitioner takes on a sorcerer who raises ghosts and even Count Dracula to fight
An adaptation of Jasper Fforde, one of the cleverest of modern humorous fantasy writers. Alas, the finished result is one that understands nothing about the book and is one of the worst ever screen adaptations
Beautiful and underrated animated fantasy film about an apprentice magician who protects the last unicorn. This has a maturity that most animated fantasy lacks
This seemed to promise something of tv’s late lamented Constantine or the first Warlock. Instead what we end up with has been turned into a ponderous effects vehicle for Vin Diesel
Sequel to the Charles Band produced children’s film Leapin’ Leprechauns!, this is a much superior film that gets quite darker and ventures into the underworld
Hugely underrated Ridley Scott film that was a box-office flop. Scott attempts to reconstruct the fairytale as something dark and primal and creates moments that are superlative cinema
Earlier less well known adaptation of the C.S. Lewis book made for tv. This is faithful to the book but is badly hampered by primitive animation and an exceedingly simplistic rendering of the story
Not the Disney film, but a live-action film only loosely based on the Hans Christian Andersen fairytale. Not much more than a nicely made average film but one conducted with evident care
Clive Braker’s third and final outing as a director. Barker is trying to tell an occult detective story but fails to get any of the mood that film noir operates by
Way back before Peter Jackson, Ralph Bakshi made this not uninteresting animated adaptation of J.R.R. Tolkien. The film was not a success and Bakshi failed to return to complete the second part of the story
Peter Jackson wowed the world with this first part of his adaptation of J.R.R. Tolkien’s trilogy. This is epic filmmaking and one that shows Jackson in full command of his craft
The weakest of Peter Jackson’s Lord of the Rings films. This is the most variant from the source material and the one where Jackson allows his tendency to visual effects bloat to take over
Peter Jackson’s Lord of the Rings saga truly gains its feet here, expanding out onto an epic scale where he has fused special effects and story into a singular vision
Amiable Danish-made Arabian Nights fantasy for children that has the benefit from being shot on location in Turkey
A crazy Hong Kong blend of supernatural and slapstick, featuring a detective who employs supernatural methods to fight drug dealers who use the resurrected dead as couriers
One of the best children’s films from Charles Band, an utterly bizarre effort about a world through a magic mirror ruled by talking ducks
One of the better films from B-budget dircetor Bert I. Gordon, a fantasy adventure where Gordon produces some decent effects
Ingmar Bergman film about a travelling magic show. Bergman is fascinated with the power that illusionists hold and what happens behind the mask. A spellbinding film that is more haunted that most genre films
Another in the early 2010s fad for fairytales rewritten as dark adult fantasy films – in this case, a version of Disney’s Sleeping Beauty told from the viewpoint of the witch
Nobody much liked Maleficent but did make a reasonable amount of money, hence a sequel. The surprise is that in the hands of Norwegian director Joachim Rønning, it is far better than one expected
The one moment of triumph from director William Girdler who takes a work that sits just on the threshold of schlock and transforms into something incredibly eerie with an injection of H.P. Lovecraft and American Indian mysticism
The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
Sequel to Hallmark’s earlier tv mini-series Merlin featuring a return performance from Sam Neill in the title role, this is otherwise a generic and unmemorable work of Arthurian fantasy
Tarsem Singh makes a Snow White film. Tarsem’s sets, costumes and visuals are expectedly exquisite and extravagant but all is unwound by a campy, unserious approach
TV mini-series based on Marion Zimmer Bradley’s book that offers a revisionist take on the Arthurian legends, telling the story through the eyes of the women of the saga
A Young Adult fantasy adaptation that fells a Harry Potter wannabe repackaged with the brooding teen romanticism of the Twilight series, all under a director whose indifferent handling fails to animate any of the material
A surprisingly good effort to emerge from the arena of fan-made Kickstarter funded filmmaking. Essentially, a group of fans have brought their mutual love of playing Dungeons and Dragons to life but the film, while low-budgeted, places a great deal of care into the characters and building of the world
Mythica: A Quest for Heroes was a fan-made epic fantasy film made with a high degree of creativity and professionalism; this sequel is slightly the lesser but still maintains the high degree of quality
The fifth of the surprisingly good Mythica fan-produced series that has consistently made a strong, rousing variant on the Epic Fantasy tropes on a low budget
This was the fourth in the surprisingly good Mythica series of low-budget epic fantasy films funded via Kickstarter. This proves to be the best of the series yet
The third of the surprisingly good Kickstarter financed Mythica films. This marks a changeover of directors in the series and is slightly the lesser but still does highly imaginative things with a low-budget
Emma Thompson written and starring adaptation of a series of children’s books comes across as a lesser copy of Mary Poppins. A film that feels like it should have been more than it ends up being.
I never much cared for Nanny McPhee. This is a sequel that replicates the original in fairly much the same amount mix of plot elements, slapstick sequences and nonsensical absurdism
In one’s efforts to track down all Edward D. Wood Jr’s films, one finally comes to Necromania, which was believed lost for many years … This turns out to be a pornographic film, consisting of little more than serial sex scenes, this far less interesting because it lacks all of Wood’s typical gaffes and ineptitudes
Not to be confused with Now You See Me, the one about the bank-robbing magicians, this is a surprisingly good film for the usual creative wasteland that is the Disney Channel about a reality show for illusionists who discovers a teen whose powers would appear to be real
Cheap and tatty variant on the Arthurian legends with people trying to prevent a reincarnated sorcerer obtaining Excalibur
Obscure, little seen but beautifully made Magical Realism film set amongst witches and romantic rivalry in Mexico
The 22nd animated film from Pixar and also the least successful (being released only a week before theatrical chains closing down due to Coronavirus). This has an appealingly quirky and original concept not unakin to Bright that takes place in an alternate reality where magic creatures live in a world akin to our own
Absolutely fascinating Irish-Scottish film about people hunting each other with arcane sorceries on a rundown Edinburgh council estate … Compulsively fascinating in its often enigmatic approach, while depicting magic on screen in a way unlike anything we have seen before
Sam Raimi’s prequel to The Wizard of Oz is now; the story of how a conman fools an entire land rather than of an innocent girl just trying to find her way home. The reconceptualisation of Oz comes with a colourful sweep
Another of Disney’s Tinker Bell spinoff adventures. This has some slickly produced animation and does some occasionally cute pieces of fanservice that tie in to Peter Pan but is ultimately fantasy being produced for the single digit age groups
Probably the least great of Hayao Miyazaki’s films. The plot feels recycled from The Little Mermaid while Miyazaki’s recurrent themes seem more perfunctory and the film lacks many of the beautiful contrasts of epic and fragile he specialises in
A story about an apprentice at a mysterious company that deals with magic, this could well serve as a fix for those wanting something more of the Harry Potter franchise
Chick Flick with Nicole Kidman and Sandra Bullock as two sisters from a family of witches. The film never really settles on a consistent tone between comedy, thriller or romance and veers all over the place
From Kirikou director Michel Ocelot, an anthology of animated fairytales that prove quite delightful
Peter Greenaway gets loose on Shakespeare’s The Tempest, indulging his obsessions with lists and multimedia visuals while the costume department goes completely over-the-top
Anthology of tales adapted from Japanese horror writer Edogawa Rampo. The various directors push the stories into an admirably perverse and disturbed space
The fifth of the Roger Corman Edgar Allan Poe films. By this point, there was a clear desire for some novelty so this one is played as a comedy between duelling magicians
Way back before Peter Jackson, there was another whole era of Tolkien adaptations, including this animated adaptation of the third book, which is a peculiar oddity if nothing else
Venture into Magical Realism with Bridget Fonda as a magician’s assistant who undergoes a Mexican ceremony to emerge with real magical powers. Featuring a young Russell Crowe.
One of the classic films from cult stop motion animator Ray Harryhausen, an Arabian Nights fantasy adventure where Harryhausen’s creations prove to be quite wondrous
Jan-Michael Vincent plays a young man who is reluctantly drawn in by his Native American grandfather’s war against a black sorcerer
A film of fascinating ambiguities that stars Alan Bates as a mystery man who appears to John Hurt and demonstrates a killing shout he learned among the Aborigines
Very silly romantic comedy in a Magical Realist vein where Sarah Michelle Gellar gains magical cooking abilities. Like Water for Chocolate did this better.
The third of Ray Harryhausen’s Sinbad films, this came out the same year as Star Wars and Harryhauden’s stop-motion animated creatures look much more flat in comparison
An early CGI animated film conducted on a cut-price budget that tells further adventures of Sinbad
An incredibly bad Italian-made Sinbad adventure starring Lou Ferrigno that is laughable in its dialogue and acting and incredibly tatty in its budget pinching
One of the finest of all Disney animated films, an adaptation of the fairytale made with the full artistic resources that studio could bring to bear
The first film was vaguely passable but this is an agonising piece of commercial product that has reduced everything to lazy slapstick sequences, cutsie laughs and smartass lines played for the single-digit age groups
Live-action version of the popular Hanna-Barbera cartoon series. In its favour, it is at least slickly polished and comes with far less in the way of irritating smartass humour that one expected
An animated revival of The Smurfs. This was greeted with a very negative reception. With a massive celebrity voice line-up packed into almost any corner of the film the casting director can manage
For their third Smurfs film, Sony have dispensed with the live-action/CGi animation mix of the previous two films and made a wholly animated film. Its’ the Smurfs in their more natural element but the film is never more than 3D eye candy for the moppet audiences
The Hallmark tv mini-series version of the Hans Christian Andersen fairytale is lushly produced but tends to plod when it should come to life as fantasy
Beautifully made and very adult version of the fairytale, which seems determined to play up the terror aspect of the title, resulting in a work that seems a long way away from Disney
The second of 2012’s Snow White films after Mirror Mirror, this turns the fairytale into an epic fantasy. Well produced but ultimately a film that lacks anything unique nor pushes far enough into the dark fantasy it promises to be
If you don’t know who Karel Zeman is, you need to check out his films – he is quite one of the most extraordinary directors in his blend of live-action and animation. Zeman’s later films are pure animation and tend to be overlooked but are not uninteresting.
A live-action film based on the titular segment from Fantasia. From Jerry Bruckheimer meaning that it is a film of empty-headed special effects that fails to conjure any magic of its own
Jim Wynorski is a B-budget director whose films feature women with massively oversized breasts. Beyond epic-sized mammaries, this softcore tale about housewives engaged in witchcraft that makes no sense on a plot level
Surprisingly good animated sword and sorcery film, made with a darker edge and definitely not for children
Matthew Vaughn adapts a Neil Gaiman book in this undeniably appealing fantasy that comes with a story of epical sweep that vies between fantastic imagination and broad humour
George Lucas’s venture into animation was critically pilloried. It’s not bad, just no different from a formula film like Rise of the Guardians or Epic. From the man who made Star Wars, you had higher expectations
The Christopher Reeve Superman films started superbly but became wrecked by the producers’ insistence on the insertion of comedy element. Here they turn their attentions to Superman’s cousin Kara whose screen debut is derailed by a horrendously overacting Faye Dunaway
Made on the coat-tails of Conan the Barbarian, this is a low-budget sword and sorcery film that crackles with the essence of Robert E. Howard. The first film from regular genre director Albert Pyun
Forgettable Disney animated film telling the story of King Arthur’s boyhood where the Arthurian legends are sidelined in favour of talking animals and slapstick
Sensational example of the Hong Kong Wu Xia/Flying Swordsman film. Ching Siu-Tung delivers an amazing series of martial arts battles with fantastical moves that are quite out of this world
Hayao Miyazaki’s son Goro more than capably takes up his father’s mantle in a anime beautiful adaptation of one of Ursula K. Le Guin’s later Earthsea books
Likeable and charming Japanese anime for children about a young boy of hubris who sets out on a series of adventures
The Teen Titans get their first solo film in the DC Universe Original Animated Movies. A reasonable adventure based on a classic comic title that works with a good story and characterisation, even if some of it has an adult flavour that makes you wonder who the audience is
Amiably lightweight 80s comedy in which average teenage underdog Robyn Lively gains magical abilities and the complications these create
A retelling of the Shakespeare play, which had been updated to the midst of the American Civil War with some interesting results
An Arabian Nights adventure that offers up one of the purest blends of fantasy and romance of its era. Filled with stunning directorial set-pieces and magnificent sets and all shot in colour.
Dull remake of the classic Arabian Nights film that casts Steve Reeves and tries to make it into a Hercules peplum adventure
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
Rather silly and plotless Hong Kong comedy with Chow Yun Fat as a CIA agent encountering a magical girl at a monastery in China
Inane Disney Channel film with twin sisters Tia and Tamera Mowry as sisters who didn’t know it who discover they are witches. A film that has zero interest in its fantasy elements and is entirely taken up by airhead teenage airhead natter
Having to sit through the Mowray twins airhead natter again in a sequel to their early Disney Channel film feels the equivalent of nails being scratched on a blackboard
One has zero enthusiasm for this, which has been sold as Twilight meets Harry Potter. Defying expectation, it is written with a sarcastic amusement puncturing its own seriousness and has a great performance from its leading lady, if in the end it is too weighted down by story exposition needed to set up its sequels to ever open up dramatically
The second of Amicus Films’ adaptations from EC Comics, a follow-up to their earlier Tales from the Crypt and one of their weaker horror anthologies with the episodes much more variable in overall quality
Adapted from the videogame, this is a third hand rehash of the basics of Tolkien. Secondly, it looks like a giant CGI cartoon where almost anything interesting about the world has been sidelined in favour of fantasy action
Richard E. Grant is a witchfinder who pursues warlock Julian Sands through a time vortex into the present day. David Twohy’s script takes all the Old Wives’ tale aspects of Middle Ages superstition seriously to immensely entertaining regard
Mini-series based on the works of Terry Pratchett that feels as though it is made, designed and cast by people who haven’t even read the books
The second half of the film adaptation of the musical Wicked. This essentially operates as Wizard of Oz fanfiction and substantially wrenches the characters and backstories from the 1939 film out of shape to write its own story
The first half of a two-part adaptation of the hit Broadway musical that is a prequel to The Wizard of Oz, showing The Wicked Witch’s origin story
Outside of the Star Wars and Indiana Jones films, not much else that George Lucas has made has been a success. This Ron Howard-directed epic fantasy proved to be a big flop where Howard’s lightweight touch fails to make a one-dimensional plot fly
Deliriously frothy and enjoyable George Miller film with Cher, Susan Sarandon and Michelle Pfeiffer as three witches who conjure forth Devil figure – Jack Nicholson in full barnstorming mode
Sequel/modernisation (it is confusing what) to The Wizard of Oz relocated in New York. This tv mini-series may be the cheapest work ever served up bearing the Oz name and flounders amid the shabbiness of its effects and utter lack of magic its director conjures
A low-budget film that prefigures the big-budget Hansel and Gretel: Witch Hunters in turning the fairytale brother and sister into witchslayers in a generic fantasy adventure plot