The Science Fiction Horror and Fantasy Film Review
Martial Arts cinema was a genre that began in Hong Kong in the late 1960s, featuring people using forms of unarmed combat such as karate and kung fu. In recent years, kickboxing and MMA combat have been added to the mix.
The martial arts film gained a huge boost with the hit of Enter the Dragon (1973), which made a star out of Bruce Lee. Lee died at the height of his fame but there was a large body of imitators. The genre has produced other stars such as Jackie Chan and Jet Li.
Martial arts entered the American Action Film soon after and made stars out of names like Chuck Norris, Steven Seagal, Jean-Claude Van Damme, Don ‘The Dragon’ Wilson and others. The video action film of the 1990s readily mixed martial arts with killer cyborgs, time travel and post-apocalyptic action. The genre gained a whole new popularity after the massive hit of The Matrix (1999).
A sequel to the 2021 revival of the film series based on the videogame and a much more satisfying film than its predecessor. The first film was all origin story, but this plunges us into the actual kombat itself
The fourth entry in DreamWorks popular animated series, which by now is just another entry in the series that is coasting by on recognition factor, while offering minimal difference
The Teenage Mutant Ninja Turtles were the pop culture phenomenon of the 1980s. They have not fared so well in the 2000s but this new animated film written by Seth Rogen is a promising start
A multiverse comedy in which Michelle Yeoh is propelled through an hilarious series of alternate selves. One of the most mind-spinning films of recent viewing. Also the first SF film to win an Academy Award for Best Picture
The cutely nonsensical Minions have become a pop culture phenomenon. Here we get more of them, although this is more as a Gru origin story
The Teenage Mutant Ninja Turtles are resurrected in a new animated film that feels like a watered-down fix designed for Ritalin-deprived youth
The third of the Mortal Kombat animated films. This abandons inter-dimensional kombat and takes place in a post-apocalyptic world, focused around the blind swordsman Kenshi
The Marvel onslaught continues with this resurrection of a martial artist superhero character from the 1970s. Amid the mostly ho-hum MCU offerings of the 2020s, this becomes an energised action vehicle
The second of the Mortal Kombat animated films, this continues into another tournament, introducing a bewildering array of characters from the games amid a high degree of violence and bloodshed
One of The Wachowskis returns to the world of The Matrix and rather wittily turns it into an anti-blockbuster about her reluctance to do so
Part of the attempt to reboot the G.I. Joe film series into a shared universe, this is a kinetically driven martial arts film
An oddity among the animated Batman films. This seems less another Batman film – Bruce Wayne gets more screen time than Batman, for instance – than it does a homage to the 1970s martial arts film
An animated film revival of the Mortal Kombat videogame franchise. This does a quite reasonable reworking of the basics, while leaving you blown away with the ultra-violent excesses of the action
The action film has largely died off in the 2010s. This is very much a throwback with a set-up reminiscent of Predator about an action team fighting an alien in the jungle
Ching Siu-Tung, director of classic Wu Xia films like A Chinese Ghost Story, returns to wow us all again after an eight years absence with another film of breathtakingly dreamy visuals
Third of the animated films based on the Lego toy line. This has the same fast-paced humour and witty fourth-wall breaking gags as its predecessors, even if you suspect the Lego Movie brand is starting to fade
A Chinese version of The Terminator if you can imagine the android as the hero who travels back in time to learn a lost form of kung fu in order to prevent an alien invasion
The Kung Fu Panda series are films for couch potatoes – martial arts films with a hero who proclaims the virtues of laziness, overeating and goes into combat with an self-inflated sense of his own awesomeness
Nobody has good things to say about the 2014 reboot of the Turtles. This sequel is stuck with its legacy – giant over-sized Turtles that lacked the cuteness of the originals; bitchy non-acting Megan Fox – but comes out winningly by doing one thing – emulating the spirit of the original cartoon series
Based on the book that led a publishing phenomenon in which literary classics are mashed up with monsters, this has the difficult balancing act – that of making Jane Austen’s Regency romance sit alongside zombies – nevertheless manages to play both with an impeccably straight-face
Comic-book adaptation about a cop that is resurrected from the dead to take on the toughest assignments. Feels like a throwback to an 80s film like Maniac Cop or Dead Heat where the film is killed by the tiresomely cliched appropriation of the faux grindhouse aesthetic
Japan’s Takashi Miike gained a cult with a series of films that went to extremes or crossed way over taboo lines; his films from the mid-2000s have become more experiments that produce a head-scratching “huh?”. Case in point being this Yakuza vampire film that frequently feels like much of it was being made up on the spot
I had a liking for RZA’s Shaw Brothers homage The Man with the Iron Fists more than most other critics.This sequel has been handed over to a generic action direction, which certainly leaves it more slickly polished than the original but also quickly forgettable
This reboot of the pop culture icons of 80s/90s is an ugly failure on almost every level. The Turtles I remember were hip, funky and bubbled with boyish enthusiasm; these Turtles seem sinister oversized creations, while the film’s adrenalised over-production and emphasis on grit seems to have missed the essential element of fun
You can’t complain that this is not exactly what you expect it to be – two hours of cartoonish action during which the brain singularly fails to engage. This is less unapologetic about being a military fantasy than the first film
From the high-profile release this had, I was expecting it to be a Wu Xia epic – instead we get what feels like a martial arts film by way of Scott Pilgrim vs. the World where instead of amazing us with the fight scenes the director seems in love with self-conscious cuteness of his own visuals
Sequel to Stephen Fung’s Taichi Zero. The first film was distractingly self-conscious and hyper-active; by contrast, this is much less so, allowing it to settle down and start being the fantastic martial arts film it sets out to be. Even so, classic Wu Xia directors leave everything Fung does for dead
RZA of rap group Wu-Tang Clan fame (with the aid of Eli Roth and Quentin Tarantino) makes a dual acting/directing appearance with this homage to Shaw Brothers martial arts films … not quite the genuine article but a solid effort where RZA certainly doesn’t embarrass himself
Martial Arts/Wu Xia fantasy with various people involved in a competition while hunting for a fabled sword
The long-planned big screen adaptation of the popular radio and tv masked hero becomes a disaster by placing the script in the hands of a badly miscast star Seth Rogen who plays everything for comedy
Sequel to DreamWorks hit animated film, this does little more than repeat its predecessor. The detail and texture is amplified to a work of art, although you cannot help but wonder if the under tens care about this
A wholly unnecessary sequel to Hoodwinked!, this again runs the fairytale characters over with modern quips and pop culture references
A low-budget film served by some witty fanboy humour, decent fight choreography and unexpectedly good acting
The further slide downwards of Jackie Chan’s career after being discovered by Hollywood. Here he is a spy left to look after a group of kids with excruciatingly unfunny results
Korean-made Wu Xia/Western crossover that imports Hollywood names and is shot in New Zealand, resulting in a bizarre oddity cross-cultural fusion. The plot elements are paper thin but the film comes to life during the stylised action scenes
Live-action film adaptation of the popular animated tv series, this was widely seen as a disaster for M. Night Shyamalan. I am one of the few that liked the film for Shyamalan’s superbly designed world
Japanese film that true to its title offers pits ninja against alien creatures. The film plants tongue considerably in cheek as it offers up a series of wildly fantastique action scenes and creature effects
A series of short film interpretations of the Frankenstein story, with interpretations ranging from BDSM to kung fu and modern police procedural
The Pang Brothers are some of the most exciting genre directors in the world. Here they take on the Wu Xia film and make a sequel to The Storm Riders that feels fuelled by too many viewings of 300
Sequel to the 1994 Street Fighter film based on the videogame, this provides the wall-to-wall action that the first film needed but falls down with a wimpily miscast heroine
Produced by The Wachowskis who take the opportunity to reinvent the ninja film with the same flamboyant visuals they employed on The Matrix with exhilarating results
Disastrous and miscalculated live-action Hollywood version of the anime series. which turns the characters into just regular teenagers. Nobody involved seems to be making any effort.
The third of the Brendan Fraser Mummy films that feels like it has no point other than to steal $10 from your hand and give you a bucket of content free mental popcorn in return
Massively successful animated film for DreamWorks, a comic riff on the martial arts training film that proves amiable and crowd-pleasing without ever being riotously funny
Likeable film made by fans about a ninja team formed to deal with a zombie onslaught
Westernised homage to Wu Xia and the Shaw Brothers film with an American teen transported back to Ancient China, this has all the thrill of junior-grade martial arts tournament
Animated revival of the Teenage Mutant Ninja Turtles, which brings them back to the screen with a satisfyingly gritty edge and a series of kinetic action sequences
A Hong Kong martial arts film set among the triad wars that is made with an assured blend of turbo-charged and frequently fantastical CGI-assisted action sequences
Videogame adaptation that emerges as a conceptual combination of Charlie’s Angels (2000) – a trio of girls, in kickass poses and jaw-droppingly scanty costumery – and Mortal Kombat
Disney Channel film where a modern teenager finds she is the reincarnation of a martial arts warrior
A spinoff from the film version of Daredevil, this gives the comic-book character of the super-assassin Elektra her own film. This does not have a very good rap but comes with some solid action scenes
Stephen Chow excels himself in this comic take on the martial arts film. Sensational over-the-top fight sequences sit alongside Chow’s frequently sidesplitting comic hand.
Jules Verne’s classic adventure novel is turned into a comedy vehicle for Jackie Chan. One of Chan’s biggest flops, an overblown turkey packed with celebrity cameos and replacing Verne’s adventure with incredibly unfunny slapstick
Made following the international success of Crouching Tiger, Hidden Dragon, Zhang Yimou makes an exquisite Wu Xia fantasy that is an even superior film, filled with visually stunning set-pieces and costuming
Painfully derivative US-made attempt to jump aboard the popularity of Wu Xia following The Matrix and Crouching Tiger, Hidden Dragon. There are talented people involved who should have known better
Flop Jackie Chan film that tries to recapture some of his Hong Kong heyday with Jackie in a quest for a boy and medallion with magical powers
Third of The Matrix sequels and the weakest of the series. This offers one showstopping effects sequence, on the other hand it also leaves a host of unanswered questions dangling
The first of the sequels to The Matrix inevitably disappointed on the massive build-up. The Wachowskis leave more questions than answers, while the new action scenes are often jaw-dropping they also feel boiler-plated on
Tsui Hark takes over the directorial reins of the sequel, filling it with much more fantastical elements, pitting the hero against a mad scientist and his mutant creations in a series of wild martial arts scenes
Pitched as a parody of the martial arts moves in The Matrix and Crouching Tiger, Hidden Dragon. In actuality, this is a witless and unfunny comedy that only takes a 1970s martial arts film and dubs it with a laughtrack
While Kurt Wimmer’s film with Christian Bale as an enforcer in a dystopian future attained some acclaim when it came out, it feels like it is comprised of a collage of cliches borrowed from every other dystopian film
Part of the sad depths that Jackie Chan’s career sank to after he was discovered by Hollywood. This is a spy film parody where he is a cabbie who places on a hi-tech tuxedo that turns him into a super-agent
Energetic South Korean attempt to employ the Wu Xia action moves popularised by The Matrix and Crouching Tiger, Hidden Dragon in a high school setting
Tsui Hark’s follow-up to Zu: Warriors from the Magic Mountain the film that popularised Wu Xia cinema. The point where Tsui discovered CGI and latches onto it to do more than just show flying swordsmen but create an exquisitely dreamy world of pure fantastique imagination
This is one of the great wacky titles of all time. The film has its deliberately ridiculous amusements but soon fails to provide an interesting enough show to live up to its title
Promising idea of an alternate world-hopping film from James Wong, this spends too much time copying moves from The Matrix and lets most of its possibilities pass by
A shabby video-released sequel to DragonHeart (the first of several). Although this is quite clearly not being made with the services of Industrial Light and Magic this time
A film that was as groundbreaking when it came out as Star Wars was in its day. The Wachowskis create a defining work on Virtual Reality themes and do so with a sublime cool and a series of breathtaking action moves that blew everybody away
A solid variant on the Hong Kong flying swordsman genre that contains some epic plotting This is the point where the Wu Xia film discovered CGI effects
Sequel to the Mortal Kombat film. While the first film was fun, here anything resembling plot has been stripped away to concentrate on fight scenes such that the film blurs into a single shapeless action sequence
Fantasy film set in a magical otherworld defended by martial arts wielding kangaroos
The second of the film spinoffs from tv’s Mighty Morphin Power Rangers. More inane silliness played with shrieking OTT excess
A Jet Li vehicle that falls into the masked superhero genre where the show has taken a few leaves from the tv series The Green Hornet. Enjoyable fun with some exhilarating action sequences
Near laughable film in which Chuck Norris is cast as the guardian spirit of a forest preaching eco-friendly attitudes to kids and inspiring them to stand up against loggers
Film spinoff from the Mighty Morphin Powers Rangers tv series that became a fad in the 90s. All the same rubber monsters and shrieking over-the-top acting is preserved intact
The live-action English-language adaptation of the Japanese manga/anime that comes off as a muddled post-holocaust action film that doesn’t know what it wants to be
This film adaptation of the videogame is a lot of fun. The plot is a rehash of Enter the Dragon but the film offers up wall-to-wall action and exotic creatures. A directorial debut for Paul W.S. Anderson
Completely ridiculous martial arts SF film with Don ‘The Dragon’ Wilson as a future cop fighting a videogame character incarnated in the real world
The first feature film from Christophe Gans is a live-action adaptation of a manga about an assassin. Gans turns out a film that dazzles with the flamboyance of his action sequences
Another of Albert Pyun’s cyborg films set around a kickboxing competition where Pyun seems to have cut costs by using real competition footage with dramatically dull results
Hugely enjoyable entry in Hong Kong’s Wu Xia/flying swordsmen genre filled with wildly over-the-top moves
SF film with Stephen Baldwin sentenced to life on a prison planet where he becomes saviour to a small peaceful community
Disappointing adaptation of the arcade videogame. The game is premised on mindless martial arts action but the film pitches everything down to pre-teen audiences and make the two brother protagonists into dorks
Don ‘The Dragon’ Wilson stars as a law enforcement officer pursued by killer androids in a blatant made-for-video action movie copy of the basics of The Terminator and RoboCop
From the height of the 90s RoboCop copycat video release, a sequel that this time pits DEA agent David Bradley up against an army of rogue cyborgs
The third of the original live-action Turtles films is a lazily conceived affair that transplants the Turtles back in time to feudal Japan in a plot that rips off The Seven Samurai
Hong Kong action choreographer Yuen Woo-Ping directs a masterpiece of martial arts cinema, featuring some of the sensational fight sequences ever put on film
The third in the Hong Kong Wu Xia/flying swordsman series. After a sensational second entry, this one figures it has to top it, resulting in some utterly whacko scenes even by the usually OTT, anything-goes standards of Hong Kong fantasy
Another entry in the Wu Xia cycle. By this time most of the moves of the genre have been used so this goes to wild extremes to find some type of originality
Martial arts film from legendary Hong Kong action coordinator Yuen Wo Ping (behind the fight scenes in The Matrix). Essentially a Wu Xia version of Robin Hood and worth watching for Yuen’s amazing action scenes
Manically paced Hong Kong action comedy about a time-travelling action team purportedly inspired by the Street Fighter videogame. Imagine The Terminator as a manic slapstick comedy with martial arts sequences.
A really cheap and unconvincing post-apocalyptic action film starring forgotten martial arts star Ron Marchini as a lawman fighting off mutant crazies to obtain a power crystal
Another of Albert Pyun’s post-apocalyptic kickboxing cyborg films. The film consists of almost nothing but action scenes as pint-size Kathy Long and a cyborg Kris Kristofferson battle warlord Lance Henriksen
Hysterically bad film where Chuck Norris turns one-man fighting machine and goes all out to save the world from the Anti-Christ calling down the Armageddon
Enormously entertaining and hilariously tongue-in-cheek Hong Kong action film featuring three popular actresses as superheroines who go into action in a series of wildly over-the-top moves
A disappointing sequel to the madcap Hong Kong superheroines film. This reunites the principal cast members but seems to miss all the fun of its predecessor
Classic Hong Kong Wu Xia film featuring much aerial swordplay and lushly dressing/lighting but also a work of wildly uneven tone
Sequel to their earlier Wu Xia film, although having nothing in common with it. All the moves are pushed to a level of cartoonish absurdity that proves amazingly silly
Sensational example of the Hong Kong Wu Xia/Flying Swordsman film. Ching Siu-Tung delivers an amazing series of martial arts battles with fantastical moves that are quite out of this world
VHS era martial arts film with Loren Avedon as a US detective who is sent undercover to infiltrate the kickboxing tournaments held in Thailand by snuff movie-makers